"All vistas close in the unseen" : a study of the transcendent in the fiction of E. M. Forster
- Authors: Butler, Ian
- Date: 1987
- Subjects: Forster, E. M. (Edward Morgan), 1879-1970 -- Criticism and interpretation , Forster, E. M. (Edward Morgan), 1879-1970
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2175 , http://hdl.handle.net/10962/d1001826
- Description: From introduction: It has become something of a commonplace among critics to remark Forster's relative lack of success in offering an alternative to the world which he satirises with such wit and humour. His comic treatment of the suburban absurdities of the Edwardian Englishman is, on the whole, far more compelling and memorable than the often vague, symbolic gestures by means of which he implies the possibility of something better. With the exception of his last and greatest novel, A Passage to India, his "alternatives" are largely factitious and contrived. Worse, the reader senses a fundamental uncertainty on the part of the author: his characteristic ambivalence in itself an indication of a perceptive and discriminating mind -- all too often suggests lack of conviction rather than an intelligent awareness of the infinitude of human possibilities.
- Full Text:
- Authors: Butler, Ian
- Date: 1987
- Subjects: Forster, E. M. (Edward Morgan), 1879-1970 -- Criticism and interpretation , Forster, E. M. (Edward Morgan), 1879-1970
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2175 , http://hdl.handle.net/10962/d1001826
- Description: From introduction: It has become something of a commonplace among critics to remark Forster's relative lack of success in offering an alternative to the world which he satirises with such wit and humour. His comic treatment of the suburban absurdities of the Edwardian Englishman is, on the whole, far more compelling and memorable than the often vague, symbolic gestures by means of which he implies the possibility of something better. With the exception of his last and greatest novel, A Passage to India, his "alternatives" are largely factitious and contrived. Worse, the reader senses a fundamental uncertainty on the part of the author: his characteristic ambivalence in itself an indication of a perceptive and discriminating mind -- all too often suggests lack of conviction rather than an intelligent awareness of the infinitude of human possibilities.
- Full Text:
Pascalʾs Pensées and Baudelaireʾs Les fleurs du mal : a study of the parallels and development of the theme of ʺennuiʺ
- Authors: Hammond, Nicholas Gascoigne
- Date: 1987
- Subjects: Pascal, Blaise, 1623-1662 -- Criticism and interpretation , Pascal, Blaise, 1623-1662 -- Pensées , Baudelaire, Charles, 1821-1867 -- Criticism and interpretation , Baudelaire, Charles, 1821-1867 -- Fleurs du mal
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3562 , http://hdl.handle.net/10962/d1002009
- Description: From Introduction: Upon first reading the writings of both Pascal and Baudelaire, one cannot help being struck by a sensation of awe at the penetrating insight into the human condition possessed by both writers. A further exploration of the realms of Pascalian and Baudelairian thought considerably strengthens this initial reaction into a recognition that both authors were men of equal moral and spiritual intensity. Despite their outward differences, both sought to attain a deep understanding of human nature, but without attempting to offer any excuses on behalf of man. Furthermore, the two writers employ an identical term to describe the condition of humanity: "ennui". Although the word exists in the writings of contemporaries of both Pascal and Baudelaire, no other author makes such full, unique and significant use of ennui. As this thesis will hopefully prove, Baudelaire was indeed directly and positively influenced by Pascal. However, it is not our intention to concentrate upon such an influence; rather, we wish to indicate the parallels and development of the theme of ennui, so central to each man's outlook, in their respective writings. Evidently, it would be beyond the boundaries of this thesis if we were to try to analyse closely the entire creative output of Pascal and Baudelaire; and so, although their other works will act as points of reference, the two books which are generally regarded as their masterpieces will be used as the basis of the unfinished Christian "Apologie" which was projected by Pascal, now known as the Pensées (1670), and Baudelaire’s Les Fleurs du Mal (1857 and 1861)
- Full Text:
- Authors: Hammond, Nicholas Gascoigne
- Date: 1987
- Subjects: Pascal, Blaise, 1623-1662 -- Criticism and interpretation , Pascal, Blaise, 1623-1662 -- Pensées , Baudelaire, Charles, 1821-1867 -- Criticism and interpretation , Baudelaire, Charles, 1821-1867 -- Fleurs du mal
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:3562 , http://hdl.handle.net/10962/d1002009
- Description: From Introduction: Upon first reading the writings of both Pascal and Baudelaire, one cannot help being struck by a sensation of awe at the penetrating insight into the human condition possessed by both writers. A further exploration of the realms of Pascalian and Baudelairian thought considerably strengthens this initial reaction into a recognition that both authors were men of equal moral and spiritual intensity. Despite their outward differences, both sought to attain a deep understanding of human nature, but without attempting to offer any excuses on behalf of man. Furthermore, the two writers employ an identical term to describe the condition of humanity: "ennui". Although the word exists in the writings of contemporaries of both Pascal and Baudelaire, no other author makes such full, unique and significant use of ennui. As this thesis will hopefully prove, Baudelaire was indeed directly and positively influenced by Pascal. However, it is not our intention to concentrate upon such an influence; rather, we wish to indicate the parallels and development of the theme of ennui, so central to each man's outlook, in their respective writings. Evidently, it would be beyond the boundaries of this thesis if we were to try to analyse closely the entire creative output of Pascal and Baudelaire; and so, although their other works will act as points of reference, the two books which are generally regarded as their masterpieces will be used as the basis of the unfinished Christian "Apologie" which was projected by Pascal, now known as the Pensées (1670), and Baudelaire’s Les Fleurs du Mal (1857 and 1861)
- Full Text:
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