Enactivism as a powerful theoretical framework for research and tool to reflect on my own role as a supervisor:
- Authors: Schäfer, Marc
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/141102 , vital:37944 , DOI: 10.1080/18117295.2016.1243938
- Description: Enactivism, as an interesting and useful theoretical underpinning is gaining traction in Mathematics Education research. It forms the central theme of this paper whose aim is two-fold: first to describe and engage with how elements of enactivism informed a PhD study, both on a theoretical and analytical level, and second to reflect on the enacted role of the supervisor of this study. Despite the inevitable embodied relationship between the supervisor and the supervised PhD project, it is not often written about. This paper thus attempts to address this. The PhD study in question used constructs of enactivism such as autonomy, sense-making, emergence, embodiment and experience to design a pre-service mathematics education programme and then explored the growth of student teachers’ mathematical identity and disposition in their development of becoming mathematics teachers. The PhD supervision process was framed by the enactivist notion that learning and the construction of meaning and knowledge is co-created by the lecturer, the student and the particular context.
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Post-apartheid nostalgia and the sadomasochistic pleasures of archival art:
- Authors: Nsele, Zamansele
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/145598 , vital:38450 , DOI : 10.4314/eia.v43i3.6
- Description: The burgeoning genre of archival art practice in post-apartheid South Africa has catalysed the evocation of nostalgia in abundance. The archive has been at the centre of numerous exhibitions in contemporary art. This paper explores the meaning of an emerging nostalgic turn in post-apartheid South Africa. The discussion considers the pleasure afforded by the sentimentality underpinning nostalgia and attends to the manner in which nostalgia coheres with the creative and aesthetic techniques of archival art. Scopophilia and the covert function of the sadomasochistic gaze are outlined. It is suggested that such acts of retrieval and repetition generally override ethical considerations in part because they unfold from the realm of the unconscious. The paper draws on psychoanalysis by way of Frantz Fanon.
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“A Step Towards Silence”: Samuel Beckett’s The Unnamable and the Problem of Following the Stranger
- Authors: Marais, Mike
- Date: 2016
- Language: English
- Type: text , article
- Identifier: http://hdl.handle.net/10962/144205 , vital:38320 , DOI: 10.1080/02564718.2016.1249617
- Description: In this article, I argue that Samuel Beckett’s The Unnamable evinces the kind of aesthetic ambivalence that Theodor Adorno, in Aesthetic Theory, ascribes to the artwork’s location both in and outside of society. By tracing the metaphors used in the narrator’s depiction of the act of narration, I demonstrate that this novel self-reflexively articulates and meditates on its ambivalent position in society. Thereafter, I relate the work’s suspicion of its medium, and therefore its estrangement from itself, to its critique of community’s norms of recognition, which are embedded in language. Finally, I reflect on the potential effect of the text’s aesthetic ambivalence on the reader.
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