Disrupting the familiar family in postcolonial literature
- Authors: Laubscher, Emma Kate
- Date: 2019
- Subjects: Postcolonialism in literature , Families -- Fiction , Interpersonal relations in literature , Families in literature , Gender identity in literature , Gappah, Petina, 1971- -- Criticism and interpretation , Enright, Anne, 1962- -- Criticism and interpretation , Owuor, Yvonne Adhiambo
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/153757 , vital:39516
- Description: Anne Enright’s The Green Road, Petina Gappah’s The Book of Memory and Yvonne Adhiambo Owuor’s Dust offer various disruptive representations that challenge the normative family, and allow for an excavation of the potency and pervasiveness of the notion of family as an organising social principle, in a postcolonial context. Through these novels’ depictions of unorthodox families, it becomes possible to unpack the metaphorical architecture that underpins the normative family – by which I mean that social formation which enables and relies upon gender binaries, heteronormative constructions of sexuality and exclusionary racial structures. Additionally, I will attempt to examine the role that the normative family plays in shaping the subject, and determining its avenues of association, through encountering the disruptive possibilities portrayed in Gappah, Owuor and Enright’s works. My analysis is concerned with how the family orientates the subject in particular ways that regulate and delimit the subject’s means of relating to herself, those who surround her and the historic and mnemonic pasts in which she is embedded. In representing alternate kinship structures, these novels expand the aesthetic and imaginative landscape of the family and allow for new forms of relation to emerge. These transgressive and radical ways of being, knowing and loving have disruptive consequences for those social formations which are structured by, and draw on, the family – in particular the nation state. This reworking of the nation state, as well as the destabilisation of the relations between nations states, provides new avenues for inhabiting the postcolonial world. In particular, my reading argues that representations of the unfamiliar family offer different ways of receiving and relating to the self, others, and the past within a social order ruptured by the violent legacies of colonisation.
- Full Text:
- Date Issued: 2019
- Authors: Laubscher, Emma Kate
- Date: 2019
- Subjects: Postcolonialism in literature , Families -- Fiction , Interpersonal relations in literature , Families in literature , Gender identity in literature , Gappah, Petina, 1971- -- Criticism and interpretation , Enright, Anne, 1962- -- Criticism and interpretation , Owuor, Yvonne Adhiambo
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/153757 , vital:39516
- Description: Anne Enright’s The Green Road, Petina Gappah’s The Book of Memory and Yvonne Adhiambo Owuor’s Dust offer various disruptive representations that challenge the normative family, and allow for an excavation of the potency and pervasiveness of the notion of family as an organising social principle, in a postcolonial context. Through these novels’ depictions of unorthodox families, it becomes possible to unpack the metaphorical architecture that underpins the normative family – by which I mean that social formation which enables and relies upon gender binaries, heteronormative constructions of sexuality and exclusionary racial structures. Additionally, I will attempt to examine the role that the normative family plays in shaping the subject, and determining its avenues of association, through encountering the disruptive possibilities portrayed in Gappah, Owuor and Enright’s works. My analysis is concerned with how the family orientates the subject in particular ways that regulate and delimit the subject’s means of relating to herself, those who surround her and the historic and mnemonic pasts in which she is embedded. In representing alternate kinship structures, these novels expand the aesthetic and imaginative landscape of the family and allow for new forms of relation to emerge. These transgressive and radical ways of being, knowing and loving have disruptive consequences for those social formations which are structured by, and draw on, the family – in particular the nation state. This reworking of the nation state, as well as the destabilisation of the relations between nations states, provides new avenues for inhabiting the postcolonial world. In particular, my reading argues that representations of the unfamiliar family offer different ways of receiving and relating to the self, others, and the past within a social order ruptured by the violent legacies of colonisation.
- Full Text:
- Date Issued: 2019
The family in Shakespeare's plays: a study of South African revisions
- Authors: Hjul, Lauren Martha
- Date: 2013
- Subjects: Parents , Parental bonds , Family , Shakespeare, William, 1564-1616 -- In literature -- Research , Coetzee, J M, 1940-. Disgrace , Gordimer, Nadine. My son's story , Peteni, R L, 1915-. Hill of fools , English drama -- 17th century -- History and criticism , Families in literature , English literature -- History and criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2181 , http://hdl.handle.net/10962/d1001832
- Description: This thesis provides a detailed consideration of the family in Shakespeare’s canon and the engagement therewith in three South African novels: Hill of Fools (1976) by R. L. Peteni, My Son’s Story (1990) by Nadine Gordimer, and Disgrace (1999) by J. M. Coetzee. The study is divided into an introduction, three chapters each addressing one of the South African novels and its relationship with a Shakespeare text or texts, and a conclusion. The introductory chapter provides an analysis of the two strands of criticism in which the thesis is situated – studies of the family in Shakespeare and studies of appropriations of Shakespeare – and discusses the ways in which these two strands may be combined through a detailed discussion of the presence of power dynamics in the relationship between parent and child in all of the texts considered. The three chapters each contextualise the South African text and provide detailed discussions of the family dynamics within the relevant texts, with particular reference to questions of authority and autonomy. The focus in each chapter is determined by the nature of the intertextual relationship between the South African novel and the Shakespearean text being discussed. Thus, the first chapter, “The Dissolution of Familial Structures in Hill of Fools” considers power dynamics in the family as an inherent part of the Romeo and Juliet genre, of which William Shakespeare’s Romeo and Juliet is but a part. Similarly, the impact of a socio-political identity, and the secrecy it necessitates, is the focus of the second chapter, “Fathers, Sons and Legacy in My Son’s Story” as is the role of Shakespeare and literature within South Africa. These concerns are connected to the novel’s use of Shakespeare’s Sonnets, King Lear, and Hamlet. In the third chapter, “Reclaiming Agency through the Daughter in Disgrace and The Tempest”, I expand on Laurence Wright’s argument that Disgrace is an engagement with The Tempest and consider ways in which the altered power dynamic between father and daughter results in the reconciliation of the father figure with society. The thesis thus addresses the tension between parental bonds and parental bondage
- Full Text:
- Date Issued: 2013
- Authors: Hjul, Lauren Martha
- Date: 2013
- Subjects: Parents , Parental bonds , Family , Shakespeare, William, 1564-1616 -- In literature -- Research , Coetzee, J M, 1940-. Disgrace , Gordimer, Nadine. My son's story , Peteni, R L, 1915-. Hill of fools , English drama -- 17th century -- History and criticism , Families in literature , English literature -- History and criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2181 , http://hdl.handle.net/10962/d1001832
- Description: This thesis provides a detailed consideration of the family in Shakespeare’s canon and the engagement therewith in three South African novels: Hill of Fools (1976) by R. L. Peteni, My Son’s Story (1990) by Nadine Gordimer, and Disgrace (1999) by J. M. Coetzee. The study is divided into an introduction, three chapters each addressing one of the South African novels and its relationship with a Shakespeare text or texts, and a conclusion. The introductory chapter provides an analysis of the two strands of criticism in which the thesis is situated – studies of the family in Shakespeare and studies of appropriations of Shakespeare – and discusses the ways in which these two strands may be combined through a detailed discussion of the presence of power dynamics in the relationship between parent and child in all of the texts considered. The three chapters each contextualise the South African text and provide detailed discussions of the family dynamics within the relevant texts, with particular reference to questions of authority and autonomy. The focus in each chapter is determined by the nature of the intertextual relationship between the South African novel and the Shakespearean text being discussed. Thus, the first chapter, “The Dissolution of Familial Structures in Hill of Fools” considers power dynamics in the family as an inherent part of the Romeo and Juliet genre, of which William Shakespeare’s Romeo and Juliet is but a part. Similarly, the impact of a socio-political identity, and the secrecy it necessitates, is the focus of the second chapter, “Fathers, Sons and Legacy in My Son’s Story” as is the role of Shakespeare and literature within South Africa. These concerns are connected to the novel’s use of Shakespeare’s Sonnets, King Lear, and Hamlet. In the third chapter, “Reclaiming Agency through the Daughter in Disgrace and The Tempest”, I expand on Laurence Wright’s argument that Disgrace is an engagement with The Tempest and consider ways in which the altered power dynamic between father and daughter results in the reconciliation of the father figure with society. The thesis thus addresses the tension between parental bonds and parental bondage
- Full Text:
- Date Issued: 2013
- «
- ‹
- 1
- ›
- »