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Pygmy dance II

- MaMbuti Pigmy women, Composer not specified, Tracey, Hugh

Tamatsaro

- Drummers of Chief Mongika, Composer not specified, Tracey, Hugh

Wadima wadima

- Mangbele men, Composer not specified, Tracey, Hugh

  • Authors: Mangbele men , Composer not specified , Tracey, Hugh
  • Date: 1952-08-01
  • Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Efe
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/218926 , vital:48452 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT315-F94 , Research no. F4E6c
  • Description: Indigenous folk song called a 'Tipoyi carrier's song', with singing accompanied by 2 wooden pod-shaped slitdrums, two wooden cylindrincal slitdrums and rattles.
  • Full Text: false
  • Date Issued: 1952-08-01

Ana-e

- soilders of the Force Publique, at Camp Militaire, Gombari, Hugh Tracey

Announcing a death

- Drummers of Chief Mongika, Hugh Tracey

  • Authors: Drummers of Chief Mongika , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169089 , vital:41683 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-06
  • Description: Away from the Congo river itself it appears that the art of sending drum messages deteriorates into the sendng of signals only, the former being based upon the tonality of the individual words comprising the sentences transmitted, the latter comprising pre-set phrases and rhythms to which certain significance is attached. The signals may have risen from messages in the past but the skill of 'talking' on the drums has almost if not entirely vanished among the Mangbele. The significance ofthe 'Tamatsaro' signal was not explained. Drum rhythms or signals with 2 slit drums, 2 large pod shaped slit drums, 2 long cyclindrical drums.
  • Full Text: false
  • Date Issued: 1952

Call for circumcision

- Drummers of Chief Mongika, Hugh Tracey

  • Authors: Drummers of Chief Mongika , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169108 , vital:41685 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-06
  • Description: Away from the Congo river itself it appears that the art of sending drum messages deteriorates into the sendng of signals only, the former being based upon the tonality of the individual words comprising the sentences transmitted, the latter comprising pre-set phrases and rhythms to which certain significance is attached. The signals may have risen from messages in the past but the skill of 'talking' on the drums has almost if not entirely vanished among the Mangbele. The significance ofthe 'Tamatsaro' signal was not explained. Drum rhythms or signals with 2 slit drums, 2 large pod shaped slit drums, 2 long cyclindrical drums.
  • Full Text: false
  • Date Issued: 1952

Call to war

- Drummers of Chief Mongika, Hugh Tracey

  • Authors: Drummers of Chief Mongika , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169075 , vital:41681 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-02
  • Description: Away from the Congo river itself it appears that the art of sending drum messages deteriorates into the sendng of signals only, the former being based upon the tonality of the individual words comprising the sentences transmitted, the latter comprising pre-set phrases and rhythms to which certain significance is attached. The signals may have risen from messages in the past but the skill of 'talking' on the drums has almost if not entirely vanished among the Mangbele. The significance ofthe 'Tamatsaro' signal was not explained. Drum rhythms or signals with 2 slit drums, 2 large pod shaped slit drums, 2 long cyclindrical drums.
  • Full Text: false
  • Date Issued: 1952

Chief summoning his people

- Drummers of Chief Mongika, Hugh Tracey

  • Authors: Drummers of Chief Mongika , Hugh Tracey
  • Date: 1952
  • Subjects: Folk songs, Mangbetu , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169084 , vital:41682 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-03
  • Description: Away from the Congo river itself it appears that the art of sending drum messages deteriorates into the sendng of signals only, the former being based upon the tonality of the individual words comprising the sentences transmitted, the latter comprising pre-set phrases and rhythms to which certain significance is attached. The signals may have risen from messages in the past but the skill of 'talking' on the drums has almost if not entirely vanished among the Mangbele. The significance ofthe 'Tamatsaro' signal was not explained. Drum rhythms or signals with 2 slit drums, 2 large pod shaped slit drums, 2 long cyclindrical drums.
  • Full Text: false
  • Date Issued: 1952

Curative song

- Mbuti men, Hugh Tracey

Gbalabalatauw iye hihe – Work song

- Mbuti men, Hugh Tracey

Jean Pierre

- Mingana Paul and soilders of the Force Publique, Hugh Tracey

  • Authors: Mingana Paul and soilders of the Force Publique , Hugh Tracey
  • Date: 1952
  • Subjects: Ngala (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Mbangala
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169186 , vital:41693 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0129-13
  • Description: Stories of this kind are a peculiar invention of the Congo askaris, who have a large variety of them. This one is about a soilder who had three sons who refused to go to school and set out to educate themselves. One went to Leopoldville, one to Elizabethville and the third to Brussels. The last one, Jean Pierre, the youngest son, became a professional theif. He stole a fine car and drove it all the way up through Africa and on to Brussels in Beligium. There, he presented himself at the Palace. The Queen Astrid received him very graciously and asked him he wanted Jean Pierre was so overcome and taken aback at her kind request that he could think of nothing to say except "Some water please." Presently the King came in, having been on a long journey and when he saw Jean Pierre he ordered up the askari and had him flung into gaol, after which his friends would have nothing to do with him. The moral od the story, they said, is that one should not steal, and if the soilders steal, they say, their wives have them flung into gaol. These Congo soilders appear to have invented a wonderful way of ensuring the attention of the audience throughout their stories, at unexpected intervals, the story teller shouts out "Histoire" to which everyone must immediately respond "Onolo!" No one could explain to us the origin of the response and whether the word was of French or African origin, 'en or' or 'onolo'. (Copied from disc). Story
  • Full Text: false
  • Date Issued: 1952

Lebandima

- Mangbele men, Hugh Tracey

  • Authors: Mangbele men , Hugh Tracey
  • Date: 1952
  • Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168987 , vital:41668 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-14
  • Description: In the hilly country of North Eastern Congo and in the great tropical forest basin of the Ituri, the Tipoyi or Sedan chair is still the only means of passenger transport away from the main roads. Not only officials but most native chiefs and notables are carried in this manner by four or more bearers, who after the fashion of all Africans use special occupational songs for this kind of work. Tipoyi carriers song, with two wooden pod shaped slit drums and two cylindrical slit drums.
  • Full Text: false
  • Date Issued: 1952

Manatobo kukwo – Day lullaby

- Mbuti women, Hugh Tracey

Manatobo kukwo – Night lullaby

- Mbuti women, Hugh Tracey

Mbuti dance

- Mbuti Pygmy men and women, Hugh Tracey

  • Authors: Mbuti Pygmy men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Congo Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168259 , vital:41557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-13
  • Description: The Pygmies of the forest borrow the instruments of the Bantu people outside. They have few if any instruments of their own. The slit drum was beautifully proportioned, semi-circular in shape, 41" across the diameter and 3" broad. The slit was 1" across and was carved out a hole through it to act as an insulating foot while playing or a handle to bang it up by. It is called Ndundu. The two conical drums were called Gude and were the usual laced drums of the district and measured 22" x 13" head and 30" x 8" head. Both made of very light wood. Conical laced drums, 1 semi-circular slit drum and basket rattle.
  • Full Text: false
  • Date Issued: 1952

Mbuti drum rhythm

- Mbuti Pygmy men and women, Hugh Tracey

  • Authors: Mbuti Pygmy men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Congo Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168268 , vital:41558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-14
  • Description: The Pygmies of the forest borrow the instruments of the Bantu people outside. They have few if any instruments of their own. The slit drum was beautifully proportioned, semi-circular in shape, 41" across the diameter and 3" broad. The slit was 1" across and was carved out a hole through it to act as an insulating foot while playing or a handle to bang it up by. It is called Ndundu. The two conical drums were called Gude and were the usual laced drums of the district and measured 22" x 13" head and 30" x 8" head. Both made of very light wood. Conical laced drums, 1 semi-circular slit drum and basket rattle.
  • Full Text: false
  • Date Issued: 1952

Mbuti hunting cries

- Moke with Mbuti men, Hugh Tracey

  • Authors: Moke with Mbuti men , Hugh Tracey
  • Date: 1952
  • Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Congo Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168277 , vital:41559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-15
  • Description: The hollow clapping sound in the first song was produced by the Pygmies slapping the hollow of their crooked arms held against the chest with their hands. This kind of clapping indicates pleasure or rejoicing and takes the place of the two handed clapping which they do not appear to use. These cries, they said, were used when hunting the iddi, the small forest antelope, driving it into the hunting nets.
  • Full Text: false
  • Date Issued: 1952

Mongu

- Mbuti men, women and children, Hugh Tracey

  • Authors: Mbuti men, women and children , Hugh Tracey
  • Date: 1952
  • Subjects: Songs, Swahili , Mbuti (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Congo Swahili
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168232 , vital:41554 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0125-10
  • Description: The local popular name for these Pygmies is "Batikitiki". Like other groups of pygmies they are very much at the mercy of the Bantu tribes who live outside on the edges of their portion of the Ituri forest. They exchange meat and honey from the forest for grain and other food stuff, but as often as not are robbed of their efforts by exploiting Africans. The musical instruments used by these Pygmies are those borrowed from teh Bantu outside the forest. Drums, especially, would be too heavy and cumbersome for the Pygmies to carry into the forest with them, or keep in their flimsy camps. Party song with 2 conical, laced drums and 1 basket rattle.
  • Full Text: false
  • Date Issued: 1952

Ndeke

- soilders of the Force Publique, at Camp Militaire, Gombari, Hugh Tracey

Nebandima

- Mongika and Mangbele men and women, Hugh Tracey

  • Authors: Mongika and Mangbele men and women , Hugh Tracey
  • Date: 1952
  • Subjects: Kusu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombari f-cg
  • Language: Mangbetu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/168973 , vital:41666 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0128-12
  • Description: Mongika is the present Chief of the Mangbele. He and his two wives wore headdresses made of the scarlet tail feathers of the Congo parrot, a mark of distinction in this area. In this region on the northern edge of the great tropical forest large trees enable the people to make slit drums of many different shapes and sizes. Membranes for the ordinary kind of African drums are rare as antelopes are not easily found in the forest. The slit drums are therefore the more popular instruments for accompanying dances. Topical song with two wooden pod shaped slit drums, two cylindrical wooden slit drums, two basket rattles, two metal bells.
  • Full Text: false
  • Date Issued: 1952
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