Bantu Music: What is Bantu Music?
- Authors: Tracey, Hugh
- Subjects: Learning , Bantu music , Map of Africa , Equator , Somalia , Mombasa , Mogadishu , Kenya , Mount Kenya , Lake Victoria , The Great Equatorial Forest , The Great Congo Forest , Lambarene Mission , Dr. Schweitzer , Portuguese Island of San Thomé , Sahara Desert , Mediterranean coastal regions , West African coastal regions , Arabs , Egypt , Morocco , West African Negroids , Sudanic , Bantu Negroids , Hamitic group , Migrated , North East Asia , Ethiopia , Great Lakes , Develop , Languages , Music , Bantu languages , Arab style music , Sudanic style music , Bantu musics , Nguni , Sotho , Tswana , Folk music , Town music , Play recorded music , Musical bows , Musical flutes , Ugubhu bow , Makhweyane bow , What makes Bantu music special
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15138 , http://hdl.handle.net/10962/d1012586 , Reel number: BC165
- Description: 1st programme in the school broadcast series 'Bantu Music: What is Bantu Music' by Hugh Tracey broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false