Gerard Manley Hopkins's poetic art as "current language heightened" : (with reference to selected sonnets and in the light of contemporary stylistic theory)
- Authors: McDermott, Lydia Eva
- Date: 1985
- Subjects: Hopkins, Gerard Manley, 1844-1889 , English poetry -- 19th century -- History and criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2337 , http://hdl.handle.net/10962/d1002019
- Description: The aim of this thesis is twofold: To examine Hopkins's writings on poetics and to relate these to modern theories of poetic stylistics; and to show, through an examination of two sets of Hopkins sonnets, the ways in which Hopkins's writings on language and poetics are reflected in his verse (Introductory outline, p. 5)
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Spenser's Colin Clout : an introductory study
- Authors: Brown, Molly Anne
- Date: 1985
- Subjects: Spenser, Edmund, 1552?-1599 -- Criticism and interpretation , Faerie Queene , English poetry , Epic , Criticism , Interpretation , Clout, Colin (Fictitious character)
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2180 , http://hdl.handle.net/10962/d1001831
- Description: From introduction: In the sixth book of The Faerie Qveene, the reader is presented with a vision of the Graces and their attendants dancing on Mount Acidale to the piping of a simple shepherd. Spenser identifies this favoured musician as Colin Clout and then goes on to pose a seemingly inconsequential rhetorical question. "Who knowes not Colin Cloute?” he asks. The note of confident pride which can be discerned in the query clearly reveals Spenser's peculiar interest in one of his most intriguing creations. It is almost impossible to read a representative selection of Spenser's poetical works without noticing the hauntingly frequent appearances of his "Southerne shepheardes boye". Colin appears or is named in no fewer than six of Spenser's poems.
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