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Title not specified

- Performer not specified, Composer not specified, Tracey, Hugh

Vesa

- Performer not specified, Composer not specified, Tracey, Hugh

Vesa

- Performer not specified, Composer not specified, Tracey, Hugh

Dikgaka

- Bakxaga Singers, Shai, Johannes, Tracey, Hugh

Mashekane

- Bakxaga Singers, Shai, Johannes, Tracey, Hugh

Mmapula

- Bakxaga Singers, Shai, Johannes, Tracey, Hugh

Samphephethu

- Bakxaga Singers, Shai, Johannes, Tracey, Hugh

Adya moreyana

- Group of 8 Pedi women and 2 men, Four Pedi women, Tracey, Hugh

E kenia matsolo

- Group of 10 young Pedi initiates (girls), Four Pedi women, Tracey, Hugh

  • Authors: Group of 10 young Pedi initiates (girls) , Four Pedi women , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/189149 , vital:44821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-07
  • Description: Sung by the girls after the initiation ceremonies are over. They dress up in skins and wear small mirrors and go about among the houses and people, dancing and asking for presents. The initiation school lasts for two months and follows much the same lines as those of the Tswana. Many young Africans from Kenya southwards use metal whistles for their dances, blowing them continously as in this item; the result is deafening to the audience but apparently most enjoyable to the young who seem to be impervious to the noise. Three girls post-initiation song with 2 drums, leg rattles and whistles
  • Full Text: false
  • Date Issued: 1963

E lesang goloya

- Group of 10 young Pedi initiates (girls), Four Pedi women, Tracey, Hugh

  • Authors: Group of 10 young Pedi initiates (girls) , Four Pedi women , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/189141 , vital:44820 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-06
  • Description: Sung by the girls after the initiation ceremonies are over. They dress up in skins and wear small mirrors and go about among the houses and people, dancing and asking for presents. The initiation school lasts for two months and follows much the same lines as those of the Tswana. Many young Africans from Kenya southwards use metal whistles for their dances, blowing them continously as in this item; the result is deafening to the audience but apparently most enjoyable to the young who seem to be impervious to the noise. "Stop bewitching people. Kerishe is gone." Kerishe is the name of a man who was driven away from Thabakgolo because it was thought that he disturbed (bewitched) people. Three girls post-initiation song with 2 drums, leg rattles and whistles
  • Full Text: false
  • Date Issued: 1963

Elele Pelepele uile luatle

- Mapulana small boys and girls (under 12 years), Tracey, Hugh

Eya - eya, mani Boi

- Mapulana small boys and girls (under 12 years), Tracey, Hugh

Homolela ngeka

- Four Pedi women and a baby, Four Pedi women, Tracey, Hugh

Homolela ngwanaka

- Four Pedi women and a baby, Four Pedi women, Tracey, Hugh

Iya-e

- Mapulana women, Tracey, Hugh

Ke ke mmela ke ke

- Mashego, Barney (Chief), Four Pedi women, Tracey, Hugh

  • Authors: Mashego, Barney (Chief) , Four Pedi women , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/188684 , vital:44776 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-03
  • Description: This district is plagued, they say, by men who come home from employment eleswhere, eat the food of their relatives until it is all finished without doing a stroke of work to help, and then disappear from pastures new, leaving their families starving. "The day we pounded earth, pounding it for the bearded. Those who come in putting their beards in the food." (i.e. doing no work to produce it, but eating it only). The meaning behind this song is that the lazy men desearve only pounded earth, not good grain to eat. Pounding song with mortar and three pestles
  • Full Text: false
  • Date Issued: 1963

Keng se

- Mashego, Barney (Chief), Pedi women and one old man, Tracey, Hugh

Lebelela moo. Part I and II

- Group of 8 Pedi women and 1 man, Four Pedi women, Tracey, Hugh

  • Authors: Group of 8 Pedi women and 1 man , Four Pedi women , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/189159 , vital:44822 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-08
  • Description: The drums are made in the district of Marula trees. "Look here, I am waiting for a parcel. It is the blood of my husband, my husband Tshimisdo. My husband Tshimisdo, it comes with the train." The parcel is sent by her husband who is working away from home. The parcel is the result of the 'sweet of his brow', his 'blood' as they say. Party dance for men and women with two drums, small drum Morupa o munyane, large drum Morupa o mugulo and a rattle
  • Full Text: false
  • Date Issued: 1963

Mabolele kgoro

- Mapulana women, Tracey, Hugh

Makwidi

- Mapulana men and women, Tracey, Hugh

  • Authors: Mapulana men and women , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/188104 , vital:44723 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR194-06
  • Description: There is a song first, then a declamation by Williamu Lebyane at 2m 30s with he Siyavuma responses followed by a short song again at 5m 10s. The shricking and general noise all contributes to the pleasureable hysteria associated with this kind of activity. "Makwidi (Bulbul) perch on the bird lime so I can catch you." Bird lime is made from the fruit of a certain tree parasite which is usually found on the marula tree. It is first rolled and masticated in the month and then rolled onto a twig. The Bulbul referred to is the one numbered R-544 in the Roberts 'Birds of South Africa' and is widely distributed throughout Southern Africa. Divination - Siyavuma - game with 3 drums, open, pegged, single head
  • Full Text: false
  • Date Issued: 1963
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