An analysis of oral literary music texts in isiXhosa
- Authors: Mpola, Mavis Noluthando
- Date: 2007
- Subjects: Xhosa (African people) -- Music , Xhosa (African people) -- Music -- History , Xhosa (African people) -- Folklore , Composers, Black -- South Africa , Hymns, Xhosa , Folk literature, Xhosa
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3632 , http://hdl.handle.net/10962/d1012909
- Description: This study examines the relationship between composed songs in isiXhosa and the field of oral literature. In traditional Xhosa cultural settings, poetry and music are forms of communal activity enjoyed by that society. Music and poetry perform a special social role in African society in general, providing a critique of socio-economic and political issues. The research analyses the relationship that exists between traditional poetry, izibongo, and composed songs. It demonstrates that in the same way that izibongo can be analysed in order to appreciate the aesthetic value of an oral literary form, the same can be said of composed isiXhosa music. The art of transmitting oral literature is performance. The traditional izibongo are recited before audiences in the same way. Songs (iingoma) stories (amabali) and traditional poetry (izibongo) all comprise oral literature that is transmitted by word of mouth. Opland (1992: 17) says about this type of literature: “Living as it does in the performance is usually appreciated by crowds of people as sounds uttered by the performer who is present before his/her audience.” Opland (ibid 125) again gives an account of who is both reciter of poems and singer of songs. He gives Mthamo’s testimony thus: “He is a singer… with a reputation of being a poet as well.” The musical texts that will be analysed in this thesis will range from those produced as early as 1917, when Benjamin Tyamzashe wrote his first song, Isithandwa sam (My beloved), up to those produced in 1990 when Makhaya Mjana was commissioned by Lovedale on its 150th anniversary to write Qingqa Lovedale (Stand up Lovedale). The song texts total fifty, by twenty-one composers. The texts will be analysed according to different themes, ranging from themes that are metaphoric, themes about events, themes that depict the culture of the amaXhosa, themes with a message of protest, themes demonstrating the relationship between religion and nature, themes that call for unity among the amaXhosa, and themes that depict the personal circumstances of composers and lullabies. The number of texts from each category will vary depending on the composers’ socio-cultural background when they composed the songs. Comparison will be made with some izibongo to show that composers and writers of izibongo are similar artists and, in the words of Mtuze in Izibongo Zomthonyama (1993) “bathwase ngethongo elinye” (They are spiritually gifted in the same way).
- Full Text:
- Date Issued: 2007
- Authors: Mpola, Mavis Noluthando
- Date: 2007
- Subjects: Xhosa (African people) -- Music , Xhosa (African people) -- Music -- History , Xhosa (African people) -- Folklore , Composers, Black -- South Africa , Hymns, Xhosa , Folk literature, Xhosa
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3632 , http://hdl.handle.net/10962/d1012909
- Description: This study examines the relationship between composed songs in isiXhosa and the field of oral literature. In traditional Xhosa cultural settings, poetry and music are forms of communal activity enjoyed by that society. Music and poetry perform a special social role in African society in general, providing a critique of socio-economic and political issues. The research analyses the relationship that exists between traditional poetry, izibongo, and composed songs. It demonstrates that in the same way that izibongo can be analysed in order to appreciate the aesthetic value of an oral literary form, the same can be said of composed isiXhosa music. The art of transmitting oral literature is performance. The traditional izibongo are recited before audiences in the same way. Songs (iingoma) stories (amabali) and traditional poetry (izibongo) all comprise oral literature that is transmitted by word of mouth. Opland (1992: 17) says about this type of literature: “Living as it does in the performance is usually appreciated by crowds of people as sounds uttered by the performer who is present before his/her audience.” Opland (ibid 125) again gives an account of who is both reciter of poems and singer of songs. He gives Mthamo’s testimony thus: “He is a singer… with a reputation of being a poet as well.” The musical texts that will be analysed in this thesis will range from those produced as early as 1917, when Benjamin Tyamzashe wrote his first song, Isithandwa sam (My beloved), up to those produced in 1990 when Makhaya Mjana was commissioned by Lovedale on its 150th anniversary to write Qingqa Lovedale (Stand up Lovedale). The song texts total fifty, by twenty-one composers. The texts will be analysed according to different themes, ranging from themes that are metaphoric, themes about events, themes that depict the culture of the amaXhosa, themes with a message of protest, themes demonstrating the relationship between religion and nature, themes that call for unity among the amaXhosa, and themes that depict the personal circumstances of composers and lullabies. The number of texts from each category will vary depending on the composers’ socio-cultural background when they composed the songs. Comparison will be made with some izibongo to show that composers and writers of izibongo are similar artists and, in the words of Mtuze in Izibongo Zomthonyama (1993) “bathwase ngethongo elinye” (They are spiritually gifted in the same way).
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- Date Issued: 2007
Aspekte van die prosa van André P Brink met spesifieke verwysing na Sandkastele (1995)
- Authors: Vermeulen, Liezel
- Date: 2003
- Subjects: Brink, André P (André Philippus), 1935-2015 -- Sandkastele Brink, André P (André Philippus), 1935-2015
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3605 , http://hdl.handle.net/10962/d1003809
- Description: Hierdie studie ondersoek aspekte van die prosa-oeuvre van die Suid-Afrikaanse outeur André P. Brink, met spesifieke verwysing na sy eerste post-apartheid roman Sandkastele (1995). Hierdie teks se feministiese hersiening van en alternatief tot die manlikgedomineerde en -gedokumenteerde amptelike geskiedenis van Suider-Afrika staan sentraal in die postmodernistiese, postkoloniale fase waarin die Brink prosa-oeuvre die verlede heroorweeg. Die pre-koloniale en koloniale verlede van die landstreek word herkaart deur die vertelling van stories van vroue van die verlede in 'n unieke vertelsituasie wat 'n her-verbeelde, tekstuele vrouegeskiedenis registreer. Die konsep "reimagination" wat ontwikkel in Brink se kritiese en literêr-teoretiese werke vanaf die publikasie van die essay "Imagining the real" in Mapmakers (1983) en Elleke Boehmer se konseptualisering van die tekstuele gevolge van dekolonisasie (1995) word ontgin. Spore van die magiese realisme, die postkolonialisme, die poststrukturalistiese postmodernisme en leeswyses en denkrigtings wat in die feminisme en genderstudies aandag geniet, word in Sandkastele se vertelling, narratiewe figure en ruimte ondersoek. Hierdie leesstrategie akkommodeer die Brink-oeuvre se voortdurende heroorweging en ontdekking van nuwe tekstuele moontlikhede, 'n proses wat gekenmerk word deur 'n reeks tematiese of konseptuele ontwikkelinge en die uit-en deurwerk van belangstellings van vorige Brinktekste. ABSTRACT: This study investigates aspects of the prose oeuvre of the South African author André P. Brink, with specific reference to his first post-apartheid novel Imaginings of Sand (1995). The feminist revisioning of the text as an alternative to the male-dominated and -documented official history of Southern Africa is central to the postmodernist, postcolonial phase of the Brink oeuvre in which the past is reconsidered. The pre-colonial and colonial past of the country is remapped through the stories of women of the past in a narrative construction which registers a re-imagined textual women's history. The concept "reimagination" which develops in Brink's critical and literary theoretical works from the publication of the essay "Imagining the real" in Mapmakers (1983) and Elleke Boehmer's conceptualisation of the textual effects of decolonisation (1995) is utilised. Traces of the magical realism, postcolonialism, poststructuralist postmodernism and approaches which are explored in feminism and gender studies are explored in Sandkastele's narrative construction, characters and space. This reading strategy accommodates the Brink oeuvre's continual re-evaluation and uncovering of new textual possibilities, a process that is characterised by a series of thematic or conceptual developments and the deployment of themes from previous Brink prose texts.
- Full Text:
- Date Issued: 2003
- Authors: Vermeulen, Liezel
- Date: 2003
- Subjects: Brink, André P (André Philippus), 1935-2015 -- Sandkastele Brink, André P (André Philippus), 1935-2015
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3605 , http://hdl.handle.net/10962/d1003809
- Description: Hierdie studie ondersoek aspekte van die prosa-oeuvre van die Suid-Afrikaanse outeur André P. Brink, met spesifieke verwysing na sy eerste post-apartheid roman Sandkastele (1995). Hierdie teks se feministiese hersiening van en alternatief tot die manlikgedomineerde en -gedokumenteerde amptelike geskiedenis van Suider-Afrika staan sentraal in die postmodernistiese, postkoloniale fase waarin die Brink prosa-oeuvre die verlede heroorweeg. Die pre-koloniale en koloniale verlede van die landstreek word herkaart deur die vertelling van stories van vroue van die verlede in 'n unieke vertelsituasie wat 'n her-verbeelde, tekstuele vrouegeskiedenis registreer. Die konsep "reimagination" wat ontwikkel in Brink se kritiese en literêr-teoretiese werke vanaf die publikasie van die essay "Imagining the real" in Mapmakers (1983) en Elleke Boehmer se konseptualisering van die tekstuele gevolge van dekolonisasie (1995) word ontgin. Spore van die magiese realisme, die postkolonialisme, die poststrukturalistiese postmodernisme en leeswyses en denkrigtings wat in die feminisme en genderstudies aandag geniet, word in Sandkastele se vertelling, narratiewe figure en ruimte ondersoek. Hierdie leesstrategie akkommodeer die Brink-oeuvre se voortdurende heroorweging en ontdekking van nuwe tekstuele moontlikhede, 'n proses wat gekenmerk word deur 'n reeks tematiese of konseptuele ontwikkelinge en die uit-en deurwerk van belangstellings van vorige Brinktekste. ABSTRACT: This study investigates aspects of the prose oeuvre of the South African author André P. Brink, with specific reference to his first post-apartheid novel Imaginings of Sand (1995). The feminist revisioning of the text as an alternative to the male-dominated and -documented official history of Southern Africa is central to the postmodernist, postcolonial phase of the Brink oeuvre in which the past is reconsidered. The pre-colonial and colonial past of the country is remapped through the stories of women of the past in a narrative construction which registers a re-imagined textual women's history. The concept "reimagination" which develops in Brink's critical and literary theoretical works from the publication of the essay "Imagining the real" in Mapmakers (1983) and Elleke Boehmer's conceptualisation of the textual effects of decolonisation (1995) is utilised. Traces of the magical realism, postcolonialism, poststructuralist postmodernism and approaches which are explored in feminism and gender studies are explored in Sandkastele's narrative construction, characters and space. This reading strategy accommodates the Brink oeuvre's continual re-evaluation and uncovering of new textual possibilities, a process that is characterised by a series of thematic or conceptual developments and the deployment of themes from previous Brink prose texts.
- Full Text:
- Date Issued: 2003
Narratiewe strategieë by die ondersoek van die verlede in twee romans, naamlik Lijken op liefde (1997) deur Astrid H. Roemer en Duiwelskloof (1998) deur André P. Brink
- Authors: Potgieter, Maretha
- Date: 2002
- Subjects: Roemer, Astrid. Lijken op liefde , Brink, André Philippus, 1935- Duiwelskloof
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3578 , http://hdl.handle.net/10962/d1002151 , Roemer, Astrid. Lijken op liefde , Brink, André Philippus, 1935- Duiwelskloof
- Description: This study investigates some of the narrative strategies used by two novels, namely Lijken op Liefde (1997) by the Surinam born author Astrid H. Roemer and Duiwelskloof (1998) by the South African André P. Brink, in their exploration of and dialogue with traumatic pasts. Both texts are written within so-called postcolonial time frames, delve into the personal and collective past and attempt to provide a corrective on knowledges that used to be deemed not useful, unimportant or have been forgotten by official historiography. The theoretical base of the study is an eclectic mixture of both postcolonial and postmodern theories, throwing light on the strategies employed by these novels in order to understand, problematise and creatively exploit the past. , Hierdie studie kyk na sommige van die narratiewe strategieë binne twee romans, naamlik Lijken op Liefde (1997) deur die Surinaams-gebore outeur Astrid H. Roemer en Duiwelskloof (1998) deur die Suid-Afrikaner André P. Brink, in hulle ondersoek na en dialoog met die traumatiese verlede. Beide tekste is geskryf binne sogenaamde postkoloniale tydvakke, delf in die persoonlike en kollektiewe verlede, en verskaf ’n korrektief op die dinge wat as onbruikbaar of onbelangrik beskou is, of vergete geraak het binne die offisiële historiografie. Die teoretiese basis van die studie is ’n eklektiese mengsel van beide postkoloniale en postmoderne teorieë wat lig werp op die strategieë wat hierdie tekste gebruik om die verlede te verstaan, te problematiseer en kreatief te ontgin.
- Full Text:
- Date Issued: 2002
- Authors: Potgieter, Maretha
- Date: 2002
- Subjects: Roemer, Astrid. Lijken op liefde , Brink, André Philippus, 1935- Duiwelskloof
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3578 , http://hdl.handle.net/10962/d1002151 , Roemer, Astrid. Lijken op liefde , Brink, André Philippus, 1935- Duiwelskloof
- Description: This study investigates some of the narrative strategies used by two novels, namely Lijken op Liefde (1997) by the Surinam born author Astrid H. Roemer and Duiwelskloof (1998) by the South African André P. Brink, in their exploration of and dialogue with traumatic pasts. Both texts are written within so-called postcolonial time frames, delve into the personal and collective past and attempt to provide a corrective on knowledges that used to be deemed not useful, unimportant or have been forgotten by official historiography. The theoretical base of the study is an eclectic mixture of both postcolonial and postmodern theories, throwing light on the strategies employed by these novels in order to understand, problematise and creatively exploit the past. , Hierdie studie kyk na sommige van die narratiewe strategieë binne twee romans, naamlik Lijken op Liefde (1997) deur die Surinaams-gebore outeur Astrid H. Roemer en Duiwelskloof (1998) deur die Suid-Afrikaner André P. Brink, in hulle ondersoek na en dialoog met die traumatiese verlede. Beide tekste is geskryf binne sogenaamde postkoloniale tydvakke, delf in die persoonlike en kollektiewe verlede, en verskaf ’n korrektief op die dinge wat as onbruikbaar of onbelangrik beskou is, of vergete geraak het binne die offisiële historiografie. Die teoretiese basis van die studie is ’n eklektiese mengsel van beide postkoloniale en postmoderne teorieë wat lig werp op die strategieë wat hierdie tekste gebruik om die verlede te verstaan, te problematiseer en kreatief te ontgin.
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- Date Issued: 2002
'n Intertekstuele studie : Die werfbobbejaan van Alexander Strachan
- Authors: Loots, Sonja
- Date: 1998
- Subjects: Strachan, Alexander Die Werfbobbejaan
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3592 , http://hdl.handle.net/10962/d1002167 , Strachan, Alexander Die Werfbobbejaan
- Description: The title, "'n Intertekstuele studie: Die werfbobbejaan van Alexander Strachan", refers to an analysis of the way in which intertextual processes generate meaning in this text. It is analysed with specific regard to the way in which it enters into signifying and detennining relationships with other texts, notably texts by the same author. A significant part of the intertexts that are reassembled, refined, restated, amplified, contradicted or diffused throughout Die werfbobbejaan are located in other works in the Strachan oeuvre: n Wereld sonder grense (1984) and Die jakkalsjagter (1990). These three texts are related as a triptych of intertextual association, and the boundaries between them are not hermetically sealed. Intertextual activity in Die werfbobbejaan involves an intricate network of interfigural relationships. The identities of numerous characters in the text start to coincide with those of other characters to which they are linked intertextually. Characters travel across the boundaries supposedly separating "different" texts. The doubling and displacing of characters alert us to the fact that the text is not fixed within stable boundaries. Codes, scenes, snippets of dialogue and even moods also penetrate the boundaries between "different" texts and recur in the form of mirror images or ghostly transformations of themselves. These intertextual patterns mobilise an active reading process and unify the act of reading with that of writing in "a single signifying process" (Barthes 1979: 79). The narrator in Die werfbobbejaan is a woman writing a biography about an author. Reading his novels and unpublished manuscript she finds that the manuscript of her subject anticipates and later even dictates "extra-textual" reality and inserts her into the fiction. The way in which the biography is taken up in the play of intertextuality leads to the perception that the fictional author is an intertextual mirror image of the real author, who belongs to the extra-textual world outside the book. In this way intertextual activity in Die werfbobbejaan destabilizes the frame between fiction and reality. No reading of Die werfbobbejaan can be complete without taking into account the plurality of simultaneously perceived meanings triggered by intertextual activity in the text.
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- Date Issued: 1998
- Authors: Loots, Sonja
- Date: 1998
- Subjects: Strachan, Alexander Die Werfbobbejaan
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3592 , http://hdl.handle.net/10962/d1002167 , Strachan, Alexander Die Werfbobbejaan
- Description: The title, "'n Intertekstuele studie: Die werfbobbejaan van Alexander Strachan", refers to an analysis of the way in which intertextual processes generate meaning in this text. It is analysed with specific regard to the way in which it enters into signifying and detennining relationships with other texts, notably texts by the same author. A significant part of the intertexts that are reassembled, refined, restated, amplified, contradicted or diffused throughout Die werfbobbejaan are located in other works in the Strachan oeuvre: n Wereld sonder grense (1984) and Die jakkalsjagter (1990). These three texts are related as a triptych of intertextual association, and the boundaries between them are not hermetically sealed. Intertextual activity in Die werfbobbejaan involves an intricate network of interfigural relationships. The identities of numerous characters in the text start to coincide with those of other characters to which they are linked intertextually. Characters travel across the boundaries supposedly separating "different" texts. The doubling and displacing of characters alert us to the fact that the text is not fixed within stable boundaries. Codes, scenes, snippets of dialogue and even moods also penetrate the boundaries between "different" texts and recur in the form of mirror images or ghostly transformations of themselves. These intertextual patterns mobilise an active reading process and unify the act of reading with that of writing in "a single signifying process" (Barthes 1979: 79). The narrator in Die werfbobbejaan is a woman writing a biography about an author. Reading his novels and unpublished manuscript she finds that the manuscript of her subject anticipates and later even dictates "extra-textual" reality and inserts her into the fiction. The way in which the biography is taken up in the play of intertextuality leads to the perception that the fictional author is an intertextual mirror image of the real author, who belongs to the extra-textual world outside the book. In this way intertextual activity in Die werfbobbejaan destabilizes the frame between fiction and reality. No reading of Die werfbobbejaan can be complete without taking into account the plurality of simultaneously perceived meanings triggered by intertextual activity in the text.
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- Date Issued: 1998
Die diskoers van kerst en andere liefdesverhalen deur Kristien Hemmerechts
- Authors: Du Plessis, W I
- Date: 1998
- Subjects: Hemmerechts, Kristien, 1955- -- Criticism and interpretation , Discourse analysis, Literary , Structuralism (Literary analysis)
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3601 , http://hdl.handle.net/10962/d1002185
- Description: Die doel van hierdie studie was om aan te toon hoe 'n linguistiese beskouing van 'n literere teks kan meehelp om tot gefundeerde insigte in 'n teks te kom en om langs hierdie weg die beskuldiging dat literatuurstudie grotendeels 'n 'anything-goes-dissipline' is, te omseil. Om hierdie rede is daar van die standpunt uitgegaan dat kennis oor die presiese aard van die tekslinguistiek kan meehelp in die toepassing daarvan. Dit dien as motivering vir die uitgebreide diachroniese situering van die tekslinguistiek van die eerste hoofstuk. Hier word geredeneer dat die tekslinguistiek iets soos 'n pseudo-literatuurteorie is wat kan meehelp in die lees en interpretasie van en kommentaar oor 'n literere teks. Daar is grotendeels gefokus op die literere benaderings wat die ontwikkeling van die tekslinguistiek voorafgegaan en be'invloed het. Daar was drie hoofstrominge t.o.v. tekstuele benadering, nl. (i) tekssentriese (outonomistiese), (ii) linguistiese (taalsentriese), en (iii) lesersentriese benaderings. Die vemaamste tekssentriese (outonomistiese) benaderings is die Russiese Formalisme, New Criticism en Stilistiek op taalkundige grondslag. In die bespreking van hierdie benaderings is dit tel kens in verband gebring met die bestaande teorie oor die tekslinguistiek ten einde die diachroniese aard van die ontwikkelingsgang daarvan, te karteer. Die vernaan1ste eksponente van die linguistiese (taalsentriese) benaderings is die Strukteralisme, Poststrukturalisme en die Semiotiek. Daar is in hierdie afdeling duidelik aangestip hoe die standaarde van tekstualiteit (De Beaugrande en Dressler, 1981), en spesifiek die standaard kohesie, terug te vind is in hierdie benadering tot teksstudie. Die Resepsie-estetika en Referensiele benadering is bespreek as eksponente van die sg. lesersentriese benadering. Die doel hiervan was om aan te dui hoe intertekstualiteit, kontekstualiteit en informatiwiteit as standaarde van tekstualiteit, in hierdie benadering terug te vind is. Met die diachroniese situering in gedagte, is daar in die tweede deel van Hoofstuk Een oorgegaan tot 'n sinchroniese karakterisering van wat die tekslinguistiek behels. In hierdie hoofstuk is daar voortgegaan met die beredenering dat die term diskoerslinguisliek • n meer akkurate benaming is vir 'n dissipline wat meer as net ' teks' in ag neem. Diskoers kan beskou word as 'n reeks taaluitinge wat 'n taalhandeling vorm. Hoewel diskoerslinguisliek die term tekslinguistiek in hierdie studie vervang, is daar duidelik aangetoon dat dit nie die doel het om aardskuddend veranderend te wees nie. Die werkswyse wat in hierdie studie gevolg is, is steeds die van die tekslinguistiek. Om hierdie rede is hierdie gedeelte van die studie grootliks teoreties, dit bespreek die interdissiplinere aard van tekslinguistiekldiskoerslinguistiek, definieer dit, en identifiseer die studieveld van 'teks'. Hierdie identifisering (sintaktiese eenheid, semantiese eenheid en pragmatiese eenheid) funksioneer breedweg as die hoofuiteensetting van hierdie studie. Tog word daar in hierdie studie aangetoon dat daar verskil word van die De Beaugrande en Dressler-aanname dat daar sewe standaarde van tekstualiteit bestaan, en word dit hier gereduseer tot twee superstandaarde, nl. kohesie en koherensie. Koherensie beskik oor sg. 'voorwilardes', nl. intensionaliteit, aanvaarbaarheid, informatiwiteit, kontekstualiteit en intertekstualiteit. Op hierdie wyse word die meganistiese indeling van die oorspronklike sewe standaarde oorkom. In Hoofstuk Twee word die teorie rondom die superstandaard kohesie toegepas op die Nederlandse teks deur Kristien Hemmerechts, Kerst en andere liefdesverhalen. Hierdie hoofstuk het die implisiete doel om aan te toon hoe 'n suiwer strukturalistiese ondersoek na 'n tekstuele gegewe kan meehelp in die identifisering van bepaalde linguistiese patrone wat, indien gesitueer in 'n pragmatiese milieu, bepaalde betekeniswaarde verkry. Verskeie aspekte rondom die konsep 'kohesie' word hier bespreek, o.a. 'n by trek van sg. storiegrammatika van die liefdesverhaal en sprokie ten einde bepaalde taalpatrone te identifiser wat pragmatiese betekenislading het. Hierbenewens word daar suiwer struktureel met die teks omgegaan met 'n identifisering van bepaalde patrone in die adjektief-aanwending, die gebruik van saakname, verwysing, polisemie, sinonimie, teenoorgesteldheid, antonimie, komplementeerbaarheid, ruimtelike opposisie en hiponimie. 'Hierbenewens word kohesiewe-bindingspatronesoos ellips, semantiese rolle en sg. tematiese kontinuHeit bespreek. Die daaropvolgende hoofstuk is 'n bye en bring van die ge"identi±iseerde talige patrone van Hoofstuk Twee en 'n situering daarvan in 'n pragmatiese raamwerk. Koherensie is die somtotaal van eenheid en betekenis soos wat dit in diskoers ervaar word. Dit het betrekking op dit wat bydra dat 'n teks vir taalgebruikers sin maak en samehang vertoon. Aangesien koherensie grootliks steun op die pragmatiek, is die fokus van hierdie afdeling van die studie grootliks pragmaties en word daar aangedui hoe die bestaan van bepaalde koordinate, 'n beginsel van samewerking en 'n spraakhandelingsteorie kan bydra tot gefundeerde insigte in die onderhawige teks.
- Full Text:
- Date Issued: 1998
- Authors: Du Plessis, W I
- Date: 1998
- Subjects: Hemmerechts, Kristien, 1955- -- Criticism and interpretation , Discourse analysis, Literary , Structuralism (Literary analysis)
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3601 , http://hdl.handle.net/10962/d1002185
- Description: Die doel van hierdie studie was om aan te toon hoe 'n linguistiese beskouing van 'n literere teks kan meehelp om tot gefundeerde insigte in 'n teks te kom en om langs hierdie weg die beskuldiging dat literatuurstudie grotendeels 'n 'anything-goes-dissipline' is, te omseil. Om hierdie rede is daar van die standpunt uitgegaan dat kennis oor die presiese aard van die tekslinguistiek kan meehelp in die toepassing daarvan. Dit dien as motivering vir die uitgebreide diachroniese situering van die tekslinguistiek van die eerste hoofstuk. Hier word geredeneer dat die tekslinguistiek iets soos 'n pseudo-literatuurteorie is wat kan meehelp in die lees en interpretasie van en kommentaar oor 'n literere teks. Daar is grotendeels gefokus op die literere benaderings wat die ontwikkeling van die tekslinguistiek voorafgegaan en be'invloed het. Daar was drie hoofstrominge t.o.v. tekstuele benadering, nl. (i) tekssentriese (outonomistiese), (ii) linguistiese (taalsentriese), en (iii) lesersentriese benaderings. Die vemaamste tekssentriese (outonomistiese) benaderings is die Russiese Formalisme, New Criticism en Stilistiek op taalkundige grondslag. In die bespreking van hierdie benaderings is dit tel kens in verband gebring met die bestaande teorie oor die tekslinguistiek ten einde die diachroniese aard van die ontwikkelingsgang daarvan, te karteer. Die vernaan1ste eksponente van die linguistiese (taalsentriese) benaderings is die Strukteralisme, Poststrukturalisme en die Semiotiek. Daar is in hierdie afdeling duidelik aangestip hoe die standaarde van tekstualiteit (De Beaugrande en Dressler, 1981), en spesifiek die standaard kohesie, terug te vind is in hierdie benadering tot teksstudie. Die Resepsie-estetika en Referensiele benadering is bespreek as eksponente van die sg. lesersentriese benadering. Die doel hiervan was om aan te dui hoe intertekstualiteit, kontekstualiteit en informatiwiteit as standaarde van tekstualiteit, in hierdie benadering terug te vind is. Met die diachroniese situering in gedagte, is daar in die tweede deel van Hoofstuk Een oorgegaan tot 'n sinchroniese karakterisering van wat die tekslinguistiek behels. In hierdie hoofstuk is daar voortgegaan met die beredenering dat die term diskoerslinguisliek • n meer akkurate benaming is vir 'n dissipline wat meer as net ' teks' in ag neem. Diskoers kan beskou word as 'n reeks taaluitinge wat 'n taalhandeling vorm. Hoewel diskoerslinguisliek die term tekslinguistiek in hierdie studie vervang, is daar duidelik aangetoon dat dit nie die doel het om aardskuddend veranderend te wees nie. Die werkswyse wat in hierdie studie gevolg is, is steeds die van die tekslinguistiek. Om hierdie rede is hierdie gedeelte van die studie grootliks teoreties, dit bespreek die interdissiplinere aard van tekslinguistiekldiskoerslinguistiek, definieer dit, en identifiseer die studieveld van 'teks'. Hierdie identifisering (sintaktiese eenheid, semantiese eenheid en pragmatiese eenheid) funksioneer breedweg as die hoofuiteensetting van hierdie studie. Tog word daar in hierdie studie aangetoon dat daar verskil word van die De Beaugrande en Dressler-aanname dat daar sewe standaarde van tekstualiteit bestaan, en word dit hier gereduseer tot twee superstandaarde, nl. kohesie en koherensie. Koherensie beskik oor sg. 'voorwilardes', nl. intensionaliteit, aanvaarbaarheid, informatiwiteit, kontekstualiteit en intertekstualiteit. Op hierdie wyse word die meganistiese indeling van die oorspronklike sewe standaarde oorkom. In Hoofstuk Twee word die teorie rondom die superstandaard kohesie toegepas op die Nederlandse teks deur Kristien Hemmerechts, Kerst en andere liefdesverhalen. Hierdie hoofstuk het die implisiete doel om aan te toon hoe 'n suiwer strukturalistiese ondersoek na 'n tekstuele gegewe kan meehelp in die identifisering van bepaalde linguistiese patrone wat, indien gesitueer in 'n pragmatiese milieu, bepaalde betekeniswaarde verkry. Verskeie aspekte rondom die konsep 'kohesie' word hier bespreek, o.a. 'n by trek van sg. storiegrammatika van die liefdesverhaal en sprokie ten einde bepaalde taalpatrone te identifiser wat pragmatiese betekenislading het. Hierbenewens word daar suiwer struktureel met die teks omgegaan met 'n identifisering van bepaalde patrone in die adjektief-aanwending, die gebruik van saakname, verwysing, polisemie, sinonimie, teenoorgesteldheid, antonimie, komplementeerbaarheid, ruimtelike opposisie en hiponimie. 'Hierbenewens word kohesiewe-bindingspatronesoos ellips, semantiese rolle en sg. tematiese kontinuHeit bespreek. Die daaropvolgende hoofstuk is 'n bye en bring van die ge"identi±iseerde talige patrone van Hoofstuk Twee en 'n situering daarvan in 'n pragmatiese raamwerk. Koherensie is die somtotaal van eenheid en betekenis soos wat dit in diskoers ervaar word. Dit het betrekking op dit wat bydra dat 'n teks vir taalgebruikers sin maak en samehang vertoon. Aangesien koherensie grootliks steun op die pragmatiek, is die fokus van hierdie afdeling van die studie grootliks pragmaties en word daar aangedui hoe die bestaan van bepaalde koordinate, 'n beginsel van samewerking en 'n spraakhandelingsteorie kan bydra tot gefundeerde insigte in die onderhawige teks.
- Full Text:
- Date Issued: 1998
L'image du peuple dans Le premier homme d'Albert Camus
- Heynderickx, Nathalie Marcel Madeleine
- Authors: Heynderickx, Nathalie Marcel Madeleine
- Date: 1996
- Subjects: Camus, Albert, 1913-1960. Premier homme
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3577 , http://hdl.handle.net/10962/d1002150 , Camus, Albert, 1913-1960. Premier homme
- Full Text:
- Date Issued: 1996
- Authors: Heynderickx, Nathalie Marcel Madeleine
- Date: 1996
- Subjects: Camus, Albert, 1913-1960. Premier homme
- Language: French
- Type: Thesis , Masters , MA
- Identifier: vital:3577 , http://hdl.handle.net/10962/d1002150 , Camus, Albert, 1913-1960. Premier homme
- Full Text:
- Date Issued: 1996
Postmodernistiese vertelstrategieë in Nag van die clown van Abraham H. de Vries
- Authors: Van Heerden, Etienne, 1954-
- Date: 1996
- Subjects: De Vries, Abraham H. -- Criticism and interpretation De Vries, Abraham H. -- Nag van die clown Afrikaans fiction -- History and criticism Postmodernism (Literature) Postmodernism (Literature) -- South Africa
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3595 , http://hdl.handle.net/10962/d1002170
- Description: This thesis locates Abraham H. de Vries's Nag van ale Clown witbin the self-conscious South African socio-literary climate of the eighties and analyses postmodernist narrative strategies in five stories. Surveying the debate on postmodernism, this study describes postmodernism as a nomadic, inherently contradictory and mutually informing palimpsest of texts and views the De Vries text as a problematized inscribing of subjectivity into history. , Hierdie proefskrif situeer Nag van die Clown (1989) van Abraham H. de Vries binne die selfbewuste sosioliterere klimaat van die Suid-Afrika van die dekade tagtig en ontleed postmodernistiese vertelstrategiee in vyf verhale uit die bundel. Die studie bied 'n oorsig oor die debat rondom die postmodernisme as nomadiese, weersprekende en wedersyds voedende palimpses tekste en beskou die De Vries-teks as 'n problematiserende inskryf van subjektiwiteit in die geskiedenis.
- Full Text:
- Date Issued: 1996
- Authors: Van Heerden, Etienne, 1954-
- Date: 1996
- Subjects: De Vries, Abraham H. -- Criticism and interpretation De Vries, Abraham H. -- Nag van die clown Afrikaans fiction -- History and criticism Postmodernism (Literature) Postmodernism (Literature) -- South Africa
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3595 , http://hdl.handle.net/10962/d1002170
- Description: This thesis locates Abraham H. de Vries's Nag van ale Clown witbin the self-conscious South African socio-literary climate of the eighties and analyses postmodernist narrative strategies in five stories. Surveying the debate on postmodernism, this study describes postmodernism as a nomadic, inherently contradictory and mutually informing palimpsest of texts and views the De Vries text as a problematized inscribing of subjectivity into history. , Hierdie proefskrif situeer Nag van die Clown (1989) van Abraham H. de Vries binne die selfbewuste sosioliterere klimaat van die Suid-Afrika van die dekade tagtig en ontleed postmodernistiese vertelstrategiee in vyf verhale uit die bundel. Die studie bied 'n oorsig oor die debat rondom die postmodernisme as nomadiese, weersprekende en wedersyds voedende palimpses tekste en beskou die De Vries-teks as 'n problematiserende inskryf van subjektiwiteit in die geskiedenis.
- Full Text:
- Date Issued: 1996
Ideology, hegemony, and Xhosa written poetry, 1948-1990
- Authors: Mona, Godfrey Vulindlela
- Date: 1994
- Subjects: Xhosa poetry -- History and criticism , Protest poetry, Xhosa -- History and criticism , Ideology and literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3597 , http://hdl.handle.net/10962/d1002172 , Xhosa poetry -- History and criticism , Protest poetry, Xhosa -- History and criticism , Ideology and literature
- Description: This interdisciplinary study locates Xhosa written poetry (1948-1990) within the framework of the socio-politico-economic scenario in South Africa. It sets out to examine the impact of the above stated factors on literature, by supporting the hypothesis that Xhosa written poetry of the Apartheid epoch is a terrain of the struggle for hegemony between the dominant ideology and the alternative ideologies.
- Full Text:
- Date Issued: 1994
- Authors: Mona, Godfrey Vulindlela
- Date: 1994
- Subjects: Xhosa poetry -- History and criticism , Protest poetry, Xhosa -- History and criticism , Ideology and literature
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3597 , http://hdl.handle.net/10962/d1002172 , Xhosa poetry -- History and criticism , Protest poetry, Xhosa -- History and criticism , Ideology and literature
- Description: This interdisciplinary study locates Xhosa written poetry (1948-1990) within the framework of the socio-politico-economic scenario in South Africa. It sets out to examine the impact of the above stated factors on literature, by supporting the hypothesis that Xhosa written poetry of the Apartheid epoch is a terrain of the struggle for hegemony between the dominant ideology and the alternative ideologies.
- Full Text:
- Date Issued: 1994
'n Perspektief op kommunikasie in 'n post-apartheidsera in Suid-Afrika met spesifieke verwysing na die rol van Afrikaans
- Van Rensburg, Nicolaas Gerhardus Lourens
- Authors: Van Rensburg, Nicolaas Gerhardus Lourens
- Date: 1993
- Subjects: Afrikaans language South Africa Languages
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3575 , http://hdl.handle.net/10962/d1002099
- Description: Chapter One is an historical review of the rejection of colonial domination in various states in Africa, before the spotlight was directed at the relationships between the "white" and "black" inhabitants of South Africa. The numerous problems which arise out of this inter-relationship can best be ascribed to the identity crisis which "white" and "black" experience in a multi-lingual country. The South African society needs to normalise its relations with cultural and language groups by means of communication. Chapter Two reviews the historical background, linguistic characteristics, the use, functions and the distribution of the ten most important languages of which the South African community consists. The diversity of these languages generates and complicates the debate which currently prevails concerning a language policy for a future non-racial South Africa. The geographical, social, historical and cultural factors which are conducive and non-conducive to language distribution are high-lighted in Chapter Three. In a changing South Africa, where affirmative actions are being insisted on, it is expected that the current privileged position of Afrikaans will be placed under political pressure. A painful process of self-examination by Afrikaans-speaking Afrikaners - one of the major role-players in the current controversy concerning the continued existence and status of Afrikaans in a "postApartheid era" - has been precipitated. Chapter Four looks at how the "white", "coloured", "black" and "Indian" Afrikaans-speaking Afrikaners' mother tongue has evolved to its present status. The arguments for and against, viewpoints of, and pleas for the re-unification of Afrikaans-speaking Afrikaners to a larger single power base is emphasized. The possible future status and functions of Afrikaans insofar as its present status, functions and attitudes are concerned, are extrapolated in Chapter Five. The viewpoint concerning a possible scenario for the above-mentioned matters as expressed by a wide spectrum of South African society - academics, cultural groupings, political leaders, non-mother-tongue speakers of Afrikaans - is evaluated. A scenario of the possible role of Afrikaans in a "post-Apartheid era" in South Africa is sketched in Chapter 6. The conclusion is that the Western culture as understood by the black man, differs in more than one way from the perception of the white man. First and foremost, the acceptance of and respect for the languages and cultures of all fellow South Africans is the first step towards seeing all South Africans as being Africans. , Opsomming: Hoofstuk Een is 'n historiese oorsig van hoe die verwerping van koloniale oorheersing elders in Afrika diekontaken verhouding tussen die "wit" en "swart" inwoners van Suid-Afrika onder die soeklig geplaas het. Die talle probleme wat uit die kontaksituasie spruit, kan gereduseer word tot die identiteitskrisis wat "wit" en "swart" in 'n multitalige land beleef. Die Suid-Afrikaanse gemeenskap het In dringende behoefte aan die normalisering van die verhoudings, vera! deur middel van kommunikasie, tussen die kulturele- en taleverskeidenheid. In Hoofstuk Twee word daar gekyk na die historiese agtergrond, linguistiese eienskappe, gebruik en funksies en die verspreiding van die tien vemaamste tale waaruit die Suid-Afrikaanse talegemeenskap bestaan. Die diversiteit van tale genereer en kompliseer die debat wat tans oor 'n taalbeleid vir 'n toekomstige nierassige Suid-Afrika gevoer word. Die geografiese, sosiale, historiese en kulturele faktore wat taalverspreiding bevorderof teenwerk, word in Hoofstuk Drie belig. In 'n veranderende Suid-Afrika, waar op regstellende aksies aangedring word, kan daar verwag word dat Afrikaans as gevolg van sy bevoorregte posisie onder politieke druk geplaas sal word. Vir die Afrikaanssprekende Afrikaners, as een van die hoofrolspelers in die polemiek oor die voortbestaan en status van Afrikaans in 'n "post-Apartheidsera", het dit 'n pynlike proses van selfondersoek gebring. In Hoofstuk Vier word daar gekyk hoe die "blanke", "anderskleurige", "swart" en "Asiatiese" Afrikaanssprekende Afrikaner sy moedertaal tot op hede ervaar het. Die argumente vir en teen, sienings van, en pleidooie vir 'n hereniging van Afrikaanssprekende Afrikaners tot 'n groter mags basis word belig. Die moontlike toekomstige status en funksies van Afrikaans word in Hoofstuk Vyfvanuit die huidige status, funksies en houdings geprojekteer. Die standpunte oor bogenoemde sake word vanuit 'n wye spektmm van akademici, kultuurgroeperinge, politieke leiers sowel as niemoedertaal-sprekers van Afrikaans van die talegemeenskap van die RSA op 'n moontlike scenario gefokus. ii 'n Scenario -oefening van die moontlike rol van Afrikaans in 'n "post-Apartheidsera" in Suid-Afrika word in Hoofstuk Ses geskets. Daar word tot die gevolgtrekking geraak. dat die Westerse kultuur, soos verinnerlik deur die swart man, in belangrike opsigte van die van die wit man verskil. Daarom is die aanvaarding van en respek vir aIle Afrikane as mede-Suid-Afrikaners die eerste stap om te verseker dat die Afrikaanssprekende Afrikaners se taal en kultuur gerespekteer sal word.
- Full Text:
- Date Issued: 1993
- Authors: Van Rensburg, Nicolaas Gerhardus Lourens
- Date: 1993
- Subjects: Afrikaans language South Africa Languages
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3575 , http://hdl.handle.net/10962/d1002099
- Description: Chapter One is an historical review of the rejection of colonial domination in various states in Africa, before the spotlight was directed at the relationships between the "white" and "black" inhabitants of South Africa. The numerous problems which arise out of this inter-relationship can best be ascribed to the identity crisis which "white" and "black" experience in a multi-lingual country. The South African society needs to normalise its relations with cultural and language groups by means of communication. Chapter Two reviews the historical background, linguistic characteristics, the use, functions and the distribution of the ten most important languages of which the South African community consists. The diversity of these languages generates and complicates the debate which currently prevails concerning a language policy for a future non-racial South Africa. The geographical, social, historical and cultural factors which are conducive and non-conducive to language distribution are high-lighted in Chapter Three. In a changing South Africa, where affirmative actions are being insisted on, it is expected that the current privileged position of Afrikaans will be placed under political pressure. A painful process of self-examination by Afrikaans-speaking Afrikaners - one of the major role-players in the current controversy concerning the continued existence and status of Afrikaans in a "postApartheid era" - has been precipitated. Chapter Four looks at how the "white", "coloured", "black" and "Indian" Afrikaans-speaking Afrikaners' mother tongue has evolved to its present status. The arguments for and against, viewpoints of, and pleas for the re-unification of Afrikaans-speaking Afrikaners to a larger single power base is emphasized. The possible future status and functions of Afrikaans insofar as its present status, functions and attitudes are concerned, are extrapolated in Chapter Five. The viewpoint concerning a possible scenario for the above-mentioned matters as expressed by a wide spectrum of South African society - academics, cultural groupings, political leaders, non-mother-tongue speakers of Afrikaans - is evaluated. A scenario of the possible role of Afrikaans in a "post-Apartheid era" in South Africa is sketched in Chapter 6. The conclusion is that the Western culture as understood by the black man, differs in more than one way from the perception of the white man. First and foremost, the acceptance of and respect for the languages and cultures of all fellow South Africans is the first step towards seeing all South Africans as being Africans. , Opsomming: Hoofstuk Een is 'n historiese oorsig van hoe die verwerping van koloniale oorheersing elders in Afrika diekontaken verhouding tussen die "wit" en "swart" inwoners van Suid-Afrika onder die soeklig geplaas het. Die talle probleme wat uit die kontaksituasie spruit, kan gereduseer word tot die identiteitskrisis wat "wit" en "swart" in 'n multitalige land beleef. Die Suid-Afrikaanse gemeenskap het In dringende behoefte aan die normalisering van die verhoudings, vera! deur middel van kommunikasie, tussen die kulturele- en taleverskeidenheid. In Hoofstuk Twee word daar gekyk na die historiese agtergrond, linguistiese eienskappe, gebruik en funksies en die verspreiding van die tien vemaamste tale waaruit die Suid-Afrikaanse talegemeenskap bestaan. Die diversiteit van tale genereer en kompliseer die debat wat tans oor 'n taalbeleid vir 'n toekomstige nierassige Suid-Afrika gevoer word. Die geografiese, sosiale, historiese en kulturele faktore wat taalverspreiding bevorderof teenwerk, word in Hoofstuk Drie belig. In 'n veranderende Suid-Afrika, waar op regstellende aksies aangedring word, kan daar verwag word dat Afrikaans as gevolg van sy bevoorregte posisie onder politieke druk geplaas sal word. Vir die Afrikaanssprekende Afrikaners, as een van die hoofrolspelers in die polemiek oor die voortbestaan en status van Afrikaans in 'n "post-Apartheidsera", het dit 'n pynlike proses van selfondersoek gebring. In Hoofstuk Vier word daar gekyk hoe die "blanke", "anderskleurige", "swart" en "Asiatiese" Afrikaanssprekende Afrikaner sy moedertaal tot op hede ervaar het. Die argumente vir en teen, sienings van, en pleidooie vir 'n hereniging van Afrikaanssprekende Afrikaners tot 'n groter mags basis word belig. Die moontlike toekomstige status en funksies van Afrikaans word in Hoofstuk Vyfvanuit die huidige status, funksies en houdings geprojekteer. Die standpunte oor bogenoemde sake word vanuit 'n wye spektmm van akademici, kultuurgroeperinge, politieke leiers sowel as niemoedertaal-sprekers van Afrikaans van die talegemeenskap van die RSA op 'n moontlike scenario gefokus. ii 'n Scenario -oefening van die moontlike rol van Afrikaans in 'n "post-Apartheidsera" in Suid-Afrika word in Hoofstuk Ses geskets. Daar word tot die gevolgtrekking geraak. dat die Westerse kultuur, soos verinnerlik deur die swart man, in belangrike opsigte van die van die wit man verskil. Daarom is die aanvaarding van en respek vir aIle Afrikane as mede-Suid-Afrikaners die eerste stap om te verseker dat die Afrikaanssprekende Afrikaners se taal en kultuur gerespekteer sal word.
- Full Text:
- Date Issued: 1993
Sarcasm, conflict and style in Mtywaku's plays
- Authors: Bokwe, Goliath Dumezweni
- Date: 1993
- Subjects: Xhosa drama -- History and criticism , Xhosa language -- Terms and phrases , Drama -- Black authors -- History and criticism , Playwriting
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3594 , http://hdl.handle.net/10962/d1002169 , Xhosa drama -- History and criticism , Xhosa language -- Terms and phrases , Drama -- Black authors -- History and criticism , Playwriting
- Description: The following main aspects of Mtywaku's plays have been dealt with in the dissertation: (i) Sarcasm (ii) Conflict (iii) Style.
- Full Text:
- Date Issued: 1993
- Authors: Bokwe, Goliath Dumezweni
- Date: 1993
- Subjects: Xhosa drama -- History and criticism , Xhosa language -- Terms and phrases , Drama -- Black authors -- History and criticism , Playwriting
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3594 , http://hdl.handle.net/10962/d1002169 , Xhosa drama -- History and criticism , Xhosa language -- Terms and phrases , Drama -- Black authors -- History and criticism , Playwriting
- Description: The following main aspects of Mtywaku's plays have been dealt with in the dissertation: (i) Sarcasm (ii) Conflict (iii) Style.
- Full Text:
- Date Issued: 1993
The characteristics of some Xhosa dramas
- Authors: Sirayi, Mziwoxolo
- Date: 1993
- Subjects: African literature -- Criticism and interpretation , Xhosa drama -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3598 , http://hdl.handle.net/10962/d1002173 , African literature -- Criticism and interpretation , Xhosa drama -- History and criticism
- Description: This study aims at highlighting some crucial aspects of Xhosa drama. These aspects are of great significance for the understanding of Xhosa drama. It also aims to historicize and contextualize examinations of traditional Xhosa drama and modern Xhosa drama.
- Full Text:
- Date Issued: 1993
- Authors: Sirayi, Mziwoxolo
- Date: 1993
- Subjects: African literature -- Criticism and interpretation , Xhosa drama -- History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3598 , http://hdl.handle.net/10962/d1002173 , African literature -- Criticism and interpretation , Xhosa drama -- History and criticism
- Description: This study aims at highlighting some crucial aspects of Xhosa drama. These aspects are of great significance for the understanding of Xhosa drama. It also aims to historicize and contextualize examinations of traditional Xhosa drama and modern Xhosa drama.
- Full Text:
- Date Issued: 1993
The tonology of Xhosa
- Authors: Claughton, John Sellick
- Date: 1992
- Subjects: Xhosa language -- Tone
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3596 , http://hdl.handle.net/10962/d1002171
- Description: This thesis is an examination of the tonology of Xhosa. After an initial survey of the surface tones of the language, and a review of previous studies of Xhosa tone, a description is given of the major tonal patterns of Xhosa noun and verb morphology. In the course of this description the major tonologica1 rules are allowed to emerge. In particular it is shown that some of these rules lead to complex patterns of variation in the pronunciation of the same individual. The derivation of the tone patterns of adjectives and relatives is discussed and it is shown that these tone patterns offer partial support for the derivation of some adjective and relative constructions as derived from embedded sentences but also support for deriving simple attributive adjective constructions by means of phrase structure rules. Some interesting tonal patterns such as that shown by reduplicated stems are then explored. The tones of loan words are then investigated and evidence for the identification of English and Afrikaans stress with high tones by Xhosa speakers is adduced. In the final chapter certain general problems of Xhosa tone are discussed. In particular it is argued that attempts to interpret the tonal system in terms of an accent are unrevealing and also it is suggested that attempts to unify the various rules that spread tones to the right are mistaken. In the appendices a comprehensive survey of the tones of Xhosa inflections is given together with a substantial list of Xhosa words with the tones marked.
- Full Text:
- Date Issued: 1992
- Authors: Claughton, John Sellick
- Date: 1992
- Subjects: Xhosa language -- Tone
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3596 , http://hdl.handle.net/10962/d1002171
- Description: This thesis is an examination of the tonology of Xhosa. After an initial survey of the surface tones of the language, and a review of previous studies of Xhosa tone, a description is given of the major tonal patterns of Xhosa noun and verb morphology. In the course of this description the major tonologica1 rules are allowed to emerge. In particular it is shown that some of these rules lead to complex patterns of variation in the pronunciation of the same individual. The derivation of the tone patterns of adjectives and relatives is discussed and it is shown that these tone patterns offer partial support for the derivation of some adjective and relative constructions as derived from embedded sentences but also support for deriving simple attributive adjective constructions by means of phrase structure rules. Some interesting tonal patterns such as that shown by reduplicated stems are then explored. The tones of loan words are then investigated and evidence for the identification of English and Afrikaans stress with high tones by Xhosa speakers is adduced. In the final chapter certain general problems of Xhosa tone are discussed. In particular it is argued that attempts to interpret the tonal system in terms of an accent are unrevealing and also it is suggested that attempts to unify the various rules that spread tones to the right are mistaken. In the appendices a comprehensive survey of the tones of Xhosa inflections is given together with a substantial list of Xhosa words with the tones marked.
- Full Text:
- Date Issued: 1992
Feministiese vertelstrategieë in 'n metafiksionele teks van Jeanne Goosen
- Authors: Mackenzie, Leonore
- Date: 1991
- Subjects: Goosen, Jeanne Afrikaans fiction -- 20th century -- History and criticism Feminism and literature
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3576 , http://hdl.handle.net/10962/d1002100
- Description: Die roman Ons is nie almal so nie (1990) deur Jeanne Goosen word aangebied in 'n realistiese (oftewel tradisionele) vertelvorm. Feministiese vakkundigheid verwys na die narratiewe tipe as patriargaal of fallosentries. As sodanig, is daar 'n ingrypende verskil tussen die vertelwyse van hierdie teks en die van die outeur se vroeere tekste. Hierdie verskuiwing dien as stimulus vir 'n evaluasie van bogenoemde teks binne 'n raamwerk van die feministiese literere teorie en kritiek. Genoemde verskuiwing beteken ook 'n behoefte na 'n ondersoek van die feministiese literatuur en vakkunde in verhouding tot die heersende manlike "stem" van tradisionele redevoering. Dit word beklemtoon dat elkeen van die feministiese teoretiese standpunte die onvoorwaardelike politieke doelstellings van alle feministiese tekste aan die lig bring. Daar word onder andere te kenne gegee dat patriargale mag nie net op persoonlike vlak voorkom nie, maar ook op die vlak van instellings en sosiale gebruike. Patriargale beheer is dus nie 'n onveranderliknatuurlike gegewe nie; dit is vatbaar vir teoretiese analise en praktiese wysiging. Vanwee die feministiese literere teoriee se preokkupasie met patriargale mag, word hierdie teoriee dikwels gekritiseer as synde onbetrokke by strydvrae ten opsigte van rassisme en klasseverdeling. Dit word erken dat die feministiese literere kritiek die geskil met betrekking tot seksisme moet transendeer; dat die toekoms van die feministiese literere teoriee gelee is in 'n deurdringende gesprekvoering met materialisme. Dit is die uitdruklike doelstelling van die marxisties-feministiese kritiese standpunt om rekening te hou, nie net met vraagpunte ten opsigte van taal en "gender" nie, maar ook van klas en ras. Goosen se teks is besonder ontvanklik vir 'n ondersoek van hierdie verwante probleme. * * * The novel Ons is nie almal so nie (1990) by Jeanne Goosen is presented in a realistic (or traditional) narrative form. In feminist terms this narrative form is referred to as patriarchal or phallocentric. As such, the text differs radically from the narrative mode in which the author's previous texts are presented. This shift invites an assessment of the text within a framework of feminist theory and criticism. Moreover, it indicates the need for an investigation into the relationship of feminist literature and scholarship to the dominant male voice of traditional discourse. It is stressed that each of the feminist theoretical positions reveals the unreservedly political purpose of all feminist writing. It is further suggested that patriarchal power exists in institutions and social practices, not merely in individual intentions. Patriarchal power is therefore not a part of immutable nature, but open to effective theoretical analyses and practical change. Due to their preoccupation with patriarchal power, feminist literary theories are often criticised as being blind to issues of race and/or class. It is recognised that feminist literary theory must transcend the issue of sexism; that its future lies in a far more articulated dialogue with materialism. The express purpose of the marxist-feminist critical position is to take into account questions not only of language and gender, but also of class and race. Goosen's text is particularly receptive to an exploration of these interrelated problems.
- Full Text:
- Date Issued: 1991
- Authors: Mackenzie, Leonore
- Date: 1991
- Subjects: Goosen, Jeanne Afrikaans fiction -- 20th century -- History and criticism Feminism and literature
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3576 , http://hdl.handle.net/10962/d1002100
- Description: Die roman Ons is nie almal so nie (1990) deur Jeanne Goosen word aangebied in 'n realistiese (oftewel tradisionele) vertelvorm. Feministiese vakkundigheid verwys na die narratiewe tipe as patriargaal of fallosentries. As sodanig, is daar 'n ingrypende verskil tussen die vertelwyse van hierdie teks en die van die outeur se vroeere tekste. Hierdie verskuiwing dien as stimulus vir 'n evaluasie van bogenoemde teks binne 'n raamwerk van die feministiese literere teorie en kritiek. Genoemde verskuiwing beteken ook 'n behoefte na 'n ondersoek van die feministiese literatuur en vakkunde in verhouding tot die heersende manlike "stem" van tradisionele redevoering. Dit word beklemtoon dat elkeen van die feministiese teoretiese standpunte die onvoorwaardelike politieke doelstellings van alle feministiese tekste aan die lig bring. Daar word onder andere te kenne gegee dat patriargale mag nie net op persoonlike vlak voorkom nie, maar ook op die vlak van instellings en sosiale gebruike. Patriargale beheer is dus nie 'n onveranderliknatuurlike gegewe nie; dit is vatbaar vir teoretiese analise en praktiese wysiging. Vanwee die feministiese literere teoriee se preokkupasie met patriargale mag, word hierdie teoriee dikwels gekritiseer as synde onbetrokke by strydvrae ten opsigte van rassisme en klasseverdeling. Dit word erken dat die feministiese literere kritiek die geskil met betrekking tot seksisme moet transendeer; dat die toekoms van die feministiese literere teoriee gelee is in 'n deurdringende gesprekvoering met materialisme. Dit is die uitdruklike doelstelling van die marxisties-feministiese kritiese standpunt om rekening te hou, nie net met vraagpunte ten opsigte van taal en "gender" nie, maar ook van klas en ras. Goosen se teks is besonder ontvanklik vir 'n ondersoek van hierdie verwante probleme. * * * The novel Ons is nie almal so nie (1990) by Jeanne Goosen is presented in a realistic (or traditional) narrative form. In feminist terms this narrative form is referred to as patriarchal or phallocentric. As such, the text differs radically from the narrative mode in which the author's previous texts are presented. This shift invites an assessment of the text within a framework of feminist theory and criticism. Moreover, it indicates the need for an investigation into the relationship of feminist literature and scholarship to the dominant male voice of traditional discourse. It is stressed that each of the feminist theoretical positions reveals the unreservedly political purpose of all feminist writing. It is further suggested that patriarchal power exists in institutions and social practices, not merely in individual intentions. Patriarchal power is therefore not a part of immutable nature, but open to effective theoretical analyses and practical change. Due to their preoccupation with patriarchal power, feminist literary theories are often criticised as being blind to issues of race and/or class. It is recognised that feminist literary theory must transcend the issue of sexism; that its future lies in a far more articulated dialogue with materialism. The express purpose of the marxist-feminist critical position is to take into account questions not only of language and gender, but also of class and race. Goosen's text is particularly receptive to an exploration of these interrelated problems.
- Full Text:
- Date Issued: 1991
The transitional role of the Xhosa oral poet in contemporary South African society
- Authors: Kaschula, Russell H
- Date: 1991
- Subjects: Folk poetry, Xhosa Xhosa (African people) -- Religion Xhosa (African people) -- Social life and customs Xhosa poetry Laudatory poetry
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3563 , http://hdl.handle.net/10962/d1002085 , https://orcid.org/0000-0002-5481-6748
- Description: This thesis outlines the changing role of the Xhosa imbongi in contemporary South African society. The changing socio-economic and political scenario in South Africa, and the way in which the imbongi is adapting in order to accommodate new pressures created by these changes, form an integral part of this thesis. The effects of education and increasing literacy on the tradition are outlined. The interaction between oral and written forms is explored in chapter 2. The role of the imbongi within the religious sphere is included in chapter 3. Xhosa preachers within the independent churches often make use of the styles and techniques associated with oral poetry. Iimbongi who are not necessarily preachers also operate within this context. The relationship between the Congress of South African Trade Unions, the African National Congress and iimbongi has also been researched and forms part of chapters 4, 5, and the epilogue. The modern imbongi is drawn towards powerful organisations offering alternative leadership to many of the traditional chiefs. In the epilogue collected poetry is analysed in the context of Mandela's visit to Transkei in April 1990. Interviews have been conducted with chiefs, iimbongi attached to chiefs as well as those attached to different organisations. Poetry has been collected and analysed. In chapter 5, three case studies of modern iimbongi are included. The problems facing these iimbongi in their different contexts, as well as the power bases from which they draw, are outlined. Finally, an alternative definition of the imbongi is offered in the conclusion
- Full Text:
- Date Issued: 1991
- Authors: Kaschula, Russell H
- Date: 1991
- Subjects: Folk poetry, Xhosa Xhosa (African people) -- Religion Xhosa (African people) -- Social life and customs Xhosa poetry Laudatory poetry
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3563 , http://hdl.handle.net/10962/d1002085 , https://orcid.org/0000-0002-5481-6748
- Description: This thesis outlines the changing role of the Xhosa imbongi in contemporary South African society. The changing socio-economic and political scenario in South Africa, and the way in which the imbongi is adapting in order to accommodate new pressures created by these changes, form an integral part of this thesis. The effects of education and increasing literacy on the tradition are outlined. The interaction between oral and written forms is explored in chapter 2. The role of the imbongi within the religious sphere is included in chapter 3. Xhosa preachers within the independent churches often make use of the styles and techniques associated with oral poetry. Iimbongi who are not necessarily preachers also operate within this context. The relationship between the Congress of South African Trade Unions, the African National Congress and iimbongi has also been researched and forms part of chapters 4, 5, and the epilogue. The modern imbongi is drawn towards powerful organisations offering alternative leadership to many of the traditional chiefs. In the epilogue collected poetry is analysed in the context of Mandela's visit to Transkei in April 1990. Interviews have been conducted with chiefs, iimbongi attached to chiefs as well as those attached to different organisations. Poetry has been collected and analysed. In chapter 5, three case studies of modern iimbongi are included. The problems facing these iimbongi in their different contexts, as well as the power bases from which they draw, are outlined. Finally, an alternative definition of the imbongi is offered in the conclusion
- Full Text:
- Date Issued: 1991
Die verhouding tussen literêre teorie en kritiek in die Afrikaanse literêre sisteem binne die sg. "nuwe paradigma" aan die hand van gekose figure Marianne de Jong, Joan Hambidge en Gerrit Olivier
- Mudzanani, Nndanduleni Bethuel
- Authors: Mudzanani, Nndanduleni Bethuel
- Date: 1990
- Subjects: Olivier, Gerrit, 1954- , Hambidge, Joan, 1956- , De Jong, Marianne , Afrikaans literature -- History and criticism , Afrikaans literature -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3599 , http://hdl.handle.net/10962/d1002174 , Olivier, Gerrit, 1954- , Hambidge, Joan, 1956- , De Jong, Marianne , Afrikaans literature -- History and criticism , Afrikaans literature -- Criticism and interpretation
- Description: Currently, in the period of Poststructualism literature is widely approached as a cultural and social phenomenon and the aims of literary studies as the illuminating of social codes, ideology etc. embedded in literature. This study evaluates the contribution of specific critics working within the so-called "New paradigm". The concept "New paradigm" is used as an umbrella term covering a number of distinct developments, referring to literature as a system of literary "actions" rather than as a canon of books. In recent years several Afrikaans critics have embraced or adapted current theories in the domains of Deconstruction, Ideology Criticism, Literary, Sociology, Recepticm Aesthetics, Semiotics and Feminism. This study explores and evaluates the application of such theoretical paradigms to their work in the field of practical criticism. This study also explores the relationship between current theories of literature and their antecedents. The notion of current literary theory and practice not only as a broadening of scope and content of the notion of the "literary" but on the other hand as a liberation of theory and practice from an over-deterministic thrust (i.e. the approach of literature as no more than a set of social documents) is also evaluated in this study. A twofold aim of this study can thus be defined: a. to determine the extent to which the shift from the "old" to "new" theories was made necessary by the developing literary and social scene; b. to examine the links beween theory and practice in the work of specific, key figures in Afrikaans. Is it possible for theory and practice to be separated? Is there an important consistence in the relationship between the two in the work of the figures chosen?
- Full Text:
- Date Issued: 1990
- Authors: Mudzanani, Nndanduleni Bethuel
- Date: 1990
- Subjects: Olivier, Gerrit, 1954- , Hambidge, Joan, 1956- , De Jong, Marianne , Afrikaans literature -- History and criticism , Afrikaans literature -- Criticism and interpretation
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3599 , http://hdl.handle.net/10962/d1002174 , Olivier, Gerrit, 1954- , Hambidge, Joan, 1956- , De Jong, Marianne , Afrikaans literature -- History and criticism , Afrikaans literature -- Criticism and interpretation
- Description: Currently, in the period of Poststructualism literature is widely approached as a cultural and social phenomenon and the aims of literary studies as the illuminating of social codes, ideology etc. embedded in literature. This study evaluates the contribution of specific critics working within the so-called "New paradigm". The concept "New paradigm" is used as an umbrella term covering a number of distinct developments, referring to literature as a system of literary "actions" rather than as a canon of books. In recent years several Afrikaans critics have embraced or adapted current theories in the domains of Deconstruction, Ideology Criticism, Literary, Sociology, Recepticm Aesthetics, Semiotics and Feminism. This study explores and evaluates the application of such theoretical paradigms to their work in the field of practical criticism. This study also explores the relationship between current theories of literature and their antecedents. The notion of current literary theory and practice not only as a broadening of scope and content of the notion of the "literary" but on the other hand as a liberation of theory and practice from an over-deterministic thrust (i.e. the approach of literature as no more than a set of social documents) is also evaluated in this study. A twofold aim of this study can thus be defined: a. to determine the extent to which the shift from the "old" to "new" theories was made necessary by the developing literary and social scene; b. to examine the links beween theory and practice in the work of specific, key figures in Afrikaans. Is it possible for theory and practice to be separated? Is there an important consistence in the relationship between the two in the work of the figures chosen?
- Full Text:
- Date Issued: 1990
'n Leesmoontlikheid van Jeanne Goosen se teks Louoond : die vrou as skrywer binne die Suid-Afrikaanse bestel
- Authors: Viljoen, Erika Valeska
- Date: 1989
- Subjects: Goosen, Jeanne -- Criticism and interpretation , Goosen, Jeanne -- Louoond
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3573 , http://hdl.handle.net/10962/d1002096 , Goosen, Jeanne -- Criticism and interpretation , Goosen, Jeanne -- Louoond
- Description: This thesis investigates the narrative strategies of Jeanne Goosen, as employed in her short novel, Louoond. I regard this text as an excellent example of modern Afrikaans prose, and particular reference was made to her previous novel: Om 'n mens na te boots which indicates similarities to the text under scrutiny. Chapter One is a close reading of the first chapter of the novel, in order to identify certain prominent codes, and also to determine what the text itself prescribes. My presumption is that the text determines how it should be read, that no single, predetermined strategy can be rigidly applied to it. Thus I formulated my own individual possible reading from the first chapter, and I view it throughout as mere "speculation", since this possible reading remains only a possibility. Chapter Two contains the theoretical background that is necessary for a scientific study of this kind. I followed mainly the strategies of Roland Barthes and Jacques Derrida, who are pioneers in the post -modernistic theory. It was particularly important to investigate the role of the narrator: the narrator in Louoond presents herself as a writer, therefore it is the process that is paramount. In Chapter Three the code of writing, as identified in Chapter ʺOneʺ of Louoond, is followed closely throughout the text. In Louoond, which is metatextual, violence is textually inherent, and also part of the process of writing. This violence is definitely also part of the South African situation as it is signified in the novel. Throughout the narrator is in a state of tension about her own role in the ʺrevolutionʺ - in which also her own text is a revolution in language, but always within the NOW of South Africa. Chapter Four concerns itself mainly with the role of the woman as narrator, as muse, as primary protagonist. I discuss the code of woman in relation to prominent feminist writers, but it remains in context of the text. Each issue is in the first place determined by the text, the text therefore determines which feminist issues will be investigated. The South African situation, and specifically the Afrikaner situation, serves throughout as intertext for Louoond, as with the code of writing. Other intertextual references are important, because the text is never independent from anything outside itself, and could not exist in such independence. Music plays an important role, with Callas as muse and as fellow female artist, while George Sand functions as fellow writer. Woman, independent of man, is put forward as creator. In my reading, the text remains in the first place a fabrication/imitation of the South African reality, and the fInal scene reaffirms the ʺfinal catastropheʺ that is indicated in the motto as a ʺcondition of controlled hysteriaʺ
- Full Text:
- Date Issued: 1989
- Authors: Viljoen, Erika Valeska
- Date: 1989
- Subjects: Goosen, Jeanne -- Criticism and interpretation , Goosen, Jeanne -- Louoond
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:3573 , http://hdl.handle.net/10962/d1002096 , Goosen, Jeanne -- Criticism and interpretation , Goosen, Jeanne -- Louoond
- Description: This thesis investigates the narrative strategies of Jeanne Goosen, as employed in her short novel, Louoond. I regard this text as an excellent example of modern Afrikaans prose, and particular reference was made to her previous novel: Om 'n mens na te boots which indicates similarities to the text under scrutiny. Chapter One is a close reading of the first chapter of the novel, in order to identify certain prominent codes, and also to determine what the text itself prescribes. My presumption is that the text determines how it should be read, that no single, predetermined strategy can be rigidly applied to it. Thus I formulated my own individual possible reading from the first chapter, and I view it throughout as mere "speculation", since this possible reading remains only a possibility. Chapter Two contains the theoretical background that is necessary for a scientific study of this kind. I followed mainly the strategies of Roland Barthes and Jacques Derrida, who are pioneers in the post -modernistic theory. It was particularly important to investigate the role of the narrator: the narrator in Louoond presents herself as a writer, therefore it is the process that is paramount. In Chapter Three the code of writing, as identified in Chapter ʺOneʺ of Louoond, is followed closely throughout the text. In Louoond, which is metatextual, violence is textually inherent, and also part of the process of writing. This violence is definitely also part of the South African situation as it is signified in the novel. Throughout the narrator is in a state of tension about her own role in the ʺrevolutionʺ - in which also her own text is a revolution in language, but always within the NOW of South Africa. Chapter Four concerns itself mainly with the role of the woman as narrator, as muse, as primary protagonist. I discuss the code of woman in relation to prominent feminist writers, but it remains in context of the text. Each issue is in the first place determined by the text, the text therefore determines which feminist issues will be investigated. The South African situation, and specifically the Afrikaner situation, serves throughout as intertext for Louoond, as with the code of writing. Other intertextual references are important, because the text is never independent from anything outside itself, and could not exist in such independence. Music plays an important role, with Callas as muse and as fellow female artist, while George Sand functions as fellow writer. Woman, independent of man, is put forward as creator. In my reading, the text remains in the first place a fabrication/imitation of the South African reality, and the fInal scene reaffirms the ʺfinal catastropheʺ that is indicated in the motto as a ʺcondition of controlled hysteriaʺ
- Full Text:
- Date Issued: 1989
'n Marxisties-feministiese ondersoek van Wilma Stockenström se roman, Die kremetartekspedisie
- Authors: Gardner, Judy Hilary
- Date: 1989
- Subjects: Stockenström, Wilma -- Criticism and interpretation , Stockenström, Wilma. Kremetartekspedisie
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3568 , http://hdl.handle.net/10962/d1002091
- Description: Chapter is an exploration of the meanings which may underly the title of this novel. I have tried initially to establish what kind of "expedition" is undertaken, and have come to the conclusion that "expedition" has a multidimensional meaning, that it implies a search, an expedition into different things: an expedition to the city of rose-quartz; the slave woman's expeditions from the baobab tree and back; an inner expedition to gain self-knowledge; an expedition into womanhood; an expedition into the history of Africa, into religion, into language. The second part of the chapter examines the nature of "baobab", since this tree, like the "Tree of Life", is regarded as one growing upside-down. It is this upside-down nature of the tree which led me to believe that many existing stereotypes and myths are turned upside-down in the novel: about slaves, about woman, language, the Afrikaans literary tradition, the "traditional" structure of the novel, culture transcending nature, the slave woman's language. In chapter 2 I have examined only one of these expeditions, viz. the slave woman's inner expeditions consisting of her experiences as a slave and her journeys of reminiscence. These journeys at the same time embrace all the other expeditions. Her inner expeditions are signified by a number of codes, which fulfil literally the function of processes of knowledge, of self- knowledge, as well as of systems in which meaning is contained. By undertaking this inner expedition, the woman gains greater clarity of vision concerning her own existence and the existence of man/woman in general. Chapter 3 deals mainly with the concept of possession/ownership, which results in two diametrically opposed groups: the owner class and the owned class. The peculiar institution of slavery has given rise to these two irreconcilable groups, and therefore a brief history of slavery is included in this chapter. The slave woman is initially one of the owned class, but through indoctrination, she too aspires to become a member of the owner class. In the second half of the chapter, then, the woman is discussed as owner. Her position becomes a reflection of the position of her owners, to illustrate the peculiarity of the capitalist system in which there will always be the rulers and the subjects, the oppressor and the oppressed, the owner and the owned.
- Full Text:
- Date Issued: 1989
- Authors: Gardner, Judy Hilary
- Date: 1989
- Subjects: Stockenström, Wilma -- Criticism and interpretation , Stockenström, Wilma. Kremetartekspedisie
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3568 , http://hdl.handle.net/10962/d1002091
- Description: Chapter is an exploration of the meanings which may underly the title of this novel. I have tried initially to establish what kind of "expedition" is undertaken, and have come to the conclusion that "expedition" has a multidimensional meaning, that it implies a search, an expedition into different things: an expedition to the city of rose-quartz; the slave woman's expeditions from the baobab tree and back; an inner expedition to gain self-knowledge; an expedition into womanhood; an expedition into the history of Africa, into religion, into language. The second part of the chapter examines the nature of "baobab", since this tree, like the "Tree of Life", is regarded as one growing upside-down. It is this upside-down nature of the tree which led me to believe that many existing stereotypes and myths are turned upside-down in the novel: about slaves, about woman, language, the Afrikaans literary tradition, the "traditional" structure of the novel, culture transcending nature, the slave woman's language. In chapter 2 I have examined only one of these expeditions, viz. the slave woman's inner expeditions consisting of her experiences as a slave and her journeys of reminiscence. These journeys at the same time embrace all the other expeditions. Her inner expeditions are signified by a number of codes, which fulfil literally the function of processes of knowledge, of self- knowledge, as well as of systems in which meaning is contained. By undertaking this inner expedition, the woman gains greater clarity of vision concerning her own existence and the existence of man/woman in general. Chapter 3 deals mainly with the concept of possession/ownership, which results in two diametrically opposed groups: the owner class and the owned class. The peculiar institution of slavery has given rise to these two irreconcilable groups, and therefore a brief history of slavery is included in this chapter. The slave woman is initially one of the owned class, but through indoctrination, she too aspires to become a member of the owner class. In the second half of the chapter, then, the woman is discussed as owner. Her position becomes a reflection of the position of her owners, to illustrate the peculiarity of the capitalist system in which there will always be the rulers and the subjects, the oppressor and the oppressed, the owner and the owned.
- Full Text:
- Date Issued: 1989
Aspekte van die prosa van Boerneef met spesifieke verwysing na die bundel Boplaas
- Authors: Meintjes, William Godfrey
- Date: 1989
- Subjects: Boerneef, 1897-1967 , Boplaas
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3570 , http://hdl.handle.net/10962/d1002093
- Description: This thesis is a report on a "rereading" (in the sense in which Roland Barthes uses the word) of the short texts of Boerneef (Izak Wilhelmus van der Merwe 1897-1967) published under the title Boplaas in 1938. Boerneef's prose is explored with specific reference to this one volume. The unity of the volume of texts is examined and textual indications of relations with other texts in the oeuvre are explored. In this way the thesis indicates how transtextuality determines meaning both in the individual texts as well as in the volume as a whole. The process of (re)reading in this thesis traces how, as a result of the exploration of the textual elements, a Boplaas code is generated. This Boplaas code signifies both the space and the ethos of Boplaas. Paternalism, feudalism and racism manifest themselves as important aspects of the ethos. The social disintegration which is endemic in this ethos is not caused, but merely accelerated by external impulses. The analysis indicates how, as a result of the specific organization of the narrative material, the text questions the feudal status quo. A process of demythologising of the vroegre boere-paradijs is therefore already present in the earliest Boerneef texts. However, the examination of Boerneef's prose also indicates that these texts go beyond the socio-politico-economic aspects by encoding the existential aspects of man's existence. , Hierdie proefskrif is die vers lag van 'n "rereading" (in die Barthesiaanse sin) van Boerneef (Izak Wi lhelmus van der Merwe 1897- 1967) se bundel Boplaas (1938). Die prosa van Boerneef word verken met spesifieke toespitsing op die een bundel . Die bundel-eenheid word ondersoek en tekstuele leidrade wat geledinge met ander tekste in die oeuvre aandui , word gevolg. Hierdeur word aangetoon hoe die betekenis en die be-tekenisprosesse van die tekste onderling, en die bundel as 'n geheel, op transtekstuele samehang berus. In hierdie leesproses word nagegaan hoe, deur middel van die ontginning van die tekstuele elemente, 'n Boplaas-kode in die narratiewe proses tot stand kom. Hierdie Boplaas-kode beteken 'n Boplaas-ruimte asook 'n Boplaas-etos. Paternalisme, feodalisme en rassisme word as belangrike aspekte van hierdie bestel geenkodeer en die tekste toon aan dat sosiale versplintering endemies aan die betrokke orde is en slegs deur impulse van buite verhaas word. In die bundel-analise word aangetoon hoe, as gevolg van die organisasie van die vertel stof, hierdie bundel bevraagtekenend ten opsigte van die feodale status quo staan. As gevolg hiervan is daar dus alreeds in die vroegste prosa van Boerneef 'n demitologisering van die "vroegre boere- paradijs" ingebed. Die ondersoek toon egter ook aan dat die Boplaas-tekste by die sosiopolitiko- ekonomiese dimensies verby óók die eksistensële aspekte van die mens se betstaan be-teken.
- Full Text:
- Date Issued: 1989
- Authors: Meintjes, William Godfrey
- Date: 1989
- Subjects: Boerneef, 1897-1967 , Boplaas
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3570 , http://hdl.handle.net/10962/d1002093
- Description: This thesis is a report on a "rereading" (in the sense in which Roland Barthes uses the word) of the short texts of Boerneef (Izak Wilhelmus van der Merwe 1897-1967) published under the title Boplaas in 1938. Boerneef's prose is explored with specific reference to this one volume. The unity of the volume of texts is examined and textual indications of relations with other texts in the oeuvre are explored. In this way the thesis indicates how transtextuality determines meaning both in the individual texts as well as in the volume as a whole. The process of (re)reading in this thesis traces how, as a result of the exploration of the textual elements, a Boplaas code is generated. This Boplaas code signifies both the space and the ethos of Boplaas. Paternalism, feudalism and racism manifest themselves as important aspects of the ethos. The social disintegration which is endemic in this ethos is not caused, but merely accelerated by external impulses. The analysis indicates how, as a result of the specific organization of the narrative material, the text questions the feudal status quo. A process of demythologising of the vroegre boere-paradijs is therefore already present in the earliest Boerneef texts. However, the examination of Boerneef's prose also indicates that these texts go beyond the socio-politico-economic aspects by encoding the existential aspects of man's existence. , Hierdie proefskrif is die vers lag van 'n "rereading" (in die Barthesiaanse sin) van Boerneef (Izak Wi lhelmus van der Merwe 1897- 1967) se bundel Boplaas (1938). Die prosa van Boerneef word verken met spesifieke toespitsing op die een bundel . Die bundel-eenheid word ondersoek en tekstuele leidrade wat geledinge met ander tekste in die oeuvre aandui , word gevolg. Hierdeur word aangetoon hoe die betekenis en die be-tekenisprosesse van die tekste onderling, en die bundel as 'n geheel, op transtekstuele samehang berus. In hierdie leesproses word nagegaan hoe, deur middel van die ontginning van die tekstuele elemente, 'n Boplaas-kode in die narratiewe proses tot stand kom. Hierdie Boplaas-kode beteken 'n Boplaas-ruimte asook 'n Boplaas-etos. Paternalisme, feodalisme en rassisme word as belangrike aspekte van hierdie bestel geenkodeer en die tekste toon aan dat sosiale versplintering endemies aan die betrokke orde is en slegs deur impulse van buite verhaas word. In die bundel-analise word aangetoon hoe, as gevolg van die organisasie van die vertel stof, hierdie bundel bevraagtekenend ten opsigte van die feodale status quo staan. As gevolg hiervan is daar dus alreeds in die vroegste prosa van Boerneef 'n demitologisering van die "vroegre boere- paradijs" ingebed. Die ondersoek toon egter ook aan dat die Boplaas-tekste by die sosiopolitiko- ekonomiese dimensies verby óók die eksistensële aspekte van die mens se betstaan be-teken.
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- Date Issued: 1989
Die begrip verganklikheid as komplekse kode in enkele werke van Hennie Aucamp
- Authors: Garbers, Marius Wolhuter
- Date: 1989
- Subjects: Aucamp, Hennie -- Criticism and interpretation
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3567 , http://hdl.handle.net/10962/d1002090
- Description: Mortality has always been a popular theme in literature. By means of a semiological and narratological approach, it has been endeavoured in this study to prove that transience comprises a complex code constituted by a whole series of codes. In each of the chosen volumes one specific short story is analysed and all the codes related to transience are defined and described. Then these codes are discussed within the context of the volume as a whole. The following codes have been identified and analysed: death and death related codes, decay, distress, frustration, emptiness, loneliness observe, look and see, reproduction, the code of ageing, youth/ageing, lost love, time. The following texts of Aucamp have been used as the object of study: Die Hartseerwals, Spitsuur and 'n Bruidsbed vir Tant Nonnie. The reason these texts were selected, is twofold: They represent the early works of the author. The continuity is essential for making meaningful deductions. The final conclusions are: Man's bond with an environment which is characterised by continual change, influences his existence and makes his life a tentative experience. Transience involves more than merely ageing, obsolescence and death. Transience is a complex experience, related to the physical and mental in man. Besides ageing, sexuality contributes to man's downfall. Loneliness, isolation and frustration determine his actions and stress his experience of transience. The result is a painful experience of life.
- Full Text:
- Date Issued: 1989
- Authors: Garbers, Marius Wolhuter
- Date: 1989
- Subjects: Aucamp, Hennie -- Criticism and interpretation
- Language: Afrikaans
- Type: text , Thesis , Masters , MA
- Identifier: vital:3567 , http://hdl.handle.net/10962/d1002090
- Description: Mortality has always been a popular theme in literature. By means of a semiological and narratological approach, it has been endeavoured in this study to prove that transience comprises a complex code constituted by a whole series of codes. In each of the chosen volumes one specific short story is analysed and all the codes related to transience are defined and described. Then these codes are discussed within the context of the volume as a whole. The following codes have been identified and analysed: death and death related codes, decay, distress, frustration, emptiness, loneliness observe, look and see, reproduction, the code of ageing, youth/ageing, lost love, time. The following texts of Aucamp have been used as the object of study: Die Hartseerwals, Spitsuur and 'n Bruidsbed vir Tant Nonnie. The reason these texts were selected, is twofold: They represent the early works of the author. The continuity is essential for making meaningful deductions. The final conclusions are: Man's bond with an environment which is characterised by continual change, influences his existence and makes his life a tentative experience. Transience involves more than merely ageing, obsolescence and death. Transience is a complex experience, related to the physical and mental in man. Besides ageing, sexuality contributes to man's downfall. Loneliness, isolation and frustration determine his actions and stress his experience of transience. The result is a painful experience of life.
- Full Text:
- Date Issued: 1989
Op hom die groot hosannas : enkele aspekte van die modern Christelike poësie in Afrikaans
- Authors: Bosman, Maria Elizabeth
- Date: 1989
- Subjects: Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism , Christian poetry, Afrikaans , Calvinism in literature , Blum, Peter, 1925-1990 , Rousseau, Ina , Cussons, Sheila , De Villiers, I. L., 1936-2009 , Cloete, T. T. (Theunis Theodorus), 1924-2015 , Spies, Lina , Müller, Petra, 1935-
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3566 , http://hdl.handle.net/10962/d1002089 , Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism
- Description: This study is concerned with modern Christian poetry in Afrikaans. Afrikaans poetry, which initially carried the clear stamp of the Afrikaner's Calvinistic view of life, gradually assumed a new image to the extent that it could no longer be recognised as religious and specifically Calvinistic poetry. To the contrary, modern Afrikaans Christian poetry is the expression of a contemporary conceptualisation of the very same gospel. The occasional violent reaction especially of conservative institutions to so called "unchristian" modern poetry in Afrikaans during the past three decades, has prompted this study which attempts to illustrate that modern Afrikaans poetry still exhibits a strong Christian element. The essential qualities of contemporary Christian poetry in Afrikaans are illustrated in the discussion of the works of particular leading Afrikaans poets. Chapter 3 attempts to indicate a transitional stage between traditional and modern Christian poetry by means of an overview of the latest tendencies and approaches, with brief references to the recent poetry of the Louws, the poetry of Peter Blum as the initial exponent of the poetry of the Sixties, and the poetry of Ina Rousseau. The work of Sheila Cussons, eminent Roman Catholic (and thus also Christian) poet who is probably the most impressive contemporary exponent of metaphysical/mystic poetry in Afrikaans, is discussed in chapter 4. Chapter 5 illustrates the traditional Calvinistic Christian point of view and Christian experience as represented in the poetry of I.L. de Villiers. The poetification of the ministry adds new dimension to religions poetry in Afrikaans. Chapter 6 constitutes a discussion of the works of T.T . Cloete, the most significant contemporary Reformed poet in Afrikaans indicating the extent to which the many related facets embodied in his poetry consistently reflect a Christian attitude and are unified in and encompassed by the principle of Soli Deo Gloria. Chapter 7, by way of conclusion, reviews the religious poetry of Lina Spies and Petra Müller who write accessible popular poetry, nevertheless exploring interesting references. In conjunction with the poetry of Ina Rosseau, this poetry represents a contribution to modern Afrikaans religious poetry from a feminine point of view
- Full Text:
- Date Issued: 1989
- Authors: Bosman, Maria Elizabeth
- Date: 1989
- Subjects: Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism , Christian poetry, Afrikaans , Calvinism in literature , Blum, Peter, 1925-1990 , Rousseau, Ina , Cussons, Sheila , De Villiers, I. L., 1936-2009 , Cloete, T. T. (Theunis Theodorus), 1924-2015 , Spies, Lina , Müller, Petra, 1935-
- Language: Afrikaans
- Type: Thesis , Doctoral , PhD
- Identifier: vital:3566 , http://hdl.handle.net/10962/d1002089 , Afrikaans poetry -- History and criticism , Religious poetry, Afrikaans -- History and criticism
- Description: This study is concerned with modern Christian poetry in Afrikaans. Afrikaans poetry, which initially carried the clear stamp of the Afrikaner's Calvinistic view of life, gradually assumed a new image to the extent that it could no longer be recognised as religious and specifically Calvinistic poetry. To the contrary, modern Afrikaans Christian poetry is the expression of a contemporary conceptualisation of the very same gospel. The occasional violent reaction especially of conservative institutions to so called "unchristian" modern poetry in Afrikaans during the past three decades, has prompted this study which attempts to illustrate that modern Afrikaans poetry still exhibits a strong Christian element. The essential qualities of contemporary Christian poetry in Afrikaans are illustrated in the discussion of the works of particular leading Afrikaans poets. Chapter 3 attempts to indicate a transitional stage between traditional and modern Christian poetry by means of an overview of the latest tendencies and approaches, with brief references to the recent poetry of the Louws, the poetry of Peter Blum as the initial exponent of the poetry of the Sixties, and the poetry of Ina Rousseau. The work of Sheila Cussons, eminent Roman Catholic (and thus also Christian) poet who is probably the most impressive contemporary exponent of metaphysical/mystic poetry in Afrikaans, is discussed in chapter 4. Chapter 5 illustrates the traditional Calvinistic Christian point of view and Christian experience as represented in the poetry of I.L. de Villiers. The poetification of the ministry adds new dimension to religions poetry in Afrikaans. Chapter 6 constitutes a discussion of the works of T.T . Cloete, the most significant contemporary Reformed poet in Afrikaans indicating the extent to which the many related facets embodied in his poetry consistently reflect a Christian attitude and are unified in and encompassed by the principle of Soli Deo Gloria. Chapter 7, by way of conclusion, reviews the religious poetry of Lina Spies and Petra Müller who write accessible popular poetry, nevertheless exploring interesting references. In conjunction with the poetry of Ina Rosseau, this poetry represents a contribution to modern Afrikaans religious poetry from a feminine point of view
- Full Text:
- Date Issued: 1989