Die musikale potensiaal van die kleuter en die ontwikkeling van 'n sillabus vir pre-primêre musiekopvoeding met besondere verwysing na die Dalcroze-, Kodaly-, en Orff-metodes
- Authors: Hendrikse, Salomé
- Date: 1982
- Language: Afrikaans
- Type: Thesis , Masters , MMus
- Identifier: vital:2667 , http://hdl.handle.net/10962/d1006147
- Full Text:
- Authors: Hendrikse, Salomé
- Date: 1982
- Language: Afrikaans
- Type: Thesis , Masters , MMus
- Identifier: vital:2667 , http://hdl.handle.net/10962/d1006147
- Full Text:
Perspectives on the nine symphonies of Anton Bruckner : aspects of thematic and harmonic compositional techniques, with special reference to the first and final movements, symphonies one to nine
- Authors: Gibson, Penelope Anne
- Date: 1982
- Subjects: Bruckner, Anton, 1824-1896 -- Symphonies
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2671 , http://hdl.handle.net/10962/d1007168
- Description: Preface: This thesis presents perspectives on Bruckner's compositional approach with regard to theme and harmony in the first and final movements of his symphonies one to nine. It must be realised that a fully systematic and comprehensive discussion along these lines would run into volumes. So, salient examples and common tendencies have been extracted as representative of the overall approach. However, Bruckner being the composer he is, is not dogmatic in his approach to composition and so the reader must at all times see for himself how the general technique is adapted to the individual usage in those parts not referred to in this thesis. The thesis presents the subject features of the expositions, first movements, as these are found in various adaptations in all other movements: it also aims to present a comparative study of the structural tonal principles of the works, showing how these influence the thematic forms. Whenever necessary, in the text, definitions are repeated in their original format to avoid cumbersome cross references. The most immediate source is the scores themselves, issued by the International Bruckner Society of Vienna, compiled by Dr. Leopold Nowak. All the analysis is based on these editions except for the third symphony which is based on the 2. Edition of 1878 (Wiesbaden G.M.B .H.)
- Full Text:
- Authors: Gibson, Penelope Anne
- Date: 1982
- Subjects: Bruckner, Anton, 1824-1896 -- Symphonies
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2671 , http://hdl.handle.net/10962/d1007168
- Description: Preface: This thesis presents perspectives on Bruckner's compositional approach with regard to theme and harmony in the first and final movements of his symphonies one to nine. It must be realised that a fully systematic and comprehensive discussion along these lines would run into volumes. So, salient examples and common tendencies have been extracted as representative of the overall approach. However, Bruckner being the composer he is, is not dogmatic in his approach to composition and so the reader must at all times see for himself how the general technique is adapted to the individual usage in those parts not referred to in this thesis. The thesis presents the subject features of the expositions, first movements, as these are found in various adaptations in all other movements: it also aims to present a comparative study of the structural tonal principles of the works, showing how these influence the thematic forms. Whenever necessary, in the text, definitions are repeated in their original format to avoid cumbersome cross references. The most immediate source is the scores themselves, issued by the International Bruckner Society of Vienna, compiled by Dr. Leopold Nowak. All the analysis is based on these editions except for the third symphony which is based on the 2. Edition of 1878 (Wiesbaden G.M.B .H.)
- Full Text:
The development of cello technique in the string quartets of Joseph Haydn with special reference to (a) the various external influences causing this development and (b) the potential use of the cello parts within a teaching situation
- Sholto-Douglas, Ishbel Elizabeth Fraser
- Authors: Sholto-Douglas, Ishbel Elizabeth Fraser
- Date: 1982
- Subjects: Haydn, Joseph, 1732-1809 -- Quartets, strings Cello -- Methods Cello -- Instruction and study
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2666 , http://hdl.handle.net/10962/d1005864
- Description: From Introduction: In the middle of the eighteenth century, when Haydn began composing his first string quartets, violin writing was highly advanced and the violin an established solo instrument, its supremacy already firmly endorsed by the Italian Violin Schools of the seventeenth and early eighteenth centuries. The pace of development of the cello, however, was not comparable to that of the violin, despite the fact that the first cello known to us was made in 1572.
- Full Text:
- Authors: Sholto-Douglas, Ishbel Elizabeth Fraser
- Date: 1982
- Subjects: Haydn, Joseph, 1732-1809 -- Quartets, strings Cello -- Methods Cello -- Instruction and study
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2666 , http://hdl.handle.net/10962/d1005864
- Description: From Introduction: In the middle of the eighteenth century, when Haydn began composing his first string quartets, violin writing was highly advanced and the violin an established solo instrument, its supremacy already firmly endorsed by the Italian Violin Schools of the seventeenth and early eighteenth centuries. The pace of development of the cello, however, was not comparable to that of the violin, despite the fact that the first cello known to us was made in 1572.
- Full Text:
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