Reliving it through pen
- Authors: Chidi, Tsosheletso
- Date: 2020
- Subjects: South African fiction (English) , Northern Sotho poetry
- Language: English , Northern Sotho
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/163566 , vital:41049
- Description: This document consists of two parts: PART A: English Half Thesis (Creative Work) PART B: Dual Language Portfolio (Sepedi and English). This thesis focuses on witnessing the trauma of rape, inability to move on, denial and attempt to forget, it draws attention also to emotional abuse in a place called home, death and place. My work is influenced by Carolyn Fourche’s anthology, Against Forgetting: Poetry of Witness, Adam Bradley and Andrew Dubois’s The Anthology of the Rap, as well as Lesego Rampolokeng poem “Welcome to New Consciousness”.
- Full Text:
- Date Issued: 2020
- Authors: Chidi, Tsosheletso
- Date: 2020
- Subjects: South African fiction (English) , Northern Sotho poetry
- Language: English , Northern Sotho
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/163566 , vital:41049
- Description: This document consists of two parts: PART A: English Half Thesis (Creative Work) PART B: Dual Language Portfolio (Sepedi and English). This thesis focuses on witnessing the trauma of rape, inability to move on, denial and attempt to forget, it draws attention also to emotional abuse in a place called home, death and place. My work is influenced by Carolyn Fourche’s anthology, Against Forgetting: Poetry of Witness, Adam Bradley and Andrew Dubois’s The Anthology of the Rap, as well as Lesego Rampolokeng poem “Welcome to New Consciousness”.
- Full Text:
- Date Issued: 2020
The catchup games: a novella
- Authors: Nstumpa, Siya
- Date: 2020
- Subjects: South African fiction (English)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/167222 , vital:41448
- Description: Creative work portfolio.
- Full Text:
- Date Issued: 2020
- Authors: Nstumpa, Siya
- Date: 2020
- Subjects: South African fiction (English)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/167222 , vital:41448
- Description: Creative work portfolio.
- Full Text:
- Date Issued: 2020
Acorn girl
- Authors: Kukard, Gina
- Date: 2019
- Subjects: South African fiction (English)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/96969 , vital:31382
- Description: My thesis encapsulates a coming-of-age novella told through short vignettes of flash fiction and prose poetry. It makes use of the distillation and fragmentation of these forms to explore themes such as the nature of violation, and works between genres to engage the tension between inner and outer realities, and the blurred lines between passivity and resistance. Moving fluidly between memoir and fiction and set in modern day South Africa, it draws inspiration from both my own experiences and the writing of others, especially Raul Zurita’s resistance poetry in Dreams for Kurosawa, Claudia Rankine’s subtle absurdity in Don’t Let Me Be Lonely, bizarro elements as seen in Athena Villaverde’s The Clockwork Girl and the use of physicality to explore the emotional world, as seen in Shelley Jackson’s The Melancholy of Anatomy: Stories.
- Full Text:
- Date Issued: 2019
- Authors: Kukard, Gina
- Date: 2019
- Subjects: South African fiction (English)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/96969 , vital:31382
- Description: My thesis encapsulates a coming-of-age novella told through short vignettes of flash fiction and prose poetry. It makes use of the distillation and fragmentation of these forms to explore themes such as the nature of violation, and works between genres to engage the tension between inner and outer realities, and the blurred lines between passivity and resistance. Moving fluidly between memoir and fiction and set in modern day South Africa, it draws inspiration from both my own experiences and the writing of others, especially Raul Zurita’s resistance poetry in Dreams for Kurosawa, Claudia Rankine’s subtle absurdity in Don’t Let Me Be Lonely, bizarro elements as seen in Athena Villaverde’s The Clockwork Girl and the use of physicality to explore the emotional world, as seen in Shelley Jackson’s The Melancholy of Anatomy: Stories.
- Full Text:
- Date Issued: 2019
We are yet to kill the cattle
- Authors: Orleyn, Rithuli
- Date: 2019
- Subjects: South African fiction (English)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/92769 , vital:30746
- Description: My novella comprises inter-linked fragments that combine fiction, autobiography and creative non-fiction. Ranging fluidly from pre-colonial times to the present, and largely set in South Africa but cutting across the native/diaspora divide, the project draws on historical and archival documents, found and fictive letters, oral testimonies and inadmissible facts, mythologies, ghost voices and fictional speculation. It uses the slim slippery voice of autobiography to cast a big shadow of doubt on the certitudes of authorial truth, harnessing multiple voices to disorient settled notions about self/other, black/white and man/machine. My intention is to explore possibilities of being that exceed the human. I draw inspiration from Zoë Wicomb's novella, You Can’t Get Lost In Cape Town, Mariama Ba’s So Long a Letter and Mikhail Shishkin’s letter-narratives in Maidenhair. The narrative voice that threads stand-alone fragments seeks to express the demotics of subjects in search of a language for their unlanguaged ‘grammar of suffering’.
- Full Text:
- Date Issued: 2019
- Authors: Orleyn, Rithuli
- Date: 2019
- Subjects: South African fiction (English)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/92769 , vital:30746
- Description: My novella comprises inter-linked fragments that combine fiction, autobiography and creative non-fiction. Ranging fluidly from pre-colonial times to the present, and largely set in South Africa but cutting across the native/diaspora divide, the project draws on historical and archival documents, found and fictive letters, oral testimonies and inadmissible facts, mythologies, ghost voices and fictional speculation. It uses the slim slippery voice of autobiography to cast a big shadow of doubt on the certitudes of authorial truth, harnessing multiple voices to disorient settled notions about self/other, black/white and man/machine. My intention is to explore possibilities of being that exceed the human. I draw inspiration from Zoë Wicomb's novella, You Can’t Get Lost In Cape Town, Mariama Ba’s So Long a Letter and Mikhail Shishkin’s letter-narratives in Maidenhair. The narrative voice that threads stand-alone fragments seeks to express the demotics of subjects in search of a language for their unlanguaged ‘grammar of suffering’.
- Full Text:
- Date Issued: 2019
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