The beat
- Authors: Masheane, Napo
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6014 , http://hdl.handle.net/10962/d1021234
- Description: My play script is a docu-drama inspired by the 1950s Drum journalists: Can Themba, Bloke Modisane, Nat Nakasa, Henry Nxumalo, Lewis Nkosi, Peter Magubane, Casey Motsitsi and Todd Matshikiza. The setting is a Sophiatown shebeen through which the characters move in and out. The central dramatic exploration hinges on female characters’ experiences rather than the perspectives of the male journalists connected to them. I dramatise documented events such as Modisane’s wife leaving him and taking their daughter with her, or a woman who buried her lover’s body after he was beaten and stabbed to death. There are other twists and turns based on the Drum journalists writings. I play with the seriousness of politics, love affairs, and the comedy of their daily lives. My influences come from plays such as Nongogo (1959) and Sophiatown (1986). The Beat is dedicated to all the women who have been silenced and as a result became products of their consequences. Their voices remind me as a theatre maker that my poems and plays might arrive in me as pure SONGS (Dipina) or a CRY (Kodiyamalla). Sometimes their inspiration will spring from my traditional family rituals, as a PRAISE song/s (Dithoko/ Thoko), or from a simple memory of a childhood church song, a HYMN (Difela/ Sefela). At times these words will present themselves as a source of where one comes from, CLAN NAMES (Seboko/ Poko). These stories will find me in the dusty streets of my village and township HERSTORY… they will touch, move, provoke, push and force me to vomit on page words that are subjects of that which we are even when silence seems inevitable. , My poetry collection fuses Sesotho and English, often within the same poem, as a way of showing how I live within and between two cultures. I write to celebrate these two tongues without compromising either language and allow each poem, to express its own musical component, tone, rhythm, and pace as it moves between stage and page. My poems converse about difficult subjects from a feminine voice. They look at family structures and dynamics, using everyday household things as metaphors. They take on deep family narratives of generational curses, births, deaths and love. There are also some more political poems about community outrage, the exploitation caused by outmoded culture and tradition, and about the nightmare that constantly wants to come out of the township.
- Full Text:
- Authors: Masheane, Napo
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6014 , http://hdl.handle.net/10962/d1021234
- Description: My play script is a docu-drama inspired by the 1950s Drum journalists: Can Themba, Bloke Modisane, Nat Nakasa, Henry Nxumalo, Lewis Nkosi, Peter Magubane, Casey Motsitsi and Todd Matshikiza. The setting is a Sophiatown shebeen through which the characters move in and out. The central dramatic exploration hinges on female characters’ experiences rather than the perspectives of the male journalists connected to them. I dramatise documented events such as Modisane’s wife leaving him and taking their daughter with her, or a woman who buried her lover’s body after he was beaten and stabbed to death. There are other twists and turns based on the Drum journalists writings. I play with the seriousness of politics, love affairs, and the comedy of their daily lives. My influences come from plays such as Nongogo (1959) and Sophiatown (1986). The Beat is dedicated to all the women who have been silenced and as a result became products of their consequences. Their voices remind me as a theatre maker that my poems and plays might arrive in me as pure SONGS (Dipina) or a CRY (Kodiyamalla). Sometimes their inspiration will spring from my traditional family rituals, as a PRAISE song/s (Dithoko/ Thoko), or from a simple memory of a childhood church song, a HYMN (Difela/ Sefela). At times these words will present themselves as a source of where one comes from, CLAN NAMES (Seboko/ Poko). These stories will find me in the dusty streets of my village and township HERSTORY… they will touch, move, provoke, push and force me to vomit on page words that are subjects of that which we are even when silence seems inevitable. , My poetry collection fuses Sesotho and English, often within the same poem, as a way of showing how I live within and between two cultures. I write to celebrate these two tongues without compromising either language and allow each poem, to express its own musical component, tone, rhythm, and pace as it moves between stage and page. My poems converse about difficult subjects from a feminine voice. They look at family structures and dynamics, using everyday household things as metaphors. They take on deep family narratives of generational curses, births, deaths and love. There are also some more political poems about community outrage, the exploitation caused by outmoded culture and tradition, and about the nightmare that constantly wants to come out of the township.
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The caramel Venus and other stories
- Authors: Terblanche, Tania
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6006 , http://hdl.handle.net/10962/1021214
- Description: My collection of stories illustrates the absurdity, the beauty and the pain of being human by depicting experience through fabulation. The intensity of existence comes to light in strange worlds that operate by rules of our inner mechanics, distorted so that only the colours and the shape of our hearts swim underneath. My fiction embodies these realities using the flatness of the fairy tale form while incorporating the humorous, the bizarre and the surreal. Some of the stories build dystopian worlds using the manifestation of the unfamiliar as a mirror of our psyche in an overpopulated and consumer-driven society. Others create contained worlds where the fantastical is fostered only by the narrator being drawn into an inner life. All the stories take us through inner landscapes with the humans, animals and objects around us that can pulse with so much meaning and then none at all.
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- Authors: Terblanche, Tania
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6006 , http://hdl.handle.net/10962/1021214
- Description: My collection of stories illustrates the absurdity, the beauty and the pain of being human by depicting experience through fabulation. The intensity of existence comes to light in strange worlds that operate by rules of our inner mechanics, distorted so that only the colours and the shape of our hearts swim underneath. My fiction embodies these realities using the flatness of the fairy tale form while incorporating the humorous, the bizarre and the surreal. Some of the stories build dystopian worlds using the manifestation of the unfamiliar as a mirror of our psyche in an overpopulated and consumer-driven society. Others create contained worlds where the fantastical is fostered only by the narrator being drawn into an inner life. All the stories take us through inner landscapes with the humans, animals and objects around us that can pulse with so much meaning and then none at all.
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The challenges of German-English literary translation: an exploration of Franz Kafka's Das Urteil (The Judgment) and Die Verwandlung (The Metamorphosis)
- Authors: Thabane, Mathaabe
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3659 , http://hdl.handle.net/10962/d1021181
- Description: This thesis conducts a study of literary translation using selected texts by Franz Kafka as translated from German into English in the mid-twentieth century and in the early twenty-first century. This study entails a three-fold orientation, namely: to show the extent of the impact of socio-historical, political and cultural factors on both the translation process and translation product; secondly, it demonstrates the fact that a merging of theoretical principles and practical methods is necessary and possible for the study of literary translations; thirdly, it answers the questions of why the same literary works continue to be retranslated and why every generation of Kafka scholars and readers will need their own translations of his works. This research, furthermore, proposes that the position of literary translation should be elevated since this kind of translation can reveal more about the cultural and linguistic intricacies of the translation process. Seeking to contribute to the broader framework of the translation studies discipline, this thesis also makes a case for translators to reveal their translation process, in the form of notes or prefaces, in order to allow for informed studies of translations. Finally, the research at hand proposes some considerations for further study into literary translations and shows new trends in the sub-field of literary translation which will undoubtedly shift its current nature and call for theoretical and practical applications for more classes of languages.
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- Authors: Thabane, Mathaabe
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3659 , http://hdl.handle.net/10962/d1021181
- Description: This thesis conducts a study of literary translation using selected texts by Franz Kafka as translated from German into English in the mid-twentieth century and in the early twenty-first century. This study entails a three-fold orientation, namely: to show the extent of the impact of socio-historical, political and cultural factors on both the translation process and translation product; secondly, it demonstrates the fact that a merging of theoretical principles and practical methods is necessary and possible for the study of literary translations; thirdly, it answers the questions of why the same literary works continue to be retranslated and why every generation of Kafka scholars and readers will need their own translations of his works. This research, furthermore, proposes that the position of literary translation should be elevated since this kind of translation can reveal more about the cultural and linguistic intricacies of the translation process. Seeking to contribute to the broader framework of the translation studies discipline, this thesis also makes a case for translators to reveal their translation process, in the form of notes or prefaces, in order to allow for informed studies of translations. Finally, the research at hand proposes some considerations for further study into literary translations and shows new trends in the sub-field of literary translation which will undoubtedly shift its current nature and call for theoretical and practical applications for more classes of languages.
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The contributions of phonological awareness and naming speed to the reading fluency, accuracy, comprehension and spelling of Grade 3 IsiXhosa readers
- Authors: Diemer, Maxine Nichole
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3245 , vital:20404
- Description: This thesis contributes to reading research in isiXhosa, where the role of various cognitive skills in reading has not yet been examined. One of the current debates in reading research centers on the contribution of cognitive skills, namely phonological awareness and naming speed, to reading. The exact relation between phonological awareness and naming speed, and their relation to literacy in different languages are also disputed. In this study, the contribution of phonological awareness and naming speed to literacy is examined in 52 Grade 3 isiXhosa speaking children. Measures for literacy included oral reading fluency, silent reading, comprehension and spelling. Phonological awareness was the biggest contributor to reading fluency, accuracy, comprehension and spelling, confirming that phonological processing is important for reading in all languages studied to date. The role of naming speed was narrower, contributing to the fluency and accuracy of reading only in the group with poor phonological awareness. The results can inform the teaching of reading isiXhosa where an approach that explicitly emphasises orthography-phonology relations at the phoneme level may be well suited especially since there are many letter groups to learn. This would enable higher accuracy in orthography-phonology correspondences and should also improve automaticity, which was lacking in the group with low levels of phonological awareness. The Psycholinguistic Grain Size Theory of reading can adequately inform the understanding of reading in isiXhosa, and findings from other languages with similar requirements can inform the teaching of reading in isiXhosa.
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- Authors: Diemer, Maxine Nichole
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3245 , vital:20404
- Description: This thesis contributes to reading research in isiXhosa, where the role of various cognitive skills in reading has not yet been examined. One of the current debates in reading research centers on the contribution of cognitive skills, namely phonological awareness and naming speed, to reading. The exact relation between phonological awareness and naming speed, and their relation to literacy in different languages are also disputed. In this study, the contribution of phonological awareness and naming speed to literacy is examined in 52 Grade 3 isiXhosa speaking children. Measures for literacy included oral reading fluency, silent reading, comprehension and spelling. Phonological awareness was the biggest contributor to reading fluency, accuracy, comprehension and spelling, confirming that phonological processing is important for reading in all languages studied to date. The role of naming speed was narrower, contributing to the fluency and accuracy of reading only in the group with poor phonological awareness. The results can inform the teaching of reading isiXhosa where an approach that explicitly emphasises orthography-phonology relations at the phoneme level may be well suited especially since there are many letter groups to learn. This would enable higher accuracy in orthography-phonology correspondences and should also improve automaticity, which was lacking in the group with low levels of phonological awareness. The Psycholinguistic Grain Size Theory of reading can adequately inform the understanding of reading in isiXhosa, and findings from other languages with similar requirements can inform the teaching of reading in isiXhosa.
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The experience of recovering from a substance use disorder
- Authors: van der Schyff, Brett Carl
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/4016 , vital:20585
- Description: Substance use disorder is an intricate societal phenomenon resulting from psychological and physiological dependence. The aim of this study was to gain an in-depth understanding of the lived experiences of individuals recovering from a substance use disorder. An interpretive phenomenological method was used to elicit the fundamentals of recovery as experienced by the participants. Random purposeful sampling was used and guaranteed that appropriate participants were selected. Data was collected through the use of semi-structured, in-depth, face-to-face interviews with four individuals. The collected data was then processed according to the three interpretive phenomenological principles namely, phenomenology, hermeneutics and idiography. Analysis was thereafter conducted using five steps, which led to two main themes emerged. The two thematic categories that emerged were (1) the ex-users’ experiences of using substances and (2) experiences of recovering from a substance use disorder. Within the first thematic category two sub-themes developed which included: reasons for using substances, and when substance use became a dependency. The sub-themes that emerged in the second thematic category included: initiating recovery, recovery and treatment models, post-treatment, risk factors in recovery and supportive and protective factors in recovery.
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- Authors: van der Schyff, Brett Carl
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/4016 , vital:20585
- Description: Substance use disorder is an intricate societal phenomenon resulting from psychological and physiological dependence. The aim of this study was to gain an in-depth understanding of the lived experiences of individuals recovering from a substance use disorder. An interpretive phenomenological method was used to elicit the fundamentals of recovery as experienced by the participants. Random purposeful sampling was used and guaranteed that appropriate participants were selected. Data was collected through the use of semi-structured, in-depth, face-to-face interviews with four individuals. The collected data was then processed according to the three interpretive phenomenological principles namely, phenomenology, hermeneutics and idiography. Analysis was thereafter conducted using five steps, which led to two main themes emerged. The two thematic categories that emerged were (1) the ex-users’ experiences of using substances and (2) experiences of recovering from a substance use disorder. Within the first thematic category two sub-themes developed which included: reasons for using substances, and when substance use became a dependency. The sub-themes that emerged in the second thematic category included: initiating recovery, recovery and treatment models, post-treatment, risk factors in recovery and supportive and protective factors in recovery.
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The last stop
- Authors: Mofokeng, Thabiso
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/64567 , vital:28559
- Description: My novella is set in the taxi industry. Its main characters are a wealthy taxi owner, a poor taxi driver from another African country, and the taxi driver's girlfriend. The story is partly a ghost story and partly crime fiction, it combines gritty realism with magical elements. It shows what happens between people in times of taxi violence. As the plot develops, the driver finds out that his boss is sleeping with his girlfriend. In revenge, the boss bribes some policemen to arrest the driver and beat him, and he dies in the police cells. But it turns out that the detective investigating the driver’s death is not quite impartial, nor is he of this world only.
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- Authors: Mofokeng, Thabiso
- Date: 2016
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/64567 , vital:28559
- Description: My novella is set in the taxi industry. Its main characters are a wealthy taxi owner, a poor taxi driver from another African country, and the taxi driver's girlfriend. The story is partly a ghost story and partly crime fiction, it combines gritty realism with magical elements. It shows what happens between people in times of taxi violence. As the plot develops, the driver finds out that his boss is sleeping with his girlfriend. In revenge, the boss bribes some policemen to arrest the driver and beat him, and he dies in the police cells. But it turns out that the detective investigating the driver’s death is not quite impartial, nor is he of this world only.
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The lived experience of the post-termination period of long-term psychotherapy
- Steenkamp, Jeanette Gwendoline
- Authors: Steenkamp, Jeanette Gwendoline
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3276 , http://hdl.handle.net/10962/d1021272
- Description: This study aimed to gain insight and understanding into adult clients’ personal lived experiences of the post-termination period of long-term psychotherapy. International research which examines the post-termination phase of psychotherapy has found that this particular lived experience can have both positive and negative consequences for clients’ psychosocial wellbeing. Few recent studies focusing on adult clients’ personal experiences of the post-termination phase could be located and none of these studies were conducted in a non-Western context. The study’s aim was to address this gap in the existing literature by using interpretative-phenomenological analysis (IPA) to explore the lived experience of the post-termination period of long-term psychotherapy for two South African adult clients. Data were collected via individual in-depth semi-structured interviews. Analysis of the data yielded the following themes: Therapy remembered as amazing, but hard work, Vivid memories of therapy retained post-termination, Seeing the therapist differently, Keeping the therapist alive, Being different after therapy, “I started losing all my ground I had gained”, and Resuming the external journey. These findings corroborated and expanded upon existing research in the area.
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- Authors: Steenkamp, Jeanette Gwendoline
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3276 , http://hdl.handle.net/10962/d1021272
- Description: This study aimed to gain insight and understanding into adult clients’ personal lived experiences of the post-termination period of long-term psychotherapy. International research which examines the post-termination phase of psychotherapy has found that this particular lived experience can have both positive and negative consequences for clients’ psychosocial wellbeing. Few recent studies focusing on adult clients’ personal experiences of the post-termination phase could be located and none of these studies were conducted in a non-Western context. The study’s aim was to address this gap in the existing literature by using interpretative-phenomenological analysis (IPA) to explore the lived experience of the post-termination period of long-term psychotherapy for two South African adult clients. Data were collected via individual in-depth semi-structured interviews. Analysis of the data yielded the following themes: Therapy remembered as amazing, but hard work, Vivid memories of therapy retained post-termination, Seeing the therapist differently, Keeping the therapist alive, Being different after therapy, “I started losing all my ground I had gained”, and Resuming the external journey. These findings corroborated and expanded upon existing research in the area.
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The past in the present: race, gender and transnationalism in Zoë Wicomb’s October and Chimamanda Ngozi Adichie’s Americanah
- Authors: Nthunya, Manosa
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3939 , vital:20559
- Description: This thesis will interrogate the ways in which the most recent novels of Zoë Wicomb and Chimamanda Ngozi Adichie (namely October and Americanah) explore race, gender and transnational issues. Wicomb and Adichie share an interest in representing the lives of people who have been historically marginalised by racial and gender classifications. This thesis will argue that historical and stereotypical ways of looking at people, particularly African people, are still prevalent in the twenty-first century. Wicomb’s interest is in the coloured community and the impact that apartheid ideology has had on it. She shows, as this thesis will argue, that notions of shame and respectability still influence the coloured community, post-1994, in the same ways they did under apartheid. Furthermore, the thesis will show that religion, which was used to justify apartheid, has been instrumental in maintaining racist and sexist norms in the coloured community in post-apartheid South Africa. Adichie’s novel, on the other hand, shows the impact of gender norms in Nigeria on her female characters. Unlike characters in Wicomb’s novel, Adichie’s mostly experience racial bias when they move to Western countries. This thesis will argue that many Western countries, which were the main beneficiaries of colonialism, continue to ‘other’ Africans, in spite of their claims to respect all human beings. Wicomb’s and Adichie’s novels depict characters that are moving between different continents, along with the impact that this has on them. In the twenty-first century, more people are moving between different spaces and, as a result, interacting with different cultures. These migrations, as this thesis will show, give rise to paradoxical circumstances: people are still being judged according to their race and gender, in spite of the freedom that these moves are supposed to lead to. Of central importance to both novels then is the question of home and belonging. Since people are moving between different continents, is it still possible to belong to one place? Is it in fact possible to belong at all? These are some of the questions that will be raised and answered in this thesis. Lastly, the thesis will look at the thematic representations of reading and writing in the novels under consideration. This is most evident in Adichie’s novel where her main character starts blogging as a way to express her dissatisfaction with the racist and sexist environment she encounters in the United States of America. The thesis will explore how Adichie examines blogging as a mode of communication that is unique to the twenty-first century. It will argue that it is perhaps through new media that historically subjugated subjects, such as African people and women, will be able to express themselves. Less hackneyed modes of communication might provide the necessary channels for those who have historically been denied voice to finally find it.
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- Authors: Nthunya, Manosa
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3939 , vital:20559
- Description: This thesis will interrogate the ways in which the most recent novels of Zoë Wicomb and Chimamanda Ngozi Adichie (namely October and Americanah) explore race, gender and transnational issues. Wicomb and Adichie share an interest in representing the lives of people who have been historically marginalised by racial and gender classifications. This thesis will argue that historical and stereotypical ways of looking at people, particularly African people, are still prevalent in the twenty-first century. Wicomb’s interest is in the coloured community and the impact that apartheid ideology has had on it. She shows, as this thesis will argue, that notions of shame and respectability still influence the coloured community, post-1994, in the same ways they did under apartheid. Furthermore, the thesis will show that religion, which was used to justify apartheid, has been instrumental in maintaining racist and sexist norms in the coloured community in post-apartheid South Africa. Adichie’s novel, on the other hand, shows the impact of gender norms in Nigeria on her female characters. Unlike characters in Wicomb’s novel, Adichie’s mostly experience racial bias when they move to Western countries. This thesis will argue that many Western countries, which were the main beneficiaries of colonialism, continue to ‘other’ Africans, in spite of their claims to respect all human beings. Wicomb’s and Adichie’s novels depict characters that are moving between different continents, along with the impact that this has on them. In the twenty-first century, more people are moving between different spaces and, as a result, interacting with different cultures. These migrations, as this thesis will show, give rise to paradoxical circumstances: people are still being judged according to their race and gender, in spite of the freedom that these moves are supposed to lead to. Of central importance to both novels then is the question of home and belonging. Since people are moving between different continents, is it still possible to belong to one place? Is it in fact possible to belong at all? These are some of the questions that will be raised and answered in this thesis. Lastly, the thesis will look at the thematic representations of reading and writing in the novels under consideration. This is most evident in Adichie’s novel where her main character starts blogging as a way to express her dissatisfaction with the racist and sexist environment she encounters in the United States of America. The thesis will explore how Adichie examines blogging as a mode of communication that is unique to the twenty-first century. It will argue that it is perhaps through new media that historically subjugated subjects, such as African people and women, will be able to express themselves. Less hackneyed modes of communication might provide the necessary channels for those who have historically been denied voice to finally find it.
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The projection of gender based violence through characterisation and theme in Magqashela’s works, Isangxa siyawhuza, Umlindi and Amathaf’entandabuzo
- Authors: Somlata, B
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3971 , vital:20575
- Description: This study focuses on literature. The dissertation seeks to explore how Magqashela’s works Isangxa siyawhuza (2006), Amathaf’entandabuzo (2006) and Umlindi (2015) represent her characters to reveal gender based violence and stereotypes. As we, South Africans enfranchised and given the Act 108, a South African Constitution with Bill of rights, but it seems as if women and children do not enjoy these privileges because of high rate of violence against them. Through observation it is clear that theoretically every South African is free but practically some humans particularly women and young girls and discrimination. The researcher decided to choose female writer assuming that she is addressing women challenges as male writers are less interested to excavate women’s issues in their literary works. The reseacher also wanted to find out whether our female writer is disseminating women’s predicaments. By means of textual analysis the study investigates how gender based violence violates survivors and victims’ rights in chapter 3, and chapter 4 explores how unfaithful partners cause violence. It also explores the intervention of traditional justice and formal justice system in violent behavior caused by anger, jealousy and acquaintance of violent environment. Chapter 5 projects a stereotypical character in three selected literary texts. The whole thesis brings the prominent picture of how Gender Based Violence bodily harm the survivors and victims psychologically, physically and economically. It reveals rural women and young girls as the most vulnerable people and men as the worst perpetrators of Gender Based Violence in these literary texts. The thesis explains that the perpetrators are known by the survivors and victims hence there is a culture of silence. They are afraid of multiple abuses. The thesis relates character depiction of violence and stereotypes with current societal incidents quoting from newspapers, articles, journals and SABC online news as to disclose the accuracy of the author’s projection. Character analysis reveals that women are still discriminated and oppressed by their counterparts. The discussions succinctly elucidate that the underestimation of women and children are rooted by cultural traditional norms and values as well as Christian religion .These societal factors are promoting patriarchal perception which says men are dominant and women are submissive. It says men are obliged to take control over women. African feminist theory; Feminism, Womanism and Stiwanism and Motherism are employed as a theoretical framework. These theories are against gender inequality, they are against African women and children maltreatment .The changes of the current society including women’s independency propels insecurity, unemployed, illiterate and underprivileged men to use violence as the way of taking back control over their intimate partners and the whole family. Relevant quotations from selected texts are employed to project character portrayal of gender based violence and stereotypes.
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- Authors: Somlata, B
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3971 , vital:20575
- Description: This study focuses on literature. The dissertation seeks to explore how Magqashela’s works Isangxa siyawhuza (2006), Amathaf’entandabuzo (2006) and Umlindi (2015) represent her characters to reveal gender based violence and stereotypes. As we, South Africans enfranchised and given the Act 108, a South African Constitution with Bill of rights, but it seems as if women and children do not enjoy these privileges because of high rate of violence against them. Through observation it is clear that theoretically every South African is free but practically some humans particularly women and young girls and discrimination. The researcher decided to choose female writer assuming that she is addressing women challenges as male writers are less interested to excavate women’s issues in their literary works. The reseacher also wanted to find out whether our female writer is disseminating women’s predicaments. By means of textual analysis the study investigates how gender based violence violates survivors and victims’ rights in chapter 3, and chapter 4 explores how unfaithful partners cause violence. It also explores the intervention of traditional justice and formal justice system in violent behavior caused by anger, jealousy and acquaintance of violent environment. Chapter 5 projects a stereotypical character in three selected literary texts. The whole thesis brings the prominent picture of how Gender Based Violence bodily harm the survivors and victims psychologically, physically and economically. It reveals rural women and young girls as the most vulnerable people and men as the worst perpetrators of Gender Based Violence in these literary texts. The thesis explains that the perpetrators are known by the survivors and victims hence there is a culture of silence. They are afraid of multiple abuses. The thesis relates character depiction of violence and stereotypes with current societal incidents quoting from newspapers, articles, journals and SABC online news as to disclose the accuracy of the author’s projection. Character analysis reveals that women are still discriminated and oppressed by their counterparts. The discussions succinctly elucidate that the underestimation of women and children are rooted by cultural traditional norms and values as well as Christian religion .These societal factors are promoting patriarchal perception which says men are dominant and women are submissive. It says men are obliged to take control over women. African feminist theory; Feminism, Womanism and Stiwanism and Motherism are employed as a theoretical framework. These theories are against gender inequality, they are against African women and children maltreatment .The changes of the current society including women’s independency propels insecurity, unemployed, illiterate and underprivileged men to use violence as the way of taking back control over their intimate partners and the whole family. Relevant quotations from selected texts are employed to project character portrayal of gender based violence and stereotypes.
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The relationship between the alcohol use patterns and cognitive and symptomatic functioning of Rhodes University students
- Authors: Mayson, Tamara Ann
- Date: 2016
- Subjects: Drinking of alcholic beverages -- South Africa , Rhodes University -- Students -- Alcohol use , Alcohol -- Physiological effect
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3270 , http://hdl.handle.net/10962/d1020327
- Description: Introduction: Studies reveal differential cognitive effects of alcohol use, with moderate to heavy alcohol having some beneficial effects in older adults, whereas in young adulthood, heavier alcohol use produces deficits. The aim of the research was to investigate the relationship between patterns of alcohol use and the cognitive and symptomatic functioning of university students over one year, and to discern which demographic, clinical and alcohol factors might moderate cognitive outcomes. Method: The sample included undergraduate Psychology students from a South African University, aged 18 to 23 years (n = 86). The sample was divided into two alcohol use groups based on four categories from the Alcohol Use Disorders Identification Test (AUDIT) (Babor et al., 2001), including a lighter drinking group (Safe/Hazardous, n = 74) and a heavier drinking group (Harmful/Dependent, n = 12). The two drinking groups were statistically equivalent for distribution of age, gender, English first language, race groups, history of neurological or psychiatric vulnerability, a measure of initial intelligence/cognitive reserve (Peabody Picture Vocabulary Test: PPVT-4) (Dunn & Dunn, 2007) and for a measure of test-taking validity (Immediate Postconcussion Assessment and Cognitive Test: ImPACT Impulse Control) (p = < 0.05 in all instances). Participants were tested on the computerized ImPACT battery (ImPACT, 2007) at three intervals over an academic year (May, August, October 2012). Repeated measures ANOVAs were used to investigate cognitive and symptomatic differences between the two alcohol use groups, in association with moderating factors. Results: The heavier drinking group revealed: (i) poorer performance on ImPACT Visual Motor Speed, Reaction Time and Cognitive Efficiency Index scores, including less ability to benefit from practice over time; (ii) symptom reports of severe Numbness/Tingling, Balance problems and Dizziness. Deleterious cognitive outcome was exacerbated by longer lifetime duration of alcohol use, passing out monthly, beer or wine drinking, smoking or substance use. Conclusion: Deleterious cognitive and symptomatic effects of heavy alcohol use are in evidence for undergraduate university students implicating current and/or cumulative alcohol induced brain impairment. The results of the study are of concern for optimal academic performance of students at an early stage of university level study, who engage in heavier (Harmful/Dependent) drinking patterns, with negative implications for future career attainment.
- Full Text:
- Authors: Mayson, Tamara Ann
- Date: 2016
- Subjects: Drinking of alcholic beverages -- South Africa , Rhodes University -- Students -- Alcohol use , Alcohol -- Physiological effect
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3270 , http://hdl.handle.net/10962/d1020327
- Description: Introduction: Studies reveal differential cognitive effects of alcohol use, with moderate to heavy alcohol having some beneficial effects in older adults, whereas in young adulthood, heavier alcohol use produces deficits. The aim of the research was to investigate the relationship between patterns of alcohol use and the cognitive and symptomatic functioning of university students over one year, and to discern which demographic, clinical and alcohol factors might moderate cognitive outcomes. Method: The sample included undergraduate Psychology students from a South African University, aged 18 to 23 years (n = 86). The sample was divided into two alcohol use groups based on four categories from the Alcohol Use Disorders Identification Test (AUDIT) (Babor et al., 2001), including a lighter drinking group (Safe/Hazardous, n = 74) and a heavier drinking group (Harmful/Dependent, n = 12). The two drinking groups were statistically equivalent for distribution of age, gender, English first language, race groups, history of neurological or psychiatric vulnerability, a measure of initial intelligence/cognitive reserve (Peabody Picture Vocabulary Test: PPVT-4) (Dunn & Dunn, 2007) and for a measure of test-taking validity (Immediate Postconcussion Assessment and Cognitive Test: ImPACT Impulse Control) (p = < 0.05 in all instances). Participants were tested on the computerized ImPACT battery (ImPACT, 2007) at three intervals over an academic year (May, August, October 2012). Repeated measures ANOVAs were used to investigate cognitive and symptomatic differences between the two alcohol use groups, in association with moderating factors. Results: The heavier drinking group revealed: (i) poorer performance on ImPACT Visual Motor Speed, Reaction Time and Cognitive Efficiency Index scores, including less ability to benefit from practice over time; (ii) symptom reports of severe Numbness/Tingling, Balance problems and Dizziness. Deleterious cognitive outcome was exacerbated by longer lifetime duration of alcohol use, passing out monthly, beer or wine drinking, smoking or substance use. Conclusion: Deleterious cognitive and symptomatic effects of heavy alcohol use are in evidence for undergraduate university students implicating current and/or cumulative alcohol induced brain impairment. The results of the study are of concern for optimal academic performance of students at an early stage of university level study, who engage in heavier (Harmful/Dependent) drinking patterns, with negative implications for future career attainment.
- Full Text:
The Representation of Adult Family Members in Selected Children’s Books by Roald Dahl
- Authors: Kerford, Justine
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2387 , http://hdl.handle.net/10962/d1021254
- Description: This thesis focuses on the representation of the five adult family members (mothers, fathers, grandmothers, grandfathers and aunts) that are present in a specialised corpus of Roald Dahl’s children’s literature. Children’s fiction provides insight into how society views childhood as it reflects the dominant ideologies in society (Larkin-Lieffers 2010).The family is “central to most children’s literature” (Alston 2008: 2) which makes the analysis of the family in children’s fiction important. Society favours particular representations of the family, as well as men and women, and these representations are also reflected in the fiction available to readers. I have used Critical Discourse Analysis and Corpus Linguistics in order to establish how adult family members are represented in Dahl’s fiction. The physical description and the verbs of speech that collocate significantly with the different tagged characters are analysed to establish patterns in representation. Verbs of speech give the reader information that allows them to establish the emotion and attitude of the character and this helps the reader make judgements with regards to the positive or negative perception of the character. The repeated use of particular descriptions and verbs of speech primes the reader to associate particular features with certain characters and the evaluation provided by these features bleeds over onto the characters. There is evidence of a continuum of verbs of speech moving from verbs of speech with low pitch and low volume like ‘said’ to ones with a high pitch and high volume like ‘shrieked’. The tagged characters are discussed according to the continuum to establish any patterns the verb of speech use. Women were found to collocate with verbs of speech like ‘shrieked, ‘screamed’ and ‘wailed’ which suggests that women are more hysterically emotional while men collocate with verbs of speech like ‘shouted’ and ‘yelled’ which were less hysterical and suggest aggression. Aunts were the exception to this pattern as they collocated with more masculine verbs of speech, like ‘shouted’. These patterns help establish whether or not the representations follow the dominant ideologies of women being emotional and home bound and men being aggressive and more active in the public sphere.
- Full Text:
- Authors: Kerford, Justine
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2387 , http://hdl.handle.net/10962/d1021254
- Description: This thesis focuses on the representation of the five adult family members (mothers, fathers, grandmothers, grandfathers and aunts) that are present in a specialised corpus of Roald Dahl’s children’s literature. Children’s fiction provides insight into how society views childhood as it reflects the dominant ideologies in society (Larkin-Lieffers 2010).The family is “central to most children’s literature” (Alston 2008: 2) which makes the analysis of the family in children’s fiction important. Society favours particular representations of the family, as well as men and women, and these representations are also reflected in the fiction available to readers. I have used Critical Discourse Analysis and Corpus Linguistics in order to establish how adult family members are represented in Dahl’s fiction. The physical description and the verbs of speech that collocate significantly with the different tagged characters are analysed to establish patterns in representation. Verbs of speech give the reader information that allows them to establish the emotion and attitude of the character and this helps the reader make judgements with regards to the positive or negative perception of the character. The repeated use of particular descriptions and verbs of speech primes the reader to associate particular features with certain characters and the evaluation provided by these features bleeds over onto the characters. There is evidence of a continuum of verbs of speech moving from verbs of speech with low pitch and low volume like ‘said’ to ones with a high pitch and high volume like ‘shrieked’. The tagged characters are discussed according to the continuum to establish any patterns the verb of speech use. Women were found to collocate with verbs of speech like ‘shrieked, ‘screamed’ and ‘wailed’ which suggests that women are more hysterically emotional while men collocate with verbs of speech like ‘shouted’ and ‘yelled’ which were less hysterical and suggest aggression. Aunts were the exception to this pattern as they collocated with more masculine verbs of speech, like ‘shouted’. These patterns help establish whether or not the representations follow the dominant ideologies of women being emotional and home bound and men being aggressive and more active in the public sphere.
- Full Text:
The smell hits you first
- Authors: Ndoro, Tariro
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6016 , http://hdl.handle.net/10962/d1021236
- Description: This collection of poems and prose poems is a record of my life, from growing up in the small town of Bindura in Zimbabwe to landing in the small town of Grahamstown in South Africa. It is a story of dislocation: physical, emotional, and political. It is a story about borders and boundaries; although not rich, I was raised among the rich; although not white, I spent a considerable part of my childhood in white spaces. These fragments are told through the voice of my younger self and also retrospectively by my adult self. Two important influences on my style and my struggle to write about my identity have been Woman Hollering Creek by Latino American author Sandra Cisneros and Citizen: An American Lyric by US poet Claudia Rankine.
- Full Text:
- Authors: Ndoro, Tariro
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6016 , http://hdl.handle.net/10962/d1021236
- Description: This collection of poems and prose poems is a record of my life, from growing up in the small town of Bindura in Zimbabwe to landing in the small town of Grahamstown in South Africa. It is a story of dislocation: physical, emotional, and political. It is a story about borders and boundaries; although not rich, I was raised among the rich; although not white, I spent a considerable part of my childhood in white spaces. These fragments are told through the voice of my younger self and also retrospectively by my adult self. Two important influences on my style and my struggle to write about my identity have been Woman Hollering Creek by Latino American author Sandra Cisneros and Citizen: An American Lyric by US poet Claudia Rankine.
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Ulwaluko kwa Xhosa: young Xhosa men's lived experiences in the context of traditional male initiation
- Authors: Siswana, Anele
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3271 , http://hdl.handle.net/10962/d1020840
- Description: This thesis explores the lived experiences of young amaXhosa men in relation to U!walukokwa Xhosa (traditional male initiation [TMI]) and its impact on their sense of masculinity. The conceptual framework of this study is located within African epistemology focusing on indigenous knowledge systems (IKS) in South Africa. The study aimed at enabling young amaXhosa men who had undergone TMI to reflect on their first-hand, personal accounts of Ulwa/ukokwa Xhosa and manhood. Six semistructured interviews and a follow up focus group discussion were held with 23-27 years old amaXhosa men residing in Joza Township in Grahamstown, Eastern Cape. Participants were identified through purposive sampling. The thesis reports on the following findings: (a) the significance of the place/location of initiation, and the guise of modernity; (b) feelings of anticipation experienced by the young men; (c) the theme on ubudoda(manhood) affirmation Ndiyindoda!; (d) the theme on the concealment of pain (perseverance); (e) the theme on respect for self and others and ubuntu;(f) Uzimelegeqe (independence and autonomy) and (g) social role and responsibility. The paper argues for the relevance of TMI as a significantrite of passage from boyhood to manhood among amaXhosa men.
- Full Text:
- Authors: Siswana, Anele
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3271 , http://hdl.handle.net/10962/d1020840
- Description: This thesis explores the lived experiences of young amaXhosa men in relation to U!walukokwa Xhosa (traditional male initiation [TMI]) and its impact on their sense of masculinity. The conceptual framework of this study is located within African epistemology focusing on indigenous knowledge systems (IKS) in South Africa. The study aimed at enabling young amaXhosa men who had undergone TMI to reflect on their first-hand, personal accounts of Ulwa/ukokwa Xhosa and manhood. Six semistructured interviews and a follow up focus group discussion were held with 23-27 years old amaXhosa men residing in Joza Township in Grahamstown, Eastern Cape. Participants were identified through purposive sampling. The thesis reports on the following findings: (a) the significance of the place/location of initiation, and the guise of modernity; (b) feelings of anticipation experienced by the young men; (c) the theme on ubudoda(manhood) affirmation Ndiyindoda!; (d) the theme on the concealment of pain (perseverance); (e) the theme on respect for self and others and ubuntu;(f) Uzimelegeqe (independence and autonomy) and (g) social role and responsibility. The paper argues for the relevance of TMI as a significantrite of passage from boyhood to manhood among amaXhosa men.
- Full Text:
Understanding sexual concurrency and HIV/AIDS: implicit and explicit attitudes in a South African student population
- Authors: Malataliana, Maleeto Lucy
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3335 , vital:20484
- Description: There are more people infected with HIV in South Africa, than in any other country in the world. Studies indicate a plausible relationship between concurrently organised sexual partnership and the spread of STIs, with concurrency being accountable for as much as 74% of HIV infections in South Africa. Understanding sexual concurrency is therefore of vital importance, especially in the South African perspective. It has, however, become increasingly unreliable to rely solely on explicit self-measures to study sexual concurrency, and research has suggested that implicit cognition is a reliable alternative to understanding sexual behaviour and attitudes towards sexuality, which cannot be directly measured by explicit means. The purpose of this study was to understand sexual concurrency among a population of university students by researching their implicit and explicit attitudes towards sexual concurrency; and thereby to aid in understanding sexual concurrency in relation to the spread of HIV. A quantitative research methodology was used to analyse results from explicit measures of sexual concurrency in the form of a questionnaire, and implicit measures of sexual concurrency in the form of the Implicit Association Test (IAT). Although no correlation existed between implicit and explicit measures attitudes towards sexual concurrency, it was, however, observed that sexual concurrency has and is being broadly practiced, and that age is a key determinant for sexual concurrency.
- Full Text:
- Authors: Malataliana, Maleeto Lucy
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: http://hdl.handle.net/10962/3335 , vital:20484
- Description: There are more people infected with HIV in South Africa, than in any other country in the world. Studies indicate a plausible relationship between concurrently organised sexual partnership and the spread of STIs, with concurrency being accountable for as much as 74% of HIV infections in South Africa. Understanding sexual concurrency is therefore of vital importance, especially in the South African perspective. It has, however, become increasingly unreliable to rely solely on explicit self-measures to study sexual concurrency, and research has suggested that implicit cognition is a reliable alternative to understanding sexual behaviour and attitudes towards sexuality, which cannot be directly measured by explicit means. The purpose of this study was to understand sexual concurrency among a population of university students by researching their implicit and explicit attitudes towards sexual concurrency; and thereby to aid in understanding sexual concurrency in relation to the spread of HIV. A quantitative research methodology was used to analyse results from explicit measures of sexual concurrency in the form of a questionnaire, and implicit measures of sexual concurrency in the form of the Implicit Association Test (IAT). Although no correlation existed between implicit and explicit measures attitudes towards sexual concurrency, it was, however, observed that sexual concurrency has and is being broadly practiced, and that age is a key determinant for sexual concurrency.
- Full Text:
Where the body ends
- Authors: Hardy, Stacy
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6004 , http://hdl.handle.net/10962/d1021212
- Description: My collection of stories explores the intersection of the human body and the body of text via the tropes of disease and animality. Drawing on my experience of living with tuberculosis for many years, I attempt to write disease differently – not merely to be survived, overcome, cured, eradicated, but as something to be embraced via the Deleuzian affirmation of being worthy of what happens to us. Taking my cue from Sontag, I use a creaturely approach to writing, “an infinitely varied register of forms and tonalities for transporting the human voice into prose narrative”, emphasising the shared embodiedness of humans and animals so as to challenge the omnipotence of thought that subjugates and colonises the body as exclusively human.
- Full Text:
- Authors: Hardy, Stacy
- Date: 2016
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:6004 , http://hdl.handle.net/10962/d1021212
- Description: My collection of stories explores the intersection of the human body and the body of text via the tropes of disease and animality. Drawing on my experience of living with tuberculosis for many years, I attempt to write disease differently – not merely to be survived, overcome, cured, eradicated, but as something to be embraced via the Deleuzian affirmation of being worthy of what happens to us. Taking my cue from Sontag, I use a creaturely approach to writing, “an infinitely varied register of forms and tonalities for transporting the human voice into prose narrative”, emphasising the shared embodiedness of humans and animals so as to challenge the omnipotence of thought that subjugates and colonises the body as exclusively human.
- Full Text:
“Just trying to live our lives”: gay, lesbian and bisexual students’ experiences of being “at home” in university residence life
- Authors: Munyuki, Chipo Lidia
- Date: 2016
- Subjects: Homosexuality and education -- South Africa , Gay students , Lesbian students , Bisexual students , Transsexual students , Student housing , Discrimination in higher education -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2893 , http://hdl.handle.net/10962/d1020341
- Description: Higher education in South Africa is faced with a paramount task to help erode the social and structural inequalities that have been inherited from the Apartheid system (Department of Education 1997; Council on Higher Education 2000:12). The findings from the Soudien Report (2008:116-117) point out that the post-Apartheid higher education system in South Africa is characterised by various forms of discrimination and institutional cultures that marginalise some members of institutions resulting in pervasive feelings of alienation. In the South African higher education field, the concept of a “home” for all has been used by a variety of commentators to depict a vision of what transformed, inclusive higher education institutional cultures might look like. In this thesis, I interpret the experiences of residence life on the part of gay, lesbian and bisexual students on a largely residential campus. I ask how gay, lesbian and bisexual students experience being “at home” in the campus’s residence system. The thesis is based on 18 in-depth qualitative interviews with students who self-identify as gay/lesbian or bisexual who have experienced residence life on the campus for a period longer than six months. A wide literature exists on the concept of “home”. Drawing from many different disciplines including anthropology, history, philosophy, geography, psychology, architecture and sociology, I distil the essential features of “at homeness” as incorporating comfort, privacy, security, acceptance, companionship and community. The research was concerned to inquire into how central the idea of home is to human flourishing and then into how gay, lesbian and bisexual students are routinely denied many of the essential comforts associated with being “at home” that heterosexual students have the privilege of taking for granted.
- Full Text:
- Authors: Munyuki, Chipo Lidia
- Date: 2016
- Subjects: Homosexuality and education -- South Africa , Gay students , Lesbian students , Bisexual students , Transsexual students , Student housing , Discrimination in higher education -- South Africa
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:2893 , http://hdl.handle.net/10962/d1020341
- Description: Higher education in South Africa is faced with a paramount task to help erode the social and structural inequalities that have been inherited from the Apartheid system (Department of Education 1997; Council on Higher Education 2000:12). The findings from the Soudien Report (2008:116-117) point out that the post-Apartheid higher education system in South Africa is characterised by various forms of discrimination and institutional cultures that marginalise some members of institutions resulting in pervasive feelings of alienation. In the South African higher education field, the concept of a “home” for all has been used by a variety of commentators to depict a vision of what transformed, inclusive higher education institutional cultures might look like. In this thesis, I interpret the experiences of residence life on the part of gay, lesbian and bisexual students on a largely residential campus. I ask how gay, lesbian and bisexual students experience being “at home” in the campus’s residence system. The thesis is based on 18 in-depth qualitative interviews with students who self-identify as gay/lesbian or bisexual who have experienced residence life on the campus for a period longer than six months. A wide literature exists on the concept of “home”. Drawing from many different disciplines including anthropology, history, philosophy, geography, psychology, architecture and sociology, I distil the essential features of “at homeness” as incorporating comfort, privacy, security, acceptance, companionship and community. The research was concerned to inquire into how central the idea of home is to human flourishing and then into how gay, lesbian and bisexual students are routinely denied many of the essential comforts associated with being “at home” that heterosexual students have the privilege of taking for granted.
- Full Text:
"Soap operas as a platform for disseminating health information regarding ART and the use of 'reel' versus 'real' role models"
- Authors: Deiner, Catherine Anne
- Date: 2015
- Subjects: Isidingo (Television program) , Television soap operas -- South Africa , Health in mass media , Mass media in health education -- South Africa , Antiretroviral agents -- South Africa , Public health -- Moral and ethical aspects , HIV-positive women -- South Africa -- Grahamstown
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3542 , http://hdl.handle.net/10962/d1017783
- Description: The media, through development communication and edutainment, plays a critical role in the transformation of societies. In line with this, this thesis discusses the extent to which commercially driven prosocial soap operas can provide a platform for public health messaging, in the context of the HIV/AIDS epidemic in South Africa, for antiretroviral treatment (ART) and for encouraging ART adherence to foster national development. Furthermore, this thesis examined the potential of celebrities as HIV/AIDS ambassadors and the potential of both fictional characters and ‘real-life’ celebrities to disseminate these health messages. Although the HIV/AIDS epidemic in South Africa is stabilising, this is not the time to relax the communication around the disease, particularly regarding adherence to ARVs, considering that South Africa has the largest ARV rollout in the world. The qualitative methodological approach taken for this thesis is a three-step approach examining the intended message, the text and the appropriated message by viewers. Firstly, a thematic content analysis of an episode of Isidingo, that illustrated Nandipha as HIV-positive and the side-effects that came with her ART adherence, and the 3Talk interview with Lesego Motsepe, where she announced that she was weaning herself off ART, was done in order to understand the intended health messaging in the soap opera and the health message disseminated by an HIV-positive actress with regards to ART. Thereafter interview responses by the production team as well as by HIV-positive viewers, using ARVs, were thematised. In addition media texts which provided commentary on the use of a celebrity as a HIV-positive role model were examined. In doing this, this thesis has offered up the meanings of how HIV-positive women taking ARVs and living in Makana experience and understand the media, particularly health messaging relating to ARVs. The findings of this study suggest that commercial soap operas are the perfect platform to address HIV/AIDS and that prosocial health messaging regarding ARV adherence is still necessary in this country. Soap operas have the potential to have an educational angle. Although, HIV-positive individuals serve as better role models as they are authentic; given human nature, fictional characters, such as Nandipha Matabane in Isidingo, may be more sustainable role models as their message can be scientifically-based and well-researched. Realistic characters serve as role models whose behaviour is to be emulated. Soap operas appeal to a wide audience and so storylines can be tailor-made according to the times and the needs in terms of health issues and messaging. Thus, soap operas are not a single platform but rather one which can be exploited to maximum advantage for public health messaging.
- Full Text:
- Authors: Deiner, Catherine Anne
- Date: 2015
- Subjects: Isidingo (Television program) , Television soap operas -- South Africa , Health in mass media , Mass media in health education -- South Africa , Antiretroviral agents -- South Africa , Public health -- Moral and ethical aspects , HIV-positive women -- South Africa -- Grahamstown
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3542 , http://hdl.handle.net/10962/d1017783
- Description: The media, through development communication and edutainment, plays a critical role in the transformation of societies. In line with this, this thesis discusses the extent to which commercially driven prosocial soap operas can provide a platform for public health messaging, in the context of the HIV/AIDS epidemic in South Africa, for antiretroviral treatment (ART) and for encouraging ART adherence to foster national development. Furthermore, this thesis examined the potential of celebrities as HIV/AIDS ambassadors and the potential of both fictional characters and ‘real-life’ celebrities to disseminate these health messages. Although the HIV/AIDS epidemic in South Africa is stabilising, this is not the time to relax the communication around the disease, particularly regarding adherence to ARVs, considering that South Africa has the largest ARV rollout in the world. The qualitative methodological approach taken for this thesis is a three-step approach examining the intended message, the text and the appropriated message by viewers. Firstly, a thematic content analysis of an episode of Isidingo, that illustrated Nandipha as HIV-positive and the side-effects that came with her ART adherence, and the 3Talk interview with Lesego Motsepe, where she announced that she was weaning herself off ART, was done in order to understand the intended health messaging in the soap opera and the health message disseminated by an HIV-positive actress with regards to ART. Thereafter interview responses by the production team as well as by HIV-positive viewers, using ARVs, were thematised. In addition media texts which provided commentary on the use of a celebrity as a HIV-positive role model were examined. In doing this, this thesis has offered up the meanings of how HIV-positive women taking ARVs and living in Makana experience and understand the media, particularly health messaging relating to ARVs. The findings of this study suggest that commercial soap operas are the perfect platform to address HIV/AIDS and that prosocial health messaging regarding ARV adherence is still necessary in this country. Soap operas have the potential to have an educational angle. Although, HIV-positive individuals serve as better role models as they are authentic; given human nature, fictional characters, such as Nandipha Matabane in Isidingo, may be more sustainable role models as their message can be scientifically-based and well-researched. Realistic characters serve as role models whose behaviour is to be emulated. Soap operas appeal to a wide audience and so storylines can be tailor-made according to the times and the needs in terms of health issues and messaging. Thus, soap operas are not a single platform but rather one which can be exploited to maximum advantage for public health messaging.
- Full Text:
"Why Persephone?" investigating the unique position of Persephone as a dying god(dess) offering hope for the afterlife
- Authors: Goodwin, Grant
- Date: 2015
- Subjects: Mythology, Greek , Gods, Greek , Future life , Greece -- Religious life and customs , Persephone -- (Greek deity)
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3655 , http://hdl.handle.net/10962/d1017896
- Description: Persephone’s myth is unique, as it was the central narrative of one of the most prominent ancient mystery religions, and remains one of the few (certainly the most prominent) ancient Greek myths to focus on the relationship of a mother and her daughter. This unique focus must have offered her worshippers something important that they perhaps could not find elsewhere, especially as a complex and elaborate cult grew around it, transforming the divine allegory of the changing seasons or the storage of the grain beneath the earth, into a narrative offering hope for a better place in the afterlife. To understand the appeal of this myth, two aspects of her worship and mythic significance require study: the expectations of her worshippers for their own lives, to which the goddess may have been seen as a forerunner; and the mythic frameworks operating which would characterise the goddess for her worshippers. The myth, as described in The Hymn to Demeter, is initially interpreted for its literary meaning, and then set within its cultural milieu to uncover what meaning it may have had for Persephone’s worshippers, particularly in terms of marriage and death, which form the initial motivating action of the myth. From this socio-anthropological study we turn to the mythic patterns and motifs the story offers, particularly the figure of the goddess of the Underworld (primarily in the influential Mesopotamian literature), and the Dying-Rising God figure (similarly derived from the Near East). These figures, when compared to the Greek goddess, may both reveal her unique appeal, and highlight the common attractions that lie in the figures generally. By this two-part investigation, on the particular culture’s expectations and the general mythic framework she exists in, Persephone’s meaning in her native land may be uncovered and understood.
- Full Text:
- Authors: Goodwin, Grant
- Date: 2015
- Subjects: Mythology, Greek , Gods, Greek , Future life , Greece -- Religious life and customs , Persephone -- (Greek deity)
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3655 , http://hdl.handle.net/10962/d1017896
- Description: Persephone’s myth is unique, as it was the central narrative of one of the most prominent ancient mystery religions, and remains one of the few (certainly the most prominent) ancient Greek myths to focus on the relationship of a mother and her daughter. This unique focus must have offered her worshippers something important that they perhaps could not find elsewhere, especially as a complex and elaborate cult grew around it, transforming the divine allegory of the changing seasons or the storage of the grain beneath the earth, into a narrative offering hope for a better place in the afterlife. To understand the appeal of this myth, two aspects of her worship and mythic significance require study: the expectations of her worshippers for their own lives, to which the goddess may have been seen as a forerunner; and the mythic frameworks operating which would characterise the goddess for her worshippers. The myth, as described in The Hymn to Demeter, is initially interpreted for its literary meaning, and then set within its cultural milieu to uncover what meaning it may have had for Persephone’s worshippers, particularly in terms of marriage and death, which form the initial motivating action of the myth. From this socio-anthropological study we turn to the mythic patterns and motifs the story offers, particularly the figure of the goddess of the Underworld (primarily in the influential Mesopotamian literature), and the Dying-Rising God figure (similarly derived from the Near East). These figures, when compared to the Greek goddess, may both reveal her unique appeal, and highlight the common attractions that lie in the figures generally. By this two-part investigation, on the particular culture’s expectations and the general mythic framework she exists in, Persephone’s meaning in her native land may be uncovered and understood.
- Full Text:
A sociological analysis of the production, marketing and distribution of contemporary popular music by Zambian musicians
- Authors: Kazadi, Kanyabu Solomon
- Date: 2015
- Subjects: Popular music -- Zambia , Musicians -- Zambia , Sound recording industry -- Zambia , Popular music -- Production and direction -- Zambia , Popular music -- Marketing , Intellectual property -- Zambia , Copyright -- Royalties -- Zambia
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3404 , http://hdl.handle.net/10962/d1018933
- Description: The purpose of this research was to gather information about the production, marketing and distribution of Zambian contemporary music by Zambian musicians. Very little information has been documented about the development of the Zambian music industry, particularly from the perspective of those within the industry. As a result this study attempted to add to this knowledge. To achieve this Pierre Bourdieu’s theoretical concepts of ‘fields’ and ‘habitus’ were used to gain an understanding of what affects the creation of art forms such as music as well as the structures and underlying processes within the music industry. The concept of ‘fields’ usefully framed an explanation of the struggles and connections within the various fields in the industry and a view of the Zambian music industry in relation to the international industry. To gather the data necessary for this research a qualitative approach was utilised involving semistructured in-depth questionnaires from twenty-three interviewees. These interviewees were selected from various sectors of the music industry in an attempt to gain a holistic perspective of the industry in the 21st century. There were four subgroups: the artists (singers, rappers and instrumentalists), managers, radio DJs, and a miscellaneous group made up of the remaining participants, a Sounds Arcade manager, a music journalist, the National Arts Council Chairperson, a Zambia Music Copyright Protection Society (ZAMCOPS) administrator, and the then President of the Zambia Association of Musicians (ZAM). With the limited exposure to formal musical, instrumental and production training, musicians, instrumentalists, managers and studio production personnel interviewed had had to learn their craft on-the-job. This limited knowledge appears to add to the hindrance of the development of careers and the industry, particularly in terms of how to register and distribute music correctly to earn royalties and protect their intellectual property against piracy. From an institutional level piracy is being addressed more forcefully with the introduction of holograms and the tightening of policies and structures to do with the music industry.
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- Authors: Kazadi, Kanyabu Solomon
- Date: 2015
- Subjects: Popular music -- Zambia , Musicians -- Zambia , Sound recording industry -- Zambia , Popular music -- Production and direction -- Zambia , Popular music -- Marketing , Intellectual property -- Zambia , Copyright -- Royalties -- Zambia
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3404 , http://hdl.handle.net/10962/d1018933
- Description: The purpose of this research was to gather information about the production, marketing and distribution of Zambian contemporary music by Zambian musicians. Very little information has been documented about the development of the Zambian music industry, particularly from the perspective of those within the industry. As a result this study attempted to add to this knowledge. To achieve this Pierre Bourdieu’s theoretical concepts of ‘fields’ and ‘habitus’ were used to gain an understanding of what affects the creation of art forms such as music as well as the structures and underlying processes within the music industry. The concept of ‘fields’ usefully framed an explanation of the struggles and connections within the various fields in the industry and a view of the Zambian music industry in relation to the international industry. To gather the data necessary for this research a qualitative approach was utilised involving semistructured in-depth questionnaires from twenty-three interviewees. These interviewees were selected from various sectors of the music industry in an attempt to gain a holistic perspective of the industry in the 21st century. There were four subgroups: the artists (singers, rappers and instrumentalists), managers, radio DJs, and a miscellaneous group made up of the remaining participants, a Sounds Arcade manager, a music journalist, the National Arts Council Chairperson, a Zambia Music Copyright Protection Society (ZAMCOPS) administrator, and the then President of the Zambia Association of Musicians (ZAM). With the limited exposure to formal musical, instrumental and production training, musicians, instrumentalists, managers and studio production personnel interviewed had had to learn their craft on-the-job. This limited knowledge appears to add to the hindrance of the development of careers and the industry, particularly in terms of how to register and distribute music correctly to earn royalties and protect their intellectual property against piracy. From an institutional level piracy is being addressed more forcefully with the introduction of holograms and the tightening of policies and structures to do with the music industry.
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An interrogation of the representation of the San and Tonga ethnic ‘minorities’ in the Zimbabwean state-owned Chronicle, and the privately owned Newsday Southern Edition/Southern Eye newspapers during 2013
- Authors: Mlotshwa, Khanyile Joseph
- Date: 2015
- Subjects: The Chronicle (Zimbabwe) , Newsday Southern Edition/Southern Eye (Zimbabwe) , Mass media and ethnic relations -- Zimbabwe , Mass media -- Political aspects -- Zimbabwe , Mass media and nationalism -- Zimbabwe , Minorities and journalism -- Zimbabwe , Press and politics -- Zimbabwe , San (African people) -- Social conditions , Tonga (Zambezi people) -- Social conditions , Critical discourse analysis
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3549 , http://hdl.handle.net/10962/d1018546
- Description: This study critically interrogates representations of the San and Tonga in the Chronicle and the NewsDay Southern Edition/Southern Eye newspapers in 2013. It makes sense of how these representations and the journalistic practices that underwrite them position the ethnic groups as ‘minorities’ - in relation to other ethnic groups - within the discourses of Zimbabwean nationalism. Underpinned by a constructionist approach (Hall, 1997), the study makes sense of the San and Tonga identities otherwise silenced by the “bi-modal” (Ndlovu- Gatsheni, 2012: 536; Masunungure, 2006) Shona/Ndebele approach to Zimbabwean nationalism. In socio-historic terms, the study is located within the re-emergence of ‘ethnicity’ to contest Zimbabwean nationalism(s) during debates for the New Constitution leading to a Referendum in March 2013. The thesis draws on social theories that offer explanatory power in studying media representations, which include postcolonial (Bhabha, 1990, 1994; Spivak, 1995), hegemony (Gramsci, 1971), and discourse (Foucault, 1970, 1972; Laclau and Mouffe, 1985) theories. These theories speak to the ways in which discourses about identity, belonging, citizenship and democracy are constructed in situations in which unequal social power is contested. The thesis links journalism practice with the politics of representation drawing on normative theories of journalism (Christians et al, 2009), the professional ideology of journalism (Tuchman, 1972; Golding and Elliot, 1996; Hall et al., 1996), and the concept of journalists as an ‘interpretive community’ (Zelizer, 1993). These theories allow us to unmask the role of journalism’s social power in representation, and map ways in which the agency of the journalists has to be considered in relation to the structural features of the media industry in particular, and society in general. The study is qualitative and proceeds by way of combining a Critical Discourse Analysis (CDA) (Fairclough, 1992; Richardson, 2007) and ideological analysis (Thompson, 1990) of eight news texts taken from the two newspapers and in-depth interviews with 13 journalists from the two newspapers. This way we account for the media representations journalists produced: sometimes reproducing stereotypes, at other times, resisting them. Journalists not only regard themselves as belonging to the dominant ethnic groups of Shona or Ndebele, but as part of the middle class; they take Zimbabwean nationalism for granted, reproducing it as common-sense through sourcing patterns dominated by elites. This silences the San and Tonga constructing them as a ‘minority’ through a double play of invisibility and hyper visibility, where they either don’t appear in the news texts or are overly stereotyped.
- Full Text:
- Authors: Mlotshwa, Khanyile Joseph
- Date: 2015
- Subjects: The Chronicle (Zimbabwe) , Newsday Southern Edition/Southern Eye (Zimbabwe) , Mass media and ethnic relations -- Zimbabwe , Mass media -- Political aspects -- Zimbabwe , Mass media and nationalism -- Zimbabwe , Minorities and journalism -- Zimbabwe , Press and politics -- Zimbabwe , San (African people) -- Social conditions , Tonga (Zambezi people) -- Social conditions , Critical discourse analysis
- Language: English
- Type: Thesis , Masters , MA
- Identifier: vital:3549 , http://hdl.handle.net/10962/d1018546
- Description: This study critically interrogates representations of the San and Tonga in the Chronicle and the NewsDay Southern Edition/Southern Eye newspapers in 2013. It makes sense of how these representations and the journalistic practices that underwrite them position the ethnic groups as ‘minorities’ - in relation to other ethnic groups - within the discourses of Zimbabwean nationalism. Underpinned by a constructionist approach (Hall, 1997), the study makes sense of the San and Tonga identities otherwise silenced by the “bi-modal” (Ndlovu- Gatsheni, 2012: 536; Masunungure, 2006) Shona/Ndebele approach to Zimbabwean nationalism. In socio-historic terms, the study is located within the re-emergence of ‘ethnicity’ to contest Zimbabwean nationalism(s) during debates for the New Constitution leading to a Referendum in March 2013. The thesis draws on social theories that offer explanatory power in studying media representations, which include postcolonial (Bhabha, 1990, 1994; Spivak, 1995), hegemony (Gramsci, 1971), and discourse (Foucault, 1970, 1972; Laclau and Mouffe, 1985) theories. These theories speak to the ways in which discourses about identity, belonging, citizenship and democracy are constructed in situations in which unequal social power is contested. The thesis links journalism practice with the politics of representation drawing on normative theories of journalism (Christians et al, 2009), the professional ideology of journalism (Tuchman, 1972; Golding and Elliot, 1996; Hall et al., 1996), and the concept of journalists as an ‘interpretive community’ (Zelizer, 1993). These theories allow us to unmask the role of journalism’s social power in representation, and map ways in which the agency of the journalists has to be considered in relation to the structural features of the media industry in particular, and society in general. The study is qualitative and proceeds by way of combining a Critical Discourse Analysis (CDA) (Fairclough, 1992; Richardson, 2007) and ideological analysis (Thompson, 1990) of eight news texts taken from the two newspapers and in-depth interviews with 13 journalists from the two newspapers. This way we account for the media representations journalists produced: sometimes reproducing stereotypes, at other times, resisting them. Journalists not only regard themselves as belonging to the dominant ethnic groups of Shona or Ndebele, but as part of the middle class; they take Zimbabwean nationalism for granted, reproducing it as common-sense through sourcing patterns dominated by elites. This silences the San and Tonga constructing them as a ‘minority’ through a double play of invisibility and hyper visibility, where they either don’t appear in the news texts or are overly stereotyped.
- Full Text: