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Mugasha 2

- Habib Bin Seliman, Hugh Tracey

  • Authors: Habib Bin Seliman , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172334 , vital:42190 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-13
  • Description: The singer was word perfect throughout the whole recitation. He tells the locally well known legend of the Lake Victoria Nyanza. He is credited with being the best legend reciter in all the Haya country. Before Mugasha was born he is said to have threatened his mother that unless he was born quickly he would come out of the side of the womb. The instrument had to be returned before the end of the legend, as one or two strings were slightly flat. It was originally recorded in five sections. The Legend of spirit of the Lake, with Nanga trough Zither.
  • Full Text: false
  • Date Issued: 1950

Mugasha 3

- Habib Bin Seliman, Hugh Tracey

  • Authors: Habib Bin Seliman , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172359 , vital:42192 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-14
  • Description: The singer was word perfect throughout the whole recitation. He tells the locally well known legend of the Lake Victoria Nyanza. He is credited with being the best legend reciter in all the Haya country. Before Mugasha was born he is said to have threatened his mother that unless he was born quickly he would come out of the side of the womb. The instrument had to be returned before the end of the legend, as one or two strings were slightly flat. It was originally recorded in five sections. The Legend of spirit of the Lake, with Nanga trough Zither.
  • Full Text: false
  • Date Issued: 1950

Mugasha 3

- Habib Bin Seliman, Hugh Tracey

  • Authors: Habib Bin Seliman , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172346 , vital:42191 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-14
  • Description: The singer was word perfect throughout the whole recitation. He tells the locally well known legend of the Lake Victoria Nyanza. He is credited with being the best legend reciter in all the Haya country. Before Mugasha was born he is said to have threatened his mother that unless he was born quickly he would come out of the side of the womb. The instrument had to be returned before the end of the legend, as one or two strings were slightly flat. It was originally recorded in five sections. The Legend of spirit of the Lake, with Nanga trough Zither.
  • Full Text: false
  • Date Issued: 1950

Mugasha 4

- Habib Bin Seliman, Hugh Tracey

  • Authors: Habib Bin Seliman , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172364 , vital:42193 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-15
  • Description: The singer was word perfect throughout the whole recitation. He tells the locally well known legend of the Lake Victoria Nyanza. He is credited with being the best legend reciter in all the Haya country. Before Mugasha was born he is said to have threatened his mother that unless he was born quickly he would come out of the side of the womb. The instrument had to be returned before the end of the legend, as one or two strings were slightly flat. It was originally recorded in five sections. The Legend of spirit of the Lake, with Nanga trough Zither.
  • Full Text: false
  • Date Issued: 1950

Mugasha 5

- Habib Bin Seliman, Hugh Tracey

  • Authors: Habib Bin Seliman , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172369 , vital:42194 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-16
  • Description: The singer was word perfect throughout the whole recitation. He tells the locally well known legend of the Lake Victoria Nyanza. He is credited with being the best legend reciter in all the Haya country. Before Mugasha was born he is said to have threatened his mother that unless he was born quickly he would come out of the side of the womb. The instrument had to be returned before the end of the legend, as one or two strings were slightly flat. It was originally recorded in five sections. The Legend of spirit of the Lake, with Nanga trough Zither.
  • Full Text: false
  • Date Issued: 1950

Mukunge Stefano

- Festo Mburabwikyo and Nyoro men and women, Hugh Tracey

  • Authors: Festo Mburabwikyo and Nyoro men and women , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169865 , vital:41832 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-12
  • Description: Stefano was a policeman. Festo was arrested by him for being in illegal possession of a rifle and he served three months in gaol. Festo bears a grudge against the policeman and made up this song about him. Since poaching elephants for their ivory is a big racket in this district, the loss of a rifle would rankle in the mind of a happy law breaker. Incidentally, the policeman was given, they say, a reward of 400 shillings for arresting the man. Igulya dance song, with ankle gourd rattles and clapping.
  • Full Text: false
  • Date Issued: 1950

Muli baripiya

- Paulo Rufundamwarwo and Nyoro boys and girls, Hugh Tracey

Mushaga mzima

- Eliazale Kazinduki, Hugh Tracey

  • Authors: Eliazale Kazinduki , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukoba f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171691 , vital:42112 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR143-01
  • Description: These horns, Makondere, are made of horn and of calabash gourds combined, bound together with skin (mostly cows tail) to keep the joints tight. They are cut open across the small end where a finger hole makes two notes possible on each horn. The mouthpiece is cut rectangularly on the side of the horn near the small end. This tune is used for special ceremonial occasions. Victory song, after fighting with Makondere side blown horns, 1 conical laced drum (-14.22303-), 1 cylindrical, footed, pegged drum (14.01101-).
  • Full Text: false
  • Date Issued: 1950

Musingasingu yakora egali I

- Misaki Muswankuli and Ruli men, Hugh Tracey

  • Authors: Misaki Muswankuli and Ruli men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kigumba Gombolole f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169838 , vital:41829 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-09
  • Description: In this record the players were brought in and out one after the other to show how the music is built up. The three players sitting on the one side of the xylophone, the 'leader', the 'wife and the man' all play the same melody in the three octaves. The player on the opposite side, the 'mixer' plays a contra-melody. Each can be distinctly heard in the record. Ntara dance with Ntara xylophone, 16 loose notes on temporary banana stalk supports.
  • Full Text: false
  • Date Issued: 1950

Musingasingu yakora egali II

- Misaki Muswankuli and Ruli men, Hugh Tracey

  • Authors: Misaki Muswankuli and Ruli men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kigumba Gombolole f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169843 , vital:41830 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-10
  • Description: In this record the players were brought in and out one after the other to show how the music is built up. The three players sitting on the one side of the xylophone, the 'leader', the 'wife and the man' all play the same melody in the three octaves. The player on the opposite side, the 'mixer' plays a contra-melody. Each can be distinctly heard in the record. Ntara dance with Ntara xylophone, 16 loose notes on temporary banana stalk supports.
  • Full Text: false
  • Date Issued: 1950

Mutitira (Happiness)

- S. Ruhume, Akiki with Toro men, Hugh Tracey

  • Authors: S. Ruhume, Akiki with Toro men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bukuku f-ug
  • Language: Nyoro , Nyankole
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170373 , vital:41914 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-01
  • Description: "The bird has seen its friend, that is why it is happy." This means that the host at the party is happy with his friends. The Mateguru dance is frequently performed at drinking parties. The song makes a very jolly round. Mateguru dance song for men and women with Emugudu cylindrical drum, footed, pegged, one conical drum laced, single, played with hands.
  • Full Text: false
  • Date Issued: 1950

Muyaga (Parts 1-4)

- Addalla Feza Ibraim, Hugh Tracey

  • Authors: Addalla Feza Ibraim , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172491 , vital:42209 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR146-02
  • Description: The lake in this legend is Nyanja, Lake Victoria, the great central African lake. The Haya people live on the south western shore of the lake in the Bukoba district of Tanganyika and are well known as fishermen plying their calling in sewn plank canoes. "There was once a Chief's young wife, Mirembe who did not love the man to whom she had married by her father and she fell in love with the handsome son of another chief, whose name was Kitungi. She called to Kitungi to come to her like the wind over the lake. A recitative Legend, with Nanga trough zither, 7 notes.
  • Full Text: false
  • Date Issued: 1950

Mwanamwana talikumpa omoya

- Luhanga Magezi with Haya children, Hugh Tracey

Naba aninduga Kilanja

- Felisiano Karungula with Haya men, Hugh Tracey

Naba nsibire ntamboine

- Abdalla Feza Ibrahim, Hugh Tracey

Ndamukiza aba Kayanga

- Razaro Begumiza and Nkole men, Hugh Tracey

Ndwaile

- Mpabuka Ibanda with Haya women / Chief Lutinwa, Gera, Hugh Tracey

Nebugana

- Katondaya Ishozi, Hugh Tracey

Ngondo

- Mjuju Kashengereire with Haya boys, Hugh Tracey

Nimboroga

- Eriya Bakwasa, Hugh Tracey

  • Authors: Eriya Bakwasa , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169733 , vital:41793 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-14
  • Description: The Ekidongo harp is a pleasing instrument in the hands of an expert. This man Eriya Bakwasa is a professional minstrel who makes his livelihood by singing songs. "I weep" he sings "because I am poor", a theme very popular among mendicant musicians. Self delectative song with Ekidongo eight string harp.
  • Full Text: false
  • Date Issued: 1950
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