'n Dekonstruksie van 'n teks uit Die ongedanste dans van Breyten Breytenbach
- Authors: Vorster, Anton Ferreira
- Date: 1988
- Subjects: Breytenbach, Breyten -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3572 , http://hdl.handle.net/10962/d1002095 , Breytenbach, Breyten -- Criticism and interpretation
- Description: The thesis provides an interpretation of the poem ʺ(Taalstryd)ʺ (Lewendood, p.143) by employing deconstruction theory, particularly as it has been developed by Jacques Derrida. The main assumption is that the text is not a self-sufficient entity, but finds itself in a continually changing relationship with other texts, a relationship described by deconstructionists as intertextuality. This relationship, as it has been described by Julia Kristeva, does not only involve literary works, but also the world-as- text. In chapter one this point of view is illustrated in a discussion around the title of the poem. It is postulated that the title is not a neutral description of a period in the history of the development of the Afrikaans language. Rather, it represents an ideological concept which can be interpreted in various ways. The poem clearly lends itself to an interpretation of "the struggle for the Taal" as a struggle which has manifested itself in many different areas and historical periods within the South African context. In chapter two the discussion of the relationship between language, history and ideology is continued. It is shown how the ʺofficialʺ history represents a one-sided view of Afrikaans as a ʺEuropeanʺ language, greatly ignoring its African component. This representation relies on a logocentric approach to the relationship between language and writing. Breytenbach's poetry, like the writings of Derrida, can be regarded as a "deconstruction" of this approach. The ʺdisseminationʺ of meaning in ʺ(Taalstryd)ʺ is illustrated in terms of the poem's intertextual relationship with Breytenbachʾs ʺPlease don't feed the animalsʺ and Krigeʾs ʺLied van die Fascistiese bomwerpersʺ. Chapter three sets ʺ(Taalstryd)ʺ within the current debate surrounding Afrikaner survival. It is shown how the Afrikaner power base has been established and strengthened by way of legislation, the system of Christian National Education, as well as the creation of a nationalist-orientated history. This power base is currently in a state of crisis, in which different political groupings are continuing the ʺ(Taalstryd)ʺ
- Full Text:
- Date Issued: 1988
- Authors: Vorster, Anton Ferreira
- Date: 1988
- Subjects: Breytenbach, Breyten -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3572 , http://hdl.handle.net/10962/d1002095 , Breytenbach, Breyten -- Criticism and interpretation
- Description: The thesis provides an interpretation of the poem ʺ(Taalstryd)ʺ (Lewendood, p.143) by employing deconstruction theory, particularly as it has been developed by Jacques Derrida. The main assumption is that the text is not a self-sufficient entity, but finds itself in a continually changing relationship with other texts, a relationship described by deconstructionists as intertextuality. This relationship, as it has been described by Julia Kristeva, does not only involve literary works, but also the world-as- text. In chapter one this point of view is illustrated in a discussion around the title of the poem. It is postulated that the title is not a neutral description of a period in the history of the development of the Afrikaans language. Rather, it represents an ideological concept which can be interpreted in various ways. The poem clearly lends itself to an interpretation of "the struggle for the Taal" as a struggle which has manifested itself in many different areas and historical periods within the South African context. In chapter two the discussion of the relationship between language, history and ideology is continued. It is shown how the ʺofficialʺ history represents a one-sided view of Afrikaans as a ʺEuropeanʺ language, greatly ignoring its African component. This representation relies on a logocentric approach to the relationship between language and writing. Breytenbach's poetry, like the writings of Derrida, can be regarded as a "deconstruction" of this approach. The ʺdisseminationʺ of meaning in ʺ(Taalstryd)ʺ is illustrated in terms of the poem's intertextual relationship with Breytenbachʾs ʺPlease don't feed the animalsʺ and Krigeʾs ʺLied van die Fascistiese bomwerpersʺ. Chapter three sets ʺ(Taalstryd)ʺ within the current debate surrounding Afrikaner survival. It is shown how the Afrikaner power base has been established and strengthened by way of legislation, the system of Christian National Education, as well as the creation of a nationalist-orientated history. This power base is currently in a state of crisis, in which different political groupings are continuing the ʺ(Taalstryd)ʺ
- Full Text:
- Date Issued: 1988
Aspekte van die Judaïes-Christelike en die Boeddhistiese in die poësie van Breyten Breytenbach
- Authors: Ferreira, Jeanette
- Date: 1988
- Subjects: Breytenbach, Breyten Afrikaans poetry -- History and criticism , Breytenbach, Breyten -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3574 , http://hdl.handle.net/10962/d1002097
- Description: Concepts of life and death, time and self-denial are investigated in the poetry of Breyten Breytenbach, with specific reference to the similarities and differences between the Judeo-Christian and the Buddhist traditions. Biblical references in the poetry are examined, and their underlying concepts compared to related concepts in Tantric Buddhism and Zen-Buddhism. The conclusion is drawn that the biblical concepts are transposed in the poetry in order to create Buddhist concepts of life and death, time and a form of self-denial. De-sacralisation of the Christian. concepts is inevitable in this creative process. However, the primary intention of the author is not de-sacralisation, but the implementation 'of the Buddhist philosophy of life in which everything is experienced as "totally one". A comparison between the reconstructed intended reader of Breytenbach's poetry and elements of the Afrikaans reading public suggests that political comment on segregated South African society is intended. Breytenbach's poetry is compared to canonized Afrikaans poetry with respect to Buddhist influence, national protest, aspiration to holiness and transposed biblical concepts. The conclusion is that his poetry is highly innovative in these respects. In the broader spectrum of South African literature his poetry is compared, with reference to transposed biblical concepts and national protest, to the poetry of Black poets writing in English, and (where material is available) to those writing in Afrikaans. The conclusion is that Breytenbach's poetry is strongly linked to this poetry. However, the complexity of Breytenbach's poetry, and the advanced aesthetic level and linguistic code required of the intended reader determine his placing within the canon of Afrikaans poetry.
- Full Text:
- Date Issued: 1988
- Authors: Ferreira, Jeanette
- Date: 1988
- Subjects: Breytenbach, Breyten Afrikaans poetry -- History and criticism , Breytenbach, Breyten -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3574 , http://hdl.handle.net/10962/d1002097
- Description: Concepts of life and death, time and self-denial are investigated in the poetry of Breyten Breytenbach, with specific reference to the similarities and differences between the Judeo-Christian and the Buddhist traditions. Biblical references in the poetry are examined, and their underlying concepts compared to related concepts in Tantric Buddhism and Zen-Buddhism. The conclusion is drawn that the biblical concepts are transposed in the poetry in order to create Buddhist concepts of life and death, time and a form of self-denial. De-sacralisation of the Christian. concepts is inevitable in this creative process. However, the primary intention of the author is not de-sacralisation, but the implementation 'of the Buddhist philosophy of life in which everything is experienced as "totally one". A comparison between the reconstructed intended reader of Breytenbach's poetry and elements of the Afrikaans reading public suggests that political comment on segregated South African society is intended. Breytenbach's poetry is compared to canonized Afrikaans poetry with respect to Buddhist influence, national protest, aspiration to holiness and transposed biblical concepts. The conclusion is that his poetry is highly innovative in these respects. In the broader spectrum of South African literature his poetry is compared, with reference to transposed biblical concepts and national protest, to the poetry of Black poets writing in English, and (where material is available) to those writing in Afrikaans. The conclusion is that Breytenbach's poetry is strongly linked to this poetry. However, the complexity of Breytenbach's poetry, and the advanced aesthetic level and linguistic code required of the intended reader determine his placing within the canon of Afrikaans poetry.
- Full Text:
- Date Issued: 1988
Oor die kortkuns van John Miles
- Authors: De Beer, Marésa
- Date: 1988
- Subjects: Miles, John, 1938- -- Criticism and interpretation
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3569 , http://hdl.handle.net/10962/d1002092
- Description: This thesis involves intensive analyses of some of the short-short stories in John Miles's Liefs nie op straat nie, in order to reveal the narrative strategies employed in each. In other words, it is geared to "the rules that govern ... textual actualization and, consequently, those rules that govern the way literary discourse functions as communication" (Riffaterre 1983: 158). Subsequently, attention is given to the interrelationship among the texts, the way in which they act upon one another and interact with the title of the volume, in order to establish the function of such relations. The following texts are analysed in consecutive chapters: "Lucy", "Lappies, kan jy my hoor, Lappies?", "Voorgevoel", "Dom Nakkie, my Dom Nakkie" and "Wie het nog Dom Nakkie gesien?", "Hy staan by die deur en hy klop", "Gustav gaan speel", and "Liefs nie op straat nie". In a concluding chapter the implications of the title are discussed with reference to all the texts in the volume, including those not analysed individually. It is concluded that, on the one hand, the expectations raised by the title are ironicized because the title is never "completed" explicitly, and because that which, by implication, should not be seen in public ("op straat"), is specifically situated in the street and scrutinized in close-up. But on the other hand the title also evokes a peculiar mentality present in all the texts, either in the narrators, or in the characters, or in both. The discussion of "Lucy" is focussed mainly on the contrast and interaction between the world of the child and that of the adult and on the way in which this interaction is actualized within the text through the contrast in the experience of time, the use of "mémoire involontaire", "durée" and the contrasts between (and overlapping of) narrative perspective and focalization. In respect of "Lappies, kan jy my hoor, Lappies?" special attention is paid to similarities and contrasts between this text and the traditional suspense story, notably the way in which conventional techniques are employed to create suspense, as well as to generate an entire subtext which eventually "relocates" the text on the niveau of the murderer's psychological dilemma. In discussing "Voorgevoel" emphasis is not placed primarily on what is conveyed by the narrator, but on the way in which his intentions are subverted both by the window pane through which he is looking and by the narration as such. In this way he is foregrounded and revealed as narrator, just as the text is foregrounded and revealed as literature, with the emphasis, in both cases, not only on their defence mechanisms but also on their impotence. "Dom Nakkie, my Dom Nakkie" and "Wie het nog Dom Nakkie gesien?" are grouped together in one chapter in order to illuminate the interaction between the two narratives in the first text, as well as the interaction between the two texts. Ultimately, they may be seen as three narratives juxtaposed through irony and relativism. The "triumph" of the "preferably not in public" mentality, both in the text and in society, is also illustrated by the interaction between the three narratives. In chapter, 5, in which "Hy staan by die deur en hy klop" is discussed, attention is focussed on the ironic function of the Biblical references, the contrast between Jan and the rest of society, and the way in which the "climax" is located within the Iserian "blank" in the text, so that the entire process of decoding is based on a filling in of that "blank" and its implications. "Gustav gaan speel" is based loosely on Barthes's lexia model, in order to determine the signifying process in the text, and also to demonstrate the way in which the text presupposes rereading. In the discussion of the title text it is revealed how the text is centered in the basic dichotomy between the narrator-as-writer and the journalist, and the way in which this polarity is relativized by the text as such. The text is demonstrated to be the credo of the volume as a whole as well as of the fiction of the Seventies in Afrikaans.
- Full Text:
- Date Issued: 1988
- Authors: De Beer, Marésa
- Date: 1988
- Subjects: Miles, John, 1938- -- Criticism and interpretation
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3569 , http://hdl.handle.net/10962/d1002092
- Description: This thesis involves intensive analyses of some of the short-short stories in John Miles's Liefs nie op straat nie, in order to reveal the narrative strategies employed in each. In other words, it is geared to "the rules that govern ... textual actualization and, consequently, those rules that govern the way literary discourse functions as communication" (Riffaterre 1983: 158). Subsequently, attention is given to the interrelationship among the texts, the way in which they act upon one another and interact with the title of the volume, in order to establish the function of such relations. The following texts are analysed in consecutive chapters: "Lucy", "Lappies, kan jy my hoor, Lappies?", "Voorgevoel", "Dom Nakkie, my Dom Nakkie" and "Wie het nog Dom Nakkie gesien?", "Hy staan by die deur en hy klop", "Gustav gaan speel", and "Liefs nie op straat nie". In a concluding chapter the implications of the title are discussed with reference to all the texts in the volume, including those not analysed individually. It is concluded that, on the one hand, the expectations raised by the title are ironicized because the title is never "completed" explicitly, and because that which, by implication, should not be seen in public ("op straat"), is specifically situated in the street and scrutinized in close-up. But on the other hand the title also evokes a peculiar mentality present in all the texts, either in the narrators, or in the characters, or in both. The discussion of "Lucy" is focussed mainly on the contrast and interaction between the world of the child and that of the adult and on the way in which this interaction is actualized within the text through the contrast in the experience of time, the use of "mémoire involontaire", "durée" and the contrasts between (and overlapping of) narrative perspective and focalization. In respect of "Lappies, kan jy my hoor, Lappies?" special attention is paid to similarities and contrasts between this text and the traditional suspense story, notably the way in which conventional techniques are employed to create suspense, as well as to generate an entire subtext which eventually "relocates" the text on the niveau of the murderer's psychological dilemma. In discussing "Voorgevoel" emphasis is not placed primarily on what is conveyed by the narrator, but on the way in which his intentions are subverted both by the window pane through which he is looking and by the narration as such. In this way he is foregrounded and revealed as narrator, just as the text is foregrounded and revealed as literature, with the emphasis, in both cases, not only on their defence mechanisms but also on their impotence. "Dom Nakkie, my Dom Nakkie" and "Wie het nog Dom Nakkie gesien?" are grouped together in one chapter in order to illuminate the interaction between the two narratives in the first text, as well as the interaction between the two texts. Ultimately, they may be seen as three narratives juxtaposed through irony and relativism. The "triumph" of the "preferably not in public" mentality, both in the text and in society, is also illustrated by the interaction between the three narratives. In chapter, 5, in which "Hy staan by die deur en hy klop" is discussed, attention is focussed on the ironic function of the Biblical references, the contrast between Jan and the rest of society, and the way in which the "climax" is located within the Iserian "blank" in the text, so that the entire process of decoding is based on a filling in of that "blank" and its implications. "Gustav gaan speel" is based loosely on Barthes's lexia model, in order to determine the signifying process in the text, and also to demonstrate the way in which the text presupposes rereading. In the discussion of the title text it is revealed how the text is centered in the basic dichotomy between the narrator-as-writer and the journalist, and the way in which this polarity is relativized by the text as such. The text is demonstrated to be the credo of the volume as a whole as well as of the fiction of the Seventies in Afrikaans.
- Full Text:
- Date Issued: 1988
Aspekte van die erotiek in enkele romans van André P Brink
- Authors: Milton, Laura
- Date: 1987
- Subjects: Brink, André P (André Philippus), 1935-2015 -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3571 , http://hdl.handle.net/10962/d1002094 , Brink, André P (André Philippus), 1935-2015 -- Criticism and interpretation
- Description: Die doel van hierdie studie is om ondersoek in te stel na aspekte van die erotiek in enkele romans van André P. Brink. Die studie bestaan uit twee afsonderlike dele: genoem 'teorie' en 'praktyk'. In die teoretiese deel sal daar eerstens kortliks gekyk word na 'n definiering van enkele kernbegrippe - onder andere 'seksualiteit', 'erotiek' en 'pornografie'. Daar word nie gepoog om algemeen-geldende definisies te formuleer nie, maar eerder definisies wat nuttig is vir die doel van hierdie studie. Daarna sal ondersoek ingestel word na Brink self se teoretiese formulerings met betrekking tot die erotiek. In die tweede deel sal gekonsentreer word op die erotiek in die praktyk van Brink se romans. Eerstens sal die keuse van romans verduidelik word en dan sal daar oorgegaan word tot 'n bespreking van drie romans: Die ambassadeur (1963), Kennis van die Aand (1973) en 'n Oomblik in die wind (1975). Ten slotte sal die gevolgtrekkings van die studie kortliks saamgevat word (Introduction, p. 1)
- Full Text:
- Date Issued: 1987
- Authors: Milton, Laura
- Date: 1987
- Subjects: Brink, André P (André Philippus), 1935-2015 -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3571 , http://hdl.handle.net/10962/d1002094 , Brink, André P (André Philippus), 1935-2015 -- Criticism and interpretation
- Description: Die doel van hierdie studie is om ondersoek in te stel na aspekte van die erotiek in enkele romans van André P. Brink. Die studie bestaan uit twee afsonderlike dele: genoem 'teorie' en 'praktyk'. In die teoretiese deel sal daar eerstens kortliks gekyk word na 'n definiering van enkele kernbegrippe - onder andere 'seksualiteit', 'erotiek' en 'pornografie'. Daar word nie gepoog om algemeen-geldende definisies te formuleer nie, maar eerder definisies wat nuttig is vir die doel van hierdie studie. Daarna sal ondersoek ingestel word na Brink self se teoretiese formulerings met betrekking tot die erotiek. In die tweede deel sal gekonsentreer word op die erotiek in die praktyk van Brink se romans. Eerstens sal die keuse van romans verduidelik word en dan sal daar oorgegaan word tot 'n bespreking van drie romans: Die ambassadeur (1963), Kennis van die Aand (1973) en 'n Oomblik in die wind (1975). Ten slotte sal die gevolgtrekkings van die studie kortliks saamgevat word (Introduction, p. 1)
- Full Text:
- Date Issued: 1987
Die dood, die minnaar en die oedipale struktuur in die Ingrid Jonker-teks
- Authors: Van Wyk, André Johan
- Date: 1987
- Subjects: Jonker, Ingrid, 1933-1965 -- Criticism and interpretation Afrikaans poetry -- History and criticism
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3608 , http://hdl.handle.net/10962/d1003917
- Description: From Inleiding: In dié inleiding word die implikasies van die woord "teks", asook die resepsie van die Ingrid Jonker-teks in die lig van haar dood, en 'n eie benaderingswyse, in teenstelling met die tradisionele kritiese metodes, bespreek. 1.1 Die teks: Die Ingrid Jonker-teks behels (met die dood, die rninnaar en die OedipaIe struktuur as uitgangspunt) aIIes waarop die woorde "Ingrid Jonker", as teks - die parentese tussen die datums op haar grafsteen - dui. Dit beteken dat genre-onderskeidinge en die onderskeid biografie en literatuur opgehef word. Verdere implikasies van die woord "teks" gaan vervolgens ter inleiding ondersoek word. Daar sal ruim gebruik gemaak word van die literêr-teoretiese en filosofiese veronderstellinge van Julia Kristeva, Maurice Blanchot, Jacques Derrida, Jacques Lacan, Pierre Macherey en Roland Barthes.
- Full Text:
- Date Issued: 1987
- Authors: Van Wyk, André Johan
- Date: 1987
- Subjects: Jonker, Ingrid, 1933-1965 -- Criticism and interpretation Afrikaans poetry -- History and criticism
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3608 , http://hdl.handle.net/10962/d1003917
- Description: From Inleiding: In dié inleiding word die implikasies van die woord "teks", asook die resepsie van die Ingrid Jonker-teks in die lig van haar dood, en 'n eie benaderingswyse, in teenstelling met die tradisionele kritiese metodes, bespreek. 1.1 Die teks: Die Ingrid Jonker-teks behels (met die dood, die rninnaar en die OedipaIe struktuur as uitgangspunt) aIIes waarop die woorde "Ingrid Jonker", as teks - die parentese tussen die datums op haar grafsteen - dui. Dit beteken dat genre-onderskeidinge en die onderskeid biografie en literatuur opgehef word. Verdere implikasies van die woord "teks" gaan vervolgens ter inleiding ondersoek word. Daar sal ruim gebruik gemaak word van die literêr-teoretiese en filosofiese veronderstellinge van Julia Kristeva, Maurice Blanchot, Jacques Derrida, Jacques Lacan, Pierre Macherey en Roland Barthes.
- Full Text:
- Date Issued: 1987
Pascalʾs Pensées and Baudelaireʾs Les fleurs du mal : a study of the parallels and development of the theme of ʺennuiʺ
- Authors: Hammond, Nicholas Gascoigne
- Date: 1987
- Subjects: Pascal, Blaise, 1623-1662 -- Criticism and interpretation , Pascal, Blaise, 1623-1662 -- Pensées , Baudelaire, Charles, 1821-1867 -- Criticism and interpretation , Baudelaire, Charles, 1821-1867 -- Fleurs du mal
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3562 , http://hdl.handle.net/10962/d1002009
- Description: From Introduction: Upon first reading the writings of both Pascal and Baudelaire, one cannot help being struck by a sensation of awe at the penetrating insight into the human condition possessed by both writers. A further exploration of the realms of Pascalian and Baudelairian thought considerably strengthens this initial reaction into a recognition that both authors were men of equal moral and spiritual intensity. Despite their outward differences, both sought to attain a deep understanding of human nature, but without attempting to offer any excuses on behalf of man. Furthermore, the two writers employ an identical term to describe the condition of humanity: "ennui". Although the word exists in the writings of contemporaries of both Pascal and Baudelaire, no other author makes such full, unique and significant use of ennui. As this thesis will hopefully prove, Baudelaire was indeed directly and positively influenced by Pascal. However, it is not our intention to concentrate upon such an influence; rather, we wish to indicate the parallels and development of the theme of ennui, so central to each man's outlook, in their respective writings. Evidently, it would be beyond the boundaries of this thesis if we were to try to analyse closely the entire creative output of Pascal and Baudelaire; and so, although their other works will act as points of reference, the two books which are generally regarded as their masterpieces will be used as the basis of the unfinished Christian "Apologie" which was projected by Pascal, now known as the Pensées (1670), and Baudelaire’s Les Fleurs du Mal (1857 and 1861)
- Full Text:
- Date Issued: 1987
- Authors: Hammond, Nicholas Gascoigne
- Date: 1987
- Subjects: Pascal, Blaise, 1623-1662 -- Criticism and interpretation , Pascal, Blaise, 1623-1662 -- Pensées , Baudelaire, Charles, 1821-1867 -- Criticism and interpretation , Baudelaire, Charles, 1821-1867 -- Fleurs du mal
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3562 , http://hdl.handle.net/10962/d1002009
- Description: From Introduction: Upon first reading the writings of both Pascal and Baudelaire, one cannot help being struck by a sensation of awe at the penetrating insight into the human condition possessed by both writers. A further exploration of the realms of Pascalian and Baudelairian thought considerably strengthens this initial reaction into a recognition that both authors were men of equal moral and spiritual intensity. Despite their outward differences, both sought to attain a deep understanding of human nature, but without attempting to offer any excuses on behalf of man. Furthermore, the two writers employ an identical term to describe the condition of humanity: "ennui". Although the word exists in the writings of contemporaries of both Pascal and Baudelaire, no other author makes such full, unique and significant use of ennui. As this thesis will hopefully prove, Baudelaire was indeed directly and positively influenced by Pascal. However, it is not our intention to concentrate upon such an influence; rather, we wish to indicate the parallels and development of the theme of ennui, so central to each man's outlook, in their respective writings. Evidently, it would be beyond the boundaries of this thesis if we were to try to analyse closely the entire creative output of Pascal and Baudelaire; and so, although their other works will act as points of reference, the two books which are generally regarded as their masterpieces will be used as the basis of the unfinished Christian "Apologie" which was projected by Pascal, now known as the Pensées (1670), and Baudelaire’s Les Fleurs du Mal (1857 and 1861)
- Full Text:
- Date Issued: 1987
An analytical study of narrative techniques in Giono's Regain
- Authors: Abel, Hermione
- Date: 1986
- Subjects: French fiction , Novels , Criticism , Symbolism , Regain , Giono, Jean, 1895-1970 -- Criticism and interpretation
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3561 , http://hdl.handle.net/10962/d1002008
- Description: The dominant theme in Regain is that of death leading to rebirth. This dissertation attempts to explore Giono's narrative techniques within this context. No single chapter will be devoted to a specific technique; instead, the various devices used by the author are discussed as they emerge from the structure of the chapters. Justifying the field of study as defined in the "Introduction", the following three chapters outline the passage of life from death to eventual rebirth. With acknowledgement to Frank Kermode, who writes: "A concord of past, present and future three dreams which, as Augustine said, cross in our minds, as in the present of things past, the present of things present, and the present of things future" ¹, the first three chapters bear his terminology for their headings. Chapter One, "The Present of Things Past", deals with Mameche's loss of her husband and son. Chapter Two, "The Present of Things Present", focuses upon Mameche' s realization of Gaubert's departure, and the decision that she must do something to save the dying village of Aubignane. Chapter Three, "The Present of Things Future", sees Mameche setting out in search of a wife for Panturle, and succeeding. This brings to an end Part One of the novel. Interwoven throughout the chapters are paradigms from Greek mythology, rich in universal symbolism, and the author's belief in man's ability to fuse himself with his surroundings. The conclusion summarizes the findings of this study, attempting to show how an analysis of Giono's narrative technique provides an insight into such a novel as Regain. ¹The Sense of an Ending (London: Oxford University Press, 1966), rpt., 1970, p. 50.
- Full Text:
- Date Issued: 1986
- Authors: Abel, Hermione
- Date: 1986
- Subjects: French fiction , Novels , Criticism , Symbolism , Regain , Giono, Jean, 1895-1970 -- Criticism and interpretation
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3561 , http://hdl.handle.net/10962/d1002008
- Description: The dominant theme in Regain is that of death leading to rebirth. This dissertation attempts to explore Giono's narrative techniques within this context. No single chapter will be devoted to a specific technique; instead, the various devices used by the author are discussed as they emerge from the structure of the chapters. Justifying the field of study as defined in the "Introduction", the following three chapters outline the passage of life from death to eventual rebirth. With acknowledgement to Frank Kermode, who writes: "A concord of past, present and future three dreams which, as Augustine said, cross in our minds, as in the present of things past, the present of things present, and the present of things future" ¹, the first three chapters bear his terminology for their headings. Chapter One, "The Present of Things Past", deals with Mameche's loss of her husband and son. Chapter Two, "The Present of Things Present", focuses upon Mameche' s realization of Gaubert's departure, and the decision that she must do something to save the dying village of Aubignane. Chapter Three, "The Present of Things Future", sees Mameche setting out in search of a wife for Panturle, and succeeding. This brings to an end Part One of the novel. Interwoven throughout the chapters are paradigms from Greek mythology, rich in universal symbolism, and the author's belief in man's ability to fuse himself with his surroundings. The conclusion summarizes the findings of this study, attempting to show how an analysis of Giono's narrative technique provides an insight into such a novel as Regain. ¹The Sense of an Ending (London: Oxford University Press, 1966), rpt., 1970, p. 50.
- Full Text:
- Date Issued: 1986
Les aspects metephysiques du theatre de Ionesco
- Authors: Thomas, David Croft
- Date: 1986
- Subjects: Ionesco, Eugène -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3610 , http://hdl.handle.net/10962/d1004534 , Ionesco, Eugène -- Criticism and interpretation
- Description: From Introduction: Au cours d'une interview accordée à deux critiques littéraires, le 9 novembre 1976 , Ionesco déclare : Un retour à la métaphysique me semble, à notré epoque, indispensable. Ce point de vue nous semble être d'une importance fondamentale, tant par la référence à un probleme spécifiquement moderne, que par la formulation d'une profonde préoccupation de l'auteur. Ionesco résume par là un débat qui informe continuellement son oeuvre théàtrale. Ce débat, et cette quête, sont les thèmes essentiels que nous voudrions mettre à jour dans cette oeuvre . Nous proposons donc d'étudier le désir et l'effort que manifeste et que tente l ' homme moderne, imbu d'une culture matérialiste, laïque et profane, pour retrouver la vie spirituelle de ses ancêtres son aspiration à la connaissance du sacré . Ce sujet, aussi vaste qu'il est élémentaire, exige l'examen de l'oeuvre complàte afin d'en dégager les constantes.
- Full Text:
- Date Issued: 1986
- Authors: Thomas, David Croft
- Date: 1986
- Subjects: Ionesco, Eugène -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3610 , http://hdl.handle.net/10962/d1004534 , Ionesco, Eugène -- Criticism and interpretation
- Description: From Introduction: Au cours d'une interview accordée à deux critiques littéraires, le 9 novembre 1976 , Ionesco déclare : Un retour à la métaphysique me semble, à notré epoque, indispensable. Ce point de vue nous semble être d'une importance fondamentale, tant par la référence à un probleme spécifiquement moderne, que par la formulation d'une profonde préoccupation de l'auteur. Ionesco résume par là un débat qui informe continuellement son oeuvre théàtrale. Ce débat, et cette quête, sont les thèmes essentiels que nous voudrions mettre à jour dans cette oeuvre . Nous proposons donc d'étudier le désir et l'effort que manifeste et que tente l ' homme moderne, imbu d'une culture matérialiste, laïque et profane, pour retrouver la vie spirituelle de ses ancêtres son aspiration à la connaissance du sacré . Ce sujet, aussi vaste qu'il est élémentaire, exige l'examen de l'oeuvre complàte afin d'en dégager les constantes.
- Full Text:
- Date Issued: 1986
Xhosa narrative : an analysis of the production and linguistic properties of discourse with particular reference to "iintsomi" texts
- Authors: Gough, David Huw
- Date: 1986
- Subjects: Folk literature, Xhosa Xhosa language -- Spoken Xhosa
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3564 , http://hdl.handle.net/10962/d1002086
- Description: Although the areas I intend to investigate are rather diverse, what unites them is a concern for the ancient and fascinating question of the relationship between language and thought. Assumptions concerning the latter are surely latent as the basis for any inquiry into language. One of my general purposes is to give some overt orientation to this problem which is all too often simply glossed over. More particularly, I am also concerned with shaping a new approach to Bantu linguistic inquiry in terms of an emphasis on discourse analysis. In the context of the burgeoning of discourse analysis internationally, the field has been seriously neglected in Southern Africa. Studies of discourse are, we believe, vital to advancing our knowledge of inter-ethnic communication and understanding, an area that cannot be ignored in Southern Africa. In more general terms, I hope that this thesis represents a challenge to linguistic inquiry in ways that we have already outlined above. Most importantly, is that while it appears that most South African linguists are satisfied with adopting a rigid monotheoretical approach, I differ, advocating a multitheoretical perspective. This, I believe, allows a greater and more holistic view not only of the 'data' in question but also in terms of the general nature of inquiry, as well as the 'world' it attempts to describe. The body of this thesis is divided into two sections which reflect the two central concerns we have outlined above. Section A, divided into three chapters, is chiefly concerned with the conceptual basis of Xhosa narrative and its linguistic manifestation. In this section we shall find cause to query and to redefine traditional approaches to the linguistic categories manifest in Xhosa narrative. In section B, also divided into three chapters, we shall be concerned with the development of a theory of narrative production with specific reference to intsomi production. In this section we include an in depth criticism of previous approaches to this problem before developing and applying our own theory. There are two appendices attached to this thesis. The first presents certain tables and figures relevant to chapter 4. while the second includes the narrative texts from which we draw our examples. (Introduction, p. 21-22)
- Full Text:
- Date Issued: 1986
- Authors: Gough, David Huw
- Date: 1986
- Subjects: Folk literature, Xhosa Xhosa language -- Spoken Xhosa
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3564 , http://hdl.handle.net/10962/d1002086
- Description: Although the areas I intend to investigate are rather diverse, what unites them is a concern for the ancient and fascinating question of the relationship between language and thought. Assumptions concerning the latter are surely latent as the basis for any inquiry into language. One of my general purposes is to give some overt orientation to this problem which is all too often simply glossed over. More particularly, I am also concerned with shaping a new approach to Bantu linguistic inquiry in terms of an emphasis on discourse analysis. In the context of the burgeoning of discourse analysis internationally, the field has been seriously neglected in Southern Africa. Studies of discourse are, we believe, vital to advancing our knowledge of inter-ethnic communication and understanding, an area that cannot be ignored in Southern Africa. In more general terms, I hope that this thesis represents a challenge to linguistic inquiry in ways that we have already outlined above. Most importantly, is that while it appears that most South African linguists are satisfied with adopting a rigid monotheoretical approach, I differ, advocating a multitheoretical perspective. This, I believe, allows a greater and more holistic view not only of the 'data' in question but also in terms of the general nature of inquiry, as well as the 'world' it attempts to describe. The body of this thesis is divided into two sections which reflect the two central concerns we have outlined above. Section A, divided into three chapters, is chiefly concerned with the conceptual basis of Xhosa narrative and its linguistic manifestation. In this section we shall find cause to query and to redefine traditional approaches to the linguistic categories manifest in Xhosa narrative. In section B, also divided into three chapters, we shall be concerned with the development of a theory of narrative production with specific reference to intsomi production. In this section we include an in depth criticism of previous approaches to this problem before developing and applying our own theory. There are two appendices attached to this thesis. The first presents certain tables and figures relevant to chapter 4. while the second includes the narrative texts from which we draw our examples. (Introduction, p. 21-22)
- Full Text:
- Date Issued: 1986
Engel en aarde : gedagtes oor "natuur en bo-natuur" by die lees van Sheila Cussons
- Authors: De Villiers, Johanna Helena
- Date: 1985
- Subjects: Cussons, Sheila -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3619 , http://hdl.handle.net/10962/d1006960
- Description: Hierdie studie is In poging om uit die veelgeskakeerde digwerk van Sheila Cussons een draad te neem en dit deur te volg; in die hoop dat dit 'n Ariadne-draad mag word tot beter besef van die ryk gestruktureerdheid en diepte van haar verwysingsveld, en die betekenis daarvan vir ons tyd. Dis dan primer die beeld van die engel wat nagespeur word, as bonatuurlike wese wat nie tot die vlak van die fisiese inkorporeer nie. (From Ch. 1)
- Full Text:
- Date Issued: 1985
- Authors: De Villiers, Johanna Helena
- Date: 1985
- Subjects: Cussons, Sheila -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3619 , http://hdl.handle.net/10962/d1006960
- Description: Hierdie studie is In poging om uit die veelgeskakeerde digwerk van Sheila Cussons een draad te neem en dit deur te volg; in die hoop dat dit 'n Ariadne-draad mag word tot beter besef van die ryk gestruktureerdheid en diepte van haar verwysingsveld, en die betekenis daarvan vir ons tyd. Dis dan primer die beeld van die engel wat nagespeur word, as bonatuurlike wese wat nie tot die vlak van die fisiese inkorporeer nie. (From Ch. 1)
- Full Text:
- Date Issued: 1985
'n Sintaktiese ondersoek na die gebruik van onderskikkende voegwoorde en sinsverbindende woorde in Afrikaans
- Authors: Bosch, Agnes Barbara
- Date: 1984
- Subjects: Afrikaans language -- Conjunctions , Afrikaans language -- Syntax
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3613 , http://hdl.handle.net/10962/d1005906 , Afrikaans language -- Conjunctions , Afrikaans language -- Syntax
- Full Text:
- Date Issued: 1984
- Authors: Bosch, Agnes Barbara
- Date: 1984
- Subjects: Afrikaans language -- Conjunctions , Afrikaans language -- Syntax
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3613 , http://hdl.handle.net/10962/d1005906 , Afrikaans language -- Conjunctions , Afrikaans language -- Syntax
- Full Text:
- Date Issued: 1984
Die metaroman : dekonstruksie-ondersoek
- Authors: Hambidge, Joan, 1956-
- Date: 1984
- Subjects: Fiction -- 20th century -- History and criticism Experimental fiction -- History and criticism
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3611 , http://hdl.handle.net/10962/d1005056
- Full Text:
- Date Issued: 1984
- Authors: Hambidge, Joan, 1956-
- Date: 1984
- Subjects: Fiction -- 20th century -- History and criticism Experimental fiction -- History and criticism
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3611 , http://hdl.handle.net/10962/d1005056
- Full Text:
- Date Issued: 1984
'n Ondersoek na die funksie van die verteller ten opsigte van die aktualiteit en romanwêreld in sommige Afrikaanse romans
- Authors: Goosen, Ella Johanna
- Date: 1983
- Subjects: Afrikaans fiction -- History and criticism , First person narrative , Point of view (Literature)
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3620 , http://hdl.handle.net/10962/d1007176
- Description: Een van die fundamenteelste en belangrikste aspekte van 'n roman is die verteller. Die verhouding waarin die verteller tot die verhaalstof staan, die verteller se perspektief op die gebeure, die soort verteller en die manier waarop die verteller sy implisiete leser deur die organisasie van die verhaal definieer en betrek is almal bepalende faktore vir die struktuur, die styl en die ontwikkelingsgang van die roman. Joseph T. Shipley (1966:144) stel die saak so: "In die analysis of a speech or literary composition, nothing is more important than to determine precisely the voice or voices presented as speaking and the precise nature of the address (i.e. specific direction to a hearer, an addressee); for in every speech reference to a voice or voices and implication of address (i.e. reference to a process of speech, actual or imagined) is a part of the meaning, for the interpretation of which it supplies an indispensable control ".
- Full Text:
- Date Issued: 1983
- Authors: Goosen, Ella Johanna
- Date: 1983
- Subjects: Afrikaans fiction -- History and criticism , First person narrative , Point of view (Literature)
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3620 , http://hdl.handle.net/10962/d1007176
- Description: Een van die fundamenteelste en belangrikste aspekte van 'n roman is die verteller. Die verhouding waarin die verteller tot die verhaalstof staan, die verteller se perspektief op die gebeure, die soort verteller en die manier waarop die verteller sy implisiete leser deur die organisasie van die verhaal definieer en betrek is almal bepalende faktore vir die struktuur, die styl en die ontwikkelingsgang van die roman. Joseph T. Shipley (1966:144) stel die saak so: "In die analysis of a speech or literary composition, nothing is more important than to determine precisely the voice or voices presented as speaking and the precise nature of the address (i.e. specific direction to a hearer, an addressee); for in every speech reference to a voice or voices and implication of address (i.e. reference to a process of speech, actual or imagined) is a part of the meaning, for the interpretation of which it supplies an indispensable control ".
- Full Text:
- Date Issued: 1983
Les elements dramatiques dans les premiers romans (1939-1963) de Nathalie Sarraute
- Authors: O'Grady, Betty
- Date: 1983
- Subjects: Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3617 , http://hdl.handle.net/10962/d1006921 , Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Full Text:
- Date Issued: 1983
- Authors: O'Grady, Betty
- Date: 1983
- Subjects: Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3617 , http://hdl.handle.net/10962/d1006921 , Sarraute, Nathalie -- Criticism and interpretation , French fiction -- 20th century -- History and criticism
- Full Text:
- Date Issued: 1983
'n Ondersoek na aspekte van die verhouding tussen betrokkenheid en universaliteit in die literatuur
- Authors: Weideman, George, 1947-2008
- Date: 1982
- Subjects: Politics and literature Comparative literature
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3604 , http://hdl.handle.net/10962/d1003723
- Description: Voorwoord: In die loop van hierdie studie word dit op enkele plekke duidelik gestel dat die littérature engagée nie beperk is tot die engere "politiek" nie, en dat 'n teks met 'n religieuse tema of 'n teks waarin maatskaplike wantoestande aan die lig gebring word, ook engagé kan wees. Die politiek laat hom egter as magsfaktor oor so 'n wye gebied geld dat nuanserings nie altyd moontlik is nie; 'n teks met 'n oorwegend "religieuse tema" kan politieke implikasies hê. Dit bring verder mee dat selfs 'n teks of 'n bundel waarin géén politieke verwysing voorkom nie, na 'n polities-gemotiveerde keuse teruggevoer word. Die kern van die saak is dat 'n teks tot hierdie subgenre gereken kan word slegs wanneer dit minder of meer uitdruklik kontesteer, of die klimaat skep vir kontestering, wat meebring dat 'n imperatief tot verandering in die teks aanwesig moet wees. Hierdie appél tot verandering rig hom in die beduidendste werke van die genre verbý die partypolitiek, rig hom tot die mens wat (met of sonder sy keuse) onderhewig is aan politieke gebeure. Kontestering (verset) impl iseer ook meebelewing, solidariteit en vereenselwiging. Dit is die oogmerk van hierdie studie om na te gaan hoe aspekte van hierdie vereenselwiging die engagement en die universele waarheid as temamoment en selfs as struktuurfaktor in homself kan verenig. Vanweë die omvang van die teoretiese inset van die studie word tekste in hoofsaak eksemplaries gebruik - déégliker struktulrele analises waarin die estetiese steeds sáám met die die maatskaplik-etiese dimensie ondersoek word, verg 'n afsonderlike studie.
- Full Text:
- Date Issued: 1982
- Authors: Weideman, George, 1947-2008
- Date: 1982
- Subjects: Politics and literature Comparative literature
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3604 , http://hdl.handle.net/10962/d1003723
- Description: Voorwoord: In die loop van hierdie studie word dit op enkele plekke duidelik gestel dat die littérature engagée nie beperk is tot die engere "politiek" nie, en dat 'n teks met 'n religieuse tema of 'n teks waarin maatskaplike wantoestande aan die lig gebring word, ook engagé kan wees. Die politiek laat hom egter as magsfaktor oor so 'n wye gebied geld dat nuanserings nie altyd moontlik is nie; 'n teks met 'n oorwegend "religieuse tema" kan politieke implikasies hê. Dit bring verder mee dat selfs 'n teks of 'n bundel waarin géén politieke verwysing voorkom nie, na 'n polities-gemotiveerde keuse teruggevoer word. Die kern van die saak is dat 'n teks tot hierdie subgenre gereken kan word slegs wanneer dit minder of meer uitdruklik kontesteer, of die klimaat skep vir kontestering, wat meebring dat 'n imperatief tot verandering in die teks aanwesig moet wees. Hierdie appél tot verandering rig hom in die beduidendste werke van die genre verbý die partypolitiek, rig hom tot die mens wat (met of sonder sy keuse) onderhewig is aan politieke gebeure. Kontestering (verset) impl iseer ook meebelewing, solidariteit en vereenselwiging. Dit is die oogmerk van hierdie studie om na te gaan hoe aspekte van hierdie vereenselwiging die engagement en die universele waarheid as temamoment en selfs as struktuurfaktor in homself kan verenig. Vanweë die omvang van die teoretiese inset van die studie word tekste in hoofsaak eksemplaries gebruik - déégliker struktulrele analises waarin die estetiese steeds sáám met die die maatskaplik-etiese dimensie ondersoek word, verg 'n afsonderlike studie.
- Full Text:
- Date Issued: 1982
A commentary on Nepos' Life of Alcibiades
- Authors: Jackson, John Leonard
- Date: 1982
- Subjects: Classical biography -- Criticism and interpretation , Nepos, Cornelius -- Life Of Alcibiades -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3621 , http://hdl.handle.net/10962/d1007223
- Description: From Introduction: Much of the commentary is historical and biographical in its emphasis. In making detailed reference to other accounts , I have tried to fill important gaps in Nepos' brief and (in places) abrupt account, to compare the picture of Alcibiades in his account with that of other accounts and to trace sources which he may have used important passages have been quoted in full so that verbal similarities can be seen. A striking feature of Nepos' work is his tendency to describe many non-Roman situations in Roman terms. This reflects not only his vagueness about details (a common fault in his writing), but also perhaps a desire to make his Lives more relevant to his reading public and thus more readable. From antiquity to the present day biography and history have tended to be distinguished from each other, and biography has had the greater popular appeal. Readability is perhaps the most abiding quality of Nepos' Lives and Alcibiades may be the most readable of them all. On the whole Nepos portrays him consistently, although of course he also emphasises the inconsistency which was such an important part of his nature. He has told the story simply, yet dramatically; many of the complicated details about Alcibiades are omitted, yet particular incidents are highlighted, notably the return to Athens and the assassination. Above all, from Nepos' Life there emerges the impression that Alcibiades was unique and worth writing about.
- Full Text:
- Date Issued: 1982
- Authors: Jackson, John Leonard
- Date: 1982
- Subjects: Classical biography -- Criticism and interpretation , Nepos, Cornelius -- Life Of Alcibiades -- Criticism and interpretation
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3621 , http://hdl.handle.net/10962/d1007223
- Description: From Introduction: Much of the commentary is historical and biographical in its emphasis. In making detailed reference to other accounts , I have tried to fill important gaps in Nepos' brief and (in places) abrupt account, to compare the picture of Alcibiades in his account with that of other accounts and to trace sources which he may have used important passages have been quoted in full so that verbal similarities can be seen. A striking feature of Nepos' work is his tendency to describe many non-Roman situations in Roman terms. This reflects not only his vagueness about details (a common fault in his writing), but also perhaps a desire to make his Lives more relevant to his reading public and thus more readable. From antiquity to the present day biography and history have tended to be distinguished from each other, and biography has had the greater popular appeal. Readability is perhaps the most abiding quality of Nepos' Lives and Alcibiades may be the most readable of them all. On the whole Nepos portrays him consistently, although of course he also emphasises the inconsistency which was such an important part of his nature. He has told the story simply, yet dramatically; many of the complicated details about Alcibiades are omitted, yet particular incidents are highlighted, notably the return to Athens and the assassination. Above all, from Nepos' Life there emerges the impression that Alcibiades was unique and worth writing about.
- Full Text:
- Date Issued: 1982
Issues in Zulu relativization
- Authors: Poulos, George
- Date: 1982
- Subjects: Zulu language -- Relative clauses
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3618 , http://hdl.handle.net/10962/d1006939
- Description: Zulu is a language of the Nguni group of the South-Eastern Zone of Bantu languages and is spoken by approximately 5 400 000 people. As far back as 1848, the Zulu language was investigated by a missionary of the American Board in Natal, James C. Bryant. In that year his ideas on the language were put on paper under the title, The Zulu Language, and this valuable contribution of some 13 pages was published in the following year in the Journal of the Oriental Society . Bryant's work heralded the beginning of a tradition of analysis in Zulu that was to capture the interest of a number of investigators over a period stretching up until the present day.
- Full Text:
- Date Issued: 1982
- Authors: Poulos, George
- Date: 1982
- Subjects: Zulu language -- Relative clauses
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3618 , http://hdl.handle.net/10962/d1006939
- Description: Zulu is a language of the Nguni group of the South-Eastern Zone of Bantu languages and is spoken by approximately 5 400 000 people. As far back as 1848, the Zulu language was investigated by a missionary of the American Board in Natal, James C. Bryant. In that year his ideas on the language were put on paper under the title, The Zulu Language, and this valuable contribution of some 13 pages was published in the following year in the Journal of the Oriental Society . Bryant's work heralded the beginning of a tradition of analysis in Zulu that was to capture the interest of a number of investigators over a period stretching up until the present day.
- Full Text:
- Date Issued: 1982
Verdrängung und verleugnung der wirklichkeit als erzählproblem im werk Hans Erich Nossacks
- Krueger, Gustav Adolf Ludwig Werner
- Authors: Krueger, Gustav Adolf Ludwig Werner
- Date: 1982
- Subjects: Nossack, Hans Erich, 1901-1977 -- Criticism and interpretation Authors, German -- 20th century -- History and criticism German fiction -- 20th century German literature -- History and criticism
- Language: German
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3612 , http://hdl.handle.net/10962/d1005627
- Description: From introduction: Wenn ich mir neben anderen sozial-psychologischen Theorien· auch die Theorie Freuds zunutze mache, so geschieht das nicht nur um der Textgerechtheit und der Nachprüfbarkeit willen, sondern auch aufgrund der überlegung, daß der Nossacksche Held, als "bürgerlicher Held"⁵²) , in mehr oder minderem Maße krank- und wahnhafte Züge haben wird, denn seine Bürgerlichkeit ist schon beim ersten, auffassenden Lesen der Texte kaum rnehr zu bezweifeln. Sein verstockter Individualismus ist hingegen, um noch einmal Adorno anzuführen, auch wieder nicht rückhaltlos verwerflich, ist dieser doch, "sowohl Produkt desDrucks", wie "das Kraftzentrum, das ihm widersteht".⁵³)
- Full Text:
- Date Issued: 1982
- Authors: Krueger, Gustav Adolf Ludwig Werner
- Date: 1982
- Subjects: Nossack, Hans Erich, 1901-1977 -- Criticism and interpretation Authors, German -- 20th century -- History and criticism German fiction -- 20th century German literature -- History and criticism
- Language: German
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3612 , http://hdl.handle.net/10962/d1005627
- Description: From introduction: Wenn ich mir neben anderen sozial-psychologischen Theorien· auch die Theorie Freuds zunutze mache, so geschieht das nicht nur um der Textgerechtheit und der Nachprüfbarkeit willen, sondern auch aufgrund der überlegung, daß der Nossacksche Held, als "bürgerlicher Held"⁵²) , in mehr oder minderem Maße krank- und wahnhafte Züge haben wird, denn seine Bürgerlichkeit ist schon beim ersten, auffassenden Lesen der Texte kaum rnehr zu bezweifeln. Sein verstockter Individualismus ist hingegen, um noch einmal Adorno anzuführen, auch wieder nicht rückhaltlos verwerflich, ist dieser doch, "sowohl Produkt desDrucks", wie "das Kraftzentrum, das ihm widersteht".⁵³)
- Full Text:
- Date Issued: 1982
'n Leesgesentreerde ondersoek na sosiopolitiese elemente in die poësie aan die hand van enkele gedigte van Wilma Stockensẗrom
- Authors: De Jong, Maria Johanna
- Date: 1981
- Subjects: Stockensẗrom, Wilma -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3615 , http://hdl.handle.net/10962/d1006333
- Description: "Now let us refrain, I said, from calling Homer or any other poet to account regarding those arts to which his poems incidentally refer: we will not ask them, in case any poet has been a doctor and not a mere imitator of medical parlance, to show what patients have been restored to health by a poet" (Plato 1979 19). (1) Soos alle lesers van literatuur weet Plato dat die digter weinig bewys kan lewer dat die werklikheid waaroor hy skryf ook deur hom verander is. Uiteindelik sit hy net met die" sweet influence" van sy welluidende gedig (ibid . 21). Tog word hy verbied, en nie net, soos Plato wou veronderstel, omdat hy die irrasionele, die emosionele, die "laere" in die mens stimuleer nie.
- Full Text:
- Date Issued: 1981
- Authors: De Jong, Maria Johanna
- Date: 1981
- Subjects: Stockensẗrom, Wilma -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3615 , http://hdl.handle.net/10962/d1006333
- Description: "Now let us refrain, I said, from calling Homer or any other poet to account regarding those arts to which his poems incidentally refer: we will not ask them, in case any poet has been a doctor and not a mere imitator of medical parlance, to show what patients have been restored to health by a poet" (Plato 1979 19). (1) Soos alle lesers van literatuur weet Plato dat die digter weinig bewys kan lewer dat die werklikheid waaroor hy skryf ook deur hom verander is. Uiteindelik sit hy net met die" sweet influence" van sy welluidende gedig (ibid . 21). Tog word hy verbied, en nie net, soos Plato wou veronderstel, omdat hy die irrasionele, die emosionele, die "laere" in die mens stimuleer nie.
- Full Text:
- Date Issued: 1981
Hugo Raes : de roman als montage : een struktuuranalyse van De vadsige koningen, Een faun met kille horentjes en, Het smarán, het vikka, de ronko en al de andere kleuren van de geschiedenis
- Authors: Renders, L E M M E
- Date: 1981
- Subjects: Raes, Hugo -- Criticism and interpretation Raes, Hugo -- De vadsige koningen Raes, Hugo -- Een faun met kille horentjes Raes, Hugo -- Het smarán, het vikka, de ronko en al de andere kleuren van de geschiedenis Dutch fiction -- 20th century -- History and criticism
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3623 , http://hdl.handle.net/10962/d1007493
- Description: De analyse van het individuele literaire werk zal steeds het begin- en eindpunt moeten zijn van de literatuurstudie in welke gedaante dan ook: "Dit neemt echter niet weg dat het begin en einde, het alfa en omega van de literaire bedrijvigheid, het literair kunstwerk als zodanig, de literaire intentie, functie en efficientie de literair, literairesthetisch, te actualiseren en te valoriseren tekst is ... " (Rutten, 1973, p.144). Juist deze vorm van onderzoek lijkt op het ogenblik soms weI eens verloren te raken tussen de veelheid van literaire theorieen die overal opgang maken. De beoefenaars van de literaire kritiek lijken dikwijls meer begaan met het opbouwen en afbreken van theorieen dan met het literaire werk zelf. Sinds W. Bloks studie Verhaal en lezer in 1960 voor het eerst het licht zag, mag er dan op het gebied van de literatuurwetenschap in de Nederlanden en daarbuiten heel wat veranderd zijn, maar zijn uitspraak: " ... dat de romantheorie op het ogenblik het meest gebaat is met analyses van afzonderlijke werken" (1969, p.9) heeft zeker nog niets aan geldigheid ingeboet.
- Full Text:
- Date Issued: 1981
- Authors: Renders, L E M M E
- Date: 1981
- Subjects: Raes, Hugo -- Criticism and interpretation Raes, Hugo -- De vadsige koningen Raes, Hugo -- Een faun met kille horentjes Raes, Hugo -- Het smarán, het vikka, de ronko en al de andere kleuren van de geschiedenis Dutch fiction -- 20th century -- History and criticism
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3623 , http://hdl.handle.net/10962/d1007493
- Description: De analyse van het individuele literaire werk zal steeds het begin- en eindpunt moeten zijn van de literatuurstudie in welke gedaante dan ook: "Dit neemt echter niet weg dat het begin en einde, het alfa en omega van de literaire bedrijvigheid, het literair kunstwerk als zodanig, de literaire intentie, functie en efficientie de literair, literairesthetisch, te actualiseren en te valoriseren tekst is ... " (Rutten, 1973, p.144). Juist deze vorm van onderzoek lijkt op het ogenblik soms weI eens verloren te raken tussen de veelheid van literaire theorieen die overal opgang maken. De beoefenaars van de literaire kritiek lijken dikwijls meer begaan met het opbouwen en afbreken van theorieen dan met het literaire werk zelf. Sinds W. Bloks studie Verhaal en lezer in 1960 voor het eerst het licht zag, mag er dan op het gebied van de literatuurwetenschap in de Nederlanden en daarbuiten heel wat veranderd zijn, maar zijn uitspraak: " ... dat de romantheorie op het ogenblik het meest gebaat is met analyses van afzonderlijke werken" (1969, p.9) heeft zeker nog niets aan geldigheid ingeboet.
- Full Text:
- Date Issued: 1981