The trouble with culture : Plato's critique of poetry
- Authors: Ansell, James D'Olier
- Date: 2007 , 2013-07-25
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2733 , http://hdl.handle.net/10962/d1004460
- Description: In this thesis I argue that Plato's critique of poetry, taken in its proper context, is a serious and relevant critique of popular culture. In the first chapter I argue that the poetic reforms proposed in Books 2 and 3 and Book 10 of Republic stand at the front of a total reform of Greek culture. I argue for the consistency of Plato's whole argument and then I claim that if we get Plato's targets right, not fine art or literature, and focus on appropriate modern analogues then we can see why his critique is still important. If we share his claim that we are influenced by popular culture in important and often insidious ways and agree that culture can promote corrupt values, then we have accepted the core of Plato's challenge. If we find his solution distasteful, then the task is to come up with a democratic alternative. In the remaining two chapters I focus specifically on the challenge to the poets, putting the other reforms to the side. In the second chapter I consider a possible reply to the challenge focusing on the worth of the poetry that was expelled. I first look elsewhere in the Platonic oeuvre at the account of beauty in Symposium and Phaedrus but I argue that neither of them gives anything like aesthetic value that could be usefully applied to poetry. Next I look to some modern accounts of aesthetic value. I argue that while they might go some of the distance against Plato's challenge, they face a difficult task because it is not sufficient positing the value, an account is needed of their positive benefit. In the third chapter I turn to a more direct response to the challenge. Arguably Aristotle offers such a response in the Poetics, in terms of the notion of katharsis. I consider two interpretative candidates for katharsis. The first takes the benefit of poetry to be psychological - katharsis is a purgation of otherwise pathological emotions. I argue that this fails because it misunderstands precisely what Plato's concerns about poetry are, and, furthermore, this account could even be compatible with Plato's worries. The second interpretation takes the benefit of poetry to be ethical- katharsis is a type of ethical clarification which is beneficial in training our emotional responses. I claim that the clarification, and education, is worryingly conventionalist, and doesn't take seriously that Plato's target was popular culture and not great, educative literature. , KMBT_363 , Adobe Acrobat 9.54 Paper Capture Plug-in
- Full Text:
- Date Issued: 2007
- Authors: Ansell, James D'Olier
- Date: 2007 , 2013-07-25
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2733 , http://hdl.handle.net/10962/d1004460
- Description: In this thesis I argue that Plato's critique of poetry, taken in its proper context, is a serious and relevant critique of popular culture. In the first chapter I argue that the poetic reforms proposed in Books 2 and 3 and Book 10 of Republic stand at the front of a total reform of Greek culture. I argue for the consistency of Plato's whole argument and then I claim that if we get Plato's targets right, not fine art or literature, and focus on appropriate modern analogues then we can see why his critique is still important. If we share his claim that we are influenced by popular culture in important and often insidious ways and agree that culture can promote corrupt values, then we have accepted the core of Plato's challenge. If we find his solution distasteful, then the task is to come up with a democratic alternative. In the remaining two chapters I focus specifically on the challenge to the poets, putting the other reforms to the side. In the second chapter I consider a possible reply to the challenge focusing on the worth of the poetry that was expelled. I first look elsewhere in the Platonic oeuvre at the account of beauty in Symposium and Phaedrus but I argue that neither of them gives anything like aesthetic value that could be usefully applied to poetry. Next I look to some modern accounts of aesthetic value. I argue that while they might go some of the distance against Plato's challenge, they face a difficult task because it is not sufficient positing the value, an account is needed of their positive benefit. In the third chapter I turn to a more direct response to the challenge. Arguably Aristotle offers such a response in the Poetics, in terms of the notion of katharsis. I consider two interpretative candidates for katharsis. The first takes the benefit of poetry to be psychological - katharsis is a purgation of otherwise pathological emotions. I argue that this fails because it misunderstands precisely what Plato's concerns about poetry are, and, furthermore, this account could even be compatible with Plato's worries. The second interpretation takes the benefit of poetry to be ethical- katharsis is a type of ethical clarification which is beneficial in training our emotional responses. I claim that the clarification, and education, is worryingly conventionalist, and doesn't take seriously that Plato's target was popular culture and not great, educative literature. , KMBT_363 , Adobe Acrobat 9.54 Paper Capture Plug-in
- Full Text:
- Date Issued: 2007
Trade unions' attitudes and perceptions towards the Coega Industrial Development Zone
- Authors: Sikaka, Weziwe
- Date: 2007
- Subjects: Economic development projects -- South Africa -- Eastern Cape , Economic development -- South Africa -- Eastern Cape , Labor unions -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:9085 , http://hdl.handle.net/10948/850 , Economic development projects -- South Africa -- Eastern Cape , Economic development -- South Africa -- Eastern Cape , Labor unions -- South Africa
- Description: In an attempt to create employment opportunities and uplift economic development, government has embarked on industrial development through arms acquisition. The two major Spatial Development Initiatives namely, the Fish River SDI and the Wild Coast SDI were developed to enhance economic development in the Eastern Cape. The Coega Industrial Development Zone (IDZ) is one of the elements of the Fish River SDI aimed at enhancing economic development through industrial development (Haines & Hosking, 2005). The Coega IDZ is one of government’s initiatives under the Industrial Participation program that has gained a lot of recognition. The Coega project has been under a lot of controversy since its conception and was highly linked to the arms deal as this project consumed most of government funds through the arms procurement program (Haines & Hosking 2005). The study therefore will attempt to address aspects premised in objectives of this study from the viewpoint of trade unions.
- Full Text:
- Date Issued: 2007
- Authors: Sikaka, Weziwe
- Date: 2007
- Subjects: Economic development projects -- South Africa -- Eastern Cape , Economic development -- South Africa -- Eastern Cape , Labor unions -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:9085 , http://hdl.handle.net/10948/850 , Economic development projects -- South Africa -- Eastern Cape , Economic development -- South Africa -- Eastern Cape , Labor unions -- South Africa
- Description: In an attempt to create employment opportunities and uplift economic development, government has embarked on industrial development through arms acquisition. The two major Spatial Development Initiatives namely, the Fish River SDI and the Wild Coast SDI were developed to enhance economic development in the Eastern Cape. The Coega Industrial Development Zone (IDZ) is one of the elements of the Fish River SDI aimed at enhancing economic development through industrial development (Haines & Hosking, 2005). The Coega IDZ is one of government’s initiatives under the Industrial Participation program that has gained a lot of recognition. The Coega project has been under a lot of controversy since its conception and was highly linked to the arms deal as this project consumed most of government funds through the arms procurement program (Haines & Hosking 2005). The study therefore will attempt to address aspects premised in objectives of this study from the viewpoint of trade unions.
- Full Text:
- Date Issued: 2007
Translating Heaney: a study of Sweeney astray, The cure at Troy, and Beowulf
- Van der Woude, Peter William
- Authors: Van der Woude, Peter William
- Date: 2007
- Subjects: Heaney, Seamus, 1939- Criticism and interpretation Heaney, Seamus, 1939- Sweeney astray Sophocles. Philoctetes -- Translations History and criticism Beowulf -- Translations History and criticism Buile Suibhne Geilt Buile Suibhne Geilt -- Translations History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2213 , http://hdl.handle.net/10962/d1002256
- Description: This thesis examines Seamus Heaney’s approach to translation with specific reference to Sweeney Astray, The Cure at Troy, and Beowulf. An assessment of Heaney’s translations, and the ways in which they relate to his poetry, is essential to an understanding of his work as a poet. This thesis demonstrates the centrality of translation to Heaney’s oeuvre as an effective means to comment on his Northern Irish socio-political context without producing political propaganda. Translation is a valuable means for Heaney to elucidate his contemporary experience by considering it in terms of the recorded past captured within his chosen translations. Instead of comparing the three translations with their original texts, this thesis concentrates on Heaney’s translations as a continuation of his own creative work and as catalysts for further poetry. The translations are explored in chronological order to allow a sense of Heaney’s development as a translator and his efforts to remain critically attuned to the Northern Irish political situation. The first chapter examines Heaney’s translation of the Gaelic poem Buile Suibhne, which is published as Sweeney Astray. In this first major act of translation Heaney recognises the political role that translation is able to play. He draws attention to the protagonist’s sense of cultural ease in both Britain and Ireland, which he argues is exemplary for the people of Ulster and renders the narrative particularly accessible to a Northern Irish readership due to his anglicisation of the text, which is intended as a reminder to both Catholics and Protestants of their shared identity as Irishmen. The second chapter focuses on Heaney’s translation of Sophocles’ Philoctetes, entitled The Cure at Troy. Heaney’s translation contextualises the Ancient Greek concern for personal integrity in the face of political necessity, a situation relevant to his own complex relationship with Northern Irish politics. His alterations to the text accentuate the positive aspects of the play, suggesting the very real possibility of social change within the seemingly constant violence of Northern Ireland. The third chapter explores Heaney’s engagement with the Anglo-Saxon epic poem, Beowulf, as a means of coming to terms with the complex history of Irish colonisation through language. This chapter assesses Heaney’s incorporation of Irish dialectal words into his translation, which lend the poem political weight, and yet prove to be contextually appropriate, rendering Heaney’s Beowulf a masterpiece of readability and subtle political commentary.
- Full Text:
- Date Issued: 2007
- Authors: Van der Woude, Peter William
- Date: 2007
- Subjects: Heaney, Seamus, 1939- Criticism and interpretation Heaney, Seamus, 1939- Sweeney astray Sophocles. Philoctetes -- Translations History and criticism Beowulf -- Translations History and criticism Buile Suibhne Geilt Buile Suibhne Geilt -- Translations History and criticism
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2213 , http://hdl.handle.net/10962/d1002256
- Description: This thesis examines Seamus Heaney’s approach to translation with specific reference to Sweeney Astray, The Cure at Troy, and Beowulf. An assessment of Heaney’s translations, and the ways in which they relate to his poetry, is essential to an understanding of his work as a poet. This thesis demonstrates the centrality of translation to Heaney’s oeuvre as an effective means to comment on his Northern Irish socio-political context without producing political propaganda. Translation is a valuable means for Heaney to elucidate his contemporary experience by considering it in terms of the recorded past captured within his chosen translations. Instead of comparing the three translations with their original texts, this thesis concentrates on Heaney’s translations as a continuation of his own creative work and as catalysts for further poetry. The translations are explored in chronological order to allow a sense of Heaney’s development as a translator and his efforts to remain critically attuned to the Northern Irish political situation. The first chapter examines Heaney’s translation of the Gaelic poem Buile Suibhne, which is published as Sweeney Astray. In this first major act of translation Heaney recognises the political role that translation is able to play. He draws attention to the protagonist’s sense of cultural ease in both Britain and Ireland, which he argues is exemplary for the people of Ulster and renders the narrative particularly accessible to a Northern Irish readership due to his anglicisation of the text, which is intended as a reminder to both Catholics and Protestants of their shared identity as Irishmen. The second chapter focuses on Heaney’s translation of Sophocles’ Philoctetes, entitled The Cure at Troy. Heaney’s translation contextualises the Ancient Greek concern for personal integrity in the face of political necessity, a situation relevant to his own complex relationship with Northern Irish politics. His alterations to the text accentuate the positive aspects of the play, suggesting the very real possibility of social change within the seemingly constant violence of Northern Ireland. The third chapter explores Heaney’s engagement with the Anglo-Saxon epic poem, Beowulf, as a means of coming to terms with the complex history of Irish colonisation through language. This chapter assesses Heaney’s incorporation of Irish dialectal words into his translation, which lend the poem political weight, and yet prove to be contextually appropriate, rendering Heaney’s Beowulf a masterpiece of readability and subtle political commentary.
- Full Text:
- Date Issued: 2007
Women living with HIV/AIDS: a phenomenological intergenerational interpretation of their experiences
- Chisaka, Janet Kaemba Chishimba
- Authors: Chisaka, Janet Kaemba Chishimba
- Date: 2007
- Subjects: AIDS (Disease) in women -- South Africa -- Case studies HIV positive women -- South Africa -- Case studies Poor women -- South Africa -- Case studies
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3307 , http://hdl.handle.net/10962/d1003095
- Description: This study deals with the impact of HIV/AIDS on women living in chronic poverty. The question arises: Do we focus on their HIV/AIDS stories only or do we include their other lived experiences? This phenomenological study, on two sets of three generations of women infected and affected by HIV/AIDS and living in poverty, is an attempt at understanding the way the women experience their lifeworlds, not only their HIV/AIDS stories. One set includes a grandmother, her daughter who is living with full-blown AIDS, and her granddaughter, while the other includes a grandmother, her daughter and her granddaughter infected with HIV. The initial focus of the study was on the women’s HIV/AIDS narratives. However as the study progressed, especially during the interviews, it became apparent that the women’s generational poverty or chronic poverty was of greater concern to them than the HIV/AIDS that they were experiencing. Of the six participants, only one woman centred her life story on HIV/AIDS. This finding echoes other studies on HIV/AIDS among poor women: that chronic poverty is more threatening to the women than the risk or reality of AIDS. As a phenomenological researcher my aim was to focus on the participants’ own interpretations of the studied phenomenon. However, this was inadequate in accounting for the role that social structures play in shaping and informing the women’s subjective consciousness and experience. For this reason, I used feminist ideas to understand and interpret the women’s patriarchal experiences.
- Full Text:
- Date Issued: 2007
Women living with HIV/AIDS: a phenomenological intergenerational interpretation of their experiences
- Authors: Chisaka, Janet Kaemba Chishimba
- Date: 2007
- Subjects: AIDS (Disease) in women -- South Africa -- Case studies HIV positive women -- South Africa -- Case studies Poor women -- South Africa -- Case studies
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3307 , http://hdl.handle.net/10962/d1003095
- Description: This study deals with the impact of HIV/AIDS on women living in chronic poverty. The question arises: Do we focus on their HIV/AIDS stories only or do we include their other lived experiences? This phenomenological study, on two sets of three generations of women infected and affected by HIV/AIDS and living in poverty, is an attempt at understanding the way the women experience their lifeworlds, not only their HIV/AIDS stories. One set includes a grandmother, her daughter who is living with full-blown AIDS, and her granddaughter, while the other includes a grandmother, her daughter and her granddaughter infected with HIV. The initial focus of the study was on the women’s HIV/AIDS narratives. However as the study progressed, especially during the interviews, it became apparent that the women’s generational poverty or chronic poverty was of greater concern to them than the HIV/AIDS that they were experiencing. Of the six participants, only one woman centred her life story on HIV/AIDS. This finding echoes other studies on HIV/AIDS among poor women: that chronic poverty is more threatening to the women than the risk or reality of AIDS. As a phenomenological researcher my aim was to focus on the participants’ own interpretations of the studied phenomenon. However, this was inadequate in accounting for the role that social structures play in shaping and informing the women’s subjective consciousness and experience. For this reason, I used feminist ideas to understand and interpret the women’s patriarchal experiences.
- Full Text:
- Date Issued: 2007