Painting and the changing role of art
- Authors: Edwards, Veryan Courtenay
- Date: 1979
- Subjects: Painting Art and society
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2482 , http://hdl.handle.net/10962/d1011740
- Description: It is necessary to find out what the role of art is in order to see whether it changes. The role of art can be taken as synonymous with the words, 'function of art'. The role of art and the art work itself are inextricably linked. If we look at the role of art as analogous to a wheel we can look at the argument thus : the wheel exists in order to roll. Its function is to roll. The wheel's function of rolling informs us about its existence. Function and the wheel's existence cannot be separated. The role of art and the art work itself are inextricably tied. Intro. p. 1.
- Full Text:
- Authors: Edwards, Veryan Courtenay
- Date: 1979
- Subjects: Painting Art and society
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2482 , http://hdl.handle.net/10962/d1011740
- Description: It is necessary to find out what the role of art is in order to see whether it changes. The role of art can be taken as synonymous with the words, 'function of art'. The role of art and the art work itself are inextricably linked. If we look at the role of art as analogous to a wheel we can look at the argument thus : the wheel exists in order to roll. Its function is to roll. The wheel's function of rolling informs us about its existence. Function and the wheel's existence cannot be separated. The role of art and the art work itself are inextricably tied. Intro. p. 1.
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The quality of threat in modern painting
- Authors: Radford, Anne Margaret
- Date: 1979
- Subjects: Painting, Modern -- 20th century
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2453 , http://hdl.handle.net/10962/d1007578
- Description: From Introduction: We not only tolerate violence, we put it on the front pages of our newspapers. One-third or one-fourth of our television programmes use it for the amusement of our children. Condone! My dear friends, we love it." -Karl Menninger, psychiatrist. War is one of the most violent of man's past-times, yet many of the atrocities committed are termed heroic deeds. Andre Malraux, one of the leading writer-philosophers of his day, praised the international involvement by so many writers, artists, etc. in the Spanish Civil War as one of the most wonderful deeds of brotherhood in the history of mankind. There is a strange idolatry that is often accorded to violent criminals such as the early American outlaws, and people like Charles Manson, around whom an entire cult has sprung up. The "aggressive machismo" is something that boys and young men strive to achieve in most countries in the Western world. Scientlsts and philosophers have puzzled these paradoxes for centuries, and this effort to unravel the mystery of violence and aggression bears a fateful significant. For the quality of human life and the survival of man are involved. Robbery, rape, riots, vandalism, are all now part of man's existence. Around the world, violence has soared. In London, violent crimes increased by 39 per cent in three years. Even sports events (the soccer fans stage gang wars at most soccer matches nowadays, especially in England,) and entertainment ---books, movies, television--- have become permeated with violence. It has not always been as bad as this, and as art imitates life, life imitates art, and so aggressive paintings, threatening paintings are now commonplace. In this dissertation, I have studied this development of threat in painting. What follows is the course my study has taken.
- Full Text:
- Authors: Radford, Anne Margaret
- Date: 1979
- Subjects: Painting, Modern -- 20th century
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2453 , http://hdl.handle.net/10962/d1007578
- Description: From Introduction: We not only tolerate violence, we put it on the front pages of our newspapers. One-third or one-fourth of our television programmes use it for the amusement of our children. Condone! My dear friends, we love it." -Karl Menninger, psychiatrist. War is one of the most violent of man's past-times, yet many of the atrocities committed are termed heroic deeds. Andre Malraux, one of the leading writer-philosophers of his day, praised the international involvement by so many writers, artists, etc. in the Spanish Civil War as one of the most wonderful deeds of brotherhood in the history of mankind. There is a strange idolatry that is often accorded to violent criminals such as the early American outlaws, and people like Charles Manson, around whom an entire cult has sprung up. The "aggressive machismo" is something that boys and young men strive to achieve in most countries in the Western world. Scientlsts and philosophers have puzzled these paradoxes for centuries, and this effort to unravel the mystery of violence and aggression bears a fateful significant. For the quality of human life and the survival of man are involved. Robbery, rape, riots, vandalism, are all now part of man's existence. Around the world, violence has soared. In London, violent crimes increased by 39 per cent in three years. Even sports events (the soccer fans stage gang wars at most soccer matches nowadays, especially in England,) and entertainment ---books, movies, television--- have become permeated with violence. It has not always been as bad as this, and as art imitates life, life imitates art, and so aggressive paintings, threatening paintings are now commonplace. In this dissertation, I have studied this development of threat in painting. What follows is the course my study has taken.
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Aphrodite
- Authors: Lautenbach, Janet
- Date: 1978
- Subjects: Aphrodite (Greek deity) , Idols and images -- Greece , Art, Greek , Aphrodite (Greek deity) in literature
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2448 , http://hdl.handle.net/10962/d1006914 , Aphrodite (Greek deity) , Idols and images -- Greece , Art, Greek , Aphrodite (Greek deity) in literature
- Full Text:
- Authors: Lautenbach, Janet
- Date: 1978
- Subjects: Aphrodite (Greek deity) , Idols and images -- Greece , Art, Greek , Aphrodite (Greek deity) in literature
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2448 , http://hdl.handle.net/10962/d1006914 , Aphrodite (Greek deity) , Idols and images -- Greece , Art, Greek , Aphrodite (Greek deity) in literature
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African art and myth
- Authors: Till, C M
- Date: 1977
- Subjects: Art, African , Art and mythology , Mythology, African
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2494 , http://hdl.handle.net/10962/d1013306
- Full Text:
- Authors: Till, C M
- Date: 1977
- Subjects: Art, African , Art and mythology , Mythology, African
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2494 , http://hdl.handle.net/10962/d1013306
- Full Text:
Art and power : an investigation into the effect politics, the church and economics have had on the content of a work of art and the development of art in general
- Authors: Heydenrych, Albert B
- Date: 1977
- Subjects: Art and religion , Politics in art , Art and industry , Art and state
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2499 , http://hdl.handle.net/10962/d1013390
- Full Text:
- Authors: Heydenrych, Albert B
- Date: 1977
- Subjects: Art and religion , Politics in art , Art and industry , Art and state
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2499 , http://hdl.handle.net/10962/d1013390
- Full Text:
Death and transcendence in northern European art
- Authors: Pratt, S R
- Date: 1977
- Subjects: Death in art , Art -- Europe, Northern
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2505 , http://hdl.handle.net/10962/d1015230
- Description: [From Introduction]. Time has revealed two distinct tendencies in the history of thought and art in Europe. That development in European culture which began in Ancient Greece is marked by a positive confidence in the relationship of man to his world. Parallel with but in opposition to this development is a separate progression in culture. The continuity of art in Northern Europe appears to be associated with the adherence of Northern man to a negative, fatalistic sense of being - to a spirit which is in conflict with a hostile violent environment. The purposo of this investigation is to determine, through art the nature of this sense of being in Northern Europe. No direct definition would be capable of conveying the fullest meaning of that spirit. lt is a feeling. To understand this morbid fatalism, it is therefore necessary to refer to the pre-Christian religion of the Germanic Barbarians - through which the Northern spirit manifested itself in the form of ragnarök. Ragnarök which can be translated as a moaning obscurity, shadows, twilight, fateful destiny, was a term used by Nordic bards in its broadest sense to describe the end of the world - the inevitable destruction of life.
- Full Text:
- Authors: Pratt, S R
- Date: 1977
- Subjects: Death in art , Art -- Europe, Northern
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2505 , http://hdl.handle.net/10962/d1015230
- Description: [From Introduction]. Time has revealed two distinct tendencies in the history of thought and art in Europe. That development in European culture which began in Ancient Greece is marked by a positive confidence in the relationship of man to his world. Parallel with but in opposition to this development is a separate progression in culture. The continuity of art in Northern Europe appears to be associated with the adherence of Northern man to a negative, fatalistic sense of being - to a spirit which is in conflict with a hostile violent environment. The purposo of this investigation is to determine, through art the nature of this sense of being in Northern Europe. No direct definition would be capable of conveying the fullest meaning of that spirit. lt is a feeling. To understand this morbid fatalism, it is therefore necessary to refer to the pre-Christian religion of the Germanic Barbarians - through which the Northern spirit manifested itself in the form of ragnarök. Ragnarök which can be translated as a moaning obscurity, shadows, twilight, fateful destiny, was a term used by Nordic bards in its broadest sense to describe the end of the world - the inevitable destruction of life.
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South African art, the romantic principle and the Grahamstown group
- Authors: Clark, George Phillip Haven
- Date: 1977
- Subjects: Art, South African , Art -- South Africa -- Grahamstown
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2501 , http://hdl.handle.net/10962/d1014638
- Description: The purpose of this essay is to examine the "rumblings in the belly of Leviathan from which we are able to diagnose his disease" (Comfort). Adopting a cyclical idea of art, it aims to point out that South African art has degenerated to a state where the much publicised so-called leaders of art are simply using charm techniques to woo the consent of a society whose metaphysics are derived from twentieth century collective materialism. The South African situation is examined, as is the Romantic principle underlying all genuine artistic activity. It is proposed that the cure lies in a reinstatement of this principle and in a readjustment of the concepts of reality and unreality. Finally, the Grahamstown Group is propounded as an embodiment of the Romantic principle with its implicit concept of artistic reality.
- Full Text:
- Authors: Clark, George Phillip Haven
- Date: 1977
- Subjects: Art, South African , Art -- South Africa -- Grahamstown
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2501 , http://hdl.handle.net/10962/d1014638
- Description: The purpose of this essay is to examine the "rumblings in the belly of Leviathan from which we are able to diagnose his disease" (Comfort). Adopting a cyclical idea of art, it aims to point out that South African art has degenerated to a state where the much publicised so-called leaders of art are simply using charm techniques to woo the consent of a society whose metaphysics are derived from twentieth century collective materialism. The South African situation is examined, as is the Romantic principle underlying all genuine artistic activity. It is proposed that the cure lies in a reinstatement of this principle and in a readjustment of the concepts of reality and unreality. Finally, the Grahamstown Group is propounded as an embodiment of the Romantic principle with its implicit concept of artistic reality.
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The animal image in art
- Authors: Hall, Elizabeth
- Date: 1977
- Subjects: Animals in art
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2496 , http://hdl.handle.net/10962/d1013329
- Full Text:
- Authors: Hall, Elizabeth
- Date: 1977
- Subjects: Animals in art
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2496 , http://hdl.handle.net/10962/d1013329
- Full Text:
The tightrope walker
- Authors: Dale, Jessie Patricial Dill
- Date: 1977
- Subjects: Art and religion , Art criticism
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2498 , http://hdl.handle.net/10962/d1013336
- Full Text:
- Authors: Dale, Jessie Patricial Dill
- Date: 1977
- Subjects: Art and religion , Art criticism
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2498 , http://hdl.handle.net/10962/d1013336
- Full Text:
The working method of the modern painter
- Authors: Grant, David
- Date: 1977
- Subjects: Painting, Modern -- 20th century , Painting -- Technique
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2503 , http://hdl.handle.net/10962/d1014984
- Description: [From Introduction]. Prior to 1800 advances made in painting could often be accredited to the advances made in paint technology. Since the beginning of the last century however, paint technology has stabilised, moved into the background and allowed the artist to create with the medium rather than be dictated to by it. This stabilising of art technology has also generated a lack of interest in technique, leading in turn to a number of painting techniques being lost. In some ways we know less today of the oil medium and its correct use than was known to Jan and Hubert Van Eyck and their followers. However, if this lack of concern with technique has produced a large number of valid artistic statements which are unlikely to survive physically, it also means that the hoardes of painters who painted technically perfect paintings with no valid art statement have dwindled as well.
- Full Text:
- Authors: Grant, David
- Date: 1977
- Subjects: Painting, Modern -- 20th century , Painting -- Technique
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2503 , http://hdl.handle.net/10962/d1014984
- Description: [From Introduction]. Prior to 1800 advances made in painting could often be accredited to the advances made in paint technology. Since the beginning of the last century however, paint technology has stabilised, moved into the background and allowed the artist to create with the medium rather than be dictated to by it. This stabilising of art technology has also generated a lack of interest in technique, leading in turn to a number of painting techniques being lost. In some ways we know less today of the oil medium and its correct use than was known to Jan and Hubert Van Eyck and their followers. However, if this lack of concern with technique has produced a large number of valid artistic statements which are unlikely to survive physically, it also means that the hoardes of painters who painted technically perfect paintings with no valid art statement have dwindled as well.
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Art and the Odyssey : the exploration into the Homeric poems, in particular the Odyssey, as symbolic of artistic experience
- Authors: Siopis, Penelope
- Date: 1976
- Subjects: Homer. Odyssey , Mythology, Greek, in art , Odysseus (Greek mythology) in art
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2500 , http://hdl.handle.net/10962/d1013392
- Full Text:
- Authors: Siopis, Penelope
- Date: 1976
- Subjects: Homer. Odyssey , Mythology, Greek, in art , Odysseus (Greek mythology) in art
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2500 , http://hdl.handle.net/10962/d1013392
- Full Text:
Aspects of the woman in art
- Authors: Loubser, Annette
- Date: 1976
- Subjects: Women in art
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2485 , http://hdl.handle.net/10962/d1012784
- Description: Woman has been depicted in all mediums throughout the ages, although her image and content have always taken on varying interpretations. Beauty has always been epitomized in the human figure - from an inexhaustible longing for perfection. Naturally her feminineaspects and her unconscious awareness of the rythms of nature made her central to the making of myths. She was depended upon as the Earth Mother - the creator and preserver of the species. And her mysteries reverberated throughout the ages. The discovery of the earliest Aurignacian Head (20,000 B.C) [Fig. 2] reiterates this. She is not only woman but also prophetess. Chap. 1, p. 2.
- Full Text:
- Authors: Loubser, Annette
- Date: 1976
- Subjects: Women in art
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2485 , http://hdl.handle.net/10962/d1012784
- Description: Woman has been depicted in all mediums throughout the ages, although her image and content have always taken on varying interpretations. Beauty has always been epitomized in the human figure - from an inexhaustible longing for perfection. Naturally her feminineaspects and her unconscious awareness of the rythms of nature made her central to the making of myths. She was depended upon as the Earth Mother - the creator and preserver of the species. And her mysteries reverberated throughout the ages. The discovery of the earliest Aurignacian Head (20,000 B.C) [Fig. 2] reiterates this. She is not only woman but also prophetess. Chap. 1, p. 2.
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The artist and the technological society: a survey of attitudes in the wake of scientific and industrial revolution
- Authors: Baker, Claerwen Glenys
- Date: 1976
- Subjects: Art and technology Art, Modern -- 20th century -- History
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2472 , http://hdl.handle.net/10962/d1009499
- Description: One of the most frequently repeated questions of our time is what is art? Since we have become conditioned to the idea that ''significant art - a much overworked modern term - belongs to the revolutionary avant-garde, artists carry their search for the new at all costs into the field of non art. P.1
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- Authors: Baker, Claerwen Glenys
- Date: 1976
- Subjects: Art and technology Art, Modern -- 20th century -- History
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2472 , http://hdl.handle.net/10962/d1009499
- Description: One of the most frequently repeated questions of our time is what is art? Since we have become conditioned to the idea that ''significant art - a much overworked modern term - belongs to the revolutionary avant-garde, artists carry their search for the new at all costs into the field of non art. P.1
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The multiple image in art : a personal response
- Authors: Swift, Anthony J M
- Date: 1976
- Subjects: Art, Modern -- 20th century , Art -- Themes, motives , Art appreciation , Art, Modern -- 20th century -- Philosophy
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2497 , http://hdl.handle.net/10962/d1013330
- Description: The development of this thesis is akin to that of a painting. It is subject to various influences that have evoked ideas and each idea has stimulated other ideas, thus the continuity could have gone beyond the bounds of this work. It is not so much an amalgamation of similar ideas but a development of diverse ideas which have, once composed, a common factor - the Multiple Image. Image refers to some paintings that have been made or part of them, a photograph, a film, a subject visualized in the mind or a complex reforms which is suggestive. Multiple refers to anything that relatively repeats itself, has facsimilies of itself, triptychs, polyptychs or is a conglomeration of ideas in a work of art. Intro., p. 1.
- Full Text:
- Authors: Swift, Anthony J M
- Date: 1976
- Subjects: Art, Modern -- 20th century , Art -- Themes, motives , Art appreciation , Art, Modern -- 20th century -- Philosophy
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2497 , http://hdl.handle.net/10962/d1013330
- Description: The development of this thesis is akin to that of a painting. It is subject to various influences that have evoked ideas and each idea has stimulated other ideas, thus the continuity could have gone beyond the bounds of this work. It is not so much an amalgamation of similar ideas but a development of diverse ideas which have, once composed, a common factor - the Multiple Image. Image refers to some paintings that have been made or part of them, a photograph, a film, a subject visualized in the mind or a complex reforms which is suggestive. Multiple refers to anything that relatively repeats itself, has facsimilies of itself, triptychs, polyptychs or is a conglomeration of ideas in a work of art. Intro., p. 1.
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Art and conservation
- Authors: Dent, Hugh R
- Date: 1975
- Subjects: Nature conservation Environmentalism Nature (Aesthetics)
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2479 , http://hdl.handle.net/10962/d1011070
- Description: There can be no doubt that population increase and environmental pollution are the world's biggest problems today. These pose serious threats to the quality of life and art. They can only be remedied by an efficient system of birth-control and sound compulsory education, in order to regain spiritual enlightenment. Intro. p. 1.
- Full Text:
- Authors: Dent, Hugh R
- Date: 1975
- Subjects: Nature conservation Environmentalism Nature (Aesthetics)
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2479 , http://hdl.handle.net/10962/d1011070
- Description: There can be no doubt that population increase and environmental pollution are the world's biggest problems today. These pose serious threats to the quality of life and art. They can only be remedied by an efficient system of birth-control and sound compulsory education, in order to regain spiritual enlightenment. Intro. p. 1.
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Art and the Nekyia : a study of the significance of the symbolic descent into Hades in art, myth and ritual
- Authors: Place, L B
- Date: 1975
- Subjects: Hell in art , Death in art , Death -- Psychological aspects , Hell in literature
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2490 , http://hdl.handle.net/10962/d1013039
- Description: Art has very littlo to do with the dead. Death alone is the negation of creation, ,while art is a vital force, a deeply instinctive, everlasting, continual revitalisation. Art is life and nature and it lives in the realms of imagination, magic and mystery. Its language is the language of myth, and its aim is Truth. Art is action and reaction and is reached in silence by the artist alone and individually - its climate is solitude and its paths are as devious and labyrinthine as any the soul can follow in search of self-knowledge and the divine. Chap. 1, p. 1.
- Full Text:
- Authors: Place, L B
- Date: 1975
- Subjects: Hell in art , Death in art , Death -- Psychological aspects , Hell in literature
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2490 , http://hdl.handle.net/10962/d1013039
- Description: Art has very littlo to do with the dead. Death alone is the negation of creation, ,while art is a vital force, a deeply instinctive, everlasting, continual revitalisation. Art is life and nature and it lives in the realms of imagination, magic and mystery. Its language is the language of myth, and its aim is Truth. Art is action and reaction and is reached in silence by the artist alone and individually - its climate is solitude and its paths are as devious and labyrinthine as any the soul can follow in search of self-knowledge and the divine. Chap. 1, p. 1.
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Myth and art : a correlation
- Authors: Matthews, Celeste Deluvia
- Date: 1975
- Subjects: Art and mythology
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2487 , http://hdl.handle.net/10962/d1012844
- Description: The word myth evokes the same response as Lawrence's "snake at the water-trough"; the "voice of my education said it must be killed". We do so by confining it to Classicism or any of the diciplines. Myths in Classical language are Roman or Greek stories of fanciful or bawdy content, with naive or picturesque religious significance. A myth is not a story. There are many who interpret and explain myth. The fantasy doctors are applauded by the fantasy consumers. Intro. p. 1.
- Full Text:
- Authors: Matthews, Celeste Deluvia
- Date: 1975
- Subjects: Art and mythology
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2487 , http://hdl.handle.net/10962/d1012844
- Description: The word myth evokes the same response as Lawrence's "snake at the water-trough"; the "voice of my education said it must be killed". We do so by confining it to Classicism or any of the diciplines. Myths in Classical language are Roman or Greek stories of fanciful or bawdy content, with naive or picturesque religious significance. A myth is not a story. There are many who interpret and explain myth. The fantasy doctors are applauded by the fantasy consumers. Intro. p. 1.
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Plotinus and art
- Authors: Roome, J W
- Date: 1975
- Subjects: Plotinus
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2491 , http://hdl.handle.net/10962/d1013077
- Description: Plotinua was the last great philosopher of Antiquity. He has greatly influenced philosophy, theology, mysticism and art. He became the guiding force of thought in the west. Because of his stress on the autonomy of spirit he is a precursor of modern times. He was the founder of speculative mysticism which deals with states and stages of union with the absolute. Chap. 1, p. 1.
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- Authors: Roome, J W
- Date: 1975
- Subjects: Plotinus
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2491 , http://hdl.handle.net/10962/d1013077
- Description: Plotinua was the last great philosopher of Antiquity. He has greatly influenced philosophy, theology, mysticism and art. He became the guiding force of thought in the west. Because of his stress on the autonomy of spirit he is a precursor of modern times. He was the founder of speculative mysticism which deals with states and stages of union with the absolute. Chap. 1, p. 1.
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The shaman and the artist: a personal enquiry
- Authors: Cull, Cleone
- Date: 1975
- Subjects: Art, Shamanistic Shamans Artists
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2478 , http://hdl.handle.net/10962/d1010640
- Description: This inquiry incorporates anthropological surveys on the life and character of the shaman, some writings of the American Plains Indians, and artist's, whose life and work reflects the power/life force so integral to the beliefs of these so called primitive cultures. Since the artist cannot be separated from his environment, the actions and reactions of society have also been explored. The method of inquiry has been to establish, first, the way of the shaman, and then the way of the artist. Although each artist, reflects only certain aspects of the enquiry, there is a strong affinity in the life and works of them all.
- Full Text:
- Authors: Cull, Cleone
- Date: 1975
- Subjects: Art, Shamanistic Shamans Artists
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2478 , http://hdl.handle.net/10962/d1010640
- Description: This inquiry incorporates anthropological surveys on the life and character of the shaman, some writings of the American Plains Indians, and artist's, whose life and work reflects the power/life force so integral to the beliefs of these so called primitive cultures. Since the artist cannot be separated from his environment, the actions and reactions of society have also been explored. The method of inquiry has been to establish, first, the way of the shaman, and then the way of the artist. Although each artist, reflects only certain aspects of the enquiry, there is a strong affinity in the life and works of them all.
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Decorative aspects of reality with reference to sociological painting
- Authors: Clark, Dorothy
- Date: 1974
- Subjects: Decorative arts
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2474 , http://hdl.handle.net/10962/d1010501
- Description: The writer could not blame the reader for finding the title to this essay couched in somewhat academic terms. It must be said immediately that the title is a fake -- or that the following essay is a fake; the title has pretensions to the academic -- the essay has not. All academicism no longer has an independent existence -- it operates by formulae, is mechanical, uses faked sensations and vicarious experience and borrows its tricks and themes from a mature, established culture close at hand. This ' culture's life's blood is looted, given new twists, watered down and served up in academic terms. For these reasons, academicism and Kitsch are the same -- both change according to style and yet are always the same; both are the epitome of all that is spurious in our time. So, academicism could be said to be the 'stuffed shirt-front' for Kitsch. Preamble, p. 1.
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- Authors: Clark, Dorothy
- Date: 1974
- Subjects: Decorative arts
- Language: English
- Type: Thesis , Masters , MFA
- Identifier: vital:2474 , http://hdl.handle.net/10962/d1010501
- Description: The writer could not blame the reader for finding the title to this essay couched in somewhat academic terms. It must be said immediately that the title is a fake -- or that the following essay is a fake; the title has pretensions to the academic -- the essay has not. All academicism no longer has an independent existence -- it operates by formulae, is mechanical, uses faked sensations and vicarious experience and borrows its tricks and themes from a mature, established culture close at hand. This ' culture's life's blood is looted, given new twists, watered down and served up in academic terms. For these reasons, academicism and Kitsch are the same -- both change according to style and yet are always the same; both are the epitome of all that is spurious in our time. So, academicism could be said to be the 'stuffed shirt-front' for Kitsch. Preamble, p. 1.
- Full Text: