Esibelekweni: Ingqokelela Yemibongo ngesiXhosa nangesiNgesi
- Authors: Busakwe, Yenzokuhle
- Date: 2023-10-13
- Subjects: Creative writing (Higher education) South Africa , Diaries Authorship , Books Reviews , South African essays (English) 21st century , Xhosa poetry 21st century
- Language: English , Xhosa
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/424917 , vital:72193
- Description: My thesis is a collection of poems that is written in isiXhosa and English. It explores African spirituality, my relationship with God, heartache from romantic and platonic relationships. I make use of dual languages because some themes that I write about such as African spirituality I find words that capture their truest emotion in my Xhosa vocabulary, and I cannot find them in English. My poems use the narrative form because it allows me to tell stories through poetry without having to commit my writing to musicality or rhyming that a lyric poetry normally has. My work is shaped by writers such as Kate Beinhemer, Mangaliso Buzani, Amy Saul Zerby, Nontsizi Mgqwethio, Simphiwe Nolutshungu and Oiu Miaojin. Buzani makes use of images and few lines in his writing but still manages to capture a story with brevity. Saul-Zerby makes use of text lingo in some of her poems, and I make use of it to close a gap that I have identified with the books that I was reading that are all written in a formal and serious format. Mgqwetho’s poems explore Christianity and African Spirituality which is one of the subjects that my work is exploring too but in a manner that differs. I talk about how they have been my guidance instead of praising their powers like Nontsizi normally does in her poems. Simphiwe Nolutshungu’s poems has influenced the structure of my poems. Fairy tales written by writers like Kate helps my writing to bring to life issues that sound too dreamy to be true but have manifested as visions and memories that I cannot wipe out from my conscience. Oiu Miaojin’s novel “Last words from Montmantre” I am fascinated by how the writer detail emotions such as vulnerability and heartbreak in his storytelling. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2023
- Full Text:
- Authors: Busakwe, Yenzokuhle
- Date: 2023-10-13
- Subjects: Creative writing (Higher education) South Africa , Diaries Authorship , Books Reviews , South African essays (English) 21st century , Xhosa poetry 21st century
- Language: English , Xhosa
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/424917 , vital:72193
- Description: My thesis is a collection of poems that is written in isiXhosa and English. It explores African spirituality, my relationship with God, heartache from romantic and platonic relationships. I make use of dual languages because some themes that I write about such as African spirituality I find words that capture their truest emotion in my Xhosa vocabulary, and I cannot find them in English. My poems use the narrative form because it allows me to tell stories through poetry without having to commit my writing to musicality or rhyming that a lyric poetry normally has. My work is shaped by writers such as Kate Beinhemer, Mangaliso Buzani, Amy Saul Zerby, Nontsizi Mgqwethio, Simphiwe Nolutshungu and Oiu Miaojin. Buzani makes use of images and few lines in his writing but still manages to capture a story with brevity. Saul-Zerby makes use of text lingo in some of her poems, and I make use of it to close a gap that I have identified with the books that I was reading that are all written in a formal and serious format. Mgqwetho’s poems explore Christianity and African Spirituality which is one of the subjects that my work is exploring too but in a manner that differs. I talk about how they have been my guidance instead of praising their powers like Nontsizi normally does in her poems. Simphiwe Nolutshungu’s poems has influenced the structure of my poems. Fairy tales written by writers like Kate helps my writing to bring to life issues that sound too dreamy to be true but have manifested as visions and memories that I cannot wipe out from my conscience. Oiu Miaojin’s novel “Last words from Montmantre” I am fascinated by how the writer detail emotions such as vulnerability and heartbreak in his storytelling. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2023
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[iLahleko - Loss]
- Authors: Qhali, Itumeleng
- Date: 2021-10-29
- Subjects: Creative writing (Higher education) South Africa , Xhosa poetry 21st century , South African poetry (English) 21st century , Short stories, South African (English) 21st century , Loss (Psychology) in literature , Poetry History and criticism , Bilingual authors , Bilingualism and literature , Bilingualism in literature
- Language: English , Xhosa
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/191825 , vital:45169
- Description: My thesis is a collection of poems and prose that explores the disjunction of losses for women and children across the two languages I inhabit, isiXhosa and English. Ukulahlekelwa lithemba, ukudukelwa yingqondo, ukholo, ubuwena, umzimba nothando. For me, isiXhosa captures the innate musicality and deep emotions within a word or a sound that are not available in English. On the other hand, English readily produces visceral images that are more difficult for me to access in isiXhosa. Kolu phononongo ndikwasebenzisa namagama emboleko ukuze ndikhulise isigama. Ndisebenzisa amagama azibeka zinjalo iimvakalelo, angqalileyo kuncwadi lwesiXhosa. Ndisebenzisa zombini ilyric form kunye neprozi ngenxa yesingqi esiphuhliswa yilyric, nangenxa yenkululeko umbali ayifumanayo kwiprozi. As a bilingual writer ndifuthelwe sisingqi nobunzulu bentlungu obufumaneka in the translated and bilingual works of Isabella Motadinyane, noMarina Ivanovna Tsvetaeva, imibongo yeDaikwan eguqulwe nguStephen Watson ethi Song of the Broken String; iimbongi zespanish ezinjengo Antonia Machado; ngendlela abasebenzisa ngayo ulwimi lwabo ukunabisa nokugqithisa umyalezo ngeentlungu abadibana nazo, bakwanaso nesingqi somculo othuthuzelayo kwimibongo yabo. The structure of my thesis is inspired by the innovative mixed genre layout of Sindiswa Busuku-Mathese’s Loud and Yellow Laughter, and the new formats of isiXhosa writing presented in Mthunzikazi Mbugwana’s poetry. My work has also been shaped by the visceral imagery and briefly captured moments of loss in imisebenzi ka S.S Mema, Nontsizi Mgqwetho, noPascale Petit, novangile gantsho. Imisebenzi yabo ikuzobela umfanekiso ngqondweni ophilayo. Bonke abababhali bahambe indlela endinika umdla nendifuna ukuyihamba nam njengombhali omtsha obhala ngeelwimi ezimbini. , My thesis is a collection of poems and prose that explores the disjunction of losses for women and children across the two languages I inhabit, isiXhosa and English. For me, isiXhosa captures the innate musicality and deep emotions within a word or a sound that are not available to me in English. On the other hand, English readily produces visceral images that are more difficult for me to find in isiXhosa. My poems use the music and introspection of the lyric form, as well as the emotional outpouring that prose poetry allows. As a bilingual writer, I am influenced by the transference of musicality and gravity of loss conveyed in the translated and bilingual work of Isabella Motadinyane, the Russian Marina Tsvetaeva, Stephen Watson’s Song of the Broken String, as well as the Spanish poets Antonio Machado. The structure of my thesis is inspired by the innovative mixed genre layout of Sindiswa Busuku-Mathese’s Loud and Yellow Laughter, and the new formats of isiXhosa writing presented in Mthunzikazi Mbugwana’s poetry. My work has also been shaped by the visceral imagery and briefly captured moments of loss in the work of South African poets vangile gantsho, S.S. Mema, and Nontsizi Mgqwetho, as well as the English poet, Pascale Petit. , Thesis (MA) -- Faculty of Humanitites, School of Languages and Literatures, 2021
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- Authors: Qhali, Itumeleng
- Date: 2021-10-29
- Subjects: Creative writing (Higher education) South Africa , Xhosa poetry 21st century , South African poetry (English) 21st century , Short stories, South African (English) 21st century , Loss (Psychology) in literature , Poetry History and criticism , Bilingual authors , Bilingualism and literature , Bilingualism in literature
- Language: English , Xhosa
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/191825 , vital:45169
- Description: My thesis is a collection of poems and prose that explores the disjunction of losses for women and children across the two languages I inhabit, isiXhosa and English. Ukulahlekelwa lithemba, ukudukelwa yingqondo, ukholo, ubuwena, umzimba nothando. For me, isiXhosa captures the innate musicality and deep emotions within a word or a sound that are not available in English. On the other hand, English readily produces visceral images that are more difficult for me to access in isiXhosa. Kolu phononongo ndikwasebenzisa namagama emboleko ukuze ndikhulise isigama. Ndisebenzisa amagama azibeka zinjalo iimvakalelo, angqalileyo kuncwadi lwesiXhosa. Ndisebenzisa zombini ilyric form kunye neprozi ngenxa yesingqi esiphuhliswa yilyric, nangenxa yenkululeko umbali ayifumanayo kwiprozi. As a bilingual writer ndifuthelwe sisingqi nobunzulu bentlungu obufumaneka in the translated and bilingual works of Isabella Motadinyane, noMarina Ivanovna Tsvetaeva, imibongo yeDaikwan eguqulwe nguStephen Watson ethi Song of the Broken String; iimbongi zespanish ezinjengo Antonia Machado; ngendlela abasebenzisa ngayo ulwimi lwabo ukunabisa nokugqithisa umyalezo ngeentlungu abadibana nazo, bakwanaso nesingqi somculo othuthuzelayo kwimibongo yabo. The structure of my thesis is inspired by the innovative mixed genre layout of Sindiswa Busuku-Mathese’s Loud and Yellow Laughter, and the new formats of isiXhosa writing presented in Mthunzikazi Mbugwana’s poetry. My work has also been shaped by the visceral imagery and briefly captured moments of loss in imisebenzi ka S.S Mema, Nontsizi Mgqwetho, noPascale Petit, novangile gantsho. Imisebenzi yabo ikuzobela umfanekiso ngqondweni ophilayo. Bonke abababhali bahambe indlela endinika umdla nendifuna ukuyihamba nam njengombhali omtsha obhala ngeelwimi ezimbini. , My thesis is a collection of poems and prose that explores the disjunction of losses for women and children across the two languages I inhabit, isiXhosa and English. For me, isiXhosa captures the innate musicality and deep emotions within a word or a sound that are not available to me in English. On the other hand, English readily produces visceral images that are more difficult for me to find in isiXhosa. My poems use the music and introspection of the lyric form, as well as the emotional outpouring that prose poetry allows. As a bilingual writer, I am influenced by the transference of musicality and gravity of loss conveyed in the translated and bilingual work of Isabella Motadinyane, the Russian Marina Tsvetaeva, Stephen Watson’s Song of the Broken String, as well as the Spanish poets Antonio Machado. The structure of my thesis is inspired by the innovative mixed genre layout of Sindiswa Busuku-Mathese’s Loud and Yellow Laughter, and the new formats of isiXhosa writing presented in Mthunzikazi Mbugwana’s poetry. My work has also been shaped by the visceral imagery and briefly captured moments of loss in the work of South African poets vangile gantsho, S.S. Mema, and Nontsizi Mgqwetho, as well as the English poet, Pascale Petit. , Thesis (MA) -- Faculty of Humanitites, School of Languages and Literatures, 2021
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Ubomi Sisilonda: Ingqokelela Yemibongo
- Authors: Yanta, Luvuyo Mkhululi
- Date: 2021-10-29
- Subjects: Creative writing (Higher education) South Africa , Xhosa poetry 21st century , Diaries -- Authorship , South African poetry (English) History and criticism , Xhosa poetry History and criticism , Poetry Therapeutic use
- Language: Xhosa , English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/192364 , vital:45219
- Description: Esi siqingatha sethisisi yingqokelela yemibongo-ngoma eyilwe ngeenjongo zokuzama ukuveza nokupholisa isilonda esidalwe ziimeko zobom esiphila kubo singabantu, izinto endizibonileyo nendidlule kuzo. Ndibhala ndibonakalisa ubumnyama endiphile kubo, apha ndizama ukusondela ekukhanyeni. Ndiqala ngokupholisa ezam izilonda kuqala. Ulwimi endilusebenzisayo lulanda imbali yam njengomfana omnyama okhulele elokishini, ilokishi nganye inolwimi lwayo. Ndisebenzisa olu lwimi ndibalisa indlela endikhule ngayo, ndikwakhankanya nokukhula ndiqheliswa ukungathethi ngezinto nokungawavezi amanxeba entliziyo yam phambi kwabantu “ilayithi ayikhali.” Ndinomdla kubabhali ababhala ngeemeko zexesha lanamhlanje, kwiimeko eziphilwa luninzi lwabantu nesimo sentlalo jikelele. Ndisebenzise umsebenzi wababhali abafana noAyanda Billie ukujonga isingqi sobom kwimibongo yakhe njengomntu ongekho kude ngokuhlala nokufuphi ngeminyaka, ndiqwalasele imisebenzi kaS. Zotwana ukuzama ukusondeza isigama kwindlela endikhule ngayo kunye noJ.J.R Jolobe ukuqwalasela ukuba babesebenzisa obuphi ubuchule bokubhala nokupholisa izilonda zabo. Ndikwacaphule kwisimbo sokubhala esikhawulezileyo semibhalo eyenzelwe iqonga njengoko ndichithe ixesha elininzi ndidlala kwaye ndikwaqeqesha abadlali beqonga. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
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- Authors: Yanta, Luvuyo Mkhululi
- Date: 2021-10-29
- Subjects: Creative writing (Higher education) South Africa , Xhosa poetry 21st century , Diaries -- Authorship , South African poetry (English) History and criticism , Xhosa poetry History and criticism , Poetry Therapeutic use
- Language: Xhosa , English
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/192364 , vital:45219
- Description: Esi siqingatha sethisisi yingqokelela yemibongo-ngoma eyilwe ngeenjongo zokuzama ukuveza nokupholisa isilonda esidalwe ziimeko zobom esiphila kubo singabantu, izinto endizibonileyo nendidlule kuzo. Ndibhala ndibonakalisa ubumnyama endiphile kubo, apha ndizama ukusondela ekukhanyeni. Ndiqala ngokupholisa ezam izilonda kuqala. Ulwimi endilusebenzisayo lulanda imbali yam njengomfana omnyama okhulele elokishini, ilokishi nganye inolwimi lwayo. Ndisebenzisa olu lwimi ndibalisa indlela endikhule ngayo, ndikwakhankanya nokukhula ndiqheliswa ukungathethi ngezinto nokungawavezi amanxeba entliziyo yam phambi kwabantu “ilayithi ayikhali.” Ndinomdla kubabhali ababhala ngeemeko zexesha lanamhlanje, kwiimeko eziphilwa luninzi lwabantu nesimo sentlalo jikelele. Ndisebenzise umsebenzi wababhali abafana noAyanda Billie ukujonga isingqi sobom kwimibongo yakhe njengomntu ongekho kude ngokuhlala nokufuphi ngeminyaka, ndiqwalasele imisebenzi kaS. Zotwana ukuzama ukusondeza isigama kwindlela endikhule ngayo kunye noJ.J.R Jolobe ukuqwalasela ukuba babesebenzisa obuphi ubuchule bokubhala nokupholisa izilonda zabo. Ndikwacaphule kwisimbo sokubhala esikhawulezileyo semibhalo eyenzelwe iqonga njengoko ndichithe ixesha elininzi ndidlala kwaye ndikwaqeqesha abadlali beqonga. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2021
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Satire in J.J. R. Jolobe's literary works : a critique in relation to contemporary South Africa
- Authors: Benayo, Xolela
- Date: 2020
- Subjects: Jolobe, James J. R. , Xhosa literature -- History and criticism , Xhosa poetry -- History and criticism , Humor in literature , Xhosa literature -- Humor , Xhosa language
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/161762 , vital:40667
- Description: J.J.R. Jolobe is regarded as one of the individuals who made a valuable contribution to the development of isiXhosa literature through his works, notably in his poetry (Ilitha, Umyezo; Jolobe 1936). His poetry ranges from abstract subjects to more philosophical matters. This study is aimed at decoding the manner in which he employs satire to conscientise African people of the then horrible situation that they were facing. With that said, poetry will not be the only work that this thesis analyses in the process of evaluating Jolobe’s satire; his essays will also be examined (Amavo; Jolobe 1940). Based on the writings of various authors specialising in the subject, satire has been deemed to be a style of literary writing, one which involves invective satire. For the researcher, that statement will be rebutted, as it will be argued that the mode of satire need not be wholly invective. Jolobe’s light-hearted satire not only showcases the amusing side of his writings, but also indicates the seriousness with which they were intended. Themes covered in Jolobe’s satire have inspired the researcher to evaluate these literary texts in relation to modern contexts, especially when it comes to the relationship between the lines of the author’s experience and the public. With that said, the social role of satire is something that one cannot deny. One could therefore say that there is an urgent need for African satirists to face the existing social and economic reality as authentically as possible. The voice of a satirist should also echo the voice of their society as a whole. Satirical study in post-colonial Africa, in South Africa in particular, is useful due to the idea that the works of the likes of Jolobe may diminish in significance due to neo-colonialism. In fact, this is the point which is considered in this study of Jolobe’s satire. This study also examines stages afforded to the development of satire in Africa, especially in the post-colonial era. The purpose is to identify the effects of satire that are related to socio-political as well as religious factors. These factors are often seen as those that play a vital role is one’s personal morals, and those that are meant to shape the whole community. Jolobe addresses imperialism and the class struggle, which speaks to the society’s loyalties regarding the mobilization toward realizing the dream of being independent. This speaks to the works analysed, revealing protests against oppression and exploitation by imperialists; such works show how inhumane people could be against those who they deem to be beneath their standards. Researchers like Mahlasela (1973), Sirayi (1985), Kwetana (2000) and Khumalo (2015) are amongst those who have made it a point to study Jolobe to ensure that these works are kept alive, along with their significance. Other prospective researchers can follow suite in researching the great Jolobe. In ensuring that the aims of this study come to light, the researcher will be using socialist realism as a way of seeing that the works of Jolobe are realistic in nature. With that said, there will be an exploration of allegoric satire. Satiric allegory will be evaluated with regard to the view that it represents a unique slant on satire, whereby it deems satire to be more than just a supportive method of literary criticism. This allows the researcher to hold the view that satire should not be a restrictive framework when dealing with African literature. Satire as a modern form of criticism can be viewed as having an element of humanism, which would result in the satirist doing all he can to make sure that what is satirized is not isolated from the struggle of the community. It is for the above-mentioned reasons that we see a big challenge in the future development of satiric discourse in African literature.
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- Authors: Benayo, Xolela
- Date: 2020
- Subjects: Jolobe, James J. R. , Xhosa literature -- History and criticism , Xhosa poetry -- History and criticism , Humor in literature , Xhosa literature -- Humor , Xhosa language
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/161762 , vital:40667
- Description: J.J.R. Jolobe is regarded as one of the individuals who made a valuable contribution to the development of isiXhosa literature through his works, notably in his poetry (Ilitha, Umyezo; Jolobe 1936). His poetry ranges from abstract subjects to more philosophical matters. This study is aimed at decoding the manner in which he employs satire to conscientise African people of the then horrible situation that they were facing. With that said, poetry will not be the only work that this thesis analyses in the process of evaluating Jolobe’s satire; his essays will also be examined (Amavo; Jolobe 1940). Based on the writings of various authors specialising in the subject, satire has been deemed to be a style of literary writing, one which involves invective satire. For the researcher, that statement will be rebutted, as it will be argued that the mode of satire need not be wholly invective. Jolobe’s light-hearted satire not only showcases the amusing side of his writings, but also indicates the seriousness with which they were intended. Themes covered in Jolobe’s satire have inspired the researcher to evaluate these literary texts in relation to modern contexts, especially when it comes to the relationship between the lines of the author’s experience and the public. With that said, the social role of satire is something that one cannot deny. One could therefore say that there is an urgent need for African satirists to face the existing social and economic reality as authentically as possible. The voice of a satirist should also echo the voice of their society as a whole. Satirical study in post-colonial Africa, in South Africa in particular, is useful due to the idea that the works of the likes of Jolobe may diminish in significance due to neo-colonialism. In fact, this is the point which is considered in this study of Jolobe’s satire. This study also examines stages afforded to the development of satire in Africa, especially in the post-colonial era. The purpose is to identify the effects of satire that are related to socio-political as well as religious factors. These factors are often seen as those that play a vital role is one’s personal morals, and those that are meant to shape the whole community. Jolobe addresses imperialism and the class struggle, which speaks to the society’s loyalties regarding the mobilization toward realizing the dream of being independent. This speaks to the works analysed, revealing protests against oppression and exploitation by imperialists; such works show how inhumane people could be against those who they deem to be beneath their standards. Researchers like Mahlasela (1973), Sirayi (1985), Kwetana (2000) and Khumalo (2015) are amongst those who have made it a point to study Jolobe to ensure that these works are kept alive, along with their significance. Other prospective researchers can follow suite in researching the great Jolobe. In ensuring that the aims of this study come to light, the researcher will be using socialist realism as a way of seeing that the works of Jolobe are realistic in nature. With that said, there will be an exploration of allegoric satire. Satiric allegory will be evaluated with regard to the view that it represents a unique slant on satire, whereby it deems satire to be more than just a supportive method of literary criticism. This allows the researcher to hold the view that satire should not be a restrictive framework when dealing with African literature. Satire as a modern form of criticism can be viewed as having an element of humanism, which would result in the satirist doing all he can to make sure that what is satirized is not isolated from the struggle of the community. It is for the above-mentioned reasons that we see a big challenge in the future development of satiric discourse in African literature.
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Shoutfighting and other fiction
- Authors: Rasmenike, Nonqubela Evelyn
- Date: 2020
- Subjects: South African fiction (English) -- 21st century , Xhosa fiction -- 21st century
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/144500 , vital:38351
- Description: This document consists of three parts: Part A: English Half Thesis (Creative Work) ; Part B: IsiXhosa Half Thesis (Creative Work) ; Part C: Portfolio.
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- Authors: Rasmenike, Nonqubela Evelyn
- Date: 2020
- Subjects: South African fiction (English) -- 21st century , Xhosa fiction -- 21st century
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/144500 , vital:38351
- Description: This document consists of three parts: Part A: English Half Thesis (Creative Work) ; Part B: IsiXhosa Half Thesis (Creative Work) ; Part C: Portfolio.
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Ndonakele
- Authors: Ngcelwane, Ayabulela
- Date: 2019
- Subjects: Xhosa fiction , Xhosa poetry
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/92721 , vital:30742
- Description: Le thisisi yingqokelela yemibongo egxile kwimingeni ejamelene noluntu kwimimandla efana neelokishi. Unobangela wale mingeni yintswelo-ngqesho, ukungafumani zindlu, ubundlobongela, isimo sezepolitiki, njalo-njalo. Imisebenzi kaRonnie Kasrils ngakumbi kwincwadi yakhe ethi A simple man, uRustum Siyongwana – Ubulumko bezinja uS. S. Mema – Umnxeba Wobomi, nezinye, zibe nefuthe kakhulu kule thisisi. Indlela abasebenzisa ngayo ulwimi lwemihla ngemihla, maxawambi bade basebenzise nesakhono esisetyenziswa ezintsomini ezifana nokusebenzisa abalinganiswa abazizilwanyana bekwekwa umba onobuzaza. Injongo yalo msebenzi kukugqamisa ukubaluleka kwentlalontle yoluntu, nokuvuselela isazela koongxowa ayibotshwa. Yiyo loo nto kuzanywe kangangoko ukusetyenziswa ulwimi olunokufikeleleka nakubani na. , English and Xhoxa versions provided for dual language submission
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- Authors: Ngcelwane, Ayabulela
- Date: 2019
- Subjects: Xhosa fiction , Xhosa poetry
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/92721 , vital:30742
- Description: Le thisisi yingqokelela yemibongo egxile kwimingeni ejamelene noluntu kwimimandla efana neelokishi. Unobangela wale mingeni yintswelo-ngqesho, ukungafumani zindlu, ubundlobongela, isimo sezepolitiki, njalo-njalo. Imisebenzi kaRonnie Kasrils ngakumbi kwincwadi yakhe ethi A simple man, uRustum Siyongwana – Ubulumko bezinja uS. S. Mema – Umnxeba Wobomi, nezinye, zibe nefuthe kakhulu kule thisisi. Indlela abasebenzisa ngayo ulwimi lwemihla ngemihla, maxawambi bade basebenzise nesakhono esisetyenziswa ezintsomini ezifana nokusebenzisa abalinganiswa abazizilwanyana bekwekwa umba onobuzaza. Injongo yalo msebenzi kukugqamisa ukubaluleka kwentlalontle yoluntu, nokuvuselela isazela koongxowa ayibotshwa. Yiyo loo nto kuzanywe kangangoko ukusetyenziswa ulwimi olunokufikeleleka nakubani na. , English and Xhoxa versions provided for dual language submission
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Ndoxoza mphini wumbi!
- Authors: Saki, Sandile Dudu
- Date: 2019
- Subjects: South African fiction (English)
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/92605 , vital:30741
- Description: My English half-thesis comprises semi-autobiographical short stories based on my own lived and observed experiences of patriarchal township life, but told through the eyes of others, often those who find themselves victims of societal ills and cruel injustices. The stories deal with issues ranging from rape culture, intimate femicide, social patriarchy and the vulnerability of women, children and people living with disabilities in such settings. Refusing didacticism, I seek to voice the complexity, bravery and beauty of my characters. I draw influence from Joel Matlou’s simple narration of the small details of daily life, Can Themba’s ability to find humour in the everyday, Chimamanda Ngozi Adichie’s contemporary sass and Irenosen Okojie’s unconventional, subtle and deeply enigmatic approach to storytelling. , Le thisisi yingqokelela yemibongo enesingqi nefuthe endilincance kubabhali endihlangene nabo kwezi zifundo endingabala kubo uMxolisi Nyezwa, Rustum Kozain nabanye. Injongo yale thisisi kukonwabisa; ukucebisa mhlawumbi ukuthungulula iintongo emva kobentlombe. Maxa wambi ikukukhahlela nakwabo baye banegalelo kwizinto-yinto zokuhlala ngakumbi iimvumi zikaMasikhandi ezifana noMlindelwa ‘Inkunz’ emdaka’ Mralatya owaziwa njengovulindlela kaMasikhandi kwisizwe sakwaXhosa siphela. Bakho ke ababhali abasingqi sabo sindithimbileyo, naba bugcisa ndibuthandileyo endingabalula kubo uMzwandile Matiwana, M. S. Mlandu, Fundile Majola, John Solilo, J. J. R Jolobe kunye noS. E. K. Mqhayi. Liyavakala ifuthe labo kule mibongo, ngakumbi isingqi nokusetyenziswa kolwimi. , English and Xhosa versions provided for dual language submission
- Full Text:
- Authors: Saki, Sandile Dudu
- Date: 2019
- Subjects: South African fiction (English)
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/92605 , vital:30741
- Description: My English half-thesis comprises semi-autobiographical short stories based on my own lived and observed experiences of patriarchal township life, but told through the eyes of others, often those who find themselves victims of societal ills and cruel injustices. The stories deal with issues ranging from rape culture, intimate femicide, social patriarchy and the vulnerability of women, children and people living with disabilities in such settings. Refusing didacticism, I seek to voice the complexity, bravery and beauty of my characters. I draw influence from Joel Matlou’s simple narration of the small details of daily life, Can Themba’s ability to find humour in the everyday, Chimamanda Ngozi Adichie’s contemporary sass and Irenosen Okojie’s unconventional, subtle and deeply enigmatic approach to storytelling. , Le thisisi yingqokelela yemibongo enesingqi nefuthe endilincance kubabhali endihlangene nabo kwezi zifundo endingabala kubo uMxolisi Nyezwa, Rustum Kozain nabanye. Injongo yale thisisi kukonwabisa; ukucebisa mhlawumbi ukuthungulula iintongo emva kobentlombe. Maxa wambi ikukukhahlela nakwabo baye banegalelo kwizinto-yinto zokuhlala ngakumbi iimvumi zikaMasikhandi ezifana noMlindelwa ‘Inkunz’ emdaka’ Mralatya owaziwa njengovulindlela kaMasikhandi kwisizwe sakwaXhosa siphela. Bakho ke ababhali abasingqi sabo sindithimbileyo, naba bugcisa ndibuthandileyo endingabalula kubo uMzwandile Matiwana, M. S. Mlandu, Fundile Majola, John Solilo, J. J. R Jolobe kunye noS. E. K. Mqhayi. Liyavakala ifuthe labo kule mibongo, ngakumbi isingqi nokusetyenziswa kolwimi. , English and Xhosa versions provided for dual language submission
- Full Text:
“Ndingumfana osemncinci, kodwa ndizibonile izinto”
- Authors: Qambela, Gcobani
- Date: 2019
- Language: English , Xhosa
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/92236 , vital:30694
- Description: Expected release date-April 2021
- Full Text: false
- Authors: Qambela, Gcobani
- Date: 2019
- Language: English , Xhosa
- Type: text , Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/92236 , vital:30694
- Description: Expected release date-April 2021
- Full Text: false
Mna, Nosigidi
- Authors: Matyobeni, Simthembile
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , Xhosa poetry -- 21st century , South African poetry (English) -- 21st century
- Language: Xhosa , English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/64412 , vital:28541
- Description: This thesis is a collection of poems. These are lyric poems. Animystic poets like Christopher Okigbo and Wole Soyinka are the principal models in terms of style. Animystic poetry projects ideas and emotions in a hallucinatory and profoundly visionary manner. The collection has a variety of themes such as marginality, identity, history, and domestic abuse. Diverse language registers are used in the poems in order that the setting of each poem, whether historical or contemporary, is realised. , Le thesisi ngumbongo omde osekelezelwe kumlinganiswa oyintloko, uNosigidi. Esi simbo sokuyila isihobe siva ngomlimandlela owenziwa ziimbongi ezifana noJ. R. R. Jolobe no‐Aime Cesaire. Indumasiso ethi “UThuthula” kaJolobe inefuthe kwimo yokwakhiwa kweminye imibongo edibanisa le mbali. Asiyiyo yonke imibhalo yezi mbongi ethe ncakasana ukungqamana nale mbali‐sihobe kaNosigidi. Imibongo ekuthiwa yi‐‘Animystic poetry’ isetyenzisiwe kakhulu kule mibongo. Sigqaliwe kunye nesihobe nesikaSappho, kuba yimbongi ebhale kakhulu ngamandla elizwi lamanina. USappho ngakumbi ubhala kakhulu kwisihobe sakhe ngamanina athandana namanye. Owona mxo walo mbongo kukugqala ibali koNosigidi okhule esazi kamhlophe ukuba yena uthandana namanye amanina. Isizathu soku kukuba nabo obu bomi kuyafuneka kubhaliwe ngabo ngendlela enenkathalo kuncwadi lwesiXhosa. Nasekusabeleni ubizo lwakhe kwintwaso uNosigidi uya enamathidala, de obo bomi bentumekelelo abamkele ngazo zozibini.
- Full Text:
- Authors: Matyobeni, Simthembile
- Date: 2018
- Subjects: Creative writing (Higher education) -- South Africa , Xhosa poetry -- 21st century , South African poetry (English) -- 21st century
- Language: Xhosa , English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/64412 , vital:28541
- Description: This thesis is a collection of poems. These are lyric poems. Animystic poets like Christopher Okigbo and Wole Soyinka are the principal models in terms of style. Animystic poetry projects ideas and emotions in a hallucinatory and profoundly visionary manner. The collection has a variety of themes such as marginality, identity, history, and domestic abuse. Diverse language registers are used in the poems in order that the setting of each poem, whether historical or contemporary, is realised. , Le thesisi ngumbongo omde osekelezelwe kumlinganiswa oyintloko, uNosigidi. Esi simbo sokuyila isihobe siva ngomlimandlela owenziwa ziimbongi ezifana noJ. R. R. Jolobe no‐Aime Cesaire. Indumasiso ethi “UThuthula” kaJolobe inefuthe kwimo yokwakhiwa kweminye imibongo edibanisa le mbali. Asiyiyo yonke imibhalo yezi mbongi ethe ncakasana ukungqamana nale mbali‐sihobe kaNosigidi. Imibongo ekuthiwa yi‐‘Animystic poetry’ isetyenzisiwe kakhulu kule mibongo. Sigqaliwe kunye nesihobe nesikaSappho, kuba yimbongi ebhale kakhulu ngamandla elizwi lamanina. USappho ngakumbi ubhala kakhulu kwisihobe sakhe ngamanina athandana namanye. Owona mxo walo mbongo kukugqala ibali koNosigidi okhule esazi kamhlophe ukuba yena uthandana namanye amanina. Isizathu soku kukuba nabo obu bomi kuyafuneka kubhaliwe ngabo ngendlela enenkathalo kuncwadi lwesiXhosa. Nasekusabeleni ubizo lwakhe kwintwaso uNosigidi uya enamathidala, de obo bomi bentumekelelo abamkele ngazo zozibini.
- Full Text:
Back to nowhere
- Authors: Fundakubi, Zukile Anthony
- Date: 2017
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , Short stories, South African (English) 21st century , Xhosa fiction 21st century , Short stories, Xhosa 21st century , Detective and mystery stories 21st century
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/5071 , vital:20763
- Description: My writing contains elements of hard-boiled detective fiction and crime writing. My stories, written in isiXhosa and English and a mixture of both, transplant these genres into a South African township setting where gang violence dominates and life is cheap. They are driven by uniquely South African characters, brutal crime scenes and fear-inspiring suspense, but none the less still full of humour. I want my work to entertain the reader while also looking realistically and critically at the problem of crime in our townships. I draw on influences of African and Latin American writers to create South African crime fiction in a realistic urban setting, with dynamic characters and sharp dialogue. , Le ngqokelela yamabali iqulathe amabali angobomi babantu abasezilokishini nabo bahlala ezilalini. Nangona umfundi angahle awafumanisa ehlekisa amanye elusizi, injongo yombhali asikukuhlekisa nakunyanzelisa imfundiso koko ikuzoba ubomi bababantu, bephila kwezi ndawo neengxaki abajongene nazo. Imeko yaba bantu kumakhaya ngamakhaya yiyo ebangele ukuba umbhali abelane nomfundi ngokuqhubekayo ebomini. , This thesis is presented in two parts: English and isiXhosa
- Full Text:
- Authors: Fundakubi, Zukile Anthony
- Date: 2017
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , Short stories, South African (English) 21st century , Xhosa fiction 21st century , Short stories, Xhosa 21st century , Detective and mystery stories 21st century
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/5071 , vital:20763
- Description: My writing contains elements of hard-boiled detective fiction and crime writing. My stories, written in isiXhosa and English and a mixture of both, transplant these genres into a South African township setting where gang violence dominates and life is cheap. They are driven by uniquely South African characters, brutal crime scenes and fear-inspiring suspense, but none the less still full of humour. I want my work to entertain the reader while also looking realistically and critically at the problem of crime in our townships. I draw on influences of African and Latin American writers to create South African crime fiction in a realistic urban setting, with dynamic characters and sharp dialogue. , Le ngqokelela yamabali iqulathe amabali angobomi babantu abasezilokishini nabo bahlala ezilalini. Nangona umfundi angahle awafumanisa ehlekisa amanye elusizi, injongo yombhali asikukuhlekisa nakunyanzelisa imfundiso koko ikuzoba ubomi bababantu, bephila kwezi ndawo neengxaki abajongene nazo. Imeko yaba bantu kumakhaya ngamakhaya yiyo ebangele ukuba umbhali abelane nomfundi ngokuqhubekayo ebomini. , This thesis is presented in two parts: English and isiXhosa
- Full Text:
Emathunjini omhlaba kuhlala abantu
- Authors: Moya, Mlandeli Wellington
- Date: 2017
- Subjects: Short stories, Xhosa
- Language: Xhosa , English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7235 , vital:21231
- Description: My short stories are about the circumstances in which black gold miners in Welkom in the 1980s and 1990s found themselves. These mineworkers - I was one of them - made up a large, uneducated segment of personnel because our work required strength and good health only. We came from all over the African continent. The places we had to live in were like jails or military barracks, sometimes with twenty or more of us sharing a single room. Because of these conditions, we shared our pains, and the pains of wives, children and relatives of those who were killed or disabled by their work, the repatriation of those who lost their capacity to continue working because of accidents and work, and work-related illnesses. We did not share the same language, and so we had to learn Fanakalo, the language of South African mine workers. My stories show how pain and happiness rub shoulders with each other in the miners' life, because besides the dangerous work there was also cultural entertainment, religious practices, robbery by tsotsis, and many prostitutes. The book Buzani Kubawo by Witness K. Tamsanqa has been an important influence on my writing. Other influences have been L.L. Sebe's Ucamngco and P.T. Mtuze's Alitshoni Lingaphumi. , La mabali angeemeko zabembi-migodi baseWelkom phaya kwiminyaka ephakathi koo-1980 noo-1990. Aba basebenzi, endandingomnye wabo, babeliqela elivisayo elingafundanga — bezingca ngamandla. Sasiphuma mbombo zonke zeli lase-Afrika. Indawo esasihlala kuyo ibifana nqwa nezisele zentolongo okanye izindlu zasemkhosini. Amashumi amabini amadoda elala ndlwini - nye. Ngenxa yaloo meko sachubelana amabali ngeemeko zobomi bethu, ngabafazi nabantwana, nezizalwane, nangeengozi esasingena kuzo nokugoduswa kwabo bagulayo. Kwathi kuba sasithetha iilwimi ngeelwimi safundiswa isiFanakalo. Amabali am abonisa iintlungu ezayame kulonwabo kuloo meko yasemigodini kuba yayikho nemidlalo nemigcobo ezonwabisayo ngokweentlanga ngeentlanga. Sasikwajongene nootsotsi kunye neentwazana ezithengisa ngemizimba. Ababhali abathe banefuthe ekubhaleni kwam baquka aba: uW.K. Thamsanqa ngencwadi yakhe ethi "Buzani kubawo," uP.T. Mtuze ngeyakhe ethi "Alitshoni Lingaphumi," kunye no L.L. Sebe ngencwadi yakhe ethi "Ucamngco."
- Full Text:
- Authors: Moya, Mlandeli Wellington
- Date: 2017
- Subjects: Short stories, Xhosa
- Language: Xhosa , English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7235 , vital:21231
- Description: My short stories are about the circumstances in which black gold miners in Welkom in the 1980s and 1990s found themselves. These mineworkers - I was one of them - made up a large, uneducated segment of personnel because our work required strength and good health only. We came from all over the African continent. The places we had to live in were like jails or military barracks, sometimes with twenty or more of us sharing a single room. Because of these conditions, we shared our pains, and the pains of wives, children and relatives of those who were killed or disabled by their work, the repatriation of those who lost their capacity to continue working because of accidents and work, and work-related illnesses. We did not share the same language, and so we had to learn Fanakalo, the language of South African mine workers. My stories show how pain and happiness rub shoulders with each other in the miners' life, because besides the dangerous work there was also cultural entertainment, religious practices, robbery by tsotsis, and many prostitutes. The book Buzani Kubawo by Witness K. Tamsanqa has been an important influence on my writing. Other influences have been L.L. Sebe's Ucamngco and P.T. Mtuze's Alitshoni Lingaphumi. , La mabali angeemeko zabembi-migodi baseWelkom phaya kwiminyaka ephakathi koo-1980 noo-1990. Aba basebenzi, endandingomnye wabo, babeliqela elivisayo elingafundanga — bezingca ngamandla. Sasiphuma mbombo zonke zeli lase-Afrika. Indawo esasihlala kuyo ibifana nqwa nezisele zentolongo okanye izindlu zasemkhosini. Amashumi amabini amadoda elala ndlwini - nye. Ngenxa yaloo meko sachubelana amabali ngeemeko zobomi bethu, ngabafazi nabantwana, nezizalwane, nangeengozi esasingena kuzo nokugoduswa kwabo bagulayo. Kwathi kuba sasithetha iilwimi ngeelwimi safundiswa isiFanakalo. Amabali am abonisa iintlungu ezayame kulonwabo kuloo meko yasemigodini kuba yayikho nemidlalo nemigcobo ezonwabisayo ngokweentlanga ngeentlanga. Sasikwajongene nootsotsi kunye neentwazana ezithengisa ngemizimba. Ababhali abathe banefuthe ekubhaleni kwam baquka aba: uW.K. Thamsanqa ngencwadi yakhe ethi "Buzani kubawo," uP.T. Mtuze ngeyakhe ethi "Alitshoni Lingaphumi," kunye no L.L. Sebe ngencwadi yakhe ethi "Ucamngco."
- Full Text:
Happiness is somebody’s name
- Authors: Jijana, Thabo
- Date: 2017
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , Short stories, South African (English) 21st century
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7268 , vital:21237
- Description: This collection of loosely interlinked short stories is a “book of imaginary beings”. It draws its influence from amaXhosa history, religion and mythology. Written in a fluid blend of isiXhosa and English, the stories make use of innovative forms and an inventive, pared-down language to create new and strange perspectives on our past, present and future. Ranging in length from brief mini-sagas to longer vignettes, the collection touches on such diverse subjects as the lore and superstitions surrounding the mythical being of tokoloshe, sorcery in the black community, and other fantastical elements of amaXhosa folklore. Literary influences include the Syrian writer Osama Olamar, whose writing about inanimate and everyday objects is both interesting and rare; Amos Tutuola, whose appropriation of Yoruba mythology I have learned much from; the Argentinian writer Julio Cortazar who has the facility to articulate the fantastical in a straightforward narrative; and Taban Lo Liyong, the Ugandan writer, whose fabulist work has served as stimulus for many of these stories.
- Full Text:
- Authors: Jijana, Thabo
- Date: 2017
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , Short stories, South African (English) 21st century
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7268 , vital:21237
- Description: This collection of loosely interlinked short stories is a “book of imaginary beings”. It draws its influence from amaXhosa history, religion and mythology. Written in a fluid blend of isiXhosa and English, the stories make use of innovative forms and an inventive, pared-down language to create new and strange perspectives on our past, present and future. Ranging in length from brief mini-sagas to longer vignettes, the collection touches on such diverse subjects as the lore and superstitions surrounding the mythical being of tokoloshe, sorcery in the black community, and other fantastical elements of amaXhosa folklore. Literary influences include the Syrian writer Osama Olamar, whose writing about inanimate and everyday objects is both interesting and rare; Amos Tutuola, whose appropriation of Yoruba mythology I have learned much from; the Argentinian writer Julio Cortazar who has the facility to articulate the fantastical in a straightforward narrative; and Taban Lo Liyong, the Ugandan writer, whose fabulist work has served as stimulus for many of these stories.
- Full Text:
Jah Hills
- Authors: Slasha, Unathi
- Date: 2017
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7157 , vital:21222
- Description: Jah Hills is alone in Kwaf Indoda bush, waiting for elders to come, burn ibhuma and deliver him home. Two weeks before he departs from his initiation period, he is seduced by igqwirha. When he fails to satisfy her appetite, he gets ‘abducted and turned into isithunzela. One night, he narrowly escapes and finds his way back. But the experience at home is gruesome; they drive him away and want his death. My novel is fast paced, accumulating speed as it proceeds. It is formally experimental, drawing on forms that have gone before and trying to usher in a new manner of writing and looking at the world. It is told through the eyes of isithunzela that Jah Hills has become. It makes use of Nguni folklore, reimagined and subverted so it fits the character’s unearthly vision. Certain characters and moments from Nguni folktales are borrowed and appear throughout the text. Stylistically I draw extensively from the work of Sony Lab’ou Tansi, Taban Lo Liyong, Dambudzo Marechera, D.O. Fagunwa and Amos Tutuola.
- Full Text:
- Authors: Slasha, Unathi
- Date: 2017
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7157 , vital:21222
- Description: Jah Hills is alone in Kwaf Indoda bush, waiting for elders to come, burn ibhuma and deliver him home. Two weeks before he departs from his initiation period, he is seduced by igqwirha. When he fails to satisfy her appetite, he gets ‘abducted and turned into isithunzela. One night, he narrowly escapes and finds his way back. But the experience at home is gruesome; they drive him away and want his death. My novel is fast paced, accumulating speed as it proceeds. It is formally experimental, drawing on forms that have gone before and trying to usher in a new manner of writing and looking at the world. It is told through the eyes of isithunzela that Jah Hills has become. It makes use of Nguni folklore, reimagined and subverted so it fits the character’s unearthly vision. Certain characters and moments from Nguni folktales are borrowed and appear throughout the text. Stylistically I draw extensively from the work of Sony Lab’ou Tansi, Taban Lo Liyong, Dambudzo Marechera, D.O. Fagunwa and Amos Tutuola.
- Full Text:
On the shop-floor: ten years at Ford
- Authors: Cilibe, Mpumelelo
- Date: 2017
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , Autobiographical fiction, South African (English) 21st century , Xhosa fiction 21st century , Short stories, Xhosa 21st century
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7257 , vital:21234
- Description: My autobiographical novella covers a period of my life between 1974 and 1984, when I worked at the Ford Motor company Struandale Assembly plant in Port Elizabeth. This period predated the formation of NUMSA (the National Union of Metal Workers of South Africa) and COSATU - it was a time when automobile industry workers broke away from the race- based unions to form MACWUSA (Motor Assemblers and Component Workers Union of SA). Around the same time Rev Leon Sullivan was putting pressure on US companies, including Ford, to move away from apartheid labour practices. As quite an angry young man influenced by the Black Consciousness movement, I got deeply involved in union activities mainly for my own survival, and as a personal reaction to racism in the workplace. The story is told in a realist style, with many anecdotal detours giving the flavour of life in New Brighton in the 1980s. Important influences have been Bloke Modisane's autobiography, Blame Me on History and Studs Terkel's interviews of Ford plant workers and management in his book Working. , Growing up in New Brighton gave me so many stories that had never been written before but that were told person to person by the residents of my neighbourhood. Some of the tales in this collection are based on such stories. Others are stories that are reminiscent of childhood while growing up with an elder brother. I take the inspiration from different books that are in line with the stories that I am writing: collections of Extreme Fiction - Fabulists and Formalists that were edited by Robin Hemley and Michael Martone and The Best Bizarro Fiction of the Decade edited by Jeremy Robert Johnson and Cameron Pierce. Some stories by L.L. Ngewu and L.S. Ngcangata, and a novellette by P.T. Mtuze, Alitshoni Lingaphumi, also bring much influence as they reveal suffering in the lives of black people who endured forced removals, and other situations that are of interest to build my stories on. , Le ngqokolela yamabali iqulathe amabali asekelwe kumabali endandiweva ebaliswa ebuntwaneni bam ndisakhula. Amanye amabali angeenkumbulo zasebuntwaneni ngethuba ndandikhula nomkhuluwa wam ongasaphiliyo. Ifuthe lokuwaqamba ndilifumene kwiincwadi zababhali abanje ngabo bafumaneka kwiingqokolela ezihlelwe nguRobin Hemley no Michael Martone kwincwadi ethi Extreme Fiction - Fabulists and Formalists, noJeremy Robert Johnson enoCameron Pierce kwingqokolela ethi, The Best Bizarro Fiction of the Decade. Amanye amabali abenefuthe ndiwafumene kwiincwadi zooP.T. Mtuze, kwinovella yakhe ethi Alitshoni Lingaphumi, nakwezoL.L. Ngewu noL.S. Ngcangatha apho babalisa ngobomi basekuhlaleni ngexesha abantu babedudulwa befuduswa ngetshova ukususwa kwiindawo zabo zokuhlala. , This thesis is presented in two parts: English and isiXhosa
- Full Text:
- Authors: Cilibe, Mpumelelo
- Date: 2017
- Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , Autobiographical fiction, South African (English) 21st century , Xhosa fiction 21st century , Short stories, Xhosa 21st century
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/7257 , vital:21234
- Description: My autobiographical novella covers a period of my life between 1974 and 1984, when I worked at the Ford Motor company Struandale Assembly plant in Port Elizabeth. This period predated the formation of NUMSA (the National Union of Metal Workers of South Africa) and COSATU - it was a time when automobile industry workers broke away from the race- based unions to form MACWUSA (Motor Assemblers and Component Workers Union of SA). Around the same time Rev Leon Sullivan was putting pressure on US companies, including Ford, to move away from apartheid labour practices. As quite an angry young man influenced by the Black Consciousness movement, I got deeply involved in union activities mainly for my own survival, and as a personal reaction to racism in the workplace. The story is told in a realist style, with many anecdotal detours giving the flavour of life in New Brighton in the 1980s. Important influences have been Bloke Modisane's autobiography, Blame Me on History and Studs Terkel's interviews of Ford plant workers and management in his book Working. , Growing up in New Brighton gave me so many stories that had never been written before but that were told person to person by the residents of my neighbourhood. Some of the tales in this collection are based on such stories. Others are stories that are reminiscent of childhood while growing up with an elder brother. I take the inspiration from different books that are in line with the stories that I am writing: collections of Extreme Fiction - Fabulists and Formalists that were edited by Robin Hemley and Michael Martone and The Best Bizarro Fiction of the Decade edited by Jeremy Robert Johnson and Cameron Pierce. Some stories by L.L. Ngewu and L.S. Ngcangata, and a novellette by P.T. Mtuze, Alitshoni Lingaphumi, also bring much influence as they reveal suffering in the lives of black people who endured forced removals, and other situations that are of interest to build my stories on. , Le ngqokolela yamabali iqulathe amabali asekelwe kumabali endandiweva ebaliswa ebuntwaneni bam ndisakhula. Amanye amabali angeenkumbulo zasebuntwaneni ngethuba ndandikhula nomkhuluwa wam ongasaphiliyo. Ifuthe lokuwaqamba ndilifumene kwiincwadi zababhali abanje ngabo bafumaneka kwiingqokolela ezihlelwe nguRobin Hemley no Michael Martone kwincwadi ethi Extreme Fiction - Fabulists and Formalists, noJeremy Robert Johnson enoCameron Pierce kwingqokolela ethi, The Best Bizarro Fiction of the Decade. Amanye amabali abenefuthe ndiwafumene kwiincwadi zooP.T. Mtuze, kwinovella yakhe ethi Alitshoni Lingaphumi, nakwezoL.L. Ngewu noL.S. Ngcangatha apho babalisa ngobomi basekuhlaleni ngexesha abantu babedudulwa befuduswa ngetshova ukususwa kwiindawo zabo zokuhlala. , This thesis is presented in two parts: English and isiXhosa
- Full Text:
Transcription, edition, translation and critical analysis of biographical poems contributed by S E K Mqhayi to early IsiXhosa newspapers
- Authors: Mazwi, Ntombomzi R
- Date: 2017
- Subjects: Mqhayi, S E K -- Criticism and interpretation , Mqhayi, S E K -- Translations , Xhosa language -- Transcription , Xhosa poetry -- History and criticism , Xhosa poetry -- Translations
- Language: English , Xhosa
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/18570 , vital:22356
- Description: During the nineteenth century secular creative literature produced by missionaries and publishers was designed for the educational market and for school children and there was nothing for adults. Works of isiXhosa literature was controlled in content and freely edited by the missionaries to satisfy the demands of educational syllabuses. As a result, students at universities, scholars of literature and academics in higher education are lacking primary documents on this literature and therefore are forced to study the limited and unavailable literature books. This thesis concentrates on the work of a particular isiXhosa writer, namely that of S.E.K. Mqhayi. The earlier writers like S.E.K. Mqhayi, J.J.R. Jolobe, G.B. Sinxo and others made their mark in South African literature and culture. Their works were published in journals and newspapers in isiXhosa by the missionaries. This means isiXhosa literature can be found in abundance in the earlier newspapers. What needs to be addressed is how the South African community and literature scholars mentioned above could have access to that work. Mqhayi is well known as the father of the isiXhosa language because of his substantial literary and linguistic contribution to the development of the language. As already mentioned he made his contribution through written work which was published in various newspapers of his time and unfortunately most people are unable to access this material, hence the focus of this thesis. The vast majority of his journalism remains as yet uncollected. However, scholars like Opland (1983) and Saule (1989) made some effort to bring this information to the public through their extensive research. S.E.K. Mqhayi’s popular poems have been published and analyzed over the last century and more recently (Qangule 1979; Kuse 1979; Opland 1983; Saule 1989 & 1996; Ntuli & Swanepoel 1993 and Opland 2009). However, in terms of quantity and value, these are negligible compared to what Mqhayi has published. There are still numerous of Mqhayi’s poems that would add value to the study and history of isiXhosa literature. The main aim of this research is to carry on from where these scholars left off and to bring to the fore the legacy Mqhayi left to the South African people. Hence, thirty (30) poems on people by S.E.K. Mqhayi have been transcribed from the old newspapers, re- typed, translated into English and analysed. These poems are largely published in newspapers but have never been subsequently republished, and hence they are almost completely unknown. The thirty (30) poems have been selected with the assistance of Professor Jeff Opland, a retired Professor from the University of London’s School of Oriental and African Studies (SOAS). The poems are from his Opland Collection of Xhosa Literature housed in Godalming, United Kingdom. They are presented in the manner in which they appeared originally, that is, in terms of isiXhosa orthography during the times of Mqhayi’s writing (Diplomatic Presentation). The data is analysed and discussed in relation to how Mqhayi’s biographical poems can give insight not only to Mqhayi’s subjects of praise, but into how he uses historical, political and sociocultural contexts in the praises of his subjects, meaning that the discussion revolves around the practice of the Historical-Biographical Criticism. The poems are translated into English to allow for this literature not only to be disseminated among isiXhosa speakers, but also to speakers of other languages who understand English. The translation method chosen is the one believed to produce the originality of the source text and sameness of meaning in the target text which is regarded as equivalence. This thesis therefore is an investigation into 30 poems selected from biographical poems written by S.E.K. Mqhayi in newspapers during the period 1899-1944. In essence this thesis presents an in-depth analysis of Mqhayi’s poems against the backdrop of oral literary theory as expounded by theorists who have grappled with the orality-literacy debate, a debate which directly informs Mqhayi’s poetry as he was the first oral poet to transition between orality and literacy. , Uncwadi oluveliswe kwishumi elinesithoba lamakhulu eminyaka ziimishinari nabapapashi lwalwenzelwe izifundiswa kunye nabantwana besikolo kwaye akukho msebenzi mninzi ofumanekayo owawenzelwe abantu basekuhlaleni. Umsebenzi omninzi wokubhaliweyo kuncwadi lwesiXhosa wawulawulwa, uhlelwa kwaye ulungiselelwa uqingqo lwezifundo. Oko ke kuye kwabangela ukuba abafundi abakumaziko emfundo ephakamileyo, iimfundi zoncwadi kunye nabahlohli zingabinawo amaxwebhu okwenene oncwadi lwesiXhosa, kwaye loo nto yenza ukuba kufundwe kwaye kwenziwe uphando ngeencwadi ezimbalwa. Olu phando ke ngoko luza kuqwalasela lugxininise kumsebenzi wombhali wesiXhosa onguS.E.K. Mqhayi. Ababhali bangaphambili abafana noo-S.E.K. Mqhayi, J.J.R. Jolobe, G.B. Sinxo nabanye bashiya ifuthe elikhulu kuncwadi nenkcubeko yoMzantsi Afrika. Imisebenzi yabo yayipapashwe ziimishinari ngesiXhosa kuluhlu lwemibhalo namaphephandaba. Oko ke kuthetha ukuthi le misebenzi yesiXhosa iyafumaneka kumaphepha-ndaba angaphambili. Okufuneka kulungisiwe yindlela abemi boMzantsi Afrika kunye nezi mfundi zoncwadi zikhankanywe ngentla zingathi ziwufumane lo msebenzi waba babhali bangaphambili. UMqhayi waziwa ngokuba yinkcuba- buchopho yolwimi lwesiXhosa kwaye udlale indima enkulu kakhulu ekuphuhliseni ulwimi lwesiXhosa. Njengokuba sele ikhankanyiwe ngentla, umsebenzi wakhe upapashwe kumaphephandaba awohlukeneyo wela xesha wayesaphila kwaye kungelishwa ke ukuba abantu abaninzi abakwazi ukuwufumana loo msebenzi. Eminye yemisebenzi yakhe emininzi ke kodwa ayiqokelelwanga. Iingcali ezifana noo-Opland (1983) noSaule (1989) zaye zenza uphando olukhulu zizama ukuzisa olu lwazi eluntwini, kodwa oko akwanelanga. Kwiminyaka edlulileyo imibongo edumileyo ka-S.E.K. Mqhayi sele yapapashwa (Qangule, 1979; Kuse, 1979; Opland, 1983 & 2009; Saule, 1989 & 1996; Ntuli & Swanepoel, 1993). Nangona kunjalo ke isekhona eminye imibongo kaMqhayi engekaveli nenokuthi ibe nenxaxheba kakhulu ekufundeni nasekufundiseni uncwadi lwesiXhosa. Olu phando ke kukuqhubeka apho aba babhali bakhankanyiweyo bayeke khona ukuzisa phambili umsebenzi nelifa elashiywa nguMqhayi kubemi baseMzantsi Afrika. Kungoko ke imibongo engabantu engama-30 kaMqhayi iza kuthi ikhutshelwe isuka kumaphephandaba akudala, iguqulelwe esiNgesini ze ihlahlelwe. Uninzi lwale mibongo ipapashwe kumaphephandaba akudala kwaye zange iphinde ipapashwe kwenye indawo, kungoko ke ingaziwa kakhulu. Ukukhethwa kwale mibongo ingama-30 kuncediswe nguNjingalwazi uJeff Opland, uNjingalwazi odla umhlala-phantsi weYunivesithi yase-London kwiSikolo seZifundo ngezaseAfrika naseMpumalanga (SOAS). Le mibongo isuka kuluhlu lwakhe athe waluqokelela nolubizwa ngokuba yi-Opland Collection of Xhosa Literature oluse- Godalming, e-United Kingdom. Indlela le mibongo eza kuthi ibhalwe ngayo yileyo uMqhayi wayeyibhale ngayo ngexesha lakhe. Le mibongo ihleliwe kwaye oko kubhaliweyo malunga nayo kuquka indlela apho imibongo kaMqhayi ngobomi babantu kuthi kubonise indlela abonga nabonisa ngayo izinto zoPolitiko, zakudala nezasekuhlaleni ezazisenzeka ngela xesha. Indlela ethi konke oku kuthi kuvele kule mibongo kaMqhayi kwaye kuya kuthi kuvezwe kolu phando. Ukuguqulelwa kwale mibongo esiNgesini kuya kuthi kuncede ukuba nabo bangasithethiyo isiXhosa bakwazi ukufumana le mibongo. Indlela esetyenzisiweyo yoguqulo-lwimi yale mibongo yileyo ivumela ukuba umbhalo uguqulelwe ngokufanayo nombhalo-ntsusa kwaye intsingiselo kumbhalo ekuguqulelwa kuwo ingatshintshi. Lo misebenzi ke ngoko uluphando lwemibongo engabantu ekhethiweyo engama30 ebhalwe nguSEK Mqhayi kumaphephandaba kwimiminyaka u1899 - 1944. Umongo wolu phando kukwenza uhlalutyo - nzulu lwemibongo kaMqhayi eyaleka kuphando - lwazi osele lwenziwe njengoko lucaciswa ziingcali ezithe zazamana nengxoxo yoncwadi lomlomo, ngxoxo leyo ethe yachaphazela ngokumandla umongo wezibongo zikaMqhayi njengembongi yokuqala ukuwela ukusuka kuncwadi lomlomo ukuya kuncwadi olubhaliweyo.
- Full Text:
- Authors: Mazwi, Ntombomzi R
- Date: 2017
- Subjects: Mqhayi, S E K -- Criticism and interpretation , Mqhayi, S E K -- Translations , Xhosa language -- Transcription , Xhosa poetry -- History and criticism , Xhosa poetry -- Translations
- Language: English , Xhosa
- Type: Thesis , Doctoral , PhD
- Identifier: http://hdl.handle.net/10962/18570 , vital:22356
- Description: During the nineteenth century secular creative literature produced by missionaries and publishers was designed for the educational market and for school children and there was nothing for adults. Works of isiXhosa literature was controlled in content and freely edited by the missionaries to satisfy the demands of educational syllabuses. As a result, students at universities, scholars of literature and academics in higher education are lacking primary documents on this literature and therefore are forced to study the limited and unavailable literature books. This thesis concentrates on the work of a particular isiXhosa writer, namely that of S.E.K. Mqhayi. The earlier writers like S.E.K. Mqhayi, J.J.R. Jolobe, G.B. Sinxo and others made their mark in South African literature and culture. Their works were published in journals and newspapers in isiXhosa by the missionaries. This means isiXhosa literature can be found in abundance in the earlier newspapers. What needs to be addressed is how the South African community and literature scholars mentioned above could have access to that work. Mqhayi is well known as the father of the isiXhosa language because of his substantial literary and linguistic contribution to the development of the language. As already mentioned he made his contribution through written work which was published in various newspapers of his time and unfortunately most people are unable to access this material, hence the focus of this thesis. The vast majority of his journalism remains as yet uncollected. However, scholars like Opland (1983) and Saule (1989) made some effort to bring this information to the public through their extensive research. S.E.K. Mqhayi’s popular poems have been published and analyzed over the last century and more recently (Qangule 1979; Kuse 1979; Opland 1983; Saule 1989 & 1996; Ntuli & Swanepoel 1993 and Opland 2009). However, in terms of quantity and value, these are negligible compared to what Mqhayi has published. There are still numerous of Mqhayi’s poems that would add value to the study and history of isiXhosa literature. The main aim of this research is to carry on from where these scholars left off and to bring to the fore the legacy Mqhayi left to the South African people. Hence, thirty (30) poems on people by S.E.K. Mqhayi have been transcribed from the old newspapers, re- typed, translated into English and analysed. These poems are largely published in newspapers but have never been subsequently republished, and hence they are almost completely unknown. The thirty (30) poems have been selected with the assistance of Professor Jeff Opland, a retired Professor from the University of London’s School of Oriental and African Studies (SOAS). The poems are from his Opland Collection of Xhosa Literature housed in Godalming, United Kingdom. They are presented in the manner in which they appeared originally, that is, in terms of isiXhosa orthography during the times of Mqhayi’s writing (Diplomatic Presentation). The data is analysed and discussed in relation to how Mqhayi’s biographical poems can give insight not only to Mqhayi’s subjects of praise, but into how he uses historical, political and sociocultural contexts in the praises of his subjects, meaning that the discussion revolves around the practice of the Historical-Biographical Criticism. The poems are translated into English to allow for this literature not only to be disseminated among isiXhosa speakers, but also to speakers of other languages who understand English. The translation method chosen is the one believed to produce the originality of the source text and sameness of meaning in the target text which is regarded as equivalence. This thesis therefore is an investigation into 30 poems selected from biographical poems written by S.E.K. Mqhayi in newspapers during the period 1899-1944. In essence this thesis presents an in-depth analysis of Mqhayi’s poems against the backdrop of oral literary theory as expounded by theorists who have grappled with the orality-literacy debate, a debate which directly informs Mqhayi’s poetry as he was the first oral poet to transition between orality and literacy. , Uncwadi oluveliswe kwishumi elinesithoba lamakhulu eminyaka ziimishinari nabapapashi lwalwenzelwe izifundiswa kunye nabantwana besikolo kwaye akukho msebenzi mninzi ofumanekayo owawenzelwe abantu basekuhlaleni. Umsebenzi omninzi wokubhaliweyo kuncwadi lwesiXhosa wawulawulwa, uhlelwa kwaye ulungiselelwa uqingqo lwezifundo. Oko ke kuye kwabangela ukuba abafundi abakumaziko emfundo ephakamileyo, iimfundi zoncwadi kunye nabahlohli zingabinawo amaxwebhu okwenene oncwadi lwesiXhosa, kwaye loo nto yenza ukuba kufundwe kwaye kwenziwe uphando ngeencwadi ezimbalwa. Olu phando ke ngoko luza kuqwalasela lugxininise kumsebenzi wombhali wesiXhosa onguS.E.K. Mqhayi. Ababhali bangaphambili abafana noo-S.E.K. Mqhayi, J.J.R. Jolobe, G.B. Sinxo nabanye bashiya ifuthe elikhulu kuncwadi nenkcubeko yoMzantsi Afrika. Imisebenzi yabo yayipapashwe ziimishinari ngesiXhosa kuluhlu lwemibhalo namaphephandaba. Oko ke kuthetha ukuthi le misebenzi yesiXhosa iyafumaneka kumaphepha-ndaba angaphambili. Okufuneka kulungisiwe yindlela abemi boMzantsi Afrika kunye nezi mfundi zoncwadi zikhankanywe ngentla zingathi ziwufumane lo msebenzi waba babhali bangaphambili. UMqhayi waziwa ngokuba yinkcuba- buchopho yolwimi lwesiXhosa kwaye udlale indima enkulu kakhulu ekuphuhliseni ulwimi lwesiXhosa. Njengokuba sele ikhankanyiwe ngentla, umsebenzi wakhe upapashwe kumaphephandaba awohlukeneyo wela xesha wayesaphila kwaye kungelishwa ke ukuba abantu abaninzi abakwazi ukuwufumana loo msebenzi. Eminye yemisebenzi yakhe emininzi ke kodwa ayiqokelelwanga. Iingcali ezifana noo-Opland (1983) noSaule (1989) zaye zenza uphando olukhulu zizama ukuzisa olu lwazi eluntwini, kodwa oko akwanelanga. Kwiminyaka edlulileyo imibongo edumileyo ka-S.E.K. Mqhayi sele yapapashwa (Qangule, 1979; Kuse, 1979; Opland, 1983 & 2009; Saule, 1989 & 1996; Ntuli & Swanepoel, 1993). Nangona kunjalo ke isekhona eminye imibongo kaMqhayi engekaveli nenokuthi ibe nenxaxheba kakhulu ekufundeni nasekufundiseni uncwadi lwesiXhosa. Olu phando ke kukuqhubeka apho aba babhali bakhankanyiweyo bayeke khona ukuzisa phambili umsebenzi nelifa elashiywa nguMqhayi kubemi baseMzantsi Afrika. Kungoko ke imibongo engabantu engama-30 kaMqhayi iza kuthi ikhutshelwe isuka kumaphephandaba akudala, iguqulelwe esiNgesini ze ihlahlelwe. Uninzi lwale mibongo ipapashwe kumaphephandaba akudala kwaye zange iphinde ipapashwe kwenye indawo, kungoko ke ingaziwa kakhulu. Ukukhethwa kwale mibongo ingama-30 kuncediswe nguNjingalwazi uJeff Opland, uNjingalwazi odla umhlala-phantsi weYunivesithi yase-London kwiSikolo seZifundo ngezaseAfrika naseMpumalanga (SOAS). Le mibongo isuka kuluhlu lwakhe athe waluqokelela nolubizwa ngokuba yi-Opland Collection of Xhosa Literature oluse- Godalming, e-United Kingdom. Indlela le mibongo eza kuthi ibhalwe ngayo yileyo uMqhayi wayeyibhale ngayo ngexesha lakhe. Le mibongo ihleliwe kwaye oko kubhaliweyo malunga nayo kuquka indlela apho imibongo kaMqhayi ngobomi babantu kuthi kubonise indlela abonga nabonisa ngayo izinto zoPolitiko, zakudala nezasekuhlaleni ezazisenzeka ngela xesha. Indlela ethi konke oku kuthi kuvele kule mibongo kaMqhayi kwaye kuya kuthi kuvezwe kolu phando. Ukuguqulelwa kwale mibongo esiNgesini kuya kuthi kuncede ukuba nabo bangasithethiyo isiXhosa bakwazi ukufumana le mibongo. Indlela esetyenzisiweyo yoguqulo-lwimi yale mibongo yileyo ivumela ukuba umbhalo uguqulelwe ngokufanayo nombhalo-ntsusa kwaye intsingiselo kumbhalo ekuguqulelwa kuwo ingatshintshi. Lo misebenzi ke ngoko uluphando lwemibongo engabantu ekhethiweyo engama30 ebhalwe nguSEK Mqhayi kumaphephandaba kwimiminyaka u1899 - 1944. Umongo wolu phando kukwenza uhlalutyo - nzulu lwemibongo kaMqhayi eyaleka kuphando - lwazi osele lwenziwe njengoko lucaciswa ziingcali ezithe zazamana nengxoxo yoncwadi lomlomo, ngxoxo leyo ethe yachaphazela ngokumandla umongo wezibongo zikaMqhayi njengembongi yokuqala ukuwela ukusuka kuncwadi lomlomo ukuya kuncwadi olubhaliweyo.
- Full Text:
Being civil
- Matshoba, Zongezile Theophilus
- Authors: Matshoba, Zongezile Theophilus
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6017 , http://hdl.handle.net/10962/d1021237
- Description: My collection of short stories delves into government and governance, democracy, citizenship, civil servants, poverty, corruption and nepotism. My stories draw on the traditions of gritty urban crime fiction uncovering crimes of violence, service delivery, vandalism and corruption. They explore themes of mental cruelty and greed, self- preservation and community in rural areas, farms, townships and cities characterized by wrenching contradictions and inequalities. , This epic dramatic poetic verse delves into government and school governance, labour unions, liberation struggle, parenting and a wide range of school perceptions. It interrogates the roles of parents, teachers, students, department of education officials and that of other stakeholders that make use of schools. Influenced by William Wellington Gqoba’s ‘A great debate on education: a Parable’ wayback, it continues the education debate in the current post-democratic South Africa characterized by wrenching contradictions and inequalities. , This thesis is presented in two parts: English and isiXhosa.
- Full Text:
- Authors: Matshoba, Zongezile Theophilus
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6017 , http://hdl.handle.net/10962/d1021237
- Description: My collection of short stories delves into government and governance, democracy, citizenship, civil servants, poverty, corruption and nepotism. My stories draw on the traditions of gritty urban crime fiction uncovering crimes of violence, service delivery, vandalism and corruption. They explore themes of mental cruelty and greed, self- preservation and community in rural areas, farms, townships and cities characterized by wrenching contradictions and inequalities. , This epic dramatic poetic verse delves into government and school governance, labour unions, liberation struggle, parenting and a wide range of school perceptions. It interrogates the roles of parents, teachers, students, department of education officials and that of other stakeholders that make use of schools. Influenced by William Wellington Gqoba’s ‘A great debate on education: a Parable’ wayback, it continues the education debate in the current post-democratic South Africa characterized by wrenching contradictions and inequalities. , This thesis is presented in two parts: English and isiXhosa.
- Full Text:
If I still want to breathe
- Authors: Billie, Ayanda
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6012 , http://hdl.handle.net/10962/1021231
- Description: One theme of this collection is the joy and the deep seated grief of my community of Kwa-Nobuhle; the brightness of hope on the faces on children running around our streets, the strides made by their mothers, the confusion of factory workers who are lost in darkness since the dawn of new dispensation. Then there are more personal poems: my own joys as well as the difficulties that have kept me from sleep and strangled my dreams as a writer, even though like Mafika Gwala, I believe that “words are born the way mothers beget children/words are born to survive time”. My style is influenced by imagistic, mystic and soulful poetry, such as the haunting Spanish voice of Garcia Lorca who wrote “I lose myself in the heart of certain children” and the absorbing isiXhosa voice of S E K Mqhayi. In response to their poetry my offering will be words that enliven us; my style will be what I see in the mirror, through the window, the sound of rain on my zinc roof and what frightens me. , Ndixomoloze ndiboph’ amaxonya, ndisenza eli linge lokuzama ukuxhathalaza kulo msinga uzakutshayela ulwimi lwethu. Nantso ke incwadana ndiyithe qhiwu ngendebe endiyithiye ngegama elithi Umhlaba Umanzi. Umhlaba umanzi ziinyembezi zabalilayo, umanzi kukubila kwabasebenzi besombha eludakeni, ufumile ziinkathazo zeminyaka zesizukulwana sesizukulwana. Injongo endifuna ukuyifezekisa ngeli nqaku yeyokuba umntu achole ntwana ithile ngokujonga imeko esiphila kuzo gabalala, ekuhlaleni, emakhayeni ethu nakwii ndawo esixelenga kuzo. Mhlawumbi kuyakuvuseleleka iingcinga neenkumbulo zamhla-mnene, okanye ibophe nezilonda ezimanzi. Ukwanda kwaliwa ngumthakathi. . . Nangomso. , This thesis is presented in two parts: English and isiXhosa.
- Full Text:
- Authors: Billie, Ayanda
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6012 , http://hdl.handle.net/10962/1021231
- Description: One theme of this collection is the joy and the deep seated grief of my community of Kwa-Nobuhle; the brightness of hope on the faces on children running around our streets, the strides made by their mothers, the confusion of factory workers who are lost in darkness since the dawn of new dispensation. Then there are more personal poems: my own joys as well as the difficulties that have kept me from sleep and strangled my dreams as a writer, even though like Mafika Gwala, I believe that “words are born the way mothers beget children/words are born to survive time”. My style is influenced by imagistic, mystic and soulful poetry, such as the haunting Spanish voice of Garcia Lorca who wrote “I lose myself in the heart of certain children” and the absorbing isiXhosa voice of S E K Mqhayi. In response to their poetry my offering will be words that enliven us; my style will be what I see in the mirror, through the window, the sound of rain on my zinc roof and what frightens me. , Ndixomoloze ndiboph’ amaxonya, ndisenza eli linge lokuzama ukuxhathalaza kulo msinga uzakutshayela ulwimi lwethu. Nantso ke incwadana ndiyithe qhiwu ngendebe endiyithiye ngegama elithi Umhlaba Umanzi. Umhlaba umanzi ziinyembezi zabalilayo, umanzi kukubila kwabasebenzi besombha eludakeni, ufumile ziinkathazo zeminyaka zesizukulwana sesizukulwana. Injongo endifuna ukuyifezekisa ngeli nqaku yeyokuba umntu achole ntwana ithile ngokujonga imeko esiphila kuzo gabalala, ekuhlaleni, emakhayeni ethu nakwii ndawo esixelenga kuzo. Mhlawumbi kuyakuvuseleleka iingcinga neenkumbulo zamhla-mnene, okanye ibophe nezilonda ezimanzi. Ukwanda kwaliwa ngumthakathi. . . Nangomso. , This thesis is presented in two parts: English and isiXhosa.
- Full Text:
Ndiyoyika
- Authors: Nyezwa, Mxolisi
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6021 , http://hdl.handle.net/10962/d1021245
- Description: This thesis collection is a book of isiXhosa poems in three sections: - Poems derived and influenced by the rhythmic structure and the lyrics of Maskandi music - More introspective and personal poems derived from other influences: International poetry, South African poetry, and certain jazz and soul music - A major poem titled, “Nozala, umqolo wakho uphandle” which delves into the state of South Africa and explores the relationships that entrench poverty and powerlessness in post-apartheid South Africa. , Le thisisi yingqokelela yemibongo yesiXhosa eyohlulwe yazizigaba ezintathu: - Imibongo ephenjelelwe ziingoma nezingqi zomculo kaMaskandi - Imibongo ephenjelelwe zizimvo neemvakalelo zam njengombhali, ngakumbi iintshukumo zomzimba nezomphefumlo ezithundezwe ziimbongi zamazwe omhlaba, ezoMzantsi Afrika, kunye nemiculo efana ne-jazz, ne-soul - Umbongo ombaxa osihloko sithi, “Nozala, umqolo wakho uphandle” othetha ngelizwe lethu iMzantsi Afrika, uqwalasela indlela ekuphethwe ngayo ilizwe ziziphathamandla, nendlela abasemagunyeni abaphembelela ngayo intswela-ngqesho nentlupheko eluntwini, kwanokufiphala kobutsha-ntliziyo nobuthanda-zwe kubemi beli lizwe.
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- Authors: Nyezwa, Mxolisi
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6021 , http://hdl.handle.net/10962/d1021245
- Description: This thesis collection is a book of isiXhosa poems in three sections: - Poems derived and influenced by the rhythmic structure and the lyrics of Maskandi music - More introspective and personal poems derived from other influences: International poetry, South African poetry, and certain jazz and soul music - A major poem titled, “Nozala, umqolo wakho uphandle” which delves into the state of South Africa and explores the relationships that entrench poverty and powerlessness in post-apartheid South Africa. , Le thisisi yingqokelela yemibongo yesiXhosa eyohlulwe yazizigaba ezintathu: - Imibongo ephenjelelwe ziingoma nezingqi zomculo kaMaskandi - Imibongo ephenjelelwe zizimvo neemvakalelo zam njengombhali, ngakumbi iintshukumo zomzimba nezomphefumlo ezithundezwe ziimbongi zamazwe omhlaba, ezoMzantsi Afrika, kunye nemiculo efana ne-jazz, ne-soul - Umbongo ombaxa osihloko sithi, “Nozala, umqolo wakho uphandle” othetha ngelizwe lethu iMzantsi Afrika, uqwalasela indlela ekuphethwe ngayo ilizwe ziziphathamandla, nendlela abasemagunyeni abaphembelela ngayo intswela-ngqesho nentlupheko eluntwini, kwanokufiphala kobutsha-ntliziyo nobuthanda-zwe kubemi beli lizwe.
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Sunrays in a chilly winter
- Authors: Nolutshungu, Simphiwe
- Date: 2015
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- Study and teaching (Higher) , South African poetry (English) -- 21st century , South Africa -- Poetry
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:5993 , http://hdl.handle.net/10962/d1017777
- Description: In both my English and IsiXhosa poetry, my themes are love, politics, and the social issues of rural communities, and include my own life experiences, both good and bad. My poems are mainly short narrative accounts of township life. Although they do have a broad educational purpose, they do not preach to the reader. In IsiXhosa, my poetic forms are influenced by the works of J J R Jolobe, W N Mbovane, P T Mtuze, and my English poems by Pablo Neruda, Mafika Pascal Gwala, Garcia Lorca and others. , Intliziyo yona izimele gxebe ifihlakele Iyimfihlo, kumagumbi omphefumlo. Iyafunxa, ifukame kulo magumbi amxinwa. Iingcango, mba! Zivaliwe! Maxa wambi zide zixel’ isisila senkukhu, sona sibonwa mhla ligquthayo. Vul’ amehlo ubaz’ iindlebe uchul’ ukunyathela. Yiza ndikubambe ngesandla, sivul’ iingcango! Masivul’ iingcango zentliziyo yam, sikrobe ngaphakathi! Masithi ntla‐ntla kumagumb’ amathathu kuphela! Masithi ntla‐ntla, kwelepolitiki yakwaXhosa, Kaloku nam ndingumXhosa! Masithi ntla‐ntla kwelifukame, i.z.i.x.i.n.g.a.x.i n.o.b.u.n.c.w.a.n.e. b.o.t.h.a.n.d.o, kaloku nam ndinemithamb’ ebalek’ igaz’ eliqhumayo! Ucango lokugqibela lukungenisa kwigumbi elinezidl’ umzi, Kaloku nam ndizalwa kulo mzi wakwaXhoooooosa! , This thesis is presented in two parts: English and isiXhosa.
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- Authors: Nolutshungu, Simphiwe
- Date: 2015
- Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- Study and teaching (Higher) , South African poetry (English) -- 21st century , South Africa -- Poetry
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:5993 , http://hdl.handle.net/10962/d1017777
- Description: In both my English and IsiXhosa poetry, my themes are love, politics, and the social issues of rural communities, and include my own life experiences, both good and bad. My poems are mainly short narrative accounts of township life. Although they do have a broad educational purpose, they do not preach to the reader. In IsiXhosa, my poetic forms are influenced by the works of J J R Jolobe, W N Mbovane, P T Mtuze, and my English poems by Pablo Neruda, Mafika Pascal Gwala, Garcia Lorca and others. , Intliziyo yona izimele gxebe ifihlakele Iyimfihlo, kumagumbi omphefumlo. Iyafunxa, ifukame kulo magumbi amxinwa. Iingcango, mba! Zivaliwe! Maxa wambi zide zixel’ isisila senkukhu, sona sibonwa mhla ligquthayo. Vul’ amehlo ubaz’ iindlebe uchul’ ukunyathela. Yiza ndikubambe ngesandla, sivul’ iingcango! Masivul’ iingcango zentliziyo yam, sikrobe ngaphakathi! Masithi ntla‐ntla kumagumb’ amathathu kuphela! Masithi ntla‐ntla, kwelepolitiki yakwaXhosa, Kaloku nam ndingumXhosa! Masithi ntla‐ntla kwelifukame, i.z.i.x.i.n.g.a.x.i n.o.b.u.n.c.w.a.n.e. b.o.t.h.a.n.d.o, kaloku nam ndinemithamb’ ebalek’ igaz’ eliqhumayo! Ucango lokugqibela lukungenisa kwigumbi elinezidl’ umzi, Kaloku nam ndizalwa kulo mzi wakwaXhoooooosa! , This thesis is presented in two parts: English and isiXhosa.
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Good-Gooder-Goodest
- Authors: Majola, Fundile Lawrence
- Date: 2014
- Subjects: South African fiction (English) -- 21st century , Xhosa fiction -- 21st century , Short stories, South African -- 21st century , Short stories, Xhosa -- 21st century , Creative writing (Higher education) -- Research -- South Africa , Creative writing -- Fiction , South African fiction -- Study and teaching (Higher)
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:5982 , http://hdl.handle.net/10962/d1015657
- Description: My stories are set in the townships, and move with the vigorous rhythms and jagged structures of township life. Some of them are written in English and others in isiXhosa. Some of the dialogue is township slang, a mixture of languages; and pure isiXhosa. The stories follow no particular pattern and are arranged according to any form of chronology, and different voices, at times as a man/boy and in others as a girl. The characters are not related each story perfectly stands for itself. Some of the stories hark back to the days of apartheid and are seen through the eyes of a child confused by the humiliations of his elders. , Amabali am asekelwe ezilokishini yaye ahambelana neemeko ezimaxongo zokuphila zasezilokishini apho yaye amanye asukela kwixesha lengcinezelo yesizwe esimnyama. Imiba echatshazelwa kula mabali iquka intlupheko, intiyo kwakunye nokuphilisana koluntu ezilokishini, phantsi kwezo meko. Amabali la ndizame ukuwenza alandele indlela yokubalisa yhenkwenkwana enguSkhumba, ethi ibone iqwalasele iimeko zokuphila zabantu bohlanga lwayo. Ingqokelela esisiqendu sokuqala yona ibhalwe ze yangeniswa ngesiNgesi. , This thesis is presented in two parts: English and isiXhosa.
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- Authors: Majola, Fundile Lawrence
- Date: 2014
- Subjects: South African fiction (English) -- 21st century , Xhosa fiction -- 21st century , Short stories, South African -- 21st century , Short stories, Xhosa -- 21st century , Creative writing (Higher education) -- Research -- South Africa , Creative writing -- Fiction , South African fiction -- Study and teaching (Higher)
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:5982 , http://hdl.handle.net/10962/d1015657
- Description: My stories are set in the townships, and move with the vigorous rhythms and jagged structures of township life. Some of them are written in English and others in isiXhosa. Some of the dialogue is township slang, a mixture of languages; and pure isiXhosa. The stories follow no particular pattern and are arranged according to any form of chronology, and different voices, at times as a man/boy and in others as a girl. The characters are not related each story perfectly stands for itself. Some of the stories hark back to the days of apartheid and are seen through the eyes of a child confused by the humiliations of his elders. , Amabali am asekelwe ezilokishini yaye ahambelana neemeko ezimaxongo zokuphila zasezilokishini apho yaye amanye asukela kwixesha lengcinezelo yesizwe esimnyama. Imiba echatshazelwa kula mabali iquka intlupheko, intiyo kwakunye nokuphilisana koluntu ezilokishini, phantsi kwezo meko. Amabali la ndizame ukuwenza alandele indlela yokubalisa yhenkwenkwana enguSkhumba, ethi ibone iqwalasele iimeko zokuphila zabantu bohlanga lwayo. Ingqokelela esisiqendu sokuqala yona ibhalwe ze yangeniswa ngesiNgesi. , This thesis is presented in two parts: English and isiXhosa.
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