Mudala Mukamba, nakangishe
- Arusi Binti Kasimu with Sukuma women, Hugh Tracey
- Authors: Arusi Binti Kasimu with Sukuma women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shinyanga f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173450 , vital:42372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-03
- Description: "How do you do, Mudala Mukamba." It is possible that this style of singing has been modelled upon Swhaili or Arab practice. A kind of 'celeste' is produced between the unison voices of the women, one of them singing at a lower pitch than the others. Kadandi dance song for women.
- Full Text: false
- Date Issued: 1950
- Authors: Arusi Binti Kasimu with Sukuma women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shinyanga f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173450 , vital:42372 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-03
- Description: "How do you do, Mudala Mukamba." It is possible that this style of singing has been modelled upon Swhaili or Arab practice. A kind of 'celeste' is produced between the unison voices of the women, one of them singing at a lower pitch than the others. Kadandi dance song for women.
- Full Text: false
- Date Issued: 1950
Bana wane namuhekesha
- Bunwenge Meng'weta with Sukuma men, Hugh Tracey
- Authors: Bunwenge Meng'weta with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kisesa Baraza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173459 , vital:42373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-04
- Description: "Let me tell you, my children, I am thin on account of my charms, I want to find better charms to use at my dances." The Sukuma are great believers in charms of all kinds for all occasions. Bugika dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Bunwenge Meng'weta with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kisesa Baraza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173459 , vital:42373 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-04
- Description: "Let me tell you, my children, I am thin on account of my charms, I want to find better charms to use at my dances." The Sukuma are great believers in charms of all kinds for all occasions. Bugika dance song for men and women.
- Full Text: false
- Date Issued: 1950
Nigwa milango jayu hilima
- Ernest Pole with Sukuma men, Hugh Tracey
- Authors: Ernest Pole with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shinyanga f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173513 , vital:42379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-10
- Description: "I have heard the chief's dance, Milango! Let's go and join the dance." The Puba dance is done in teams. The girls in two lines and the boys in two lines behind them. They move to and fro in file and leap into the air in time with the rhythm of the dance music. Puba dance song for men and women with clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Ernest Pole with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shinyanga f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173513 , vital:42379 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-10
- Description: "I have heard the chief's dance, Milango! Let's go and join the dance." The Puba dance is done in teams. The girls in two lines and the boys in two lines behind them. They move to and fro in file and leap into the air in time with the rhythm of the dance music. Puba dance song for men and women with clapping.
- Full Text: false
- Date Issued: 1950
Nene nauja senga senga ntimu (I am now thin because of hard work)
- Juma Bin Kija with Sukuma men, Hugh Tracey
- Authors: Juma Bin Kija with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shinyanga f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173680 , vital:42399 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-06
- Description: The word Wigasha means 'to sit down'; and the dance is performed in this position, the dancers sitting on a log or bench and moving their arms and legs in rhythm. Wigasha dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Juma Bin Kija with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Shinyanga f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173680 , vital:42399 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-06
- Description: The word Wigasha means 'to sit down'; and the dance is performed in this position, the dancers sitting on a log or bench and moving their arms and legs in rhythm. Wigasha dance song for men and women.
- Full Text: false
- Date Issued: 1950
Uhimila isekanakali nasukumbe (Uhilila was our best dancer)
- Juma Bin Nyela with Sukuma men, Hugh Tracey
- Authors: Juma Bin Nyela with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173356 , vital:42362 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-11
- Description: "Uhimila was so fine a dancer that even Kihimyali would bow down and clap his hands." All African tribes seem to idolize their good dances. The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Juma Bin Nyela with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwadui f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173356 , vital:42362 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-11
- Description: "Uhimila was so fine a dancer that even Kihimyali would bow down and clap his hands." All African tribes seem to idolize their good dances. The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Tukandikwa mazina
- Kabadiko Lugembe with Sukuma men and women, Hugh Tracey
- Authors: Kabadiko Lugembe with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Ilemera f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173378 , vital:42365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-13
- Description: "Our names have been written down by the English and sent all over the country, we do not know why." From time to time investigations of the activities of the many secret socities among the Sukuma have been made. Any such action is looked upon with suspicion by those investigates. Buchwezi protective spell, with gourd rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Kabadiko Lugembe with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Ilemera f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173378 , vital:42365 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-13
- Description: "Our names have been written down by the English and sent all over the country, we do not know why." From time to time investigations of the activities of the many secret socities among the Sukuma have been made. Any such action is looked upon with suspicion by those investigates. Buchwezi protective spell, with gourd rattles.
- Full Text: false
- Date Issued: 1950
Tukandikwa mazina
- Kabadiko Lugembe with Sukuma men and women, Hugh Tracey
- Authors: Kabadiko Lugembe with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Ilemera f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173388 , vital:42364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-13
- Description: "Our names have been written down by the English and sent all over the country, we do not know why." From time to time investigations of the activities of the many secret socities among the Sukuma have been made. Any such action is looked upon with suspicion by those investigates. Buchwezi protective spell, with gourd rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Kabadiko Lugembe with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Ilemera f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173388 , vital:42364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-13
- Description: "Our names have been written down by the English and sent all over the country, we do not know why." From time to time investigations of the activities of the many secret socities among the Sukuma have been made. Any such action is looked upon with suspicion by those investigates. Buchwezi protective spell, with gourd rattles.
- Full Text: false
- Date Issued: 1950
Yaya ulu kumwaka nalabla msenga
- Kabadiko Lugembe with Sukuma men and women, Hugh Tracey
- Authors: Kabadiko Lugembe with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Ilemera f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173369 , vital:42363 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-12
- Description: "No, no, this man only a messenger and is not to be blamed." The Sukuma are given to forming groups or socities with definite objectives. Some are solely for dancing, others for hunting while others again like the Buchwezi group believe they can create protective spells against attack by crocodiles from Lake Victoria and the river. Buchwezi protective spell, with gourd rattles.
- Full Text: false
- Date Issued: 1950
- Authors: Kabadiko Lugembe with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Ilemera f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173369 , vital:42363 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-12
- Description: "No, no, this man only a messenger and is not to be blamed." The Sukuma are given to forming groups or socities with definite objectives. Some are solely for dancing, others for hunting while others again like the Buchwezi group believe they can create protective spells against attack by crocodiles from Lake Victoria and the river. Buchwezi protective spell, with gourd rattles.
- Full Text: false
- Date Issued: 1950
Nene nawile kibukulu
- Kilogeja Mwana Nkoko with Sukuma men and women, Hugh Tracey
- Authors: Kilogeja Mwana Nkoko with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173656 , vital:42396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-04
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am like a great dump of rubbish (a junk heap). Whenerver there is any sort of a meeting I am called upon to give advice. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Kilogeja Mwana Nkoko with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173656 , vital:42396 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-04
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am like a great dump of rubbish (a junk heap). Whenerver there is any sort of a meeting I am called upon to give advice. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
Nene nawile kibukulu
- Kilogeja Mwana Nkoko with Sukuma men and women, Hugh Tracey
- Authors: Kilogeja Mwana Nkoko with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173646 , vital:42393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-04
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am like a great dump of rubbish (a junk heap). Whenerver there is any sort of a meeting I am called upon to give advice. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Kilogeja Mwana Nkoko with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173646 , vital:42393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-04
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am like a great dump of rubbish (a junk heap). Whenerver there is any sort of a meeting I am called upon to give advice. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
Mwakumajangosha
- Kitula Bini Kinongu with Sukuma men, Hugh Tracey
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173336 , vital:42361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173336 , vital:42361 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Mwakumajangosha
- Kitula Bini Kinongu with Sukuma men, Hugh Tracey
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173351 , vital:42360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
- Authors: Kitula Bini Kinongu with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kesesa f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173351 , vital:42360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-10
- Description: "They have tried all day to mark his face, but failed. My child Kilumba is still too young." The cutting of cicatrices on the face is accompanied by songs such as these, and by festivities and dancing. There is a local breed of fowls which have no feathers on their necks and very red skin. The song refers to a certain diviner who used to smear his face and neck with red earth. The people of the village can be heard chatting and laughing during the song, and a bird can be heard in the background of the second song. Ucheyeki song for cutting cicatrices.
- Full Text: false
- Date Issued: 1950
Kwinga Lwanungu (Lwanungu left)
- Kono Ikhongorwa with Sukuma men, Hugh Tracey
- Authors: Kono Ikhongorwa with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173714 , vital:42405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-08
- Description: "Lwanungu left the district because he thought some one was killing off his friends by magic and he expected his turn would come soon." Several of the men are singing in falsetto in addition to the high pitched treble of the women. Ucheyeki dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Kono Ikhongorwa with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173714 , vital:42405 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-08
- Description: "Lwanungu left the district because he thought some one was killing off his friends by magic and he expected his turn would come soon." Several of the men are singing in falsetto in addition to the high pitched treble of the women. Ucheyeki dance song for men and women.
- Full Text: false
- Date Issued: 1950
Lemagino lukhanya (Refuse to obey)
- Kono Ikhongorwa with Sukuma men, Hugh Tracey
- Authors: Kono Ikhongorwa with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173746 , vital:42406 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-09
- Description: "The chief had told the people to plough the fields, but they defied the chief's orders and refused to do so." Sukumaland is far from being the only region where the people have refused to plough. Ucheyeki dance song for men and women.
- Full Text: false
- Date Issued: 1950
- Authors: Kono Ikhongorwa with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173746 , vital:42406 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-09
- Description: "The chief had told the people to plough the fields, but they defied the chief's orders and refused to do so." Sukumaland is far from being the only region where the people have refused to plough. Ucheyeki dance song for men and women.
- Full Text: false
- Date Issued: 1950
Shing’angali nadosano
- Kulola Kulaja with Sukuma men, Hugh Tracey
- Authors: Kulola Kulaja with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173558 , vital:42384 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-15
- Description: Sukuma people are broadly divided into, two, competitive socities, like the supporters of 'Light Blues' and 'Dark Blues' on boatrace day. Members of the same family may belong to either society. Before dancing in competition with each other there are frequent arguments as to who shall start first. This song is said to be very popular in the district. Wigasha song
- Full Text: false
- Date Issued: 1950
- Authors: Kulola Kulaja with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173558 , vital:42384 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-15
- Description: Sukuma people are broadly divided into, two, competitive socities, like the supporters of 'Light Blues' and 'Dark Blues' on boatrace day. Members of the same family may belong to either society. Before dancing in competition with each other there are frequent arguments as to who shall start first. This song is said to be very popular in the district. Wigasha song
- Full Text: false
- Date Issued: 1950
Wuyawuya nalila mininga
- Likhengele Makhono with Sukuma men and women, Hugh Tracey
- Authors: Likhengele Makhono with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173671 , vital:42397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-05
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am Thinking abouth the death of my love who looked after me well. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Likhengele Makhono with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173671 , vital:42397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-05
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. "I am Thinking abouth the death of my love who looked after me well. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
Ng’wadila ng’wiza wani baba rumi
- Luchenje Nyanda with Sukuma men, Hugh Tracey
- Authors: Luchenje Nyanda with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173614 , vital:42389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-01
- Description: "How do you do chief, we greet you by playing bells. Before we go do our dance we need charms to help us." A song sung before dancing. Dancing among the Sukuma is often a matter of competition between teams, the size of the audience attracted to watch each team indicating their relative popularity. Charms are frequently used to give them luck and skill, they say, in dancing. The melody of this song is memorable and beautifully balanced, it reminds one of the old English song. "One man went to mow, went to mow a meadow." Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Luchenje Nyanda with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173614 , vital:42389 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-01
- Description: "How do you do chief, we greet you by playing bells. Before we go do our dance we need charms to help us." A song sung before dancing. Dancing among the Sukuma is often a matter of competition between teams, the size of the audience attracted to watch each team indicating their relative popularity. Charms are frequently used to give them luck and skill, they say, in dancing. The melody of this song is memorable and beautifully balanced, it reminds one of the old English song. "One man went to mow, went to mow a meadow." Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
Ngosha wewe nasengilehe
- Luchenje Nyanda with Sukuma men, Hugh Tracey
- Authors: Luchenje Nyanda with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173623 , vital:42390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-02
- Description: "Young man where is your home? You are eating food with wizards. The man next to you is Wanambagule Mkuki, a tall fellow who has killed a number of wizards." Sukuma men are above the average height and are cheerful people when they sing and dance. The structure of this lyric and its manner of singing is also remarkable. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
- Authors: Luchenje Nyanda with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173623 , vital:42390 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-02
- Description: "Young man where is your home? You are eating food with wizards. The man next to you is Wanambagule Mkuki, a tall fellow who has killed a number of wizards." Sukuma men are above the average height and are cheerful people when they sing and dance. The structure of this lyric and its manner of singing is also remarkable. Wigasha dance song for men.
- Full Text: false
- Date Issued: 1950
Awana wane wakuluganga
- Luchenje Nyanda with Sukuma men, Hugh Tracey
- Authors: Luchenje Nyanda with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173632 , vital:42391 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-03
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. The song reflects the considerable ability of Sukuma people to compose and sing intricate songs.
- Full Text: false
- Date Issued: 1950
- Authors: Luchenje Nyanda with Sukuma men , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Mwanza f-tz
- Language: Nyamwezi , Sukuma
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173632 , vital:42391 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR152-03
- Description: Secret socities, charms and occult ideas are an everyday part of the lives of the Sukuma people. Charms and counter charms to a people who know no physical chain of cause and effect and only a vague one, are still considered valuable. The Wigasha dance is performed sitting down with most of the action confined to stretching up the arms and twisting the torso. The team of dancers performs routine actions in unision with arms and body. The song reflects the considerable ability of Sukuma people to compose and sing intricate songs.
- Full Text: false
- Date Issued: 1950
Tulamugishe mwamasala
- Lugingisi Mwanaguthondo with Sukuma men and women, Hugh Tracey
- Authors: Lugingisi Mwanaguthondo with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kisesa Baraza f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173432 , vital:42370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-01
- Description: "Let us greet him properly. I have done all my work. But you have still much to do." Threshing song.
- Full Text: false
- Date Issued: 1950
- Authors: Lugingisi Mwanaguthondo with Sukuma men and women , Hugh Tracey
- Date: 1950
- Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kisesa Baraza f-tz
- Language: Nyamwezi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/173432 , vital:42370 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR151-01
- Description: "Let us greet him properly. I have done all my work. But you have still much to do." Threshing song.
- Full Text: false
- Date Issued: 1950