Showing items 81 - 100 of 264

Your selections:

Aramutanga

- Bomera and Tibuhoire, Hugh Tracey

  • Authors: Bomera and Tibuhoire , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169798 , vital:41825 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-05
  • Description: Tunes, like the bosun's piping in the navy, which drum and pipe the Mukama as he leaves his Kikale (house) to go his rounds or visit the Council Chamber or court. The Nsegu pipes are made in two sections and joined together by binding with hide, or iguana skin which is shrunk or bound onto the two halves. Way of 'piping' the Mukama with two Nsegu end blown vertical, open flutes.
  • Full Text: false
  • Date Issued: 1950

Asonga omwami tagayala

- Abalere ba Kabaka, Hugh Tracey

  • Authors: Abalere ba Kabaka , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170608 , vital:41941 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-03
  • Description: This song warns a man to be good and a faithful servant once he is entrusted with service by his master. A man must respect the messenger of a chief for he is sent by the Chief himself. He must respect a man in authority even though he is of small stature for he represents the King. Morality song with 3 Ndere flutes, end blown, notched, open, 1 cylindrical drum, pinned, footed (-14.01201-), 3 conical drums, laced, 2 played with hands and 1 with sticks. (-14.22301-).
  • Full Text: false
  • Date Issued: 1950

Ayaas imoo esosi ka sogoli

- Ekisa Saulo and Teso men, Hugh Tracey

Ayahangiri abakazi

- Festo Mburabwikyo and Nyoro men and women, Hugh Tracey

Ayemere Kasunau nkwanzi

- Faisi Wabunoha and Toro women, Hugh Tracey

Banana

- Kuruseni with Soga men, Hugh Tracey

  • Authors: Kuruseni with Soga men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamuli f-ug
  • Language: Soga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171447 , vital:42061 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-08
  • Description: "We only play our Budongo for the big people. They are good instruments and we come from Bugabula. Oh, the Budongo music is enchanting!". Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
  • Full Text: false
  • Date Issued: 1950

Basibira malaika

- Madinda ga Kababa, xylophone players of the Lubili palace, Hugh Tracey

  • Authors: Madinda ga Kababa, xylophone players of the Lubili palace , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170687 , vital:41950 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-11
  • Description: Tune based upon a traditional song. "Moslems are fasting - Moslems fast." The fast of Ramadan was just over when this item was recorded. Both this instrument and the other xylophone at the Lubili (palace) had been brought in from different parts of the country. They were both slightly out of the tune, it was said. The shape of the individual notes was interesting having two lugs protruding from the lower side to prevent the note from jumping out of place over the two banana stalk supports. The notes are kept in place laterally by their wands about 3 feet long which are sharpened and stuck into the soft stalks between each slat. 1248, 1120, 928, 832, 728, 624, 560, 464, 416, 364, 312, 280, 232, 208, 182, 156, 140. Instrumental tunes, with Madinda 17 note xylophone, loose notes on banana stalks, 3 players.
  • Full Text: false
  • Date Issued: 1950

Bateme Makonge

- Kagaruki Nkokolo with Haya men, Hugh Tracey

Bero Arigina

- Zeruboberi Obothi with Dhola men, Hugh Tracey

Bireke kifwerya

- Ernest Kibuka with Haya men, Hugh Tracey

  • Authors: Ernest Kibuka with Haya men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172051 , vital:42153 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-13
  • Description: Many years ago the people of Bukoba tried to come to some agreement about making a paramount chief. The idea failed owing to the narrow loyality of the various peoples of their own minor chiefs. Those who had proposed the amalgamation sang, "Leave the fools alone," resolving to carry out their intentions at some future date. The accent of the clapping falls on pulses 2, 5 and 7 in the 8 pulse measure. Topical song with conical laced drum and clapping.
  • Full Text: false
  • Date Issued: 1950

Busumbu

- Isaka Kitutu, Hugh Tracey

  • Authors: Isaka Kitutu , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
  • Language: Masaba (Gisu, Kisu, Dadiri, Buya)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169421 , vital:41748 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-02
  • Description: The Busumbu phosphate mines employ many Europeans, Indians and Africans. But what phosphate is used for is a bit of a mystery to the native miners. It is of course, a most important fertiliser. What it will be used for , they sing, will be known. In the meanwhile labourers are many, Europeans, Indians and Africans. The tapping of the players heel on the ground can be heard throughout this recording. Usually the players of these lyres wear an anklet of metal iron bells on that leg. The Gisu cannot be said to be the best exponents of the lyre but they belong to the Nilotic tradition of playing. Topical song with seven string Litungu lyre and leg bells.
  • Full Text: false
  • Date Issued: 1950

Bwana Leja

- Thomas Mulungo, Hugh Tracey

  • Authors: Thomas Mulungo , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
  • Language: Masaba (Gisu, Kisu, Dadiri, Buya)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169412 , vital:41747 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-01
  • Description: The player was seated holding the lyre with the strings extending towards the right and played his leg bells by beating his heel on the ground. Bawana Leja (Letcher or Fletcher) was said to be a Government appointed valuator of cattle which were commandered during the war (1939-45) to feed the troops stationed in Kenya and Uganda. The woman complains that her only cow was taken by him and that she had no milk to give her new born child. Topical song with seven string Litungu lyre and leg bells.
  • Full Text: false
  • Date Issued: 1950

Bwasemera obugenyi bwamunywami wange

- Paulo Rwavwogo with Toro men, Hugh Tracey

Bwonwa

- Angelina Isaka with Haya women / Chief Garikani, Kalema, Hugh Tracey

Choli

- Bachumirwa Tugwenderwa, Hugh Tracey

  • Authors: Bachumirwa Tugwenderwa , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
  • Language: Nyoro
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/169680 , vital:41787 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-09
  • Description: This is an interesting instrument as it was bought from Aluur, who tune their instruments to a four interval scale. The first song is about the father who looked after his daughter strictly to the disamy of the lads of the willage. The second is about a vain girl who preened herself and walked along the road to attract people. Topical song with Likembe.
  • Full Text: false
  • Date Issued: 1950

Damunda

- Laurenti Kamwabwa with Haya boys and girls, Hugh Tracey

Doreka reka obwenzi

- Martin Zomwe and Ruguru men, Hugh Tracey

Einembe

- Kyomile Kabanyolekile with Haya men, Hugh Tracey

  • Authors: Kyomile Kabanyolekile with Haya men , Hugh Tracey
  • Date: 1950
  • Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Bukoba f-tz / f-ug
  • Language: Nyoro , Haya
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171931 , vital:42140 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-05
  • Description: "If anyone steals my mangoes I will kill him." This song sung as the fishermen paddle their way home having put out their nets is done at a much more leisurely speed than the outward voyage. When sung in their lake canoes there is no drum, the drum and clapping were used only to keep the singers in time as if they were paddling. Paddling song with conical laced drum, beaten with sticks and clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1950

Ekigano kya Miyanda

- Rusania, Hugh Tracey

Ekigano ky’obusingye

- Erisa Kasise, Hugh Tracey

  • Disclaimer
  • Privacy
  • Copyright
  • Contact