Kalulu drum rhythms
- 3 Nyakyusa drummers with Nyakyusa women, Hugh Tracey
- Authors: 3 Nyakyusa drummers with Nyakyusa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Ngonde (African people)--music , Drum--Performance , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151828 , vital:39177 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-02
- Description: The women's dance was slow and graceful, and consisted of advancing and retiring in pairs, raising and lowering their large horse-tail fly-whisks. "Kabulu" in Nyakyusa is derived, they say, from the word meaning to "ululate". During the dance they call out "we are proud of Tukuyu, we are proud we have come." All the drums were locally made on the mine, from oil drums. They were double-headed and laced. Mampenenga and Kalulu dance with 1 conical drum, laced, 2 cylindrical laced drums with wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 3 Nyakyusa drummers with Nyakyusa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Ngonde (African people)--music , Drum--Performance , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151828 , vital:39177 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-02
- Description: The women's dance was slow and graceful, and consisted of advancing and retiring in pairs, raising and lowering their large horse-tail fly-whisks. "Kabulu" in Nyakyusa is derived, they say, from the word meaning to "ululate". During the dance they call out "we are proud of Tukuyu, we are proud we have come." All the drums were locally made on the mine, from oil drums. They were double-headed and laced. Mampenenga and Kalulu dance with 1 conical drum, laced, 2 cylindrical laced drums with wooden beaters.
- Full Text: false
- Date Issued: 1957
Mampenenga drum rhythms
- 3 Nyakyusa drummers with Nyakyusa women, Hugh Tracey
- Authors: 3 Nyakyusa drummers with Nyakyusa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Ngonde (African people)--music , Drum--Performance , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151819 , vital:39176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-01
- Description: The Mampenenga is danced in silence to the accompaniment of the drums. The dancers, all men wore long Swahili "Kikoye" or skirts. The bass drummer uses one of his sticks as a pressure stick occassionally to raise the note on the membrane. The dance is a form of slow graceful prancing with much bending of the kness and swinging, raising and lowering of fly-whisks in the right hand. Mampenenga and Kalulu dance with 1 conical drum, laced, 2 cylindrical laced drums with wooden beaters.
- Full Text: false
- Date Issued: 1957
- Authors: 3 Nyakyusa drummers with Nyakyusa women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Arts, Malawi , Field recordings , Nyakyusa (African people)--Music , Ngonde (African people)--music , Drum--Performance , Africa Malawi Tukuyu f-mw
- Language: Nyakyusa-Ngonde
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151819 , vital:39176 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-01
- Description: The Mampenenga is danced in silence to the accompaniment of the drums. The dancers, all men wore long Swahili "Kikoye" or skirts. The bass drummer uses one of his sticks as a pressure stick occassionally to raise the note on the membrane. The dance is a form of slow graceful prancing with much bending of the kness and swinging, raising and lowering of fly-whisks in the right hand. Mampenenga and Kalulu dance with 1 conical drum, laced, 2 cylindrical laced drums with wooden beaters.
- Full Text: false
- Date Issued: 1957
Sabwabwa
- 5 Kete men, Performer not specified, composer not specified, Tracey, Hugh
- Authors: 5 Kete men , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/346881 , vital:63439 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3966-XYZ2567b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: 5 Kete men , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo city not specified f-cg
- Language: Lunda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/346881 , vital:63439 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3966-XYZ2567b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Fasonti (Name of a man)
- 5 young Xhosa men and women, Hugh Tracey
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150750 , vital:39002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-02
- Description: The leading girl sings the melody at a lower pitch than the accompaniment sung by the chorus. This song is in praise of Fasonti; it is, they say, 'Fasonti's own personal song'. Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150750 , vital:39002 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-02
- Description: The leading girl sings the melody at a lower pitch than the accompaniment sung by the chorus. This song is in praise of Fasonti; it is, they say, 'Fasonti's own personal song'. Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
Igada (A clod of earth)
- 5 young Xhosa men and women, Hugh Tracey
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150761 , vital:39003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-03
- Description: This was sung by the same group of young Xhosa men and women as the first 2 songs. The dancing was static, done by the mwn only, who used a single stamping step, but very stlised elegant gestures of arms and hands. They were holding decorated sticks. One man held up the two end corners of his blanket-skirt. His forearms were solidly encased in brass wire bracelets from wrist to elbow. Intlombe dances for young people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Folk music , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150761 , vital:39003 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-03
- Description: This was sung by the same group of young Xhosa men and women as the first 2 songs. The dancing was static, done by the mwn only, who used a single stamping step, but very stlised elegant gestures of arms and hands. They were holding decorated sticks. One man held up the two end corners of his blanket-skirt. His forearms were solidly encased in brass wire bracelets from wrist to elbow. Intlombe dances for young people with clapping.
- Full Text: false
- Date Issued: 1957
Dlalani (Name of a man)
- 5 young Xhosa men and women, Hugh Tracey
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150741 , vital:39001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-01
- Description: The song is in praise of a man who has many lovers. This song and the following one were sung by a group of very beautifully dressed young people, the men dancers elegantly blanketed and beaded, the girls wearing pale ochre skirts with many rows of indigo blue braid and their headcloths of indingo blie wool were folded about their heads to form a tall tubular headdress rather like that of Queen Nefertiti. Before the recording started, but whilst the singers were "warming up" there was rather a curious little ceremony which forms part of the dance. One of the girls went around removing the men dancers's headcloths revealing their head bead ornaments. She put their headcloths on her own head, then returned to the line of girls and gave each girl her own young mans' headcloth, which was then tied round the girl's head. A stick specially decorated for dancing is called "Libunguza." Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
- Authors: 5 young Xhosa men and women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Field recordings , Xhosa (African people) , Africa South Africa Kentani f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/150741 , vital:39001 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR061-01
- Description: The song is in praise of a man who has many lovers. This song and the following one were sung by a group of very beautifully dressed young people, the men dancers elegantly blanketed and beaded, the girls wearing pale ochre skirts with many rows of indigo blue braid and their headcloths of indingo blie wool were folded about their heads to form a tall tubular headdress rather like that of Queen Nefertiti. Before the recording started, but whilst the singers were "warming up" there was rather a curious little ceremony which forms part of the dance. One of the girls went around removing the men dancers's headcloths revealing their head bead ornaments. She put their headcloths on her own head, then returned to the line of girls and gave each girl her own young mans' headcloth, which was then tied round the girl's head. A stick specially decorated for dancing is called "Libunguza." Intolombe dance for young people with clapping.
- Full Text: false
- Date Issued: 1957
Ulushimi lwa mukashana ne nsupa ya mfumu (The story of the girl and the chief's calabash)
- Agnes Bwenpe and group of small girls, Hugh Tracey
- Authors: Agnes Bwenpe and group of small girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Bancroft Mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151806 , vital:39173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-16
- Description: There was once a Chief who had a favourite wife to whom he gave a calabash. Now this Chief disappeared. One day she with the calabash, she found herself sailing down the river in it, and as she sang: "Ulushimi lwa mukashana ne nsupa ya mfunu." She sailed amongst the fish, some of which wanted to eat her. But she sang to them and they let her go. Afterwards she fell amongst crocodiles. But they too let her go when she sang to them and eventually she found herself in a village and gave it to the chief and put her in a hut where she was badly bitten by insects. However she did not kill any of them, as she was a kind and gentle woman. Then the chief sent word that she must come and undergo a test. Which was to pick out her own calabash from amongst many others. As she went one of the insects said to her: "Choose that calabash you see a fly settle on." So, when she swa all the calabashes spread out before her, she waited for a fly to settle on one. It settled on the smallest and she picked it up and said: "This is mine." Whereon the chief came out of his hut and to her amazement it was her own husband who said: "Now I know this is my own wife, because she recogonizes the calabash I once gave her." Isimi story with song.
- Full Text: false
- Date Issued: 1957
- Authors: Agnes Bwenpe and group of small girls , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Music--Zambia , Field recordings , Folk songs, Bemba , Bemba (African people) , Africa Zambia Bancroft Mine f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151806 , vital:39173 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR065-16
- Description: There was once a Chief who had a favourite wife to whom he gave a calabash. Now this Chief disappeared. One day she with the calabash, she found herself sailing down the river in it, and as she sang: "Ulushimi lwa mukashana ne nsupa ya mfunu." She sailed amongst the fish, some of which wanted to eat her. But she sang to them and they let her go. Afterwards she fell amongst crocodiles. But they too let her go when she sang to them and eventually she found herself in a village and gave it to the chief and put her in a hut where she was badly bitten by insects. However she did not kill any of them, as she was a kind and gentle woman. Then the chief sent word that she must come and undergo a test. Which was to pick out her own calabash from amongst many others. As she went one of the insects said to her: "Choose that calabash you see a fly settle on." So, when she swa all the calabashes spread out before her, she waited for a fly to settle on one. It settled on the smallest and she picked it up and said: "This is mine." Whereon the chief came out of his hut and to her amazement it was her own husband who said: "Now I know this is my own wife, because she recogonizes the calabash I once gave her." Isimi story with song.
- Full Text: false
- Date Issued: 1957
Ilanga langishiya
- Alberto Tentowani Mwamosi, Gabriel Maopana Bila, composer not specified, Tracey, Hugh
- Authors: Alberto Tentowani Mwamosi , Gabriel Maopana Bila , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356514 , vital:64631 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-KIS9
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alberto Tentowani Mwamosi , Gabriel Maopana Bila , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356514 , vital:64631 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-KIS9
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Watasala warila nanzifile
- Alberto Tentowani Mwamosi, performer not specified, Tracey, Hugh
- Authors: Alberto Tentowani Mwamosi , performer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356505 , vital:64630 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-K1S10
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alberto Tentowani Mwamosi , performer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356505 , vital:64630 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-K1S10
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Mashenganyana
- Alberto Tentowani Mwamosi, Gabriel Maopana Bila, Tracey, Hugh
- Authors: Alberto Tentowani Mwamosi , Gabriel Maopana Bila , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356562 , vital:64640 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-L1A2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alberto Tentowani Mwamosi , Gabriel Maopana Bila , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356562 , vital:64640 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-L1A2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Achifa dukwana chamina
- Alberto Tentowani Mwamosi, Gabriel Maopana Bila, Tracey, Hugh
- Authors: Alberto Tentowani Mwamosi , Gabriel Maopana Bila , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356529 , vital:64634 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-L1A1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alberto Tentowani Mwamosi , Gabriel Maopana Bila , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/356529 , vital:64634 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP4347-L1A1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Shendamundale banana (I am a very worried man)
- Alexander Muhiana and Griffis Kopo, Hugh Tracey
- Authors: Alexander Muhiana and Griffis Kopo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zimbabwe Wankie Coillery f-rh
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152118 , vital:39214 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-15
- Description: The singers' main burden is himself and the mental suffering he endures on account of his many anxieties and cares. Lament with Kangombio mbira.
- Full Text: false
- Date Issued: 1957
- Authors: Alexander Muhiana and Griffis Kopo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zimbabwe Wankie Coillery f-rh
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152118 , vital:39214 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-15
- Description: The singers' main burden is himself and the mental suffering he endures on account of his many anxieties and cares. Lament with Kangombio mbira.
- Full Text: false
- Date Issued: 1957
Kwaile Muhiana ni yema (I will go where Muhiana has gone)
- Alexander Muhiana and Griffis Kopo, Hugh Tracey
- Authors: Alexander Muhiana and Griffis Kopo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zimbabwe Wankie Coillery f-rh
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152107 , vital:39213 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-14
- Description: It is supposed to be a girl singing. Muhiana is the name of the girls' lover. Tuning of the instrument:- 552, 512, 448, 420, 376, 348, 308, 276 vs. Self-delectative song with Kangombio mbira.
- Full Text: false
- Date Issued: 1957
- Authors: Alexander Muhiana and Griffis Kopo , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Lozi (African people) , Africa Zimbabwe Wankie Coillery f-rh
- Language: Lozi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/152107 , vital:39213 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR067-14
- Description: It is supposed to be a girl singing. Muhiana is the name of the girls' lover. Tuning of the instrument:- 552, 512, 448, 420, 376, 348, 308, 276 vs. Self-delectative song with Kangombio mbira.
- Full Text: false
- Date Issued: 1957
Test I of rhythmic basis of children's songs
- Alfred Tshibalanganda from Gaba, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalanganda from Gaba , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406351 , vital:70262 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT15-KV5-KV3A1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalanganda from Gaba , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406351 , vital:70262 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT15-KV5-KV3A1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Tunings of Zwipoṱoliyo
- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406979 , vital:70327 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A3-3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406979 , vital:70327 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A3-3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Marching song
- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407145 , vital:70340 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV9-KV3F1A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407145 , vital:70340 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV9-KV3F1A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Tunings of Zwipoṱoliyo
- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407046 , vital:70332 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407046 , vital:70332 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A4
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Tunings of Zwipoṱoliyo
- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407098 , vital:70336 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407098 , vital:70336 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Tunings of Zwipoṱoliyo
- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407114 , vital:70337 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/407114 , vital:70337 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Tunings of Zwipoṱoliyo
- Alfred Tshibalangwanda, Flanbert Tshikwati, composer not specified, Tracey, Hugh
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406951 , vital:70325 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Alfred Tshibalangwanda , Flanbert Tshikwati , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406951 , vital:70325 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT17-KV8-KV3E3A2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957