The emergence of the South African farm crime novel : socio-historical crimes, personal crimes, and the figure of the dog
- Authors: Naidu, Samantha
- Date: 2016
- Language: English
- Type: Article
- Identifier: vital:26325 , http://hdl.handle.net/10962/53776 , https://www.ajol.info/index.php/eia/article/view/142930 , https://orcid.org/0000-0001-9456-8657
- Description: Crime fiction is an established and popular literary genre in South Africa that has gained international recognition and acclaim. The genre continues to expand and develop in terms of thematic concerns and experiments in form. One such notable development is the farm crime novel, which extends the tradition of the South African plaasroman. Recent texts, such as Elaine Proctor’s The Savage Hour and Karin Brynard’s Weeping Waters, quite deliberately set their respective murder mysteries on remote farms, and both novels particularise details of farm life. This article argues that the main concerns of the farm crime novel are, on one level, socio-historical – that is, the crimes perpetrated are the result of relationships to the land, land claims and land re-distribution, and the complex, evolving relationship between landowner and labourer. On another level, true to the conventions of crime fiction, the farm crime novel also explores interpersonal or intimate relationships that result in crimes of passion. Of particular interest is the observation that common to both thematic levels is a profound rendering of the link between human-animal relations and human-human relations. Drawing on Karla Armbruster’s work on the cultural significance of narratives about dogs and the need for more just and ethical relationships with animals, the article then demonstrates how this rendering occurs, often, through the figure of the dog. To conclude, some comments are offered on the position of the farm crime novel in a post-apartheid literary landscape
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- Authors: Naidu, Samantha
- Date: 2016
- Language: English
- Type: Article
- Identifier: vital:26325 , http://hdl.handle.net/10962/53776 , https://www.ajol.info/index.php/eia/article/view/142930 , https://orcid.org/0000-0001-9456-8657
- Description: Crime fiction is an established and popular literary genre in South Africa that has gained international recognition and acclaim. The genre continues to expand and develop in terms of thematic concerns and experiments in form. One such notable development is the farm crime novel, which extends the tradition of the South African plaasroman. Recent texts, such as Elaine Proctor’s The Savage Hour and Karin Brynard’s Weeping Waters, quite deliberately set their respective murder mysteries on remote farms, and both novels particularise details of farm life. This article argues that the main concerns of the farm crime novel are, on one level, socio-historical – that is, the crimes perpetrated are the result of relationships to the land, land claims and land re-distribution, and the complex, evolving relationship between landowner and labourer. On another level, true to the conventions of crime fiction, the farm crime novel also explores interpersonal or intimate relationships that result in crimes of passion. Of particular interest is the observation that common to both thematic levels is a profound rendering of the link between human-animal relations and human-human relations. Drawing on Karla Armbruster’s work on the cultural significance of narratives about dogs and the need for more just and ethical relationships with animals, the article then demonstrates how this rendering occurs, often, through the figure of the dog. To conclude, some comments are offered on the position of the farm crime novel in a post-apartheid literary landscape
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Three tales of Theal: biography, history and ethnography on the Eastern Frontier
- Authors: Naidu, Samantha
- Date: 2012
- Language: English
- Type: Article , text
- Identifier: vital:24529 , http://hdl.handle.net/10962/36216 , https://www.jstor.org/stable/23267873?seq=1#page_scan_tab_contents , https://orcid.org/0000-0001-9456-8657
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- Authors: Naidu, Samantha
- Date: 2012
- Language: English
- Type: Article , text
- Identifier: vital:24529 , http://hdl.handle.net/10962/36216 , https://www.jstor.org/stable/23267873?seq=1#page_scan_tab_contents , https://orcid.org/0000-0001-9456-8657
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Towards a transnational feminist aesthetic: an analysis of selected prose writing by women of the South Asian diaspora
- Authors: Naidu, Samantha
- Date: 2007
- Subjects: South Asian literature -- Women authors , Women and literature -- Asia , English prose literature -- Women authors -- History and criticism
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2307 , http://hdl.handle.net/10962/d1012941 , https://orcid.org/0000-0001-9456-8657
- Description: This thesis argues that women writers of the South Asian diaspora are inscribing a literary aesthetic which is recognisably feminist. In recent decades women of the South Asian diaspora have risen to the forefront of the global literary and publishing arena, winning acclaim for their endeavours. The scope of this literature is wide, in terms of themes, styles, genres, and geographic location. Prose works range from grave novelistic explorations of female subjectivity to short story collections intent on capturing historical injustices and the experiences of migration. The thesis demonstrates, through close readings and comparative frameworks, that an overarching pattern of common aesthetic elements is deployed in this literature. This deployment is regarded as a transnational feminist practice.
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- Authors: Naidu, Samantha
- Date: 2007
- Subjects: South Asian literature -- Women authors , Women and literature -- Asia , English prose literature -- Women authors -- History and criticism
- Language: English
- Type: Thesis , Doctoral , PhD
- Identifier: vital:2307 , http://hdl.handle.net/10962/d1012941 , https://orcid.org/0000-0001-9456-8657
- Description: This thesis argues that women writers of the South Asian diaspora are inscribing a literary aesthetic which is recognisably feminist. In recent decades women of the South Asian diaspora have risen to the forefront of the global literary and publishing arena, winning acclaim for their endeavours. The scope of this literature is wide, in terms of themes, styles, genres, and geographic location. Prose works range from grave novelistic explorations of female subjectivity to short story collections intent on capturing historical injustices and the experiences of migration. The thesis demonstrates, through close readings and comparative frameworks, that an overarching pattern of common aesthetic elements is deployed in this literature. This deployment is regarded as a transnational feminist practice.
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