The columnist as trickster: satire and subversion in literary journalism
- Authors: Douglas, Greig
- Date: 2012
- Subjects: Satire , Race relations , Journalism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8387 , http://hdl.handle.net/10948/d1008397 , Satire , Race relations , Journalism
- Description: This project examines facets of racial identity as they emerge in a contemporary South African context, and considers how instances of local satire both subtly resist and support white normativity. It consists of two separate sections: firstly, a self-reflective essay that, employing current theories from the academic field of whiteness studies, assesses South African satire’s relation to and negotiation of race and identity politics; and secondly, The Weekly Crab, my own creative response to the genre of satire. Using contemporary theories of racial construction, the first section will delineate whiteness as a dominant but invisible identification, and as a social construction underpinned by an inherited and continually reproduced privilege. Satire, in turn, will be described as a mode of rhetorical and conceptual attack that is capable of cultivating an understanding of how whiteness functions as a cultural construct, as well as foster a sensitivity to how its cultural dynamics shape and inform racial politics in the South African context. The first section will identify the website Hayibo.com as a source of local satire whose satirising of current events is often complicit in the perpetuation of white normativity. I will point to moments in its work where white expectations, fears and social mores are left unexamined, and, indeed, become an unspoken part of their critiquing lens rather than the focus of it. An accompanying critical breakdown of my own satire in The Weekly Crab will show my work to be a countertext to Hayibo. As I will make clear, I am not saying that I successfully fill a gap in the landscape of South African satire. Instead, in comparing my work to the satire that Hayibo produces, and by providing, in the second section, a creative response to that particular approach to satire, I am trying to circumscribe a blind spot in South African literary journalism : that is, the paucity of satire that aggressively subverts the normativity of whiteness.
- Full Text:
- Date Issued: 2012
- Authors: Douglas, Greig
- Date: 2012
- Subjects: Satire , Race relations , Journalism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:8387 , http://hdl.handle.net/10948/d1008397 , Satire , Race relations , Journalism
- Description: This project examines facets of racial identity as they emerge in a contemporary South African context, and considers how instances of local satire both subtly resist and support white normativity. It consists of two separate sections: firstly, a self-reflective essay that, employing current theories from the academic field of whiteness studies, assesses South African satire’s relation to and negotiation of race and identity politics; and secondly, The Weekly Crab, my own creative response to the genre of satire. Using contemporary theories of racial construction, the first section will delineate whiteness as a dominant but invisible identification, and as a social construction underpinned by an inherited and continually reproduced privilege. Satire, in turn, will be described as a mode of rhetorical and conceptual attack that is capable of cultivating an understanding of how whiteness functions as a cultural construct, as well as foster a sensitivity to how its cultural dynamics shape and inform racial politics in the South African context. The first section will identify the website Hayibo.com as a source of local satire whose satirising of current events is often complicit in the perpetuation of white normativity. I will point to moments in its work where white expectations, fears and social mores are left unexamined, and, indeed, become an unspoken part of their critiquing lens rather than the focus of it. An accompanying critical breakdown of my own satire in The Weekly Crab will show my work to be a countertext to Hayibo. As I will make clear, I am not saying that I successfully fill a gap in the landscape of South African satire. Instead, in comparing my work to the satire that Hayibo produces, and by providing, in the second section, a creative response to that particular approach to satire, I am trying to circumscribe a blind spot in South African literary journalism : that is, the paucity of satire that aggressively subverts the normativity of whiteness.
- Full Text:
- Date Issued: 2012
'n Analise van die gebruik van satire in enkele tekste van Marlene van Niekerk
- Authors: Stoltz, Wessel
- Date: 2011
- Subjects: Van Niekerk, Marlene -- Criticism and interpretation , Satire
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:8477 , http://hdl.handle.net/10948/d1018804
- Description: Through the ages satirists have exposed and ridiculed certain malpractices in society in their texts. They have often done so in a language filled with irony and exaggeration. For the purpose of this dissertation I wish to focus on three texts by Marlene van Niekerk, the eminent Afrikaans author, and analyse the way in which she uses satire to comment particularly on contemporary South African society and address issues such as violence, the 2010 World Cup, corruption and violence against women and children. The three texts under discussion are the two lengthy poems, ―Suid Afrika and ―Brief aan president Motlanthe [―Letter to President Motlanthe] and her play Die kortstondige raklewe van Anastacia W [The brief shelf-life of Anastacia W]. She bases her writings on real life incidents and events written about in the newspapers and these clippings serve as intertexts for her critique of society.
- Full Text:
- Date Issued: 2011
- Authors: Stoltz, Wessel
- Date: 2011
- Subjects: Van Niekerk, Marlene -- Criticism and interpretation , Satire
- Language: Afrikaans
- Type: Thesis , Masters , MA
- Identifier: vital:8477 , http://hdl.handle.net/10948/d1018804
- Description: Through the ages satirists have exposed and ridiculed certain malpractices in society in their texts. They have often done so in a language filled with irony and exaggeration. For the purpose of this dissertation I wish to focus on three texts by Marlene van Niekerk, the eminent Afrikaans author, and analyse the way in which she uses satire to comment particularly on contemporary South African society and address issues such as violence, the 2010 World Cup, corruption and violence against women and children. The three texts under discussion are the two lengthy poems, ―Suid Afrika and ―Brief aan president Motlanthe [―Letter to President Motlanthe] and her play Die kortstondige raklewe van Anastacia W [The brief shelf-life of Anastacia W]. She bases her writings on real life incidents and events written about in the newspapers and these clippings serve as intertexts for her critique of society.
- Full Text:
- Date Issued: 2011
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