Mbonalelo kha vhurangaphanda ha vhafumakadzi: young Vhavenḓa women’s views on their traditional leadership roles historically and post-1994
- Authors: Nengwekhulu, Omphulusa
- Date: 2025-04-25
- Subjects: Chiefdoms South Africa , South Africa Politics and government 1994- , Colonialism , Apartheid South Africa , Primogeniture South Africa , Patriarchy South Africa
- Language: English
- Type: Academic theses , Master's theses , text
- Identifier: http://hdl.handle.net/10962/478427 , vital:78186
- Description: This is a qualitative research study that examines how young Vhavenḓa women in post-apartheid South Africa views different traditional leadership roles that Vhavenḓa women have historically played and continue to play in Venḓa society. Therefore, the research question that this Master of Arts (MA) research study sought to research is the following: How do young, 21st-century Vhavenḓa women view the traditional leadership roles historically and currently held by Vhavenḓa women in Vhavenḓa society? To grapple with this research question, this study employed a combination of purposive and snowball sampling strategies to recruit seven research participants. Research participants were interviewed using a semi-structured interview approach, which allowed the researcher to build rapport with research participants. Data was manually coded into five themes, namely: 1) The Role of Makhadzi in Traditional Leadership Among the Venḓa Community, 2) The Role of Vhakoma in Traditional Leadership Among the Venḓa Community, 3) The Role of Vhakololo in Traditional Leadership Among the Venḓa Community, 4) The customary practice of male primogeniture and how it contradicts the South African Constitution post-1994, and 5) The socialisation process that puts boys and men on a leadership pedestal. The data was then analysed and discussed in Chapters Four and Five through an Africana Womanist theoretical framework. An important finding in this study is that makhadzi, the father’s sister and also a woman who is a custodian of traditional leadership, is the traditional role that all the participants recognised as the leadership role that Vhavenḓa women have historically played and continue to play. Another role identified by participants as significant within the Venḓa leadership structure is Vhakoma, the Queen Mother and the chief's mother. However, there was limited familiarity with the role of Vhakololo, the royal members or people born into the royal family, as only one participant identified it as a leadership role traditionally occupied by Vhavenḓa women. Research participants suggested that colonial modernity contributes to a lack of knowledge about their culture. Another important finding of this study is that in post-1994 South Africa, there has been a tension between customary practices such as male primogeniture and the South African Constitution. Consequently, some women leaders have used the courts to challenge this practice. Ultimately, this study contributes to the discourse about women’s empowerment and the dismantling of patriarchal structures that undermine women's potential as leaders in the Venḓa context. , Thesis (MA) -- Faculty of Humanities, Political and International Studies, 2025
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- Date Issued: 2025-04-25
The resilience of African music
- Authors: Tracey, Hugh
- Subjects: Marimba , Malimba , Public opinion , History , Origin of music , Nguni , Swazi , Zulu , Xhosa , Pentatonic modes , Strutting-singing , Johannesburg , Domestic workers , Hymn , Negro spiritual , Praise chants , Poetry , Karanga song , Southern Rhodesia , Sotho , Colonialism , Church of Shembe , Church of Nazareth , Amakholwa , Country dance , Zulu hymns , Ihubo , Regimental song , Praise recitation , Christian dance , Zulu dance , Pilgrimage , Drums , Wailing , Singing , Saxophone , Jazz band , Skokiaan , Happy happy Africa , Nairobi , Modality , Choral music , Arabian music , Egyptian music , Mombasa , Hand piano , Congo , Likembe , Ensemble , Town dance , Leopoldville , Chopi , Xylophone , Portuguese , Shembe , Bulawayo Jazz , Heptatonic , Amen , Swahili , Salve Regina , East Africa , Sixteenth century
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15085 , http://hdl.handle.net/10962/d1008513 , Reel number: BC076, BC077
- Description: Broadcast entitled ‘The resilience of African music‘ broadcast by the British Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: The Three High Commission Territories Series No.2, The music of Bechuanaland
- Authors: Tracey, Hugh
- Subjects: Singing , Bechuaunaland , Desert , Mafikeng , Rain , Drought , Rain song , Pula , Khanye , Tswana , Cattle , Cattle raiding , Lion , Chanting , Clans , History , Basutoland , Khama , Praise verse , Initiation ceremony , Secret , Sacred , Girls‘ initiation ceremony , Straw masks , Rolong , Blankets , Knopkierie , Shaved head , Red face , Tortoises , Liver , Wood cutting , Pina dance , Party dance , Beer , Drinking , Grunting , Honey bear , Choir , One good turn deserves another , Choral singing , Colonialism , Hymn , Pipes , Reed , Leopard , Morals , Children , Lion hunting song , Khama‘s country , Ishetlhana , Beer drinking song , Nagogwe me leseng , He ga re a nmwa ke nkgana
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15093 , http://hdl.handle.net/10962/d1008521 , Reel number: BC114, BC115, BC116
- Description: 2nd of 4 of ‘The Three High Commission Territories‘ of ‘The Sound of Africa‘ Series of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the British Broadcasting Corporation , Feature programm for the BBC , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false