Pakushila mnka munshe wendo seneme
- Bwalga, Edward, Composer not specified, Tracey, Hugh
- Authors: Bwalga, Edward , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/207171 , vital:47103 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT062-C63 , Research no. C3T1
- Description: Not specified.
- Full Text: false
- Date Issued: 1949
- Authors: Bwalga, Edward , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Zambia Not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/207171 , vital:47103 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT062-C63 , Research no. C3T1
- Description: Not specified.
- Full Text: false
- Date Issued: 1949
Samanyemba ne Nzou
- Teachers Training College, Penhalonga, Hugh Tracey
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mangwende f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180601 , vital:43589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-02
- Description: The story of an elephant who was given a child to liik after. "I have brought up so many children, that is easy, leave it to me" said the elephant. So he took the child away into the thick bush. When evening came she called the elephant to bring the child back. But there was no reply. So she went home to tell her husband and to collect the men to come and help her find the elephant. They came straight away, found the footprints of the elephant and followed them into the bush singing to the elephant as they went. At this point the recording ends without the denouement, so we shall never know if she got her child back or not. Whenever the word or refrain 'Samanyemba' is used in a Karanga song it is usually associated with decit. It appears that Samanyemba was the father of all liars - men were deceivers ever. Story song.
- Full Text: false
- Date Issued: 1949
- Authors: Teachers Training College, Penhalonga , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Mangwende f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180601 , vital:43589 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR170-02
- Description: The story of an elephant who was given a child to liik after. "I have brought up so many children, that is easy, leave it to me" said the elephant. So he took the child away into the thick bush. When evening came she called the elephant to bring the child back. But there was no reply. So she went home to tell her husband and to collect the men to come and help her find the elephant. They came straight away, found the footprints of the elephant and followed them into the bush singing to the elephant as they went. At this point the recording ends without the denouement, so we shall never know if she got her child back or not. Whenever the word or refrain 'Samanyemba' is used in a Karanga song it is usually associated with decit. It appears that Samanyemba was the father of all liars - men were deceivers ever. Story song.
- Full Text: false
- Date Issued: 1949
Sarunde-runde-runde
- Duma women and men, Hugh Tracey
- Authors: Duma women and men , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180574 , vital:43404 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-16
- Description: In this well known story the hero is called Sarunde at Bikita but Saronde is in the Chilimanzi district. In this version, the elder brother covets his younger brother's beautiful wife; while out hunting together the elder brother manages to entice his younger brother into a cave and rolls stones over the entrance. He can be heard singing from inside the cave telling people outside what has happened. Story song
- Full Text: false
- Date Issued: 1949
- Authors: Duma women and men , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180574 , vital:43404 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-16
- Description: In this well known story the hero is called Sarunde at Bikita but Saronde is in the Chilimanzi district. In this version, the elder brother covets his younger brother's beautiful wife; while out hunting together the elder brother manages to entice his younger brother into a cave and rolls stones over the entrance. He can be heard singing from inside the cave telling people outside what has happened. Story song
- Full Text: false
- Date Issued: 1949
Shangara
- Manyoni Wanyamande and his wife, Hugh Tracey
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180185 , vital:43330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-07
- Description: Drinking song with Njari (Mbira)
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Gwelo f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180185 , vital:43330 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-07
- Description: Drinking song with Njari (Mbira)
- Full Text: false
- Date Issued: 1949
Shokora ndinozwa mumba muno (Pound the grain, I am listening inside here)
- Manyoni Wanyamande and his wife, Hugh Tracey
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180231 , vital:43335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-12
- Description: The Shangara dance has enjoyed many years of popularity amongst the younger generation. Its pronunciation is unusual being Shangara and not as one might have expected Shangara. It is swiftly moving step dance performed by each of the dancers in turn. The singer remarks among other things on the expense involved if you visit a town. Dance song for Shangara dance for me and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
- Authors: Manyoni Wanyamande and his wife , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Fort Victoria f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180231 , vital:43335 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-12
- Description: The Shangara dance has enjoyed many years of popularity amongst the younger generation. Its pronunciation is unusual being Shangara and not as one might have expected Shangara. It is swiftly moving step dance performed by each of the dancers in turn. The singer remarks among other things on the expense involved if you visit a town. Dance song for Shangara dance for me and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Soche yulasa amama nkalilani
- Ngoni Men and Women, Miti, Maselina, Tracey, Hugh
- Authors: Ngoni Men and Women , Miti, Maselina , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Zulu , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196233 , vital:45741 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3W9
- Description: Dance song for chitelele dance for girls and women, accompanied by clapping.
- Full Text: false
- Date Issued: 1949
- Authors: Ngoni Men and Women , Miti, Maselina , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Zulu , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Zulu
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196233 , vital:45741 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3W9
- Description: Dance song for chitelele dance for girls and women, accompanied by clapping.
- Full Text: false
- Date Issued: 1949
Tambara ndikutumbure munzwa iwe (Stretch out your leg so that I can take out the thorn in your foot)
- Saimoni Mashoka and three women, Hugh Tracey
- Authors: Saimoni Mashoka and three women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Buhera f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180212 , vital:43333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-10
- Description: "Chiremba abaie ngoma" "The diviner has done a good thing." (idiomatic expression). Dance song for Shangara dance for men and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Tambara ndikutumbure munzwa iwe (Stretch out your leg so that I can take out the thorn in your foot)
- Authors: Saimoni Mashoka and three women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Buhera f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180212 , vital:43333 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-10
- Description: "Chiremba abaie ngoma" "The diviner has done a good thing." (idiomatic expression). Dance song for Shangara dance for men and women with Njari (Mbira).
- Full Text: false
- Date Issued: 1949
Tata Shibwalya
- Katilungu, Lawrence, Bemba Men and Women, Composer not specified, Tracey, Hugh
- Authors: Katilungu, Lawrence , Bemba Men and Women , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196262 , vital:45744 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3X2
- Description: Drinking song for Mupukumo dance for men and women with rattle.
- Full Text: false
- Date Issued: 1949
- Authors: Katilungu, Lawrence , Bemba Men and Women , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia City f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196262 , vital:45744 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3X2
- Description: Drinking song for Mupukumo dance for men and women with rattle.
- Full Text: false
- Date Issued: 1949
Tatwaibombe incito yafilwa masoca
- Mulenga, David, Composer not specified, Tracey, Hugh
- Authors: Mulenga, David , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196302 , vital:45749 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3X4
- Description: Drinking song.
- Full Text: false
- Date Issued: 1949
- Authors: Mulenga, David , Composer not specified , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Folk songs, Bemba , Field recordings , Africa, Sub-Saharan , Africa Zambia City not specified f-za
- Language: Bemba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/196302 , vital:45749 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-069 , Research no. C3X4
- Description: Drinking song.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela (Mzeno)
- Kapani waChikwita, Tracey, Hugh
- Authors: Kapani waChikwita , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194524 , vital:45458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-11
- Description: "Come around, you people of Zandamela." The shouting of the leader between verses is the 'lining' of the next verse for the dancers to sing. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Kapani waChikwita , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194524 , vital:45458 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-11
- Description: "Come around, you people of Zandamela." The shouting of the leader between verses is the 'lining' of the next verse for the dancers to sing. Orchestral dance with Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Chiriri (6th Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194477 , vital:45453 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-06
- Description: The orchestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This movement is number 6 because there was no Mchuyo movement that year. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194477 , vital:45453 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-06
- Description: The orchestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This movement is number 6 because there was no Mchuyo movement that year. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Mdano (5th Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194468 , vital:45452 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-05
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. The verses were sung once and not repeated as is usually done. This was for recording purposes only. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194468 , vital:45452 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-05
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. The verses were sung once and not repeated as is usually done. This was for recording purposes only. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Msitso woKata (1st Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194432 , vital:45448 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-01
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194432 , vital:45448 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-01
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Msitso woMbidi (2nd Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194441 , vital:45449 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-02
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This recording is not of high fidelity quality but merits inclusion in this series as comparative evidence of Chopi musicianship at the time (1949). Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194441 , vital:45449 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-02
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This recording is not of high fidelity quality but merits inclusion in this series as comparative evidence of Chopi musicianship at the time (1949). Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Msitso woRaru (3rd Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194446 , vital:45450 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-03
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This is a nine bar ground. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194446 , vital:45450 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-03
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. This is a nine bar ground. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Mzeno (7th Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194489 , vital:45454 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-07
- Description: The orchestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194489 , vital:45454 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-07
- Description: The orchestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
The Ngodo of Regulo Zandamela. Ngeniso (4th Movement)
- Fomeni Faduko (Leader), Tracey, Hugh
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194459 , vital:45451 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-04
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
- Authors: Fomeni Faduko (Leader) , Tracey, Hugh
- Date: 1949
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Zandamela's f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194459 , vital:45451 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR206-04
- Description: The ochestra was not in very good tune that year, several instruments being off pitch in one or two notes. The scale was: 496, 488, 448, 404, 368, 332, 300, 248 vs. Orchestral dance with 23 Timbila xylophones.
- Full Text: false
- Date Issued: 1949
Tina gambe Biti Mwenye (Let us talk, Miss Mwenye)
- Authors: Egesi Londoni , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Africa Malawi K.A.R. Zomba f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151956 , vital:39191 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-16
- Description: Biti or Binti is the Yao/Swahili equivalent to the English "Miss". Topical song with Bangwe m'kulu zither.
- Full Text: false
- Date Issued: 1949
- Authors: Egesi Londoni , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Africa Malawi K.A.R. Zomba f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151956 , vital:39191 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-16
- Description: Biti or Binti is the Yao/Swahili equivalent to the English "Miss". Topical song with Bangwe m'kulu zither.
- Full Text: false
- Date Issued: 1949
Tindi! Zaone
- Jeke Shoko with Duma men, Hugh Tracey
- Authors: Jeke Shoko with Duma men , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Bikita f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181434 , vital:43733 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-03
- Description: "Tindi! Come and see the eye on the ground. A certain man buried a drum underneath the path which several wild animals used to take on their way to eat his crops in the fields. As they walked over the place where the drum was buried it made an attractive sound as 'Tindi'. So the animals kept on walking over the spot calling to each other to try it out for themselves. In this way their attention was diverted from the main crops in the field. Three story for a story
- Full Text: false
- Date Issued: 1949
- Authors: Jeke Shoko with Duma men , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Bikita f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/181434 , vital:43733 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-03
- Description: "Tindi! Come and see the eye on the ground. A certain man buried a drum underneath the path which several wild animals used to take on their way to eat his crops in the fields. As they walked over the place where the drum was buried it made an attractive sound as 'Tindi'. So the animals kept on walking over the spot calling to each other to try it out for themselves. In this way their attention was diverted from the main crops in the field. Three story for a story
- Full Text: false
- Date Issued: 1949
Wakazofa akasiya umwe
- Jima Shumba with Duma men and women, Hugh Tracey
- Authors: Jima Shumba with Duma men and women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Bikita f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180565 , vital:43403 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-15
- Description: Fighting songs which date back to the days when the Shangaans were raiding from the south-east and the Matebele from the south west. Fighting songs.
- Full Text: false
- Date Issued: 1949
- Authors: Jima Shumba with Duma men and women , Hugh Tracey
- Date: 1949
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Bikita f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180565 , vital:43403 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-15
- Description: Fighting songs which date back to the days when the Shangaans were raiding from the south-east and the Matebele from the south west. Fighting songs.
- Full Text: false
- Date Issued: 1949