Dlalani (Name of a man)
- 5 young Xhosa men and women, Hugh Tracey
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150741 , vital:39001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-01
- Description: The song is in praise of a man who has many lovers. This song and the following one were sung by a group of very beautifully dressed young people, the men dancers elegantly blanketed and beaded, the girls wearing pale ochre skirts with many rows of indigo blue braid and their headcloths of indingo blie wool were folded about their heads to form a tall tubular headdress rather like that of Queen Nefertiti. Before the recording started, but whilst the singers were "warming up" there was rather a curious little ceremony which forms part of the dance. One of the girls went around removing the men dancers's headcloths revealing their head bead ornaments. She put their headcloths on her own head, then returned to the line of girls and gave each girl her own young mans' headcloth, which was then tied round the girl's head. A stick specially decorated for dancing is called "Libunguza." Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150741 , vital:39001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-01
- Description: The song is in praise of a man who has many lovers. This song and the following one were sung by a group of very beautifully dressed young people, the men dancers elegantly blanketed and beaded, the girls wearing pale ochre skirts with many rows of indigo blue braid and their headcloths of indingo blie wool were folded about their heads to form a tall tubular headdress rather like that of Queen Nefertiti. Before the recording started, but whilst the singers were "warming up" there was rather a curious little ceremony which forms part of the dance. One of the girls went around removing the men dancers's headcloths revealing their head bead ornaments. She put their headcloths on her own head, then returned to the line of girls and gave each girl her own young mans' headcloth, which was then tied round the girl's head. A stick specially decorated for dancing is called "Libunguza." Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
Fasonti (Name of a man)
- 5 young Xhosa men and women, Hugh Tracey
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150750 , vital:39002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-02
- Description: The leading girl sings the melody at a lower pitch than the accompaniment sung by the chorus. This song is in praise of Fasonti; it is, they say, 'Fasonti's own personal song'. Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150750 , vital:39002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-02
- Description: The leading girl sings the melody at a lower pitch than the accompaniment sung by the chorus. This song is in praise of Fasonti; it is, they say, 'Fasonti's own personal song'. Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
Igada (A clod of earth)
- 5 young Xhosa men and women, Hugh Tracey
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150761 , vital:39003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-03
- Description: This was sung by the same group of young Xhosa men and women as the first 2 songs. The dancing was static, done by the mwn only, who used a single stamping step, but very stlised elegant gestures of arms and hands. They were holding decorated sticks. One man held up the two end corners of his blanket-skirt. His forearms were solidly encased in brass wire bracelets from wrist to elbow. Intlombe dances for young people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150761 , vital:39003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-03
- Description: This was sung by the same group of young Xhosa men and women as the first 2 songs. The dancing was static, done by the mwn only, who used a single stamping step, but very stlised elegant gestures of arms and hands. They were holding decorated sticks. One man held up the two end corners of his blanket-skirt. His forearms were solidly encased in brass wire bracelets from wrist to elbow. Intlombe dances for young people with clapping.
- Full Text: false
- Date Issued: 1957
Bamba Lomfana
- Alexandra Black Boys, Composer not Specified, Tracey, Hugh
- Authors: Alexandra Black Boys , Composer not Specified , Tracey, Hugh
- Date: 1960-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa Eastern Cape f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/212137 , vital:47695 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1021 , Research no.TJ117
- Description: Traditional Arranged marriage
- Full Text: false
- Date Issued: 1960-00-00
- Authors: Alexandra Black Boys , Composer not Specified , Tracey, Hugh
- Date: 1960-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa Eastern Cape f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/212137 , vital:47695 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1021 , Research no.TJ117
- Description: Traditional Arranged marriage
- Full Text: false
- Date Issued: 1960-00-00
Bhala Lam'
- Alexandra Black Boys, Composer not Specified, Tracey, Hugh
- Authors: Alexandra Black Boys , Composer not Specified , Tracey, Hugh
- Date: 1960-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa Eastern Cape f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/212128 , vital:47694 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1021 , Research no.TJ117
- Description: For further details refer to ILAM shellac record number: CR1021
- Full Text: false
- Date Issued: 1960-00-00
- Authors: Alexandra Black Boys , Composer not Specified , Tracey, Hugh
- Date: 1960-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa Eastern Cape f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/212128 , vital:47694 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR1021 , Research no.TJ117
- Description: For further details refer to ILAM shellac record number: CR1021
- Full Text: false
- Date Issued: 1960-00-00
Ntakana zilal'emini
- Aliwal North Xhosa Choir, Composer not specified, Tracey, Hugh
- Authors: Aliwal North Xhosa Choir , Composer not specified , Tracey, Hugh
- Date: 1952-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/204106 , vital:46743 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0677 , Research no.GU352
- Description: dance song by men singing in mbube style and women in marabi style
- Full Text: false
- Date Issued: 1952-00-00
- Authors: Aliwal North Xhosa Choir , Composer not specified , Tracey, Hugh
- Date: 1952-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/204106 , vital:46743 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0677 , Research no.GU352
- Description: dance song by men singing in mbube style and women in marabi style
- Full Text: false
- Date Issued: 1952-00-00
Ilanga litshonile
- Aliwal North Xhosa Choir, Composer not specified, Tracey, Hugh
- Authors: Aliwal North Xhosa Choir , Composer not specified , Tracey, Hugh
- Date: 1952-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/204129 , vital:46748 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0677 , Research no.GU352
- Description: Marabi style dance song for men and women, accompanied by a piano
- Full Text: false
- Date Issued: 1952-00-00
- Authors: Aliwal North Xhosa Choir , Composer not specified , Tracey, Hugh
- Date: 1952-00-00
- Subjects: Popular music--Africa , Dance music , Dance music--Caribbean Area , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/204129 , vital:46748 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR0677 , Research no.GU352
- Description: Marabi style dance song for men and women, accompanied by a piano
- Full Text: false
- Date Issued: 1952-00-00
Malilela imango ingasiyo yako
- Annie Macholweni, performer not specified, composer not specified, Tracey, Hugh
- Authors: Annie Macholweni , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/355994 , vital:64574 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4329-L1K2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Annie Macholweni , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/355994 , vital:64574 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4329-L1K2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
O'Nonqayi ndoboyana
- Annie Macholweni, performer not specified, composer not specified, Tracey, Hugh
- Authors: Annie Macholweni , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356012 , vital:64576 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4329-L1K4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Annie Macholweni , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356012 , vital:64576 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4329-L1K4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Intetha yeNkosi
- Baleni, Bennett, Composer unknown, Tracey, Hugh
- Authors: Baleni, Bennett , Composer unknown , Tracey, Hugh
- Date: 1957-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/228674 , vital:49585 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT430-L51 , Research no. L1W6
- Description: A speech by Headman Bennett Baleni with praise singing .
- Full Text: false
- Date Issued: 1957-05-27
- Authors: Baleni, Bennett , Composer unknown , Tracey, Hugh
- Date: 1957-05-27
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Matatiele f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/228674 , vital:49585 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT430-L51 , Research no. L1W6
- Description: A speech by Headman Bennett Baleni with praise singing .
- Full Text: false
- Date Issued: 1957-05-27
Uhlalutyo ngokwesithako sobunzululwazi nkcubeko-ntlalo yaseAfrika kwinoveli yesiXhosa: Inkululeko isentabeni
- Authors: Bali, Nolundi Monica
- Date: 2016
- Subjects: Xhosa literature -- History and criticism
- Language: Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/9077 , vital:26462
- Description: Kule ngxoxo kuqwalaswele indlela amasiko nezithethe asetyenziswe ngayo kwincwadi kaSaule, ethi, Inkululeko isentabeni. Le ngxoxo ijolise ekuncomeni indlela lo kaSaule awasebenzise ngayo amasiko kunye nezithethe zakwaNtu ukwakha isizwe esimnyama. Konke oku kudandalazisa ukubaluleka kokusetyenziswa kwawo ukwakha isizwe. Injongo yolu phando kukuphendla indlela umtshato, isithembu, ulwaluko, imbeleko, intonjane, ukufa, ukukhapha, ukubuyisa nokungenwa ezaziqhutywa ngayo nezizathu zoko. Le ngxoxo iza kuphonononga ixhaswe ngezithako eziziimbono zeengcali zohlalutyo kwintlalo kaNtu. Ingxoxo le yahlulwe yazizahluko ezintandathu. Isahluko sokuqala sivula ngentshayelelo, ze sidandalazise intsusamabandla yolu phando, kushukuxwe imbangeli yophando, ze kwenziwe uphengululo lweencwadi zeengcali kwisithako sobuNzululwazi Nkcubeko-Ntlalo. Isahluko sesibini, siqwalasela ukuxabiseka kolwendo ngokwengcinga yesiNtu kwincwadi kaSaule. Indlela isiko lokuthwala lalisenziwa ngalo mandulo xa kuthelekiswa kweyangoku, nemiceli-mngeni elijamelene nalo eli siko. Isahluko sesithathu, sijongene nesithembu, iimeko ezazinyanzelisa ukuthathwa komfazi wesibini nangaphezulu nemiceli-mngeni ekhoyo kwesi sithethe. Isahluko sesine, singolwaluko ngemihla yamandulo size sithelekiswe nale mihla siphila kuyo. Iingxaki ezikhoyo kweli siko ezibangelwa kukungakhathali kwengcibi, namakhankatha. Esesihlanu, isahluko singamasiko nezithethe, iindlela ezazisaya kusetyenziswa mandulo kuthelekiswa nezeli xesha lokhanyo ekwenzeni la masiko nezi zithethe. Isahluko sesithandathu, sesokuphetha, siyintyilazwi yeengxoxo ezikolu hlalutyo, kuxilongwa ubuzaza besithako sobunzululwazi nkcubeko-ntlalo.
- Full Text:
- Date Issued: 2016
- Authors: Bali, Nolundi Monica
- Date: 2016
- Subjects: Xhosa literature -- History and criticism
- Language: Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/9077 , vital:26462
- Description: Kule ngxoxo kuqwalaswele indlela amasiko nezithethe asetyenziswe ngayo kwincwadi kaSaule, ethi, Inkululeko isentabeni. Le ngxoxo ijolise ekuncomeni indlela lo kaSaule awasebenzise ngayo amasiko kunye nezithethe zakwaNtu ukwakha isizwe esimnyama. Konke oku kudandalazisa ukubaluleka kokusetyenziswa kwawo ukwakha isizwe. Injongo yolu phando kukuphendla indlela umtshato, isithembu, ulwaluko, imbeleko, intonjane, ukufa, ukukhapha, ukubuyisa nokungenwa ezaziqhutywa ngayo nezizathu zoko. Le ngxoxo iza kuphonononga ixhaswe ngezithako eziziimbono zeengcali zohlalutyo kwintlalo kaNtu. Ingxoxo le yahlulwe yazizahluko ezintandathu. Isahluko sokuqala sivula ngentshayelelo, ze sidandalazise intsusamabandla yolu phando, kushukuxwe imbangeli yophando, ze kwenziwe uphengululo lweencwadi zeengcali kwisithako sobuNzululwazi Nkcubeko-Ntlalo. Isahluko sesibini, siqwalasela ukuxabiseka kolwendo ngokwengcinga yesiNtu kwincwadi kaSaule. Indlela isiko lokuthwala lalisenziwa ngalo mandulo xa kuthelekiswa kweyangoku, nemiceli-mngeni elijamelene nalo eli siko. Isahluko sesithathu, sijongene nesithembu, iimeko ezazinyanzelisa ukuthathwa komfazi wesibini nangaphezulu nemiceli-mngeni ekhoyo kwesi sithethe. Isahluko sesine, singolwaluko ngemihla yamandulo size sithelekiswe nale mihla siphila kuyo. Iingxaki ezikhoyo kweli siko ezibangelwa kukungakhathali kwengcibi, namakhankatha. Esesihlanu, isahluko singamasiko nezithethe, iindlela ezazisaya kusetyenziswa mandulo kuthelekiswa nezeli xesha lokhanyo ekwenzeni la masiko nezi zithethe. Isahluko sesithandathu, sesokuphetha, siyintyilazwi yeengxoxo ezikolu hlalutyo, kuxilongwa ubuzaza besithako sobunzululwazi nkcubeko-ntlalo.
- Full Text:
- Date Issued: 2016
Igazi Lemvana
- Banana, C. Rev, Dargie, Dave, St Georges Cathedral Choir
- Authors: Banana, C. Rev , Dargie, Dave , St Georges Cathedral Choir
- Date: 1982-06-20
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/265066 , vital:53803 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC112b-09
- Description: Missa Africana hymn, accompanied by the drum.
- Full Text: false
- Date Issued: 1982-06-20
- Authors: Banana, C. Rev , Dargie, Dave , St Georges Cathedral Choir
- Date: 1982-06-20
- Subjects: Choral music , Field recordings , Africa, Sub-Saharan , Africa South Africa Cape Town f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/265066 , vital:53803 , International Library of African Music, Rhodes University, Makhanda, South Africa , Dave Dargie Field Tapes, Rhodes University, Makhanda, South Africa , DDC112b-09
- Description: Missa Africana hymn, accompanied by the drum.
- Full Text: false
- Date Issued: 1982-06-20
Imbali
- Bani, Zanemali, AmaJobe Traditional Community
- Authors: Bani, Zanemali , AmaJobe Traditional Community
- Date: 2011
- Subjects: Bani, Zanemali Jobe (African people) -- South Africa -- Peddie -- History Tarfield Location (Peddie, South Africa) Benton Location (Peddie, South Africa) Mqheleni Location (Peddie, South Africa) Xhosa (African people) -- South Africa -- Peddie Fort Peddie (South Africa) -- History
- Language: Xhosa
- Type: text
- Identifier: http://hdl.handle.net/10962/41271 , vital:25073 , This manuscript is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PR 10 353
- Description: Historic record of AmaJobe community drafted by Chief Zanemali Bani. AmaJobe sisizwe kwizizwe zamaXhosa esinomlando waso osafumaneka ngokucacileyo kwisizukulwane seshumi elinesine. UNkosi Sinuka, isizukulwane sesibhozo ukusuka kwinkosi uZanemali ophetheyo, yabanguye owagqwesayo, ekhona kumlo ophakathi koCirha noTshawe ngaseMzimvubu River phambi ko 1600. Ngeloxesha esisizwe samaJobe sasele sikho kade kweli lamaXhosa njengesizwe samaJobe. Kwakukho izizwe zamaRhudulu , amaGqubusha, amaJobe asondele kakhulu kwisiduko samaNgwevu, in fact uSinuka ngumkhuluwa kaTshangisa and uncle to Rhudulu. , Historic record of AmaJobe community drafted by Chief Zanemali Bani. AmaJobe is one of the most ancient traditional communities in the Eastern Cape, being able to trace their history back fourteen generations. Chief Sinuka, eight generations before Zanemali, the present chief was present at the battle between Tshawe and Cirha at the Mzimvubu river, during which battle amaJobe participated on behalf of Tshawe. This battle occurred some time before the year 1600, by which time amaJobe were already a distinct traditional community. The amaJobe are closely related to the amaNgwevu clan, in fact Sinuka was the senior brother of Tshangisa and the uncle to Rhudulu. , Bani, Zanemali, Chief (donor)
- Full Text:
- Date Issued: 2011
- Authors: Bani, Zanemali , AmaJobe Traditional Community
- Date: 2011
- Subjects: Bani, Zanemali Jobe (African people) -- South Africa -- Peddie -- History Tarfield Location (Peddie, South Africa) Benton Location (Peddie, South Africa) Mqheleni Location (Peddie, South Africa) Xhosa (African people) -- South Africa -- Peddie Fort Peddie (South Africa) -- History
- Language: Xhosa
- Type: text
- Identifier: http://hdl.handle.net/10962/41271 , vital:25073 , This manuscript is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PR 10 353
- Description: Historic record of AmaJobe community drafted by Chief Zanemali Bani. AmaJobe sisizwe kwizizwe zamaXhosa esinomlando waso osafumaneka ngokucacileyo kwisizukulwane seshumi elinesine. UNkosi Sinuka, isizukulwane sesibhozo ukusuka kwinkosi uZanemali ophetheyo, yabanguye owagqwesayo, ekhona kumlo ophakathi koCirha noTshawe ngaseMzimvubu River phambi ko 1600. Ngeloxesha esisizwe samaJobe sasele sikho kade kweli lamaXhosa njengesizwe samaJobe. Kwakukho izizwe zamaRhudulu , amaGqubusha, amaJobe asondele kakhulu kwisiduko samaNgwevu, in fact uSinuka ngumkhuluwa kaTshangisa and uncle to Rhudulu. , Historic record of AmaJobe community drafted by Chief Zanemali Bani. AmaJobe is one of the most ancient traditional communities in the Eastern Cape, being able to trace their history back fourteen generations. Chief Sinuka, eight generations before Zanemali, the present chief was present at the battle between Tshawe and Cirha at the Mzimvubu river, during which battle amaJobe participated on behalf of Tshawe. This battle occurred some time before the year 1600, by which time amaJobe were already a distinct traditional community. The amaJobe are closely related to the amaNgwevu clan, in fact Sinuka was the senior brother of Tshangisa and the uncle to Rhudulu. , Bani, Zanemali, Chief (donor)
- Full Text:
- Date Issued: 2011
Imbali (unedited version)
- Bani, Zanemali, AmaJobe Traditional Community
- Authors: Bani, Zanemali , AmaJobe Traditional Community
- Date: 2011
- Subjects: Bani, Zanemali Jobe (African people) -- South Africa -- Peddie -- History Tarfield Location (Peddie, South Africa) Benton Location (Peddie, South Africa) Mqheleni Location (Peddie, South Africa) Xhosa (African people) -- South Africa -- Peddie Fort Peddie (South Africa) -- History
- Language: Xhosa
- Type: text
- Identifier: http://hdl.handle.net/10962/41286 , vital:25075 , This manuscript is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PR 10 353
- Description: Historic record of AmaJobe community drafted by Chief Zanemali Bani. AmaJobe sisizwe kwizizwe zamaXhosa esinomlando waso osafumaneka ngokucacileyo kwisizukulwane seshumi elinesine. UNkosi Sinuka, isizukulwane sesibhozo ukusuka kwinkosi uZanemali ophetheyo, yabanguye owagqwesayo, ekhona kumlo ophakathi koCirha noTshawe ngaseMzimvubu River phambi ko 1600. Ngeloxesha esisizwe samaJobe sasele sikho kade kweli lamaXhosa njengesizwe samaJobe. Kwakukho izizwe zamaRhudulu , amaGqubusha, amaJobe asondele kakhulu kwisiduko samaNgwevu, in fact uSinuka ngumkhuluwa kaTshangisa and uncle to Rhudulu. , Historic record of AmaJobe community drafted by Chief Zanemali Bani. AmaJobe is one of the most ancient traditional communities in the Eastern Cape, being able to trace their history back fourteen generations. Chief Sinuka, eight generations before Zanemali, the present chief was present at the battle between Tshawe and Cirha at the Mzimvubu river, during which battle amaJobe participated on behalf of Tshawe. This battle occurred some time before the year 1600, by which time amaJobe were already a distinct traditional community. The amaJobe are closely related to the amaNgwevu clan, in fact Sinuka was the senior brother of Tshangisa and the uncle to Rhudulu. , Bani, Zanemali, Chief (donor)
- Full Text:
- Date Issued: 2011
- Authors: Bani, Zanemali , AmaJobe Traditional Community
- Date: 2011
- Subjects: Bani, Zanemali Jobe (African people) -- South Africa -- Peddie -- History Tarfield Location (Peddie, South Africa) Benton Location (Peddie, South Africa) Mqheleni Location (Peddie, South Africa) Xhosa (African people) -- South Africa -- Peddie Fort Peddie (South Africa) -- History
- Language: Xhosa
- Type: text
- Identifier: http://hdl.handle.net/10962/41286 , vital:25075 , This manuscript is held at the Cory Library for Humanities Research at Rhodes University. For further information contact cory@ru.ac.za. The digitisation of this image was made possible through a generous grant received from the Andrew W. Mellon Foundation 2014-2017. , PR 10 353
- Description: Historic record of AmaJobe community drafted by Chief Zanemali Bani. AmaJobe sisizwe kwizizwe zamaXhosa esinomlando waso osafumaneka ngokucacileyo kwisizukulwane seshumi elinesine. UNkosi Sinuka, isizukulwane sesibhozo ukusuka kwinkosi uZanemali ophetheyo, yabanguye owagqwesayo, ekhona kumlo ophakathi koCirha noTshawe ngaseMzimvubu River phambi ko 1600. Ngeloxesha esisizwe samaJobe sasele sikho kade kweli lamaXhosa njengesizwe samaJobe. Kwakukho izizwe zamaRhudulu , amaGqubusha, amaJobe asondele kakhulu kwisiduko samaNgwevu, in fact uSinuka ngumkhuluwa kaTshangisa and uncle to Rhudulu. , Historic record of AmaJobe community drafted by Chief Zanemali Bani. AmaJobe is one of the most ancient traditional communities in the Eastern Cape, being able to trace their history back fourteen generations. Chief Sinuka, eight generations before Zanemali, the present chief was present at the battle between Tshawe and Cirha at the Mzimvubu river, during which battle amaJobe participated on behalf of Tshawe. This battle occurred some time before the year 1600, by which time amaJobe were already a distinct traditional community. The amaJobe are closely related to the amaNgwevu clan, in fact Sinuka was the senior brother of Tshangisa and the uncle to Rhudulu. , Bani, Zanemali, Chief (donor)
- Full Text:
- Date Issued: 2011
Bawo nxa ndilahlekayo
- Bantu Methodist Church Choir, Composer not specified, Tracey, Hugh
- Authors: Bantu Methodist Church Choir , Composer not specified , Tracey, Hugh
- Date: 1950-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/258226 , vital:52949 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3796 , 6377
- Description: Religious song
- Full Text: false
- Date Issued: 1950-00-00
- Authors: Bantu Methodist Church Choir , Composer not specified , Tracey, Hugh
- Date: 1950-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/258226 , vital:52949 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3796 , 6377
- Description: Religious song
- Full Text: false
- Date Issued: 1950-00-00
Phezulu enkosini
- Bantu Methodist Church Choir, Composer not specified, Tracey, Hugh
- Authors: Bantu Methodist Church Choir , Composer not specified , Tracey, Hugh
- Date: 1950-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/258235 , vital:52950 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3796 , 6379
- Description: Religious song
- Full Text: false
- Date Issued: 1950-00-00
- Authors: Bantu Methodist Church Choir , Composer not specified , Tracey, Hugh
- Date: 1950-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/258235 , vital:52950 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3796 , 6379
- Description: Religious song
- Full Text: false
- Date Issued: 1950-00-00
Satire in J.J. R. Jolobe's literary works : a critique in relation to contemporary South Africa
- Authors: Benayo, Xolela
- Date: 2020
- Subjects: Jolobe, James J. R. , Xhosa literature -- History and criticism , Xhosa poetry -- History and criticism , Humor in literature , Xhosa literature -- Humor , Xhosa language
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/161762 , vital:40667
- Description: J.J.R. Jolobe is regarded as one of the individuals who made a valuable contribution to the development of isiXhosa literature through his works, notably in his poetry (Ilitha, Umyezo; Jolobe 1936). His poetry ranges from abstract subjects to more philosophical matters. This study is aimed at decoding the manner in which he employs satire to conscientise African people of the then horrible situation that they were facing. With that said, poetry will not be the only work that this thesis analyses in the process of evaluating Jolobe’s satire; his essays will also be examined (Amavo; Jolobe 1940). Based on the writings of various authors specialising in the subject, satire has been deemed to be a style of literary writing, one which involves invective satire. For the researcher, that statement will be rebutted, as it will be argued that the mode of satire need not be wholly invective. Jolobe’s light-hearted satire not only showcases the amusing side of his writings, but also indicates the seriousness with which they were intended. Themes covered in Jolobe’s satire have inspired the researcher to evaluate these literary texts in relation to modern contexts, especially when it comes to the relationship between the lines of the author’s experience and the public. With that said, the social role of satire is something that one cannot deny. One could therefore say that there is an urgent need for African satirists to face the existing social and economic reality as authentically as possible. The voice of a satirist should also echo the voice of their society as a whole. Satirical study in post-colonial Africa, in South Africa in particular, is useful due to the idea that the works of the likes of Jolobe may diminish in significance due to neo-colonialism. In fact, this is the point which is considered in this study of Jolobe’s satire. This study also examines stages afforded to the development of satire in Africa, especially in the post-colonial era. The purpose is to identify the effects of satire that are related to socio-political as well as religious factors. These factors are often seen as those that play a vital role is one’s personal morals, and those that are meant to shape the whole community. Jolobe addresses imperialism and the class struggle, which speaks to the society’s loyalties regarding the mobilization toward realizing the dream of being independent. This speaks to the works analysed, revealing protests against oppression and exploitation by imperialists; such works show how inhumane people could be against those who they deem to be beneath their standards. Researchers like Mahlasela (1973), Sirayi (1985), Kwetana (2000) and Khumalo (2015) are amongst those who have made it a point to study Jolobe to ensure that these works are kept alive, along with their significance. Other prospective researchers can follow suite in researching the great Jolobe. In ensuring that the aims of this study come to light, the researcher will be using socialist realism as a way of seeing that the works of Jolobe are realistic in nature. With that said, there will be an exploration of allegoric satire. Satiric allegory will be evaluated with regard to the view that it represents a unique slant on satire, whereby it deems satire to be more than just a supportive method of literary criticism. This allows the researcher to hold the view that satire should not be a restrictive framework when dealing with African literature. Satire as a modern form of criticism can be viewed as having an element of humanism, which would result in the satirist doing all he can to make sure that what is satirized is not isolated from the struggle of the community. It is for the above-mentioned reasons that we see a big challenge in the future development of satiric discourse in African literature.
- Full Text:
- Date Issued: 2020
- Authors: Benayo, Xolela
- Date: 2020
- Subjects: Jolobe, James J. R. , Xhosa literature -- History and criticism , Xhosa poetry -- History and criticism , Humor in literature , Xhosa literature -- Humor , Xhosa language
- Language: English , Xhosa
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/161762 , vital:40667
- Description: J.J.R. Jolobe is regarded as one of the individuals who made a valuable contribution to the development of isiXhosa literature through his works, notably in his poetry (Ilitha, Umyezo; Jolobe 1936). His poetry ranges from abstract subjects to more philosophical matters. This study is aimed at decoding the manner in which he employs satire to conscientise African people of the then horrible situation that they were facing. With that said, poetry will not be the only work that this thesis analyses in the process of evaluating Jolobe’s satire; his essays will also be examined (Amavo; Jolobe 1940). Based on the writings of various authors specialising in the subject, satire has been deemed to be a style of literary writing, one which involves invective satire. For the researcher, that statement will be rebutted, as it will be argued that the mode of satire need not be wholly invective. Jolobe’s light-hearted satire not only showcases the amusing side of his writings, but also indicates the seriousness with which they were intended. Themes covered in Jolobe’s satire have inspired the researcher to evaluate these literary texts in relation to modern contexts, especially when it comes to the relationship between the lines of the author’s experience and the public. With that said, the social role of satire is something that one cannot deny. One could therefore say that there is an urgent need for African satirists to face the existing social and economic reality as authentically as possible. The voice of a satirist should also echo the voice of their society as a whole. Satirical study in post-colonial Africa, in South Africa in particular, is useful due to the idea that the works of the likes of Jolobe may diminish in significance due to neo-colonialism. In fact, this is the point which is considered in this study of Jolobe’s satire. This study also examines stages afforded to the development of satire in Africa, especially in the post-colonial era. The purpose is to identify the effects of satire that are related to socio-political as well as religious factors. These factors are often seen as those that play a vital role is one’s personal morals, and those that are meant to shape the whole community. Jolobe addresses imperialism and the class struggle, which speaks to the society’s loyalties regarding the mobilization toward realizing the dream of being independent. This speaks to the works analysed, revealing protests against oppression and exploitation by imperialists; such works show how inhumane people could be against those who they deem to be beneath their standards. Researchers like Mahlasela (1973), Sirayi (1985), Kwetana (2000) and Khumalo (2015) are amongst those who have made it a point to study Jolobe to ensure that these works are kept alive, along with their significance. Other prospective researchers can follow suite in researching the great Jolobe. In ensuring that the aims of this study come to light, the researcher will be using socialist realism as a way of seeing that the works of Jolobe are realistic in nature. With that said, there will be an exploration of allegoric satire. Satiric allegory will be evaluated with regard to the view that it represents a unique slant on satire, whereby it deems satire to be more than just a supportive method of literary criticism. This allows the researcher to hold the view that satire should not be a restrictive framework when dealing with African literature. Satire as a modern form of criticism can be viewed as having an element of humanism, which would result in the satirist doing all he can to make sure that what is satirized is not isolated from the struggle of the community. It is for the above-mentioned reasons that we see a big challenge in the future development of satiric discourse in African literature.
- Full Text:
- Date Issued: 2020
E Dolopini e Bhai
- Bhya and his modernaires of Port Elizabeth, composer not specified, Tracey, Hugh
- Authors: Bhya and his modernaires of Port Elizabeth , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/247993 , vital:51637 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3364 , ABC3062
- Description: Xhosa Topical song sung by men...accompanied
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bhya and his modernaires of Port Elizabeth , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/247993 , vital:51637 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3364 , ABC3062
- Description: Xhosa Topical song sung by men...accompanied
- Full Text: false
- Date Issued: 0000-00-00
Julia
- Bhya and his modernaires of Port Elizabeth, composer not specified, Tracey, Hugh
- Authors: Bhya and his modernaires of Port Elizabeth , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248002 , vital:51638 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3364 , ABC3063
- Description: Topical song intermettent with speech about Julia and is accompanied by a guitar
- Full Text: false
- Date Issued: 0000-00-00
- Authors: Bhya and his modernaires of Port Elizabeth , composer not specified , Tracey, Hugh
- Date: 0000-00-00
- Subjects: Popular music--Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa City not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/248002 , vital:51638 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , CR3364 , ABC3063
- Description: Topical song intermettent with speech about Julia and is accompanied by a guitar
- Full Text: false
- Date Issued: 0000-00-00
Ukuzotywa kwabalinganiswa ngokwesithako sobunzululwazi bume-ngqondo kwiincwadi zedrama ezikhethiweyo zesiXhosa, ngokweemeko zale mihla
- Authors: Bilatyi, Katy Nomthandazo
- Date: 2014
- Subjects: Xhosa drama Characters and characteristics in literature
- Language: Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/9913 , vital:26632
- Description: Olu phando luza kugxila kuphononongo lobume bengqondo ephazamisekileyo yabalinganiswa, lujonga kananjalo izimo zabalinganiswa ngakumbi abatsha, indlela abacinga nabenza ngayo izinto. Olu phando luza kuphicotha obu bume bengqondo baba balinganiswa kusetyenziswa iincwadi zedrama ezilandelayo: uBuzani Kubawo, kaTamsanqa, uAmaza, kaQangule, uLiseza kutshona kaMbobo, u-Uthembisa noMakhaya kaMtywaku, Isikhwakhwa noBessie kaMtywaku kunye noNdiyekeni kaJongilanga. Olu thotho lweencwadi zedrama zikhethiweyo luza kusetyenziswa kwakhona ukubhentsisa ubungqondo-lukhuni lwababhali ekuzobeni abalinganiswa abatsha njengoongantweni nolwamvila lolu zobo kwindlela ulutsha oluziphethe ngayo. Olu phando lutshayelelwe ngesahluko sokuqala esiqulathe iingxaki zophando, iinjongo zophando, ukubaluleka kolu phando, okusele kubhaliwe ngophando olu, nalapho olu luza kwahluka khona. Isahluko sesibini sibonisa isithako sobuNzululwazi bume- ngqondo nezinye ezikhaphayo ezifana nenkcubeko apho kujongwa ukuba ingaba inkcubeko ayisetyenziswa na ngendlela ebangela ukuba abalinganiswa abatsha bazibone bekwimo emandla yoxinzelelo. Esi sithako senkcubeko sihambelana neso semo yokuziphatha apha kujongwa ukuba ingaba ukuziphatha kwaba balinganiswa batsha akuqhutywa yindlela uluntu olubabona ngayo bephenjelelwa nayindlela abazotywa ngayo ngababhali. Ezinye izithako ezikhapha esi sobume bengqondo seso sobudala apho kugxilwa kwindlela abajongelwa phantsi ngayo ngenxa yeminyaka yabo luluntu nabazali abaphela bebathathela izigqibo ezikhokelela kuxinzelelo nokuziphatha okungekuhle. Esokugqibela seso seOnomastiki apho kujongwa ukuba ingaba indlela abathiywe ngayo abalinganiswa ayinagalelo kusini na kwindlela oluziphethe ngayo ulutsha. Iimeko zoxinzelelo abazibhaqa bephantsi kwazo abatsha azibangelwa ngamagama abawanikiweyo na nekuye kulindeleke ukuba bawalandele ngenkani nokuba imeko ayivumi. Isahluko sesiThathu sakugxila kwizimo zabalinganiswa ze esesiNe sigxile kubalinganiswa nezigulo zengqondo.
- Full Text:
- Date Issued: 2014
- Authors: Bilatyi, Katy Nomthandazo
- Date: 2014
- Subjects: Xhosa drama Characters and characteristics in literature
- Language: Xhosa
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10948/9913 , vital:26632
- Description: Olu phando luza kugxila kuphononongo lobume bengqondo ephazamisekileyo yabalinganiswa, lujonga kananjalo izimo zabalinganiswa ngakumbi abatsha, indlela abacinga nabenza ngayo izinto. Olu phando luza kuphicotha obu bume bengqondo baba balinganiswa kusetyenziswa iincwadi zedrama ezilandelayo: uBuzani Kubawo, kaTamsanqa, uAmaza, kaQangule, uLiseza kutshona kaMbobo, u-Uthembisa noMakhaya kaMtywaku, Isikhwakhwa noBessie kaMtywaku kunye noNdiyekeni kaJongilanga. Olu thotho lweencwadi zedrama zikhethiweyo luza kusetyenziswa kwakhona ukubhentsisa ubungqondo-lukhuni lwababhali ekuzobeni abalinganiswa abatsha njengoongantweni nolwamvila lolu zobo kwindlela ulutsha oluziphethe ngayo. Olu phando lutshayelelwe ngesahluko sokuqala esiqulathe iingxaki zophando, iinjongo zophando, ukubaluleka kolu phando, okusele kubhaliwe ngophando olu, nalapho olu luza kwahluka khona. Isahluko sesibini sibonisa isithako sobuNzululwazi bume- ngqondo nezinye ezikhaphayo ezifana nenkcubeko apho kujongwa ukuba ingaba inkcubeko ayisetyenziswa na ngendlela ebangela ukuba abalinganiswa abatsha bazibone bekwimo emandla yoxinzelelo. Esi sithako senkcubeko sihambelana neso semo yokuziphatha apha kujongwa ukuba ingaba ukuziphatha kwaba balinganiswa batsha akuqhutywa yindlela uluntu olubabona ngayo bephenjelelwa nayindlela abazotywa ngayo ngababhali. Ezinye izithako ezikhapha esi sobume bengqondo seso sobudala apho kugxilwa kwindlela abajongelwa phantsi ngayo ngenxa yeminyaka yabo luluntu nabazali abaphela bebathathela izigqibo ezikhokelela kuxinzelelo nokuziphatha okungekuhle. Esokugqibela seso seOnomastiki apho kujongwa ukuba ingaba indlela abathiywe ngayo abalinganiswa ayinagalelo kusini na kwindlela oluziphethe ngayo ulutsha. Iimeko zoxinzelelo abazibhaqa bephantsi kwazo abatsha azibangelwa ngamagama abawanikiweyo na nekuye kulindeleke ukuba bawalandele ngenkani nokuba imeko ayivumi. Isahluko sesiThathu sakugxila kwizimo zabalinganiswa ze esesiNe sigxile kubalinganiswa nezigulo zengqondo.
- Full Text:
- Date Issued: 2014