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Chepchoi Marinda

- Akito Arap Yeko, Tracey, Hugh

  • Authors: Akito Arap Yeko , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/298777 , vital:57741 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2039-XYZ5474
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Chepchoni marinda

- Malakwen Chepsaidut, performer not specified, Tracey, Hugh

Chepchoni Marinda

- Malakwen Chepsaikut, Hugh Tracey

  • Authors: Malakwen Chepsaikut , Hugh Tracey
  • Date: 1950
  • Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176824 , vital:42762 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-02
  • Description: This lyre is strummed like a guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was:- 308, 256, 232, 206, 180, (154) vs. Praise sone with Kipukandet 5 string lyre.
  • Full Text: false
  • Date Issued: 1950

Chepchoni Marinda a Arap Chepsiolei b

- Malakwen Chepsaidut, performer not specified, Tracey, Hugh

Chepconi Marinda II

- Akito Arap Yeko, Hugh Tracey

  • Authors: Akito Arap Yeko , Hugh Tracey
  • Date: 1950
  • Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176905 , vital:42770 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-07
  • Description: The Nandi, like the Kipsigis their relatives, are given to singing praise songs about people and places familiar to them and beloved by all. This is an example of such a song in which people, places and chiefs all come in for approbation and appreciation. Praise song with Kipukandet 6 string bowl lyre.
  • Full Text: false
  • Date Issued: 1950

Chepulionit

- Paul Serefu with Nandi boys, Hugh Tracey

  • Authors: Paul Serefu with Nandi boys , Hugh Tracey
  • Date: 1950
  • Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176809 , vital:42761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-01
  • Description: The Chemelilit dance for young men is performed at night as a general entertainment. The present dance song is a traditional one and was used in the old ways before going out to raid neihbouring tribes after which they felt they were fit to accomplish anything they set themselves to do. It was sung by the raiding party sitting down, but is now solely as a dance. Chemelilit dance song for young men.
  • Full Text: false
  • Date Issued: 1950

Chepulionit

- Paul Serebu, Nandi boys, Folk, Tracey, Hugh

Chepulon

- Kiplakat Arap Janui, Tracey, Hugh

Chepulon

- Kiplakat Arap Tanui, Hugh Tracey

Ichepu-chepu

- Elijan Reremoi with Nandi boys, Hugh Tracey

Iongile

- Paul Serebu, Nandi boys, composer not specified, Tracey, Hugh

Iongilo

- Serebu, Paul, Nandi boys, Folk, Tracey, Hugh

Iyongilo kalamitap kokoek (The Kikuyu's pen)

- Kiptui Arap Moroko with Nandi men, Hugh Tracey

  • Authors: Kiptui Arap Moroko with Nandi men , Hugh Tracey
  • Date: 1950
  • Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176752 , vital:42747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR163-11
  • Description: "Kikuyu's pen." The Moran is the attractive Nandi dance where they link arms in a circle and step sideways to the music while others enter the ring and leap like a coiled spring straight into the air. It requires few words to keep the rhythm going. The words in this case, they said, had little meaning referring possibly to pen weilded by a certain Kikuyu clerk. They rise steadily in pitch during the song. Moran dance song for men.
  • Full Text: false
  • Date Issued: 1950

Kamano

- Akito Arap Yeko, Hugh Tracey

  • Authors: Akito Arap Yeko , Hugh Tracey
  • Date: 1950
  • Subjects: Mijikenda (African people) , Nandi (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapsabet f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/176853 , vital:42765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR164-04
  • Description: This lyre is strummed like a guitar with the right hand, the left hand stopping the five strings, like the Bongwe Zither of Nyasaland. This gave two chords. Notes 1, 3, and 5 and notes 2 and 4. One string, they said, was missing, the lower octave of No. 1. The scale was:- 308, 256, 232, 206, 180, (154) vs. The tune comes from the Luo people in the valleys below but has had Nandi words put to it. It is a song of praise for the Nandi country and other places which the singer and his audience have visited. Topical song with Kipukandet 5 string lyre.
  • Full Text: false
  • Date Issued: 1950

Kamano

- Akito Arap Yeko, performer not specified, Tracey, Hugh

Kamano

- Akito Arap Yeko, Tracey, Hugh

  • Authors: Akito Arap Yeko , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Kenya City not specified f-ke
  • Language: Nandi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/298746 , vital:57738 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2037-XYZ5472a
  • Description: Indigenous music
  • Full Text: false
  • Date Issued: 1950

Kapchinja

- Paul Serebu with young Nandi men, Hugh Tracey

Kapchinja

- Paulo Arap Maiyo, Nandi boys, Folk, Tracey, Hugh

Kebai Nasai kole chwang

- Elijah Rerimei, Tugan Boys, Composer not specified, Tracey, Hugh

Kibit Kamar kangir chemwal

- Elijah Rerimei, Tugan Boys, Composer not specified, Tracey, Hugh

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