A phenomenological explication of the artistic creative experience of a painter, a writer and a playwright
- Authors: Lambie, Eileen
- Date: 1988
- Subjects: Phenomenology Art -- Philosophy Artists Creation (Literary, artistic, etc.)
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3115 , http://hdl.handle.net/10962/d1004605
- Description: The aim of the thesis was to explore two focus questions using the phenomenological approach. Firstly, what it meant to be an artist for three particular artists; a painter, a writer and a playwright. Secondly, what a general explicitation (after Van Kaam, 1958) of the three subjects' artistic creative experience and working processes revealed in essence. The taped data of the three artists were reduced and explored through a number of phenomenological strategies. This led to the formulation of four essential descriptions for each artist, which were based structurally on Van den Berg's experiential categories in A Different Existence. Thus, the essential descriptions reflect each artist's relationship with his/her world, body, fellow people and time. The final step was the achievement of a general extended description. The major conclusion arising from the phenomenological explication is that art affords a way through which artists are able to live an authentic existence. That is, the body and world of the artist are in harmony and the artist's art roots him in the past, is manifest in the present and indicates the future direction of his work. Another conclusion is that the artist is Janus-faced and this enables him/her to balance subjectivity and objectivity in the Lebenswelt and to communicate what he/she sees to others in a healthy way through art. The artist's relationship with world, body, fellow people and with time, is postulated as being qualitatively richer than that of the nonartist. The two focus questions were successfully answered through the research explication and were validated by two independent judges. The viability of the phenomenological approach in the field of artistic creativity was therefore demonstrated. Suggestions for future research were made, one of which was that more phenomenological research aimed at eliciting specific information on the creation of art works might render more information on the artistic creative process.
- Full Text:
- Date Issued: 1988
- Authors: Lambie, Eileen
- Date: 1988
- Subjects: Phenomenology Art -- Philosophy Artists Creation (Literary, artistic, etc.)
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3115 , http://hdl.handle.net/10962/d1004605
- Description: The aim of the thesis was to explore two focus questions using the phenomenological approach. Firstly, what it meant to be an artist for three particular artists; a painter, a writer and a playwright. Secondly, what a general explicitation (after Van Kaam, 1958) of the three subjects' artistic creative experience and working processes revealed in essence. The taped data of the three artists were reduced and explored through a number of phenomenological strategies. This led to the formulation of four essential descriptions for each artist, which were based structurally on Van den Berg's experiential categories in A Different Existence. Thus, the essential descriptions reflect each artist's relationship with his/her world, body, fellow people and time. The final step was the achievement of a general extended description. The major conclusion arising from the phenomenological explication is that art affords a way through which artists are able to live an authentic existence. That is, the body and world of the artist are in harmony and the artist's art roots him in the past, is manifest in the present and indicates the future direction of his work. Another conclusion is that the artist is Janus-faced and this enables him/her to balance subjectivity and objectivity in the Lebenswelt and to communicate what he/she sees to others in a healthy way through art. The artist's relationship with world, body, fellow people and with time, is postulated as being qualitatively richer than that of the nonartist. The two focus questions were successfully answered through the research explication and were validated by two independent judges. The viability of the phenomenological approach in the field of artistic creativity was therefore demonstrated. Suggestions for future research were made, one of which was that more phenomenological research aimed at eliciting specific information on the creation of art works might render more information on the artistic creative process.
- Full Text:
- Date Issued: 1988
An existential phenomenological study of gaining insight into oneself through perceiving another person
- Authors: Hoek, Trevor Martin
- Date: 1988
- Subjects: Self Self-perception
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3113 , http://hdl.handle.net/10962/d1004594
- Description: The aim of this study was to examine the structure of the experience of gaining insight into oneself through perceiving another person. Such a one-to-one situation was selected in order to ensure a minimal level of complexity. The researcher conducted a pilot study in order to check whether people could relate such an experience in response to a long and difficult interview question. One female first year student responded from among a group of thirty to whom the question was posed. She was then interviewed. The data appeared acceptable. This was confirmed after the data analysis using the phenomenological-psychological method of textual analysis. The analysis showed that the subject, while comparing herself with the person whom she was with, discovered that she structured her life too rigidly in her attempt to meet the expectations of others. This discovery gave her the opportunity to restructure her approach to her world and to the others whom she had seen in only a narrow and abstracted way. Lengthier interviews were then conducted with a further six potential subjects. These were then transcribed. Two of those subjects, though, were found to have experienced insight through perceiving more than one other person. The data from the four remaining subjects were then analysed using the phenomenological psychological method. The researcher discovered that insight involves a clarity of perception which is achieved when the person becomes aware of clearly differentiated possibilities; these are revealed to him through his intensely reflecting on where he stands in relation to the other person whom he perceives, or in relation to alternatives revealed to him by the other. The polarities that are revealed allow the person to take up a new approach to his world, since the person discovers that his experience has revealed that he has been inauthentic in his muddled concern about others, and this gives the person a perception of truth that he was previously unaware of. These findings were dialogued with the writing of psychologists and philosophers who have written on the subject of becoming aware of oneself in relation to others.
- Full Text:
- Date Issued: 1988
- Authors: Hoek, Trevor Martin
- Date: 1988
- Subjects: Self Self-perception
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:3113 , http://hdl.handle.net/10962/d1004594
- Description: The aim of this study was to examine the structure of the experience of gaining insight into oneself through perceiving another person. Such a one-to-one situation was selected in order to ensure a minimal level of complexity. The researcher conducted a pilot study in order to check whether people could relate such an experience in response to a long and difficult interview question. One female first year student responded from among a group of thirty to whom the question was posed. She was then interviewed. The data appeared acceptable. This was confirmed after the data analysis using the phenomenological-psychological method of textual analysis. The analysis showed that the subject, while comparing herself with the person whom she was with, discovered that she structured her life too rigidly in her attempt to meet the expectations of others. This discovery gave her the opportunity to restructure her approach to her world and to the others whom she had seen in only a narrow and abstracted way. Lengthier interviews were then conducted with a further six potential subjects. These were then transcribed. Two of those subjects, though, were found to have experienced insight through perceiving more than one other person. The data from the four remaining subjects were then analysed using the phenomenological psychological method. The researcher discovered that insight involves a clarity of perception which is achieved when the person becomes aware of clearly differentiated possibilities; these are revealed to him through his intensely reflecting on where he stands in relation to the other person whom he perceives, or in relation to alternatives revealed to him by the other. The polarities that are revealed allow the person to take up a new approach to his world, since the person discovers that his experience has revealed that he has been inauthentic in his muddled concern about others, and this gives the person a perception of truth that he was previously unaware of. These findings were dialogued with the writing of psychologists and philosophers who have written on the subject of becoming aware of oneself in relation to others.
- Full Text:
- Date Issued: 1988
An existential-phenomenological explication of the older person's perception of anticipated death
- Authors: du Plessis, Christine Edna
- Date: 1988
- Subjects: Death -- Psychological aspects
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:2905 , http://hdl.handle.net/10962/d1002070
- Description: This study attempts to explore, both theoretically and empirically, death anxiety across the lifespan in Western society. Six elderly women between the ages of 75 and 90 years were interviewed about their current perceptions and attitudes toward their anticipated deaths, and to what extent these perceptions may have altered over the course of the life cycle. It was hypothesized that an acceptance of religion and a belief in an afterlife existence; a sense of having experienced death before, in seeing loved ones die; and a feeling of having lived a meaningful life through the reminiscence of past events would all facilitate an older person's acceptance of anticipated death. An existential phenomenological explication of the protocols revealed that: religion need not necessarily play a major role in this regard; both the life reminiscence process and having experienced death before in seeing loved ones die facilitated acceptance of death; older persons are prepared for death in the sense of experiencing a feeling that their life cycles have been completed; although death may not be feared, many fears of dying are prevalent. It was thus concluded from this study that, although death is not a major preoccupation of the older person, it does still play a significant role in the lives of the elderly in that being aware of impending death allows the older person to regulate her life according to ̕̕̕̕̕ʾtime-left-to-liveʾ
- Full Text:
- Date Issued: 1988
- Authors: du Plessis, Christine Edna
- Date: 1988
- Subjects: Death -- Psychological aspects
- Language: English
- Type: Thesis , Masters , MSocSc
- Identifier: vital:2905 , http://hdl.handle.net/10962/d1002070
- Description: This study attempts to explore, both theoretically and empirically, death anxiety across the lifespan in Western society. Six elderly women between the ages of 75 and 90 years were interviewed about their current perceptions and attitudes toward their anticipated deaths, and to what extent these perceptions may have altered over the course of the life cycle. It was hypothesized that an acceptance of religion and a belief in an afterlife existence; a sense of having experienced death before, in seeing loved ones die; and a feeling of having lived a meaningful life through the reminiscence of past events would all facilitate an older person's acceptance of anticipated death. An existential phenomenological explication of the protocols revealed that: religion need not necessarily play a major role in this regard; both the life reminiscence process and having experienced death before in seeing loved ones die facilitated acceptance of death; older persons are prepared for death in the sense of experiencing a feeling that their life cycles have been completed; although death may not be feared, many fears of dying are prevalent. It was thus concluded from this study that, although death is not a major preoccupation of the older person, it does still play a significant role in the lives of the elderly in that being aware of impending death allows the older person to regulate her life according to ̕̕̕̕̕ʾtime-left-to-liveʾ
- Full Text:
- Date Issued: 1988
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