The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The Sound of Africa: Music of the guitars
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Music of the Copperbelt , Mufulira Copper Mine , Northern Rhodesia , Popular music , Guitars , Singing , Accordion , Matafwana, Isaac , Composer , Guitar player , Swahili song , Ushi , Kakonko , The small rough knot , Recording , Loud speaker , Criticize immediately , African Townships , Congo , Kolwezi Copper Mine , Muleka , Kasai Province , Town song , Folk song , Bat story song , Mudima zenzele , Short lines , Melodic sentences , Congo cafe , Cafe dancing , Patrice, Ilunga , Misomba, Victor , Luba language , Swahili Language , Mama Josefina , Mama Antoinette , Antoinette wa Kolwezi , Party song , Mamwana kufika munda , Congo rhythm , Hemba tribesman , Kabinda District , Luba/Songe tribesman , Kabongo District , Masenga wa Bena Nomba , Nono, Ngoi , Kabongo, Anastase , Songe group of musicians , Muleka Mwene Yombwe , Chisanzhi , Mbira , Stringed instrument , Rattles , Country folk music , Topical songs , Mangai , Chibanda , Kasena , Kanyoka men , Kamwendende dance , Drums , Basket rattles , Mama wanyi bwala wanyi , Elizabethville , Blind musician , Kisl, Fred , Lala people , Serenje District , Guitarist , Luwale o iuwale , Chiwombo River , Songe songs , Bottle
- Language: English
- Type: Sound , Radio Broadcast , Music
- Identifier: vital:15121 , http://hdl.handle.net/10962/d1011631 , Reel numbers: BC102, BC103
- Description: 11th programme in 'The Sound of Africa' Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh , Tracey, Peggy
- Subjects: Music of the Copperbelt , Mufulira Copper Mine , Northern Rhodesia , Popular music , Guitars , Singing , Accordion , Matafwana, Isaac , Composer , Guitar player , Swahili song , Ushi , Kakonko , The small rough knot , Recording , Loud speaker , Criticize immediately , African Townships , Congo , Kolwezi Copper Mine , Muleka , Kasai Province , Town song , Folk song , Bat story song , Mudima zenzele , Short lines , Melodic sentences , Congo cafe , Cafe dancing , Patrice, Ilunga , Misomba, Victor , Luba language , Swahili Language , Mama Josefina , Mama Antoinette , Antoinette wa Kolwezi , Party song , Mamwana kufika munda , Congo rhythm , Hemba tribesman , Kabinda District , Luba/Songe tribesman , Kabongo District , Masenga wa Bena Nomba , Nono, Ngoi , Kabongo, Anastase , Songe group of musicians , Muleka Mwene Yombwe , Chisanzhi , Mbira , Stringed instrument , Rattles , Country folk music , Topical songs , Mangai , Chibanda , Kasena , Kanyoka men , Kamwendende dance , Drums , Basket rattles , Mama wanyi bwala wanyi , Elizabethville , Blind musician , Kisl, Fred , Lala people , Serenje District , Guitarist , Luwale o iuwale , Chiwombo River , Songe songs , Bottle
- Language: English
- Type: Sound , Radio Broadcast , Music
- Identifier: vital:15121 , http://hdl.handle.net/10962/d1011631 , Reel numbers: BC102, BC103
- Description: 11th programme in 'The Sound of Africa' Series A of illustrated talks by Hugh Tracey on his travels in search of African music, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
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