Showing items 61 - 80 of 123

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Malaya

- Witmani Phiri, Chewa young men, Tracey, Hugh

Malilo

- Maluba Mwale, Tonga men, Hugh Tracey

  • Authors: Maluba Mwale , Tonga men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184680 , vital:44248 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-13
  • Description: "Why do people bundle up dead bodies in mats. As if the poor fellows had disgraced themselves?" The Karigo lute is played with the instrument inverted with the string below instead of in the more normal postition with the string uppermost. The utter simplicity of the Tonga songs reflects the cultural level of the participation. Lament with Karigo, one stringed lute, bowed
  • Full Text: false
  • Date Issued: 1950

Mande mpa khomo

- Shawa, Govati, Chewa women, Hugh Tracey

  • Authors: Shawa , Govati , Chewa women , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186480 , vital:44503 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-07
  • Description: "When I die, dig my grave before my door as I do not wish to be buried with all the others." A song for singing on the way home after a drinking party. The two leading singers sing as if they were having a friendly argument pointing at each other and generally helping each other along. The custom of burying a person near his own door or beside his own hut is also found in the Zamgesi River Valley among the Tonga. Drinking song
  • Full Text: false
  • Date Issued: 1950

Manyanda. Kulowa, 1st movement

- Benson Phiri, Chewa men, Tracey, Hugh

  • Authors: Benson Phiri , Chewa men , Tracey, Hugh
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/187226 , vital:44587 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-01
  • Description: A good example of Malipenga and dancing. This is the opening movement of the dance. The word Muganda which is the name of this dance is taken from the sound of the drum which accompany the singing gourds. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
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  • Date Issued: 1950

Maundi

- Chewa girls at Mwase, Hugh Tracey

Mbakulumba

- Girls of the village of Chief Mware, Hugh Tracey

Mbeta

- Mbowela, Phiri (Performer), Simarambo, Phiri (Performer), Tracey, Hugh (Recordist)

Meri wandinyenga

- Beti Kamanga, Hugh Tracey

Mulungu analenga Adamu ndi Eva

- Mikaeli Husen Phiri, Mulale school children, Hugh Tracey

  • Authors: Mikaeli Husen Phiri , Mulale school children , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186310 , vital:44484 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-07
  • Description: "God made Adam and Eve from earth." A system of drilling and physical training to music for very snall children. The various actions of the drill are accompanied by the drums with a song in between action. One of the actions here included was making the sign of the cross. The children were pupils at an out station of the nearby Catholic Mission at Likuni. Note how the children naturally play 2 against 3, the double time of the drums against the triple time of the piece of metal and sing in paraell. Three physical excercises to music, with 1 large and 2 small bass drums and a piece of metal
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  • Date Issued: 1950

Mungabe

- Chewa women, Hugh Tracey

Munkhwala

- Maluba Mwale, Tonga men, Hugh Tracey

Munthu na chinkwanya

- Verrah Chirwa, Henga and Nyanja grils of Blantyre Secondary School, Hugh Tracey

Munthy wakakora njoka

- Alfulidi Nyoni, Tumbuka men, Hugh Tracey

  • Authors: Alfulidi Nyoni , Tumbuka men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186253 , vital:44478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-05
  • Description: A certain man picked up a snake and took it home. He did it under a basket but his child lifted up the basket while he was away and let the snake out. The man was very angry and told the child to go and bring it back. The snake escaped into the water and the child brought back several other things but not the snake. Eventually he found the snake and brought it back. Later he went into the bush and founf a grasshopper. This he brought back and this time the father let it go. So the child told the father he should fetch his grasshopper back. The father agreed but while looking for the grasshopper he was caught and eaten by a lion. Story song
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  • Date Issued: 1950

Muvalenge waiti. Chita wala, 2nd movement

- Witmani Phiri, Chewa young men, Tracey, Hugh

Mwana winu wancenekela

- Japhet Zimba, Hugh Tracey

Mwele mwele

- Tumbuka women and girls, Hugh Tracey

Nagunda waka ine

- Tumbuka women and men in background, Hugh Tracey

  • Authors: Tumbuka women and men in background , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185132 , vital:44331 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-10
  • Description: The Tumbuka songs sung by these people of mixed Ngoni and descent are quite distinctive and unlike the usual Ngoni songs. Each one is sung in a separate and clearly defined mode. "All this pounding for nothing! What else can I do to please my man?" Note the constant rise in pitch with each verse, apparently caused by the sharpening of the last note in each stanza in keeping with the mode. Pounding song with mortar and 2 pestles
  • Full Text: false
  • Date Issued: 1950

Namfikilankhu

- Taines Chirwa, Nancy Luhana, Tumbuka girls, Hugh Tracey

Ncembele imbi kamphundu

- Maluba Mwale, Tonga men, Hugh Tracey

  • Authors: Maluba Mwale , Tonga men , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184653 , vital:44245 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-10
  • Description: The slight pauses in the song are the points where the bow of bamboo needed a little more spittle, necessitating its removal from the string. Most simple string lutes of this kind are bowed with a sisal bow, but occassionaly, as in this case, with a short lenght of bamboo, a sliver taken from the outside of the stalk. Instead of natural rezin the players use spittle. Humorous song with Karigo one stringed lute
  • Full Text: false
  • Date Issued: 1950

Ndalame ndi satana

- Beti Kamanga, Hugh Tracey

  • Authors: Beti Kamanga , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184615 , vital:44241 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-06
  • Description: "Young men go to Johannesburg to look for money, Money is the devil! Even Jesus was sold for thirty shillings." Money, even on the beautiful shores of Lake Nyasa, is still 'the root of all evil.' 'Chuma' or 'ndalama' is money. 'Chuma chatimara' - money spoils us. Topical song, with Bangwe Raft Zither, 7 strings
  • Full Text: false
  • Date Issued: 1950
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