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Amano yabula noko wemwana niwe nyatumbe? (Your mother is not very wise, how do you expect to be any wiser?)

- Stephen Tsotsi Kasumali and friends, Hugh Tracey

Anatami (Mid-season)

- Group of Tonga men led by Siamungomo, Hugh Tracey

  • Authors: Group of Tonga men led by Siamungomo , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138353 , vital:37625 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-01
  • Description: Towards the end of the song the voice of the Chief Chepepo can be heard. "Listen boys, I have been to Gwanda, Mersima, Plumtree in Salisbury. Also I was in India." Midseason is the time between sowing and reaping the winter crops, between May and July. Drinking song with clapping.
  • Full Text: false
  • Date Issued: 1957

Ari Nkumbula na Katilungu balishamyondo (Nkumbula and Katilungu sound the calling drum)

- Group of 11 Aushi men, Hugh Tracey

Atuwendi kumanzi ntwende kumulonga tukateke menda (Go to the river, go to draw water.Let us get water)

- Timoti Sadimbi, Hugh Tracey

  • Authors: Timoti Sadimbi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138117 , vital:37595 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-16
  • Description: Timoti wet the flute with water first before playing. These flutes, they say, are played in January and February, and finished in March, during the time when they start to eat the new season's summer crop of mealies. They are played in the field. The flute is played with the fingers of the right hand palm turned inwards and is held in thus hand only. Flute tune for harvest with Mutetule usibgwa transverse reed flute x 3, open at far end.
  • Full Text: false
  • Date Issued: 1957

Bamba nzi munyika (What they are saying in the country)

- Chakobola Sheni, Hugh Tracey

  • Authors: Chakobola Sheni , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139082 , vital:37703 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-14
  • Description: The singer had his noise pierced (the tip of the septum), which until recently was a common practice among Tonga. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
  • Full Text: false
  • Date Issued: 1957

Bamgufya ba kwoti bana pengili amapa (I have got white hair)

- John Lushi, Hugh Tracey

  • Authors: John Lushi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Lake Bangwelu f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/140152 , vital:37840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-12
  • Description: "Tungusa chipembele mwela mucalo tungusa bali twamba bali naka muchalo chabene." "I have got 'white hair with wings' in a strange world but I am sorry that I am very fat and cannot fly." The meaning of this appears to be that the singer is a stranger in a strange land, with no friend and nowhere to go. The phrase 'white hair with wings', they say, is local saying or proverb. Wistful song with guitar and bottle.
  • Full Text: false
  • Date Issued: 1957

Bamwioka mwana anku angu (You have taken my chicken and roasted it)

- Samson Mwetwa and group of Tonga men, Hugh Tracey

Bino Siabungu balu oba mboma, wewe (We 'honour' those who killed the mother of Siabungu)

- Group of Tonga men and women, Hugh Tracey

  • Authors: Group of Tonga men and women , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138035 , vital:37586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-07
  • Description: The sound of the women's feet can be heard on the hard dusty ground. "Honour" is used in the opposite sense, really meaning "hate." In this song the usual African belief that death is caused by ill-wishing or magic, is implied. Funeral dance song with ensemble of Nyele end-blown antelope horns and Ngoma drums.
  • Full Text: false
  • Date Issued: 1957

Chembere luimbolo (Old people, here is a song)

- Notis Chukwa, Hugh Tracey

Chilumendo chakumona ku menso chilocha (How clean can a man or woman be)

- Luson Mwape Muchalo, Hugh Tracey

Chinjilile mwalyanjo (You had better be careful)

- Group of Lozi men, Hugh Tracey

  • Authors: Group of Lozi men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Lozi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Mangu f-za
  • Language: Lozi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/139770 , vital:37780 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR051-06
  • Description: When the girl's initiation is at an end, she is led in the evening to a nearby stream to wash, and whilst she is washing, this song is sung. The initiation period amongst the Lozi lasts for 6 months during which time the girl is taught all domestic skills she will need in later life. Girl's initiation song with guitar, and bottle struck by a nail.
  • Full Text: false
  • Date Issued: 1957

Chiyuninzi chikete mukamba (The chiyuninzi owl is sitting on top of the Mukamba tree)

- Samsoni Mwetwe and group of Tonga men, Hugh Tracey

  • Authors: Samsoni Mwetwe and group of Tonga men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138449 , vital:37638 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR043-10
  • Description: Drinking songs are among the most popular items in the men's repertory no doubt because so many idle hours are spent in this convivial pastime while the women work. Mayanza drinking song with 1 Gavanda drum, conical, single, open, pegged and 3 sticks tapped on the side of the drum. with Musuntu drum, cylindrical and clapping.
  • Full Text: false
  • Date Issued: 1957

Drum rhythms for "Ngoma dzi ya wontiwe" dance

- Seven Tonga drummers, Hugh Tracey

E-we-we-we babule (Carrying the child)

- H. G. Habanyama and group of Tonga men, Hugh Tracey

  • Authors: H. G. Habanyama and group of Tonga men , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138907 , vital:37684 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-12
  • Description: The leader Habanyama, who also played one of the drums, was Chief Councillor to the Gwembe Native Authorities Board and an official of the treasury. The dance song is based upon a woman's song for carrying her baby on her back. The song is made up as the dance proceeds with no set words except the refrain "E-we-we-we babule", so the singer maintained. Chiyema party song for men and women with 2 goblet and I cylindrical drum, hand beaten and 1 Kayanda tin rattle.
  • Full Text: false
  • Date Issued: 1957

Effects (Woman smoking a "hubble-hubble" pipe)

- Tonga woman, Hugh Tracey

  • Authors: Tonga woman , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138876 , vital:37681 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR045-11
  • Description: These pipes are made of calabashes with stems. In the bowl of the calabash a wooden or clay pipe bowl is inserted which contains charcoal and tobacco. The bowl of the calabash is half filled with water, only the women do this, the men prefer to smoke without water. Effects with Ndombondo pipe.
  • Full Text: false
  • Date Issued: 1957

Ematambo waifwe bantu (The bones of the people)

- Stephen Tsotsi Kasumali and 2 friends, Hugh Tracey

  • Authors: Stephen Tsotsi Kasumali and 2 friends , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
  • Language: Aushi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/140067 , vital:37829 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-04
  • Description: "When you go on duty, someone else comes and makes love to your wife-that means a fine of much money. A the beer hall you go to drink eleven quarts of wine and then afterwards, go to make love to someone else's wife. And then-caught-you have to pay, and be despised by your own son and daughter. Morality song with guitar and bottle.
  • Full Text: false
  • Date Issued: 1957

Fulai sinali meya (An aeroplane flies very fast)

- Group of 6 Lozi men, Hugh Tracey

Gomusanza warira pongo

- Timoti Sadimbi, Hugh Tracey

  • Authors: Timoti Sadimbi , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138961 , vital:37690 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-03
  • Description: Played with 4 notes. The notes were roughly hewn pieces of wood laid across the thighs ans played by means of sticks. In this case, the player stood behind the back of the young man on whose thighs the notes were played and beat the notes bending forward over his shoulders. The man acting as xylophone stand sat on a stool with his feet on another stool. Beneath his thighs was a large pot used as simple external resonator. The instrument is played out in the fields when preparing the winter gardens in May. Once the gardens are planted, the xylophone notes are discarded and used as fire wood, new ones being cut each year. The position of the loose notes was changed with each change of tune to facilitate the playing of the item. The pause during the 3rd recording was caused by one of the notes rolling down the boys's thigh and having to be replaced. Self-delectative song with Chikirekore loose note xylophone x 4 notes, pot resonated.
  • Full Text: false
  • Date Issued: 1957

Gumina (Counting jingle-one to ten)

- Tonga woman, Hugh Tracey

  • Authors: Tonga woman , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/137981 , vital:37580 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR041-01
  • Description: The extended fingers of each hand are marked off to accompany the words by closing each in turn, starting with the little finger of the left hand, then the same of the right, ending by clapping the closed hands together. There are several counting songs which are variations of this. It is not at all well-known in Gwembe and Sinazongwe, however. Whilst this was being recorded, a group of small girls discovered they could use the hub caps and bumber of the car as a mirror and after admiring themselves began to dance to their reflections.
  • Full Text: false
  • Date Issued: 1957

Indakurira shua (I cry for my friend (duet))

- 2 Tonga women and 2 young girls, Hugh Tracey

  • Authors: 2 Tonga women and 2 young girls , Hugh Tracey
  • Date: 1957
  • Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
  • Language: Tonga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/138198 , vital:37608 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR042-07
  • Description: The grain being pounded was "munga", one of the millets which had first to be sieved in a basket, in order to get rid of the husks. It was poured into the mortar and water was added in order to prevent the powdery meal from flying up. Pounding song with sound of pestle and mortar.
  • Full Text: false
  • Date Issued: 1957
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