Bolo neno kari koongo
- Abisolom Abunda and Luo men, Hugh Tracey
- Authors: Abisolom Abunda and Luo men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178819 , vital:42989 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-09
- Description: Bolo achieved an unenviable reputation for having neither shield nor ostrich feathers, and for being an univited guest at drinking parties. The playing drums by these Nilotic people is usually far simpler in rhythm than that of the Bantu. It appears to be essential in Luo society near Kisii to have your shield and your ostrich feathers with you when you attend a funeral. Bul dance song for men with Bunde 5 bass drums, laced and Gara leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
- Authors: Abisolom Abunda and Luo men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk music--Kenya , Luo (Kenya and Tanzanian people) , Field recordings , Africa, Sub-Saharan , Africa Kenya South Nyanza Province f-ke
- Language: Luo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/178819 , vital:42989 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR168-09
- Description: Bolo achieved an unenviable reputation for having neither shield nor ostrich feathers, and for being an univited guest at drinking parties. The playing drums by these Nilotic people is usually far simpler in rhythm than that of the Bantu. It appears to be essential in Luo society near Kisii to have your shield and your ostrich feathers with you when you attend a funeral. Bul dance song for men with Bunde 5 bass drums, laced and Gara leg bells (-12.55-).
- Full Text: false
- Date Issued: 1950
Eneku awato
- Alfred Nyirenda, Tonga young boys, Hugh Tracey
- Authors: Alfred Nyirenda , Tonga young boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184893 , vital:44283 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-10
- Description: "You, the owner of the canoe, do not be mean with the fish you bring home. Share them with everyone of the crew." Although this work song may be genuinely used by fishermen on the lake, this rendering of it is clearly far from being associated with the actual paddling. Paddling canoe song with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Alfred Nyirenda , Tonga young boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184893 , vital:44283 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-10
- Description: "You, the owner of the canoe, do not be mean with the fish you bring home. Share them with everyone of the crew." Although this work song may be genuinely used by fishermen on the lake, this rendering of it is clearly far from being associated with the actual paddling. Paddling canoe song with clapping
- Full Text: false
- Date Issued: 1950
Paryi vilipo visika alendo amwe
- Alfuledi Nyoni, Tumbuka men, Hugh Tracey
- Authors: Alfuledi Nyoni , Tumbuka men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kazimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185213 , vital:44340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-19
- Description: The syncopated clapping is provided by the women. Both men and women form a circle and individual men prance out into the centre of the circle to do a pas seul. Drinking song with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Alfuledi Nyoni , Tumbuka men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kazimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185213 , vital:44340 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-19
- Description: The syncopated clapping is provided by the women. Both men and women form a circle and individual men prance out into the centre of the circle to do a pas seul. Drinking song with clapping
- Full Text: false
- Date Issued: 1950
Munthy wakakora njoka
- Alfulidi Nyoni, Tumbuka men, Hugh Tracey
- Authors: Alfulidi Nyoni , Tumbuka men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186253 , vital:44478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-05
- Description: A certain man picked up a snake and took it home. He did it under a basket but his child lifted up the basket while he was away and let the snake out. The man was very angry and told the child to go and bring it back. The snake escaped into the water and the child brought back several other things but not the snake. Eventually he found the snake and brought it back. Later he went into the bush and founf a grasshopper. This he brought back and this time the father let it go. So the child told the father he should fetch his grasshopper back. The father agreed but while looking for the grasshopper he was caught and eaten by a lion. Story song
- Full Text: false
- Date Issued: 1950
- Authors: Alfulidi Nyoni , Tumbuka men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186253 , vital:44478 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-05
- Description: A certain man picked up a snake and took it home. He did it under a basket but his child lifted up the basket while he was away and let the snake out. The man was very angry and told the child to go and bring it back. The snake escaped into the water and the child brought back several other things but not the snake. Eventually he found the snake and brought it back. Later he went into the bush and founf a grasshopper. This he brought back and this time the father let it go. So the child told the father he should fetch his grasshopper back. The father agreed but while looking for the grasshopper he was caught and eaten by a lion. Story song
- Full Text: false
- Date Issued: 1950
Chilongozi waulende wamoyo zina lake Yesu
- Authors: Aliki Chipupa , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184839 , vital:44277 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-04
- Description: Aliki Chipupa the composer of this hymn was a minister in the Church of Scotland at the Bandwe Mission near the lake, and a friend of the blind singer. Beti set it to the Bangwe although at the mission it was always sung unaccompanied. When the recording was played back all the people standing around joined in, the old man Beti singing a seconf part to his own music. As with many African hymns in which the vernacular translation fails to be encompased by the standard number of bars, this hymn demonstrates a free scansion of the lines. (5 plus 6 plus 5 plus 4 bars). Hymn with Bangwe Raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Aliki Chipupa , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184839 , vital:44277 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-04
- Description: Aliki Chipupa the composer of this hymn was a minister in the Church of Scotland at the Bandwe Mission near the lake, and a friend of the blind singer. Beti set it to the Bangwe although at the mission it was always sung unaccompanied. When the recording was played back all the people standing around joined in, the old man Beti singing a seconf part to his own music. As with many African hymns in which the vernacular translation fails to be encompased by the standard number of bars, this hymn demonstrates a free scansion of the lines. (5 plus 6 plus 5 plus 4 bars). Hymn with Bangwe Raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Leka nzunule
- Andurosi Banda, Tumbuka boys and girls, Hugh Tracey
- Authors: Andurosi Banda , Tumbuka boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185086 , vital:44326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-05
- Description: A new young people's dance. The boys dance in a group and the girls in another within the circle, the two drummers standing on one side. It consists of a number of simple rhythmic steps. The sound of the drums and whistle overshadows the voices in the recording, which in fact is the impression gained by spectators outside the circle of dancers. Saca dance song for boys and girls with two Maanje goblet drums, clapping (-12.03-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
- Authors: Andurosi Banda , Tumbuka boys and girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185086 , vital:44326 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR188-05
- Description: A new young people's dance. The boys dance in a group and the girls in another within the circle, the two drummers standing on one side. It consists of a number of simple rhythmic steps. The sound of the drums and whistle overshadows the voices in the recording, which in fact is the impression gained by spectators outside the circle of dancers. Saca dance song for boys and girls with two Maanje goblet drums, clapping (-12.03-) and whistles (-11.515-)
- Full Text: false
- Date Issued: 1950
Wesakombe
- Aston Mulagha, Henga boys, Hugh Tracey
- Authors: Aston Mulagha , Henga boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Karonga f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185516 , vital:44393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-15
- Description: The leader was a Lambya but the rest of his friends were Henga. The song was sung in the Lambya dialect of Tumbuka. The foreign influence of school music is clearly discerned in this song which no doubt had a folk origin but is now distorted by extraneous harmony. A simple European style of clapping. Chikweta dance for boys and girls with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Aston Mulagha , Henga boys , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Karonga f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185516 , vital:44393 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-15
- Description: The leader was a Lambya but the rest of his friends were Henga. The song was sung in the Lambya dialect of Tumbuka. The foreign influence of school music is clearly discerned in this song which no doubt had a folk origin but is now distorted by extraneous harmony. A simple European style of clapping. Chikweta dance for boys and girls with clapping
- Full Text: false
- Date Issued: 1950
Slia Lazaro soka
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184579 , vital:44237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-02
- Description: "I will meet my love some day, Elia let us go and sing with my love Steria (Esther)." Love song
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184579 , vital:44237 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-02
- Description: "I will meet my love some day, Elia let us go and sing with my love Steria (Esther)." Love song
- Full Text: false
- Date Issued: 1950
Ku canya kwe manyanda
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184606 , vital:44240 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-05
- Description: "Typewriters which look like water; Angels wearing different clothes. And all the young men practising magic." Religious song (23.24) with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184606 , vital:44240 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-05
- Description: "Typewriters which look like water; Angels wearing different clothes. And all the young men practising magic." Religious song (23.24) with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
Edeliya timbengi tingaluwa
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184830 , vital:44276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-03
- Description: My wife Nyaphiri, what kind of plague has struck you? Look at Edeliya - not married yet! Let us sing so we shall not forget the song." Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184830 , vital:44276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-03
- Description: My wife Nyaphiri, what kind of plague has struck you? Look at Edeliya - not married yet! Let us sing so we shall not forget the song." Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Dale wanga ghamunyenga maSotho
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184626 , vital:44242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-07
- Description: "My darling boy has married a Sotho girl on account of her money. When we go to Johannesburg by the W.N.L.A. (Witwatersrand Native Labour Association - a large recruiting concern form mine labourers). We all talk "aha-aha!" all the time (exclamation of surprise). No less than 8,000 men from this district have left permanently in the past few years, and married foreign women in South Africa of the Rhodesias, according to the local authorities. Topical song, with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184626 , vital:44242 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-07
- Description: "My darling boy has married a Sotho girl on account of her money. When we go to Johannesburg by the W.N.L.A. (Witwatersrand Native Labour Association - a large recruiting concern form mine labourers). We all talk "aha-aha!" all the time (exclamation of surprise). No less than 8,000 men from this district have left permanently in the past few years, and married foreign women in South Africa of the Rhodesias, according to the local authorities. Topical song, with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
Meri wandinyenga
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184821 , vital:44275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-02
- Description: "We long for our homes. We should call ours homes 'Towns'. Mary has deceived me." The attraction of the towns is decimating the male population of Tongaland. The singer makes a plea for the claim of their village homes in the face of foreign attractions. He is blind and he hoped Mary would have married him, but she could not bring herself to do so. Nostaligic song
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184821 , vital:44275 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-02
- Description: "We long for our homes. We should call ours homes 'Towns'. Mary has deceived me." The attraction of the towns is decimating the male population of Tongaland. The singer makes a plea for the claim of their village homes in the face of foreign attractions. He is blind and he hoped Mary would have married him, but she could not bring herself to do so. Nostaligic song
- Full Text: false
- Date Issued: 1950
Kanthu pa Ingalandi
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184588 , vital:44238 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-03
- Description: He recalls the 1939-45 war when many thousands of Italian prisoners of war were taken. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184588 , vital:44238 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-03
- Description: He recalls the 1939-45 war when many thousands of Italian prisoners of war were taken. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Ndalame ndi satana
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184615 , vital:44241 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-06
- Description: "Young men go to Johannesburg to look for money, Money is the devil! Even Jesus was sold for thirty shillings." Money, even on the beautiful shores of Lake Nyasa, is still 'the root of all evil.' 'Chuma' or 'ndalama' is money. 'Chuma chatimara' - money spoils us. Topical song, with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184615 , vital:44241 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-06
- Description: "Young men go to Johannesburg to look for money, Money is the devil! Even Jesus was sold for thirty shillings." Money, even on the beautiful shores of Lake Nyasa, is still 'the root of all evil.' 'Chuma' or 'ndalama' is money. 'Chuma chatimara' - money spoils us. Topical song, with Bangwe Raft Zither, 7 strings
- Full Text: false
- Date Issued: 1950
Mai fulendi kemu
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184570 , vital:44236 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-01
- Description: This singer is blind and is well known for his songs all over the district. In spite of his blindness he makes his own Bangwe zither himself. He was born in 1902 and after the age of 5 was blind. He is now 48 years old (1950). The words and the title of this song are intended to be in English but are hardly recognisable as such. His zither was made of 8 papyrus stalks firmly tied together in a raft, with a gourd resonator into which the far end of the zither is placed. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184570 , vital:44236 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-01
- Description: This singer is blind and is well known for his songs all over the district. In spite of his blindness he makes his own Bangwe zither himself. He was born in 1902 and after the age of 5 was blind. He is now 48 years old (1950). The words and the title of this song are intended to be in English but are hardly recognisable as such. His zither was made of 8 papyrus stalks firmly tied together in a raft, with a gourd resonator into which the far end of the zither is placed. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Tikumbuka Vifya
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184597 , vital:44239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-04
- Description: The line of great hills which run up along the North Western flank of the Lake Nyasa is called Vipya in the south and Vifya among the Tongs in the north. The song refers to the tragic loss of the Lake steamer 'Vipya' in 1947, which was named after the hills, while she was carrying pilgrims crossing the lake to go to Dar-es-Salaam. Lament
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184597 , vital:44239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-04
- Description: The line of great hills which run up along the North Western flank of the Lake Nyasa is called Vipya in the south and Vifya among the Tongs in the north. The song refers to the tragic loss of the Lake steamer 'Vipya' in 1947, which was named after the hills, while she was carrying pilgrims crossing the lake to go to Dar-es-Salaam. Lament
- Full Text: false
- Date Issued: 1950
Suzgu muyaya
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184812 , vital:44274 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-01
- Description: "Men from our country are living in Rhodesia with other tribes. While we, left at home, are enduring all the difficulties of Nyasaland (Present day Malawi)." This is well supported by the statistics (1950); it is said that of 20,000 Tonga of this Chinteche District, 8,000 have left permantely from Southern and Northern Rhodesia and South Africa, another 8,000 are away and expected to return within 5 years, and 4,000 only remain in the country, most of whom will be off again as soon as their money is spent. The women and old men are left to do all the agricultural and home work. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Beti Kamanga , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184812 , vital:44274 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-01
- Description: "Men from our country are living in Rhodesia with other tribes. While we, left at home, are enduring all the difficulties of Nyasaland (Present day Malawi)." This is well supported by the statistics (1950); it is said that of 20,000 Tonga of this Chinteche District, 8,000 have left permantely from Southern and Northern Rhodesia and South Africa, another 8,000 are away and expected to return within 5 years, and 4,000 only remain in the country, most of whom will be off again as soon as their money is spent. The women and old men are left to do all the agricultural and home work. Topical song with Bangwe raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Daula mabanja nangu Mpezeni
- Authors: Blaisoni Jere , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185507 , vital:44392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-14
- Description: Mpezeni was a famous chief of the Ngoni in the Fort Jameson district of Northern Rhodesia about 200 miles south of this village. He was defeated by the British. "The conqueror of all the chiefs is Mpezeni. My child Dangala, let us go." The tuning:- 280, 260, 232, 176, 156, 140 vs. The tuning of this Bango is of doubtful accuracy. Self delecatative song with Bango board zither, (7 notes)
- Full Text: false
- Date Issued: 1950
- Authors: Blaisoni Jere , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185507 , vital:44392 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-14
- Description: Mpezeni was a famous chief of the Ngoni in the Fort Jameson district of Northern Rhodesia about 200 miles south of this village. He was defeated by the British. "The conqueror of all the chiefs is Mpezeni. My child Dangala, let us go." The tuning:- 280, 260, 232, 176, 156, 140 vs. The tuning of this Bango is of doubtful accuracy. Self delecatative song with Bango board zither, (7 notes)
- Full Text: false
- Date Issued: 1950
Magonde
- Chabarwa Musunda Sinyoro, Hugh Tracey
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180132 , vital:43317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-02
- Description: One of the best known tunes in all the Shona area of Southern Rhodesia. It has been associated with the older generation of forefathers and consquently played at all tribal or royal functions. The cock is above the Chief, because he wakes up still earler. Girls, let me make a magic. Grandmothers food! there is something suspicious under the plate. Which makes my heart turn over, (makes me want to be sick). My relative, my girl, dance well to delight my heart. Leave your husband and let us dance. Whatever happens we will pay for it, mu mother. What I have said is very little, and not enough to stop you cooking food. Girls just let me walk all over it. You girls, you refuse anyone until you feel you are about to die. I am also a man like other men. I am a cock, I am a ... (word not clear) and my spurs are worn out with strutting, (the ruffling of the wing feathers against the leg). The fowls have no holes in the village. Outside the village thay are afraid of cutting the trees. The older men with beards interfere. It is only their beards which make them sorry people. The Ndebele want administration all the time, and to pick and chose what they like from the cattle kraal. I am ugly but I am not a cannibal! I may be ugly but I am not a killer! I am ugly but still I do my ploughing! Song for the entertainment of chiefs, with Njari.
- Full Text: false
- Date Issued: 1950
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180132 , vital:43317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-02
- Description: One of the best known tunes in all the Shona area of Southern Rhodesia. It has been associated with the older generation of forefathers and consquently played at all tribal or royal functions. The cock is above the Chief, because he wakes up still earler. Girls, let me make a magic. Grandmothers food! there is something suspicious under the plate. Which makes my heart turn over, (makes me want to be sick). My relative, my girl, dance well to delight my heart. Leave your husband and let us dance. Whatever happens we will pay for it, mu mother. What I have said is very little, and not enough to stop you cooking food. Girls just let me walk all over it. You girls, you refuse anyone until you feel you are about to die. I am also a man like other men. I am a cock, I am a ... (word not clear) and my spurs are worn out with strutting, (the ruffling of the wing feathers against the leg). The fowls have no holes in the village. Outside the village thay are afraid of cutting the trees. The older men with beards interfere. It is only their beards which make them sorry people. The Ndebele want administration all the time, and to pick and chose what they like from the cattle kraal. I am ugly but I am not a cannibal! I may be ugly but I am not a killer! I am ugly but still I do my ploughing! Song for the entertainment of chiefs, with Njari.
- Full Text: false
- Date Issued: 1950
Nheura
- Chabarwa Musunda Sinyoro, Hugh Tracey
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180123 , vital:43316 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-01
- Description: A song for entertaining the chief. The title of this song has persisted for generations, each no doubt setting its own topical words to the traditional air. This in turn has no doubt suffered many a change in the course of time but is still Nheura for all that. The yodelling by Shona musicians in Southern Rhodesia is a distictive characteristic of their music and is similar to the yodelling of the Mambuti pygmies of North East Congo and the Turi forest. Chabarwa is a Njanja from the Charter district where about 1750 A.D. a certain Portuguese mulatto trader married the chief's daughter and took the Mitupo or clan name of Sinyoro (Senhor) which has been handed down to his male descendants since that date. Leave your husband and let us dance. What I have said is very little. But not enough to leave your husband behind in the house. The dream of Hobe's wife is true, she dreamed about a wagon. It has come, you men. Tall men are lucky, even when they kneel down they are still big. You can do it too. You women, I will start. The children of today are wocked. They only learn to be 'wasters'. We will marry the children of the Zinjanja. There are women who wear skin aprons. But the cost of dresses spoil the country. Who have you come with? Four will come in and the fifth I will go with. Topical song sung for the entertainment of Chiefs, with Njari dza Manjanja (Mbira).
- Full Text: false
- Date Issued: 1950
- Authors: Chabarwa Musunda Sinyoro , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Salisbury f-rh
- Language: Shona
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/180123 , vital:43316 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR172-01
- Description: A song for entertaining the chief. The title of this song has persisted for generations, each no doubt setting its own topical words to the traditional air. This in turn has no doubt suffered many a change in the course of time but is still Nheura for all that. The yodelling by Shona musicians in Southern Rhodesia is a distictive characteristic of their music and is similar to the yodelling of the Mambuti pygmies of North East Congo and the Turi forest. Chabarwa is a Njanja from the Charter district where about 1750 A.D. a certain Portuguese mulatto trader married the chief's daughter and took the Mitupo or clan name of Sinyoro (Senhor) which has been handed down to his male descendants since that date. Leave your husband and let us dance. What I have said is very little. But not enough to leave your husband behind in the house. The dream of Hobe's wife is true, she dreamed about a wagon. It has come, you men. Tall men are lucky, even when they kneel down they are still big. You can do it too. You women, I will start. The children of today are wocked. They only learn to be 'wasters'. We will marry the children of the Zinjanja. There are women who wear skin aprons. But the cost of dresses spoil the country. Who have you come with? Four will come in and the fifth I will go with. Topical song sung for the entertainment of Chiefs, with Njari dza Manjanja (Mbira).
- Full Text: false
- Date Issued: 1950