Africa‘s Heritage No.8: The Future
- Authors: Tracey, Hugh
- Subjects: African , Heritage , Legacy , Character , Personality , Parasites , Zulu , Praises , Izibongo , Bunyoro , Uganda , Hutu , Tutsi , Hehe , Kikuyu , Masai , Yao , Chewa , Rwanda , Kenya , Nyasaland , Ndebele , Mzilikazi , Zezuru , Drums , Flutes , Lamentation , Negro slaves music , Pula , Rain song , Tswana , Chief Batwe Village , Kanye , Nandi people , Zande people , Northern Congo , Lobatse , Bechuanaland , Mbira , Famine songs , Religious songs , Rhodesia , Lake Victoria , Spirit of the Lake , Bantu , Broken drum , Work songs , Singing , Political , Cultural heritage , Independent , Interdependence , South Africa , Dances , Folk stories , Jesuits , Missionaries , Father Fernandes, Andrea , Inyarime River , Portuguese , Xylophone , Chopi , Timbila , Hymns , Clapping , Church , Guitar , Nyoro people , Masindi , Percussion instrument , Nashville , Tennessee , Hammer songs , Preditors , Chingoma chakubaruka , Mbuluwundi, Reuben Tancard
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15116 , BC134 , http://hdl.handle.net/10962/d1011534 , Reel number: BC134
- Description: 8th programme in the ‘Africa‘s Heritage‘ Series, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African , Heritage , Legacy , Character , Personality , Parasites , Zulu , Praises , Izibongo , Bunyoro , Uganda , Hutu , Tutsi , Hehe , Kikuyu , Masai , Yao , Chewa , Rwanda , Kenya , Nyasaland , Ndebele , Mzilikazi , Zezuru , Drums , Flutes , Lamentation , Negro slaves music , Pula , Rain song , Tswana , Chief Batwe Village , Kanye , Nandi people , Zande people , Northern Congo , Lobatse , Bechuanaland , Mbira , Famine songs , Religious songs , Rhodesia , Lake Victoria , Spirit of the Lake , Bantu , Broken drum , Work songs , Singing , Political , Cultural heritage , Independent , Interdependence , South Africa , Dances , Folk stories , Jesuits , Missionaries , Father Fernandes, Andrea , Inyarime River , Portuguese , Xylophone , Chopi , Timbila , Hymns , Clapping , Church , Guitar , Nyoro people , Masindi , Percussion instrument , Nashville , Tennessee , Hammer songs , Preditors , Chingoma chakubaruka , Mbuluwundi, Reuben Tancard
- Language: English
- Type: Sound , Radio broadcast , Music
- Identifier: vital:15116 , BC134 , http://hdl.handle.net/10962/d1011534 , Reel number: BC134
- Description: 8th programme in the ‘Africa‘s Heritage‘ Series, broadcast by the South African Broadcasting Corporation , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
The evolution of African music and its function in the present day
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
- Authors: Tracey, Hugh
- Subjects: African Music Society , International Library of African Music , Evolution , African music , Styles , Beauty , Instruments , Perishable material , Lithophones , Nigeria , Stones , Bushman paintings , Chopi , Limpopo , Birds , Imitation , Onomatopaeia , Zimbabwe , Bird calls , Long eared owl , Temple , Nile , Egyptian civilization , Sub-Suharan Africa , Stringed instrument , Indonesian theory , Langauge , Mission , Catholic music , Arabs , Swahili , Portuguese , Brazilian , Guitar , Father Andre Fernandes , Missionary , Dove , Nile Basin Theory , Egypt , Slaves , Musicians , Harps , Lyres , Loots , North East , Sub-Saharan Africa , String , Tanganyika , Sea farers , Xylophone , Congo , Participation , Dance music , Repetitive , Rhythmic , Tradition , Relocation , Intergration , Continuity , English music , Afrikaans music , Sarie Marie , Change , Static , Classics , Popular music , Greensleeves , A Bicycle made for Two , Latin singing , Latin chant , Chant , British Empire , Negro Spiritual , Folk songs , Anti-slavery movements , David Livingstone , Musical migrtatiatioh , Hand piano , Zambezi Valley , Nyasaland , Nguni , Kampala , Bands , Chitimkhulu , Bemba , Blindness , Court band , Blinded musician , South Africa , Choral , Forests , Drums , Xylophones , Fighting song , Agriculture , Semi-nomadic , Politicians , Hastings Banda , Fooding and drinking party , European hymns , Ghana , Degree , Complexity , Simplicity , Poly-rhythms , Rural areas , Churches , Competitions , Eisteddfodd , Inferiority , Johannesburg , Drama , King Kong , Jazz importations , Voice , Skill , Instrument makers , Commercialisation , Gramophone , Radio , Creolisation , Modern Jazz , Louisiana , French , Spanish , Genius , Town songs , Country songs , Social climbers , Patriotism , Kwela , Penny-whistle , America , Politics , Pitch , Archive , BP Southern Africa , Evangelists , Indoor music , Mine , Continuation , Notation , Migration , Study of Man in Africa , Mr. Michael Lane
- Language: English
- Type: Sound , Lecture , Music
- Identifier: vital:15104 , http://hdl.handle.net/10962/d1008532 , Reel number: BC160
- Description: Lecture by Hugh Tracey given for the Institute for the Study of Man in Africa (ISMA) , For further details refer to the ILAM Document Collection: Hugh Tracey Broadcasts
- Full Text: false
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