Ideas of poetic form: aspects of the Romantic-Symbolist tradition
- Authors: Oldert, David
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/54554 , vital:26587
- Description: The subject of the work is some of the formal and technical developments of modern poetry in the Romantic-Symbolist tradition. These developments were stimulated partly by the ideas of the non-intellectual Symbol inherited from the Romantics and the idea that poetry could be a musical medium inherited from some of the French Symbolists. Their combined influence led to a number of technical problems in the structuring of imagery and the handling of syntax. The work begins, therefore, by tracing the philosophical assumptions behind the ideas of the Symbol and of the musical analogy. I then go on to examine two of the difficulties that these ideas produced. One is the tension between the analogical structure of a poem’s imagery and its metaphorical texture: quite simply, the more compressed and complex a poet’s metaphors become, the more they tend to disrupt the poem’s structure of imagery. The other problem is obscurity, which is caused by insufficient objectification of private images in a symbolic structure, and by fused metaphor, which is essentially a metaphor with an obscured ground of resemblance. Finally, I show how these difficulties were solved by poets outside the tradition who used a more articulate kind of syntax, yet who also managed to combine that syntax with the ideal of symbolic form. The implicit argument, then, is that the Romantic-Symbolist ideas of form, and the New Critics’ theories of form which were largely based on them, are able to elucidate an essentially different kind of poetry, and thus have some degree of truth and use beyond the tradition that generated them.
- Full Text:
- Date Issued: 2016
- Authors: Oldert, David
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/54554 , vital:26587
- Description: The subject of the work is some of the formal and technical developments of modern poetry in the Romantic-Symbolist tradition. These developments were stimulated partly by the ideas of the non-intellectual Symbol inherited from the Romantics and the idea that poetry could be a musical medium inherited from some of the French Symbolists. Their combined influence led to a number of technical problems in the structuring of imagery and the handling of syntax. The work begins, therefore, by tracing the philosophical assumptions behind the ideas of the Symbol and of the musical analogy. I then go on to examine two of the difficulties that these ideas produced. One is the tension between the analogical structure of a poem’s imagery and its metaphorical texture: quite simply, the more compressed and complex a poet’s metaphors become, the more they tend to disrupt the poem’s structure of imagery. The other problem is obscurity, which is caused by insufficient objectification of private images in a symbolic structure, and by fused metaphor, which is essentially a metaphor with an obscured ground of resemblance. Finally, I show how these difficulties were solved by poets outside the tradition who used a more articulate kind of syntax, yet who also managed to combine that syntax with the ideal of symbolic form. The implicit argument, then, is that the Romantic-Symbolist ideas of form, and the New Critics’ theories of form which were largely based on them, are able to elucidate an essentially different kind of poetry, and thus have some degree of truth and use beyond the tradition that generated them.
- Full Text:
- Date Issued: 2016
If I still want to breathe
- Authors: Billie, Ayanda
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6012 , http://hdl.handle.net/10962/1021231
- Description: One theme of this collection is the joy and the deep seated grief of my community of Kwa-Nobuhle; the brightness of hope on the faces on children running around our streets, the strides made by their mothers, the confusion of factory workers who are lost in darkness since the dawn of new dispensation. Then there are more personal poems: my own joys as well as the difficulties that have kept me from sleep and strangled my dreams as a writer, even though like Mafika Gwala, I believe that “words are born the way mothers beget children/words are born to survive time”. My style is influenced by imagistic, mystic and soulful poetry, such as the haunting Spanish voice of Garcia Lorca who wrote “I lose myself in the heart of certain children” and the absorbing isiXhosa voice of S E K Mqhayi. In response to their poetry my offering will be words that enliven us; my style will be what I see in the mirror, through the window, the sound of rain on my zinc roof and what frightens me. , Ndixomoloze ndiboph’ amaxonya, ndisenza eli linge lokuzama ukuxhathalaza kulo msinga uzakutshayela ulwimi lwethu. Nantso ke incwadana ndiyithe qhiwu ngendebe endiyithiye ngegama elithi Umhlaba Umanzi. Umhlaba umanzi ziinyembezi zabalilayo, umanzi kukubila kwabasebenzi besombha eludakeni, ufumile ziinkathazo zeminyaka zesizukulwana sesizukulwana. Injongo endifuna ukuyifezekisa ngeli nqaku yeyokuba umntu achole ntwana ithile ngokujonga imeko esiphila kuzo gabalala, ekuhlaleni, emakhayeni ethu nakwii ndawo esixelenga kuzo. Mhlawumbi kuyakuvuseleleka iingcinga neenkumbulo zamhla-mnene, okanye ibophe nezilonda ezimanzi. Ukwanda kwaliwa ngumthakathi. . . Nangomso. , This thesis is presented in two parts: English and isiXhosa.
- Full Text:
- Date Issued: 2016
- Authors: Billie, Ayanda
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6012 , http://hdl.handle.net/10962/1021231
- Description: One theme of this collection is the joy and the deep seated grief of my community of Kwa-Nobuhle; the brightness of hope on the faces on children running around our streets, the strides made by their mothers, the confusion of factory workers who are lost in darkness since the dawn of new dispensation. Then there are more personal poems: my own joys as well as the difficulties that have kept me from sleep and strangled my dreams as a writer, even though like Mafika Gwala, I believe that “words are born the way mothers beget children/words are born to survive time”. My style is influenced by imagistic, mystic and soulful poetry, such as the haunting Spanish voice of Garcia Lorca who wrote “I lose myself in the heart of certain children” and the absorbing isiXhosa voice of S E K Mqhayi. In response to their poetry my offering will be words that enliven us; my style will be what I see in the mirror, through the window, the sound of rain on my zinc roof and what frightens me. , Ndixomoloze ndiboph’ amaxonya, ndisenza eli linge lokuzama ukuxhathalaza kulo msinga uzakutshayela ulwimi lwethu. Nantso ke incwadana ndiyithe qhiwu ngendebe endiyithiye ngegama elithi Umhlaba Umanzi. Umhlaba umanzi ziinyembezi zabalilayo, umanzi kukubila kwabasebenzi besombha eludakeni, ufumile ziinkathazo zeminyaka zesizukulwana sesizukulwana. Injongo endifuna ukuyifezekisa ngeli nqaku yeyokuba umntu achole ntwana ithile ngokujonga imeko esiphila kuzo gabalala, ekuhlaleni, emakhayeni ethu nakwii ndawo esixelenga kuzo. Mhlawumbi kuyakuvuseleleka iingcinga neenkumbulo zamhla-mnene, okanye ibophe nezilonda ezimanzi. Ukwanda kwaliwa ngumthakathi. . . Nangomso. , This thesis is presented in two parts: English and isiXhosa.
- Full Text:
- Date Issued: 2016
Istraight Lendaba
- Authors: Motsei, Mmatshilo T N
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6015 , http://hdl.handle.net/10962/d1021235
- Description: My collection of stories describes the lives of ordinary black people living in post‐apartheid South Africa, especially those living in the margins, and the compromises that poverty forces them to make. In such a world, virtue and vice are flip sides of the same coin. My stories search for hope in an environment which Ayi Kwei Armah describes as “so completely seized with danger and so many different kinds of loss.” My writing is inspired by Mozambican writer Luis Bernardo Honwana, South African writer Joel Matlou whose demotic stories gave voice to everyday life in the townships, and Cameroonian writer Werewere Liking’s as well as Brenda Fassie’s powerful representation of the subversive nature of African women.
- Full Text:
- Date Issued: 2016
- Authors: Motsei, Mmatshilo T N
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6015 , http://hdl.handle.net/10962/d1021235
- Description: My collection of stories describes the lives of ordinary black people living in post‐apartheid South Africa, especially those living in the margins, and the compromises that poverty forces them to make. In such a world, virtue and vice are flip sides of the same coin. My stories search for hope in an environment which Ayi Kwei Armah describes as “so completely seized with danger and so many different kinds of loss.” My writing is inspired by Mozambican writer Luis Bernardo Honwana, South African writer Joel Matlou whose demotic stories gave voice to everyday life in the townships, and Cameroonian writer Werewere Liking’s as well as Brenda Fassie’s powerful representation of the subversive nature of African women.
- Full Text:
- Date Issued: 2016
Landscapes of division: social movements and the politics of urban and rural space in the Grahamstown region of the Eastern Cape
- Authors: O’Halloran, Paddy
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3950 , vital:20572
- Description: This thesis investigates the politics of two grassroots social movements, the Unemployed People’s Movement (UPM), based in Grahamstown, and the Rural People’s Movement (RPM), based in the rural areas near Peddie, forty miles east. Observing that urban and rural are political designations, the primary question of this thesis is: Do the politics of these social movements challenge the conception of urban and rural as discrete political spaces? To some extent, it responds to and complicates Mamdani’s theory of a bifurcated state in post-apartheid South Africa in which urban zones are the site of civil society and rural zones the site of traditional authorities, and only the former a democratised space (1996). Three themes—race, space, and citizenship—are employed and interrogated in the process of answering the principal question. Broadly historical in nature, and understanding the present political context to be a product of historical processes, the thesis begins with an historical study of the Grahamstown region from the time of the town’s founding in 1812 until the end of apartheid in 1994, keeping the three key themes in focus. Then the politics of UPM and RPM are explored through a series of interviews aimed at understanding the context and experience of movement members and seeking their insight into the question of urban and rural space. Their responses are presented as a dialogue employing a theoretical strategy from Aguilar (2014) that distinguishes between and provides a framework to measure the ‘practical scope’ and the ‘interior horizon’ of movements. The thesis concludes with a discussion of important themes arising in the interviews: citizenship, NGOs, and political parties, and, of course, space. The backdrop to this concluding discussion is the xenophobic violence which occurred in Grahamstown in October 2015, helping situate the research and themes within the broader context of South African politics.
- Full Text:
- Date Issued: 2016
- Authors: O’Halloran, Paddy
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3950 , vital:20572
- Description: This thesis investigates the politics of two grassroots social movements, the Unemployed People’s Movement (UPM), based in Grahamstown, and the Rural People’s Movement (RPM), based in the rural areas near Peddie, forty miles east. Observing that urban and rural are political designations, the primary question of this thesis is: Do the politics of these social movements challenge the conception of urban and rural as discrete political spaces? To some extent, it responds to and complicates Mamdani’s theory of a bifurcated state in post-apartheid South Africa in which urban zones are the site of civil society and rural zones the site of traditional authorities, and only the former a democratised space (1996). Three themes—race, space, and citizenship—are employed and interrogated in the process of answering the principal question. Broadly historical in nature, and understanding the present political context to be a product of historical processes, the thesis begins with an historical study of the Grahamstown region from the time of the town’s founding in 1812 until the end of apartheid in 1994, keeping the three key themes in focus. Then the politics of UPM and RPM are explored through a series of interviews aimed at understanding the context and experience of movement members and seeking their insight into the question of urban and rural space. Their responses are presented as a dialogue employing a theoretical strategy from Aguilar (2014) that distinguishes between and provides a framework to measure the ‘practical scope’ and the ‘interior horizon’ of movements. The thesis concludes with a discussion of important themes arising in the interviews: citizenship, NGOs, and political parties, and, of course, space. The backdrop to this concluding discussion is the xenophobic violence which occurred in Grahamstown in October 2015, helping situate the research and themes within the broader context of South African politics.
- Full Text:
- Date Issued: 2016
Marie Curie : a psychobiography
- Authors: Roets, Elmeret
- Date: 2016
- Subjects: Curie, Marie -- 1867-1934 -- Psychology , Women chemists -- Poland -- Biography , Scientists -- Biography
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3269 , http://hdl.handle.net/10962/d1020326
- Description: While researchers debate the value of psychobiographical research, interest in this area is growing on a national and international basis. Every year, the number of psychobiographical studies at universities in South Africa is growing. Psychobiographical research is qualitative research that utilises psychological theory to explore and describe the lives of extraordinary individuals. The primary aim of this psychobiography was to examine the life of Marie Curie (1867–1934) by employing developmental psychologist and psychoanalyst Erik Erikson’s (1959) theory of psychosocial personality development. Marie Curie was chosen as the research subject because of the researcher’s personal interest and the subject’s prominence as a female scientist. She was a Polish-born and naturalised French scientist who conducted pioneering research on radioactivity. Marie Curie’s ground-breaking discoveries changed the way scientists think about matter and energy and introduced a new era in medical knowledge and the treatment of disease. Her life exemplifies a love of science, commitment, and perseverance. Data were collected from several primary and secondary sources on Marie Curie’s life. The researcher developed a data-collection and analysis matrix to facilitate the systematic collection of data and analysis according to Erikson’s stage theory of psychosocial personality development. This psychobiography suggests that unresolved infantile and early childhood crises gave rise to personality traits that eventually contributed to Curie’s extraordinariness. In the case of Curie, personality traits that are often regarded as atypical or malignant, ironically encouraged perseverance, creativity, and productivity. This study complements the psychobiographical studies done in South Africa on extraordinary individuals. It demonstrated the value of psychobiographical research as a teaching instrument, revealed the usefulness of Erikson’s theory, and illustrated the uniqueness of individuals.
- Full Text:
- Date Issued: 2016
- Authors: Roets, Elmeret
- Date: 2016
- Subjects: Curie, Marie -- 1867-1934 -- Psychology , Women chemists -- Poland -- Biography , Scientists -- Biography
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3269 , http://hdl.handle.net/10962/d1020326
- Description: While researchers debate the value of psychobiographical research, interest in this area is growing on a national and international basis. Every year, the number of psychobiographical studies at universities in South Africa is growing. Psychobiographical research is qualitative research that utilises psychological theory to explore and describe the lives of extraordinary individuals. The primary aim of this psychobiography was to examine the life of Marie Curie (1867–1934) by employing developmental psychologist and psychoanalyst Erik Erikson’s (1959) theory of psychosocial personality development. Marie Curie was chosen as the research subject because of the researcher’s personal interest and the subject’s prominence as a female scientist. She was a Polish-born and naturalised French scientist who conducted pioneering research on radioactivity. Marie Curie’s ground-breaking discoveries changed the way scientists think about matter and energy and introduced a new era in medical knowledge and the treatment of disease. Her life exemplifies a love of science, commitment, and perseverance. Data were collected from several primary and secondary sources on Marie Curie’s life. The researcher developed a data-collection and analysis matrix to facilitate the systematic collection of data and analysis according to Erikson’s stage theory of psychosocial personality development. This psychobiography suggests that unresolved infantile and early childhood crises gave rise to personality traits that eventually contributed to Curie’s extraordinariness. In the case of Curie, personality traits that are often regarded as atypical or malignant, ironically encouraged perseverance, creativity, and productivity. This study complements the psychobiographical studies done in South Africa on extraordinary individuals. It demonstrated the value of psychobiographical research as a teaching instrument, revealed the usefulness of Erikson’s theory, and illustrated the uniqueness of individuals.
- Full Text:
- Date Issued: 2016
Meat and its meanings: representations of meat-eating in selected works of South African literature
- Authors: Coetzer, Theo
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3860 , vital:20550
- Description: This thesis is situated within the burgeoning field of literary animal studies. Its aim is to analyse critically the way in which animals-as-meat are represented in South African literature. While meat pervades our lives and literature, there exists very little scholarship that considers literary depictions of meat. The thesis suggests that literary texts can offer useful reflections of the cultural environments in which they are immersed and, furthermore, can encourage what J. M. Coetzee calls the ‘sympathetic imagination’ in relation to animals. The dissertation offers close readings of three primary texts, while also drawing on a broader range of local fiction. Chapter 1 discusses Eben Venter’s Trencherman, with a specific focus on Venter’s use of the plaasroman and literary dystopia. Both genres are important to the novel’s ubiquitous depictions of meat, serving to illustrate some of the destructive, and irreversible, excesses associated with traditional Afrikaner culture in South Africa. Meat consumption is not only depicted as being among these harmful excesses, but also comes to represent them collectively. Chapter 2 offers a reading of Zakes Mda’s The Madonna of Excelsior, paying particular attention to its representation of the intersection between the objectification of women’s bodies and the transformation of animals into meat. In my approach to this text, I make use of Carol J. Adams’ notion of the ‘absent referent’. I suggest that while Mda ostensibly considers the subjugation of both women and animals, the novel does not ultimately demonstrate concern for animals in their own right. The final chapter considers the representation of suffering in Damon Galgut’s The Beautiful Screaming of Pigs. I argue that Galgut’s text is alone among the three primary texts in its attention to the animal suffering inextricably linked to meat production. The novel depicts this suffering as being comparable to human suffering, while simultaneously demonstrating humans’ indifference to their animal fellows. The dissertation concludes that while meat is infused with a range of meanings in South African literature, the most obvious and intrinsic one – the fact of animal death and animal suffering – is the one most often ignored.
- Full Text:
- Date Issued: 2016
- Authors: Coetzer, Theo
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3860 , vital:20550
- Description: This thesis is situated within the burgeoning field of literary animal studies. Its aim is to analyse critically the way in which animals-as-meat are represented in South African literature. While meat pervades our lives and literature, there exists very little scholarship that considers literary depictions of meat. The thesis suggests that literary texts can offer useful reflections of the cultural environments in which they are immersed and, furthermore, can encourage what J. M. Coetzee calls the ‘sympathetic imagination’ in relation to animals. The dissertation offers close readings of three primary texts, while also drawing on a broader range of local fiction. Chapter 1 discusses Eben Venter’s Trencherman, with a specific focus on Venter’s use of the plaasroman and literary dystopia. Both genres are important to the novel’s ubiquitous depictions of meat, serving to illustrate some of the destructive, and irreversible, excesses associated with traditional Afrikaner culture in South Africa. Meat consumption is not only depicted as being among these harmful excesses, but also comes to represent them collectively. Chapter 2 offers a reading of Zakes Mda’s The Madonna of Excelsior, paying particular attention to its representation of the intersection between the objectification of women’s bodies and the transformation of animals into meat. In my approach to this text, I make use of Carol J. Adams’ notion of the ‘absent referent’. I suggest that while Mda ostensibly considers the subjugation of both women and animals, the novel does not ultimately demonstrate concern for animals in their own right. The final chapter considers the representation of suffering in Damon Galgut’s The Beautiful Screaming of Pigs. I argue that Galgut’s text is alone among the three primary texts in its attention to the animal suffering inextricably linked to meat production. The novel depicts this suffering as being comparable to human suffering, while simultaneously demonstrating humans’ indifference to their animal fellows. The dissertation concludes that while meat is infused with a range of meanings in South African literature, the most obvious and intrinsic one – the fact of animal death and animal suffering – is the one most often ignored.
- Full Text:
- Date Issued: 2016
Ndiyoyika
- Authors: Nyezwa, Mxolisi
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6021 , http://hdl.handle.net/10962/d1021245
- Description: This thesis collection is a book of isiXhosa poems in three sections: - Poems derived and influenced by the rhythmic structure and the lyrics of Maskandi music - More introspective and personal poems derived from other influences: International poetry, South African poetry, and certain jazz and soul music - A major poem titled, “Nozala, umqolo wakho uphandle” which delves into the state of South Africa and explores the relationships that entrench poverty and powerlessness in post-apartheid South Africa. , Le thisisi yingqokelela yemibongo yesiXhosa eyohlulwe yazizigaba ezintathu: - Imibongo ephenjelelwe ziingoma nezingqi zomculo kaMaskandi - Imibongo ephenjelelwe zizimvo neemvakalelo zam njengombhali, ngakumbi iintshukumo zomzimba nezomphefumlo ezithundezwe ziimbongi zamazwe omhlaba, ezoMzantsi Afrika, kunye nemiculo efana ne-jazz, ne-soul - Umbongo ombaxa osihloko sithi, “Nozala, umqolo wakho uphandle” othetha ngelizwe lethu iMzantsi Afrika, uqwalasela indlela ekuphethwe ngayo ilizwe ziziphathamandla, nendlela abasemagunyeni abaphembelela ngayo intswela-ngqesho nentlupheko eluntwini, kwanokufiphala kobutsha-ntliziyo nobuthanda-zwe kubemi beli lizwe.
- Full Text:
- Date Issued: 2016
- Authors: Nyezwa, Mxolisi
- Date: 2016
- Language: English , Xhosa
- Type: Thesis , Masters , MA
- Identifier: vital:6021 , http://hdl.handle.net/10962/d1021245
- Description: This thesis collection is a book of isiXhosa poems in three sections: - Poems derived and influenced by the rhythmic structure and the lyrics of Maskandi music - More introspective and personal poems derived from other influences: International poetry, South African poetry, and certain jazz and soul music - A major poem titled, “Nozala, umqolo wakho uphandle” which delves into the state of South Africa and explores the relationships that entrench poverty and powerlessness in post-apartheid South Africa. , Le thisisi yingqokelela yemibongo yesiXhosa eyohlulwe yazizigaba ezintathu: - Imibongo ephenjelelwe ziingoma nezingqi zomculo kaMaskandi - Imibongo ephenjelelwe zizimvo neemvakalelo zam njengombhali, ngakumbi iintshukumo zomzimba nezomphefumlo ezithundezwe ziimbongi zamazwe omhlaba, ezoMzantsi Afrika, kunye nemiculo efana ne-jazz, ne-soul - Umbongo ombaxa osihloko sithi, “Nozala, umqolo wakho uphandle” othetha ngelizwe lethu iMzantsi Afrika, uqwalasela indlela ekuphethwe ngayo ilizwe ziziphathamandla, nendlela abasemagunyeni abaphembelela ngayo intswela-ngqesho nentlupheko eluntwini, kwanokufiphala kobutsha-ntliziyo nobuthanda-zwe kubemi beli lizwe.
- Full Text:
- Date Issued: 2016
Notebook of unremembered poems
- Authors: McKeown, Jean Wallace
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6013 , http://hdl.handle.net/10962/d1021233
- Description: My poems contain narrative elements and explore themes of identity, motherhood, sexuality, and fear of relinquishing control. Sharon Olds, in her book Stag’s Leap, sums up my intention: “and I saw again how blessed my life has been, / first, to have been able to love, / then, to have the parting now behind me.” My collection chronicles a path towards acceptance of self from childhood onwards, and, more than that, a pleasure and pride in self, and I have tried to find the forms which will reflect this path in the reader’s own experience. Most of the poems are written in a conversational voice and a free-form style which gives me creative licence to explore transition and transformation.
- Full Text:
- Date Issued: 2016
- Authors: McKeown, Jean Wallace
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6013 , http://hdl.handle.net/10962/d1021233
- Description: My poems contain narrative elements and explore themes of identity, motherhood, sexuality, and fear of relinquishing control. Sharon Olds, in her book Stag’s Leap, sums up my intention: “and I saw again how blessed my life has been, / first, to have been able to love, / then, to have the parting now behind me.” My collection chronicles a path towards acceptance of self from childhood onwards, and, more than that, a pleasure and pride in self, and I have tried to find the forms which will reflect this path in the reader’s own experience. Most of the poems are written in a conversational voice and a free-form style which gives me creative licence to explore transition and transformation.
- Full Text:
- Date Issued: 2016
Oncoming traffic
- Authors: Manaka, Maakomele R
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6008 , http://hdl.handle.net/10962/1021220
- Description: The poems in my collection Oncoming Traffic mainly look at the silence in my personal conflicts. Fusing different styles and tones of writing from the lyrical to the surreal, these poems grapple with issues I struggle with on a daily basis. First as a man, second as a man with a physical disability, and lastly as a black man dealing with the reality of living in a dysfunctional/disabled society. The silence in my personal conflicts means, writing what I cannot say, stripping myself bare and vulnerable. My inspiration has come from poets who articulate such silences.
- Full Text:
- Date Issued: 2016
- Authors: Manaka, Maakomele R
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6008 , http://hdl.handle.net/10962/1021220
- Description: The poems in my collection Oncoming Traffic mainly look at the silence in my personal conflicts. Fusing different styles and tones of writing from the lyrical to the surreal, these poems grapple with issues I struggle with on a daily basis. First as a man, second as a man with a physical disability, and lastly as a black man dealing with the reality of living in a dysfunctional/disabled society. The silence in my personal conflicts means, writing what I cannot say, stripping myself bare and vulnerable. My inspiration has come from poets who articulate such silences.
- Full Text:
- Date Issued: 2016
Pitched
- Authors: Du Plessis, Jana
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6002 , http://hdl.handle.net/10962/d1021209
- Description: Pitched is a novella made up of short stories. It is about breaking in, breaking down and breaking out of the advertising industry. My protagonist loves and hates this confusing world she lives in. She is tough but also emotional and anxious, often trapped between her strong desires and her strong morality. She finds herself both attracted to and repulsed by the people who inhabit this world - sexy wolf-like men, and prickly female execs alike. I have been inspired by the work of Lidia Yuknavitch, Kate Zambreno, Michelle Tea and Chris Kraus to create a universal woman I can identify with.
- Full Text:
- Date Issued: 2016
- Authors: Du Plessis, Jana
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6002 , http://hdl.handle.net/10962/d1021209
- Description: Pitched is a novella made up of short stories. It is about breaking in, breaking down and breaking out of the advertising industry. My protagonist loves and hates this confusing world she lives in. She is tough but also emotional and anxious, often trapped between her strong desires and her strong morality. She finds herself both attracted to and repulsed by the people who inhabit this world - sexy wolf-like men, and prickly female execs alike. I have been inspired by the work of Lidia Yuknavitch, Kate Zambreno, Michelle Tea and Chris Kraus to create a universal woman I can identify with.
- Full Text:
- Date Issued: 2016
Representations of the ‘other’: a comparison between Roman descriptions of Britons, Gauls and Germans pre-AD 300 and Sir Harry Smith’s portrayal of the Xhosa 1830s – 1850s
- Authors: Van Wezel, Amy Hester
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/4223 , vital:20634
- Description: Stereotypical representations of an ‘ethnically’ or ‘racially’ different ‘other’ in ancient texts would seem to reappear throughout history. By comparing Roman views of Britons, Gauls and Germans, with Sir Harry Smith’s views of the Xhosa, this study seeks to explore the extent to which these stereotypical images were employed and for what reasons. Through close textual analyses, the descriptions of these peoples are examined and compared, taking into consideration the different authors’ context and agendas. By highlighting Caesar’s views of the abilities of the ‘other’ and Tacitus’ judgements of the moral character of the ‘other’, compared with Smith’s view of the same, the study aims to draw out the role of the author’s ‘self’ in complex and contradictory representations of the ‘other’, while arguing that various overwhelmingly negative images served to justify imperial conquest and rule. The extent to which the ‘other’ was perceived as remote and different from themselves, epitomised in the dichotomy between the ‘barbarism’ and ‘civilisation’, is examined, comparing a variety of Roman authors with Smith. The similar idea of ‘civilising missions’ are discussed, while acknowledging the differences between the policies of the Roman and British Empires toward the ‘other’. The connections between how the ‘other’ was portrayed in relation to ‘Empire’ and the ways in which they were treated is also explored stressing even further the different approaches taken by Roman and British authorities to include these peoples within their Empires. While certain stereotypes are shown to have persisted from Roman times, reappearing in the writing of Sir Harry Smith, summed up in the archetypal ‘barbarian’, I argue that the use of these images was varied, inconsistent and reflected more the motives and personalities of the writers themselves, whofor the most part ascribed to imperial ideologies.
- Full Text:
- Date Issued: 2016
- Authors: Van Wezel, Amy Hester
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/4223 , vital:20634
- Description: Stereotypical representations of an ‘ethnically’ or ‘racially’ different ‘other’ in ancient texts would seem to reappear throughout history. By comparing Roman views of Britons, Gauls and Germans, with Sir Harry Smith’s views of the Xhosa, this study seeks to explore the extent to which these stereotypical images were employed and for what reasons. Through close textual analyses, the descriptions of these peoples are examined and compared, taking into consideration the different authors’ context and agendas. By highlighting Caesar’s views of the abilities of the ‘other’ and Tacitus’ judgements of the moral character of the ‘other’, compared with Smith’s view of the same, the study aims to draw out the role of the author’s ‘self’ in complex and contradictory representations of the ‘other’, while arguing that various overwhelmingly negative images served to justify imperial conquest and rule. The extent to which the ‘other’ was perceived as remote and different from themselves, epitomised in the dichotomy between the ‘barbarism’ and ‘civilisation’, is examined, comparing a variety of Roman authors with Smith. The similar idea of ‘civilising missions’ are discussed, while acknowledging the differences between the policies of the Roman and British Empires toward the ‘other’. The connections between how the ‘other’ was portrayed in relation to ‘Empire’ and the ways in which they were treated is also explored stressing even further the different approaches taken by Roman and British authorities to include these peoples within their Empires. While certain stereotypes are shown to have persisted from Roman times, reappearing in the writing of Sir Harry Smith, summed up in the archetypal ‘barbarian’, I argue that the use of these images was varied, inconsistent and reflected more the motives and personalities of the writers themselves, whofor the most part ascribed to imperial ideologies.
- Full Text:
- Date Issued: 2016
Selfhood, identity and madness in the works of Milan Kundera and Peter Carey
- Authors: Graven, Ashley Holm
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3904 , vital:20554
- Description: Despite all the critical attention Milan Kundera’s and Peter Carey’s fiction has received, relatively little has been said about the way in which these authors problematise selfhood. In this study, I argue that these two writers share a preoccupation with the strictures placed on the individual by his/her location in language and discourse. I show that they deconstruct subjectivity with a view to intimating the possibility of momentarily transcending discursive control, and thereby inhabiting authentic selfhood. In addition, I demonstrate that both authors draw attention to the nature of language through their thematisation of madness, and I then trace the implications of this nexus between language and madness for the reader, who of course is a subject in language. My contention in this regard is that Carey and Kundera seek to instil in the reader a self-reflexive awareness of the ways in which his/her location in language shapes his/her perception of others. In turn, this awareness charges the reader with the responsibility of questioning his/her judgements, and thereby enables him/her to negotiate a measure of authenticity from his/her position in language.
- Full Text:
- Date Issued: 2016
- Authors: Graven, Ashley Holm
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3904 , vital:20554
- Description: Despite all the critical attention Milan Kundera’s and Peter Carey’s fiction has received, relatively little has been said about the way in which these authors problematise selfhood. In this study, I argue that these two writers share a preoccupation with the strictures placed on the individual by his/her location in language and discourse. I show that they deconstruct subjectivity with a view to intimating the possibility of momentarily transcending discursive control, and thereby inhabiting authentic selfhood. In addition, I demonstrate that both authors draw attention to the nature of language through their thematisation of madness, and I then trace the implications of this nexus between language and madness for the reader, who of course is a subject in language. My contention in this regard is that Carey and Kundera seek to instil in the reader a self-reflexive awareness of the ways in which his/her location in language shapes his/her perception of others. In turn, this awareness charges the reader with the responsibility of questioning his/her judgements, and thereby enables him/her to negotiate a measure of authenticity from his/her position in language.
- Full Text:
- Date Issued: 2016
Stripe & dusk: a weekend odyssey
- Authors: Whitehorn, Daniel J
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6018 , http://hdl.handle.net/10962/d1021242
- Description: I love to take in and create playful fantasy, tales set in wild and fantastic worlds peopled by wild and fantastic characters - dragons and dinosaurs, knights and robots, stars and penguins. My novella is the story of a quest set in a colourful and wondrous fantasy universe. Along the journey's tumultuous trajectory fantasy tropes and protocols are encountered, subverted, teased at, appropriated, and renovated, in order to create something both original and familiar all at once. I am happy to acknowledge and salute the influences of Terry Pratchett, Douglas Adams, Walter Moers and Manuela Draeger.
- Full Text:
- Date Issued: 2016
- Authors: Whitehorn, Daniel J
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6018 , http://hdl.handle.net/10962/d1021242
- Description: I love to take in and create playful fantasy, tales set in wild and fantastic worlds peopled by wild and fantastic characters - dragons and dinosaurs, knights and robots, stars and penguins. My novella is the story of a quest set in a colourful and wondrous fantasy universe. Along the journey's tumultuous trajectory fantasy tropes and protocols are encountered, subverted, teased at, appropriated, and renovated, in order to create something both original and familiar all at once. I am happy to acknowledge and salute the influences of Terry Pratchett, Douglas Adams, Walter Moers and Manuela Draeger.
- Full Text:
- Date Issued: 2016
The beat
- Authors: Masheane, Napo
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6014 , http://hdl.handle.net/10962/d1021234
- Description: My play script is a docu-drama inspired by the 1950s Drum journalists: Can Themba, Bloke Modisane, Nat Nakasa, Henry Nxumalo, Lewis Nkosi, Peter Magubane, Casey Motsitsi and Todd Matshikiza. The setting is a Sophiatown shebeen through which the characters move in and out. The central dramatic exploration hinges on female characters’ experiences rather than the perspectives of the male journalists connected to them. I dramatise documented events such as Modisane’s wife leaving him and taking their daughter with her, or a woman who buried her lover’s body after he was beaten and stabbed to death. There are other twists and turns based on the Drum journalists writings. I play with the seriousness of politics, love affairs, and the comedy of their daily lives. My influences come from plays such as Nongogo (1959) and Sophiatown (1986). The Beat is dedicated to all the women who have been silenced and as a result became products of their consequences. Their voices remind me as a theatre maker that my poems and plays might arrive in me as pure SONGS (Dipina) or a CRY (Kodiyamalla). Sometimes their inspiration will spring from my traditional family rituals, as a PRAISE song/s (Dithoko/ Thoko), or from a simple memory of a childhood church song, a HYMN (Difela/ Sefela). At times these words will present themselves as a source of where one comes from, CLAN NAMES (Seboko/ Poko). These stories will find me in the dusty streets of my village and township HERSTORY… they will touch, move, provoke, push and force me to vomit on page words that are subjects of that which we are even when silence seems inevitable. , My poetry collection fuses Sesotho and English, often within the same poem, as a way of showing how I live within and between two cultures. I write to celebrate these two tongues without compromising either language and allow each poem, to express its own musical component, tone, rhythm, and pace as it moves between stage and page. My poems converse about difficult subjects from a feminine voice. They look at family structures and dynamics, using everyday household things as metaphors. They take on deep family narratives of generational curses, births, deaths and love. There are also some more political poems about community outrage, the exploitation caused by outmoded culture and tradition, and about the nightmare that constantly wants to come out of the township.
- Full Text:
- Date Issued: 2016
- Authors: Masheane, Napo
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6014 , http://hdl.handle.net/10962/d1021234
- Description: My play script is a docu-drama inspired by the 1950s Drum journalists: Can Themba, Bloke Modisane, Nat Nakasa, Henry Nxumalo, Lewis Nkosi, Peter Magubane, Casey Motsitsi and Todd Matshikiza. The setting is a Sophiatown shebeen through which the characters move in and out. The central dramatic exploration hinges on female characters’ experiences rather than the perspectives of the male journalists connected to them. I dramatise documented events such as Modisane’s wife leaving him and taking their daughter with her, or a woman who buried her lover’s body after he was beaten and stabbed to death. There are other twists and turns based on the Drum journalists writings. I play with the seriousness of politics, love affairs, and the comedy of their daily lives. My influences come from plays such as Nongogo (1959) and Sophiatown (1986). The Beat is dedicated to all the women who have been silenced and as a result became products of their consequences. Their voices remind me as a theatre maker that my poems and plays might arrive in me as pure SONGS (Dipina) or a CRY (Kodiyamalla). Sometimes their inspiration will spring from my traditional family rituals, as a PRAISE song/s (Dithoko/ Thoko), or from a simple memory of a childhood church song, a HYMN (Difela/ Sefela). At times these words will present themselves as a source of where one comes from, CLAN NAMES (Seboko/ Poko). These stories will find me in the dusty streets of my village and township HERSTORY… they will touch, move, provoke, push and force me to vomit on page words that are subjects of that which we are even when silence seems inevitable. , My poetry collection fuses Sesotho and English, often within the same poem, as a way of showing how I live within and between two cultures. I write to celebrate these two tongues without compromising either language and allow each poem, to express its own musical component, tone, rhythm, and pace as it moves between stage and page. My poems converse about difficult subjects from a feminine voice. They look at family structures and dynamics, using everyday household things as metaphors. They take on deep family narratives of generational curses, births, deaths and love. There are also some more political poems about community outrage, the exploitation caused by outmoded culture and tradition, and about the nightmare that constantly wants to come out of the township.
- Full Text:
- Date Issued: 2016
The caramel Venus and other stories
- Authors: Terblanche, Tania
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6006 , http://hdl.handle.net/10962/1021214
- Description: My collection of stories illustrates the absurdity, the beauty and the pain of being human by depicting experience through fabulation. The intensity of existence comes to light in strange worlds that operate by rules of our inner mechanics, distorted so that only the colours and the shape of our hearts swim underneath. My fiction embodies these realities using the flatness of the fairy tale form while incorporating the humorous, the bizarre and the surreal. Some of the stories build dystopian worlds using the manifestation of the unfamiliar as a mirror of our psyche in an overpopulated and consumer-driven society. Others create contained worlds where the fantastical is fostered only by the narrator being drawn into an inner life. All the stories take us through inner landscapes with the humans, animals and objects around us that can pulse with so much meaning and then none at all.
- Full Text:
- Date Issued: 2016
- Authors: Terblanche, Tania
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6006 , http://hdl.handle.net/10962/1021214
- Description: My collection of stories illustrates the absurdity, the beauty and the pain of being human by depicting experience through fabulation. The intensity of existence comes to light in strange worlds that operate by rules of our inner mechanics, distorted so that only the colours and the shape of our hearts swim underneath. My fiction embodies these realities using the flatness of the fairy tale form while incorporating the humorous, the bizarre and the surreal. Some of the stories build dystopian worlds using the manifestation of the unfamiliar as a mirror of our psyche in an overpopulated and consumer-driven society. Others create contained worlds where the fantastical is fostered only by the narrator being drawn into an inner life. All the stories take us through inner landscapes with the humans, animals and objects around us that can pulse with so much meaning and then none at all.
- Full Text:
- Date Issued: 2016
The challenges of German-English literary translation: an exploration of Franz Kafka's Das Urteil (The Judgment) and Die Verwandlung (The Metamorphosis)
- Authors: Thabane, Mathaabe
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3659 , http://hdl.handle.net/10962/d1021181
- Description: This thesis conducts a study of literary translation using selected texts by Franz Kafka as translated from German into English in the mid-twentieth century and in the early twenty-first century. This study entails a three-fold orientation, namely: to show the extent of the impact of socio-historical, political and cultural factors on both the translation process and translation product; secondly, it demonstrates the fact that a merging of theoretical principles and practical methods is necessary and possible for the study of literary translations; thirdly, it answers the questions of why the same literary works continue to be retranslated and why every generation of Kafka scholars and readers will need their own translations of his works. This research, furthermore, proposes that the position of literary translation should be elevated since this kind of translation can reveal more about the cultural and linguistic intricacies of the translation process. Seeking to contribute to the broader framework of the translation studies discipline, this thesis also makes a case for translators to reveal their translation process, in the form of notes or prefaces, in order to allow for informed studies of translations. Finally, the research at hand proposes some considerations for further study into literary translations and shows new trends in the sub-field of literary translation which will undoubtedly shift its current nature and call for theoretical and practical applications for more classes of languages.
- Full Text:
- Date Issued: 2016
- Authors: Thabane, Mathaabe
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3659 , http://hdl.handle.net/10962/d1021181
- Description: This thesis conducts a study of literary translation using selected texts by Franz Kafka as translated from German into English in the mid-twentieth century and in the early twenty-first century. This study entails a three-fold orientation, namely: to show the extent of the impact of socio-historical, political and cultural factors on both the translation process and translation product; secondly, it demonstrates the fact that a merging of theoretical principles and practical methods is necessary and possible for the study of literary translations; thirdly, it answers the questions of why the same literary works continue to be retranslated and why every generation of Kafka scholars and readers will need their own translations of his works. This research, furthermore, proposes that the position of literary translation should be elevated since this kind of translation can reveal more about the cultural and linguistic intricacies of the translation process. Seeking to contribute to the broader framework of the translation studies discipline, this thesis also makes a case for translators to reveal their translation process, in the form of notes or prefaces, in order to allow for informed studies of translations. Finally, the research at hand proposes some considerations for further study into literary translations and shows new trends in the sub-field of literary translation which will undoubtedly shift its current nature and call for theoretical and practical applications for more classes of languages.
- Full Text:
- Date Issued: 2016
The contributions of phonological awareness and naming speed to the reading fluency, accuracy, comprehension and spelling of Grade 3 IsiXhosa readers
- Authors: Diemer, Maxine Nichole
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3245 , vital:20404
- Description: This thesis contributes to reading research in isiXhosa, where the role of various cognitive skills in reading has not yet been examined. One of the current debates in reading research centers on the contribution of cognitive skills, namely phonological awareness and naming speed, to reading. The exact relation between phonological awareness and naming speed, and their relation to literacy in different languages are also disputed. In this study, the contribution of phonological awareness and naming speed to literacy is examined in 52 Grade 3 isiXhosa speaking children. Measures for literacy included oral reading fluency, silent reading, comprehension and spelling. Phonological awareness was the biggest contributor to reading fluency, accuracy, comprehension and spelling, confirming that phonological processing is important for reading in all languages studied to date. The role of naming speed was narrower, contributing to the fluency and accuracy of reading only in the group with poor phonological awareness. The results can inform the teaching of reading isiXhosa where an approach that explicitly emphasises orthography-phonology relations at the phoneme level may be well suited especially since there are many letter groups to learn. This would enable higher accuracy in orthography-phonology correspondences and should also improve automaticity, which was lacking in the group with low levels of phonological awareness. The Psycholinguistic Grain Size Theory of reading can adequately inform the understanding of reading in isiXhosa, and findings from other languages with similar requirements can inform the teaching of reading in isiXhosa.
- Full Text:
- Date Issued: 2016
- Authors: Diemer, Maxine Nichole
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3245 , vital:20404
- Description: This thesis contributes to reading research in isiXhosa, where the role of various cognitive skills in reading has not yet been examined. One of the current debates in reading research centers on the contribution of cognitive skills, namely phonological awareness and naming speed, to reading. The exact relation between phonological awareness and naming speed, and their relation to literacy in different languages are also disputed. In this study, the contribution of phonological awareness and naming speed to literacy is examined in 52 Grade 3 isiXhosa speaking children. Measures for literacy included oral reading fluency, silent reading, comprehension and spelling. Phonological awareness was the biggest contributor to reading fluency, accuracy, comprehension and spelling, confirming that phonological processing is important for reading in all languages studied to date. The role of naming speed was narrower, contributing to the fluency and accuracy of reading only in the group with poor phonological awareness. The results can inform the teaching of reading isiXhosa where an approach that explicitly emphasises orthography-phonology relations at the phoneme level may be well suited especially since there are many letter groups to learn. This would enable higher accuracy in orthography-phonology correspondences and should also improve automaticity, which was lacking in the group with low levels of phonological awareness. The Psycholinguistic Grain Size Theory of reading can adequately inform the understanding of reading in isiXhosa, and findings from other languages with similar requirements can inform the teaching of reading in isiXhosa.
- Full Text:
- Date Issued: 2016
The experience of recovering from a substance use disorder
- Authors: van der Schyff, Brett Carl
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/4016 , vital:20585
- Description: Substance use disorder is an intricate societal phenomenon resulting from psychological and physiological dependence. The aim of this study was to gain an in-depth understanding of the lived experiences of individuals recovering from a substance use disorder. An interpretive phenomenological method was used to elicit the fundamentals of recovery as experienced by the participants. Random purposeful sampling was used and guaranteed that appropriate participants were selected. Data was collected through the use of semi-structured, in-depth, face-to-face interviews with four individuals. The collected data was then processed according to the three interpretive phenomenological principles namely, phenomenology, hermeneutics and idiography. Analysis was thereafter conducted using five steps, which led to two main themes emerged. The two thematic categories that emerged were (1) the ex-users’ experiences of using substances and (2) experiences of recovering from a substance use disorder. Within the first thematic category two sub-themes developed which included: reasons for using substances, and when substance use became a dependency. The sub-themes that emerged in the second thematic category included: initiating recovery, recovery and treatment models, post-treatment, risk factors in recovery and supportive and protective factors in recovery.
- Full Text:
- Date Issued: 2016
- Authors: van der Schyff, Brett Carl
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/4016 , vital:20585
- Description: Substance use disorder is an intricate societal phenomenon resulting from psychological and physiological dependence. The aim of this study was to gain an in-depth understanding of the lived experiences of individuals recovering from a substance use disorder. An interpretive phenomenological method was used to elicit the fundamentals of recovery as experienced by the participants. Random purposeful sampling was used and guaranteed that appropriate participants were selected. Data was collected through the use of semi-structured, in-depth, face-to-face interviews with four individuals. The collected data was then processed according to the three interpretive phenomenological principles namely, phenomenology, hermeneutics and idiography. Analysis was thereafter conducted using five steps, which led to two main themes emerged. The two thematic categories that emerged were (1) the ex-users’ experiences of using substances and (2) experiences of recovering from a substance use disorder. Within the first thematic category two sub-themes developed which included: reasons for using substances, and when substance use became a dependency. The sub-themes that emerged in the second thematic category included: initiating recovery, recovery and treatment models, post-treatment, risk factors in recovery and supportive and protective factors in recovery.
- Full Text:
- Date Issued: 2016
The last stop
- Authors: Mofokeng, Thabiso
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/64567 , vital:28559
- Description: My novella is set in the taxi industry. Its main characters are a wealthy taxi owner, a poor taxi driver from another African country, and the taxi driver's girlfriend. The story is partly a ghost story and partly crime fiction, it combines gritty realism with magical elements. It shows what happens between people in times of taxi violence. As the plot develops, the driver finds out that his boss is sleeping with his girlfriend. In revenge, the boss bribes some policemen to arrest the driver and beat him, and he dies in the police cells. But it turns out that the detective investigating the driver’s death is not quite impartial, nor is he of this world only.
- Full Text:
- Date Issued: 2016
- Authors: Mofokeng, Thabiso
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/64567 , vital:28559
- Description: My novella is set in the taxi industry. Its main characters are a wealthy taxi owner, a poor taxi driver from another African country, and the taxi driver's girlfriend. The story is partly a ghost story and partly crime fiction, it combines gritty realism with magical elements. It shows what happens between people in times of taxi violence. As the plot develops, the driver finds out that his boss is sleeping with his girlfriend. In revenge, the boss bribes some policemen to arrest the driver and beat him, and he dies in the police cells. But it turns out that the detective investigating the driver’s death is not quite impartial, nor is he of this world only.
- Full Text:
- Date Issued: 2016
The lived experience of the post-termination period of long-term psychotherapy
- Steenkamp, Jeanette Gwendoline
- Authors: Steenkamp, Jeanette Gwendoline
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3276 , http://hdl.handle.net/10962/d1021272
- Description: This study aimed to gain insight and understanding into adult clients’ personal lived experiences of the post-termination period of long-term psychotherapy. International research which examines the post-termination phase of psychotherapy has found that this particular lived experience can have both positive and negative consequences for clients’ psychosocial wellbeing. Few recent studies focusing on adult clients’ personal experiences of the post-termination phase could be located and none of these studies were conducted in a non-Western context. The study’s aim was to address this gap in the existing literature by using interpretative-phenomenological analysis (IPA) to explore the lived experience of the post-termination period of long-term psychotherapy for two South African adult clients. Data were collected via individual in-depth semi-structured interviews. Analysis of the data yielded the following themes: Therapy remembered as amazing, but hard work, Vivid memories of therapy retained post-termination, Seeing the therapist differently, Keeping the therapist alive, Being different after therapy, “I started losing all my ground I had gained”, and Resuming the external journey. These findings corroborated and expanded upon existing research in the area.
- Full Text:
- Date Issued: 2016
- Authors: Steenkamp, Jeanette Gwendoline
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3276 , http://hdl.handle.net/10962/d1021272
- Description: This study aimed to gain insight and understanding into adult clients’ personal lived experiences of the post-termination period of long-term psychotherapy. International research which examines the post-termination phase of psychotherapy has found that this particular lived experience can have both positive and negative consequences for clients’ psychosocial wellbeing. Few recent studies focusing on adult clients’ personal experiences of the post-termination phase could be located and none of these studies were conducted in a non-Western context. The study’s aim was to address this gap in the existing literature by using interpretative-phenomenological analysis (IPA) to explore the lived experience of the post-termination period of long-term psychotherapy for two South African adult clients. Data were collected via individual in-depth semi-structured interviews. Analysis of the data yielded the following themes: Therapy remembered as amazing, but hard work, Vivid memories of therapy retained post-termination, Seeing the therapist differently, Keeping the therapist alive, Being different after therapy, “I started losing all my ground I had gained”, and Resuming the external journey. These findings corroborated and expanded upon existing research in the area.
- Full Text:
- Date Issued: 2016