List of Titles

Showing items 1 - 20 of 20

Your selections:

Quick View

Quick View

A sea is brewing

- Mama, Sibongakonke

Authors: Mama, Sibongakonke
Date: 2022-10-14
Subjects: Creative writing (Higher education) South Africa , Xhosa poetry 21st century , South African poetry (English) 21st century , Psychic trauma in literature , Women in literature , Diaries -- Authorship , Books Reviews
Language: English
Type: Academic theses , Master's theses , text
Identifier: http://hdl.handle.net/10962/406281 , vital:70255
Description: My thesis is a collection of poems that draws on the complexity of not belonging in places, with people, or within families. I engage my own alienation as well as that of my parents, black people generally, and women in particular. I take inspiration from Uruguayan poet Fabián Severo’s autobiographical long poem, Night in the North, which chronicles the poet’s experience of growing up in linguistic and cultural borderlands. I am also influenced by Chilean poet Carmen García’s ability to move between the concrete and the abstract in translations of her poems from the collection Gotas sobre loza fría. As much as my poems traverse a metaphysical space, they are also set in concrete places – Tutura, Gcuwa, Johannesburg, and Cape Town. Like Chilean artist Cecilia Vicuña’s Spit Temple, I move between the physical and spiritual realms for a better understanding of my estrangement. I also draw on South African poet Mangaliso Buzani’s book, a naked bone, for its fluid combination of line and prose poetry. I write in isiXhosa and English as a reflection of my mixed cultural and linguistic existence. I seek to harness rhythm and harmony, as well as the quiet, between words. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2022
Full Text:
Date Issued: 2022-10-14

Quick View

Skipping stones

- Le Roux, Jade-Eden

Authors: Le Roux, Jade-Eden
Date: 2022-04-07
Subjects: Creative writing (Higher education) South Africa , South African fiction (English) 21st century , Suicide in literature
Language: English
Type: Master's thesis , text
Identifier: http://hdl.handle.net/10962/234389 , vital:50191
Description: My thesis takes the form of a novella exploring suicide and the unanswered questions it leaves. The main protagonist is a young girl who struggles to come to terms with her best friend’s suicide. The work is situated in contemporary South Africa, where inequality and depression is rife, especially among young people, and social media too often provides a smokescreen to conceal emotions. My writing is motivated by my desire to explore the human condition and the world around me, through my own subjective lens of experience. By working between fact and fiction I seek to trouble conventional narratives attached to suicide and highlight the subjectivity of truth. I am influenced by Lydia Davis's ability to write obliquely about loss, and her light-handed approach to emotionally charged topics; Susan Steinberg's dark motifs, vivid imagery, and her fragmented narrative that captures the characters’ responses to trauma and interrogates the notion of truth; Lidia Yuknavitch's cinematic imagery and immediacy of tone and compact storytelling; and Kate Zambreno's poetic prose that lends itself to clear societal commentary. , Thesis (MA) -- Faculty of Humanities, School of Languages and Literatures, 2022
Full Text:
Date Issued: 2022-04-07

Quick View

Reminiscing In Tempo : Ubangulo

- Tutani, Zodwa

Authors: Tutani, Zodwa
Date: 2021-04
Subjects: Creative writing (Higher education) -- South Africa , South African poetry (English) -- 21st century , South African poetry (English) -- History and criticism , Diaries -- Authorship
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/174376 , vital:42472
Description: My thesis is a collection of poems that focuses on black mothering and motherhood, within the context of the Eastern Cape’s violent history, its oppressive patriarchal cultural traditions and religious structures. Drawing from my own experiences, my poems explore what Toni Morrison calls the historical ‘wounds’ of black women which are transferred to their daughters within everyday spaces like the kitchen and the lounge, through objects like tea cups, chair backs and the various foods that every black girl needs to be able to prepare in order to be ‘marriagable’, and how these continue to hurt and emotionally disfigure us. I also draw influence from Saidiya Hartman, Christina Sharpe and Tina Campt on black lives and the effects of slavery within their daily existences. And I am inspired by the intimacy and care with which Tadeusz Rosewicz writes about his relationship with his mother in Mother Departs and Sandra Cisneros’ use of interconnected vignettes to engage childhood, culture and community within marginalized space. Stylistically I am influenced by the structural innovations in Fred Moten’s The Little Edges and the dreamy landscape in the poetry of Federico Garcia Lorca. My collection includes prose and lyrical poetry, combining more formal sound and rhythmic structures with free verse, to bring to life motherhood and the narratives we carry from childhood into our adult lives.
Full Text:
Date Issued: 2021-04

Quick View

Quick View

A skin that took them through

Authors: Kgame, Mbali
Date: 2020
Subjects: South African fiction (English) -- 21st century , African fiction (English) -- History and criticism , Short stories, South African (English) -- 21st century , Diaries -- Authorship
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/147638 , vital:38656
Description: This project comprises of interlinked fictional short stories capturing experiences of the “invisibilised’’ young people- the street kids, drug addicts, cashiers, childminders, the sick, first graduates etc. These stories are a way to interrogate the fallacy of a “free and fair” South Africa by noting events taking place within homes, communities and countrywide. Told in a playful, innocent, curious, childlike voice and reasoning, my work draws inspiration from Werewere Likings ‘The Amputated Memory,’ for its ability to narrate the current without divorcing the past. I draw inspiration from Liking’s way of writing family connectivity and employing an emerging voice of the narrator starting from being a child scribbling to later becoming an elder. Nana Kwame Adjei-Brenyah’s ‘Black Friday’ for scanning into young black people’s experiences in a society where their bodies move as misfits. My work also draws from Lesley Nneka Arimah’s ‘What It Means When a Man Falls from the Sky’ for the interlinked stories. Lastly the stories in this project take from Sindiwe Magona’s Mother to Mother for humanising bodies that have been reduced to frames.
Full Text:
Date Issued: 2020

Quick View

Quick View

Flying Cows & Other Traumas

- Twijnstra, Philisiwe

Authors: Twijnstra, Philisiwe
Date: 2020
Subjects: South African fiction (English) -- 21st century
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/145513 , vital:38445
Description: My thesis combines short stories and flash fiction and a short novella collection. Working between reality and fantasy. The collection both engage the strangeness of magic in everyday life and explore other worlds. The stories uses different points of view to highlight the impossibility of a single stable reality. The writing is heavily influenced by Amos Tutuola (The Palm-Wine Drunkard) for his big imagination and how he draws from Yoruba folklore and mixes myth to fiction. Mica Dean Hicks (Electricity and other dreams) he writes with simplicity and his settings always believable yet with one sentence everything becomes a different world of seen and unseen. Margarita Karapanou (Kassandra and the wolf) The tone of the book captured me, how she balances heavy social theme around a young girl, the tone changes from chapter to chapter - from surreal to hallucinatory to mythic to something in between all these modes. She writes rape, but not once has she mentioned rape, yet she is writing about rape. Some books that revolutionized the way I see stories are (Kintu) written by Jennifer Nansubuga Makumbi and (Homegoing) by Yaa Gyasi. They both draw from histories yet contemporize their stories. Which my thesis intends to do that in stories such ‘MoonEyed Maiden’ and Sorana. Flying Cows and Other Traumas is an exploration of female body, when the sacredness of the female body is dehumanized by social injustices. Each story is a stand alone; the structure holds the through-line of the collection which conditions the complexities, the rawness and bluntness of how imbalance our society is. When the body is tainted with unfairness and powered down- how does one come up from that? The collection deals with poverty, sexual assault, systemic injustice, and sexism and some stories draw from personal experiences and fears. The female body is used as a hostage of shame and commodity and the female protagonists in ‘Flying Cows & Other Traumas sharpen their own stuff and shields to face their own injustices through blurring lines of mundanity and fantastical with experimental tone.
Full Text:
Date Issued: 2020

Quick View

The frightened

- Msimang, Lethokuhle

Authors: Msimang, Lethokuhle
Date: 2020
Subjects: South African fiction (English) -- 21st century
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/144004 , vital:38302
Description: My novella tells the coming of age story of a young woman battling the trauma of objectification. It explores the intimate relationship between a woman and a man, the young and the old, and the camaraderie between women. Having spent the greater part of her youth in various parts of the world, my protagonist faces the stark reality of returning home to her native country. This triggers an angst which causes her to leap between lived experiences and memories. An elegy on how difficult it is to love while dragging the long shadow of shame, it uses short prose and prose poetry to reveal the intimacies and intricacies of self hate and clandestine romances, and to unravel the complexities of memory and forgetting. Built from non linear fragments it seeks to refuse cliches regarding love and to question easy assumptions around gender, family and the innocence of youth. I draw inspiration from Vita Sackville West’s’ All Passion Spent , which eloquently portrays the placid and flickering thoughts of an old woman taking leave from the frivolity of youth. I’m similarly inspired by the sincerity and confessional aspects of Virginia Woolf and French poet and photographer Alix Roubaud ’s journals and Van Gogh’s letters, as well as Lydia Yuknavitch, Max Porter and Elena Ferante’s autobiographical fiction. I also draw from J’Lyn Chapman’s chapbook A Thing of Shreds and Patches and finally Dostoevky’s Notes from Underground , for their blurring of life and writing, and their exploration of grief and death as a lingering thought, together with the oppressive urge to create. In addition I’m inspired by the poetry of a new generation of South African female writers like Vangile Gatsho.
Full Text:
Date Issued: 2020

Quick View

The weight of a tooth

- Perros, Robyn Helen

Authors: Perros, Robyn Helen
Date: 2020
Subjects: South African fiction (English) -- 21st century
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/144192 , vital:38319
Description: My thesis is a fragmented, non-linear novella, comprised predominantly of experimental prose- poetry and fiction short-stories. I have chosen this approach in form to further explore my interest in ancestry and trauma, death and image-making, “reality” and fantasy, and the tension these invisible barriers create between the inner and outer worlds in which we simultaneously navigate, remember and forget. This thesis has been influenced both in form and content by the works of Eduardo Galeano, Osama Alomar, Lidia Yuknavitch, Susan Steinberg, Claudia Rankine, Lance Olsen, and Yasunari Kawabata, among others.
Full Text:
Date Issued: 2020

Quick View

Ndoxoza mphini wumbi!

- Saki, Sandile Dudu

Authors: Saki, Sandile Dudu
Date: 2019
Subjects: South African fiction (English)
Language: English , Xhosa
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/92605 , vital:30741
Description: My English half-thesis comprises semi-autobiographical short stories based on my own lived and observed experiences of patriarchal township life, but told through the eyes of others, often those who find themselves victims of societal ills and cruel injustices. The stories deal with issues ranging from rape culture, intimate femicide, social patriarchy and the vulnerability of women, children and people living with disabilities in such settings. Refusing didacticism, I seek to voice the complexity, bravery and beauty of my characters. I draw influence from Joel Matlou’s simple narration of the small details of daily life, Can Themba’s ability to find humour in the everyday, Chimamanda Ngozi Adichie’s contemporary sass and Irenosen Okojie’s unconventional, subtle and deeply enigmatic approach to storytelling. , Le thisisi yingqokelela yemibongo enesingqi nefuthe endilincance kubabhali endihlangene nabo kwezi zifundo endingabala kubo uMxolisi Nyezwa, Rustum Kozain nabanye. Injongo yale thisisi kukonwabisa; ukucebisa mhlawumbi ukuthungulula iintongo emva kobentlombe. Maxa wambi ikukukhahlela nakwabo baye banegalelo kwizinto-yinto zokuhlala ngakumbi iimvumi zikaMasikhandi ezifana noMlindelwa ‘Inkunz’ emdaka’ Mralatya owaziwa njengovulindlela kaMasikhandi kwisizwe sakwaXhosa siphela. Bakho ke ababhali abasingqi sabo sindithimbileyo, naba bugcisa ndibuthandileyo endingabalula kubo uMzwandile Matiwana, M. S. Mlandu, Fundile Majola, John Solilo, J. J. R Jolobe kunye noS. E. K. Mqhayi. Liyavakala ifuthe labo kule mibongo, ngakumbi isingqi nokusetyenziswa kolwimi. , English and Xhosa versions provided for dual language submission
Full Text:
Date Issued: 2019

Quick View

We are yet to kill the cattle

- Orleyn, Rithuli

Authors: Orleyn, Rithuli
Date: 2019
Subjects: South African fiction (English)
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/92769 , vital:30746
Description: My novella comprises inter-linked fragments that combine fiction, autobiography and creative non-fiction. Ranging fluidly from pre-colonial times to the present, and largely set in South Africa but cutting across the native/diaspora divide, the project draws on historical and archival documents, found and fictive letters, oral testimonies and inadmissible facts, mythologies, ghost voices and fictional speculation. It uses the slim slippery voice of autobiography to cast a big shadow of doubt on the certitudes of authorial truth, harnessing multiple voices to disorient settled notions about self/other, black/white and man/machine. My intention is to explore possibilities of being that exceed the human. I draw inspiration from Zoë Wicomb's novella, You Can’t Get Lost In Cape Town, Mariama Ba’s So Long a Letter and Mikhail Shishkin’s letter-narratives in Maidenhair. The narrative voice that threads stand-alone fragments seeks to express the demotics of subjects in search of a language for their unlanguaged ‘grammar of suffering’.
Full Text:
Date Issued: 2019

Quick View

Bringing us back

- Dhliwayo, Mercy

Authors: Dhliwayo, Mercy
Date: 2018
Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/63077 , vital:28361
Description: My thesis takes the form of a collection of short stories set mostly in Zimbabwe and South Africa under the current political, social and economic climate. The themes I explore include forced migrations, identity, family disintegration and destitution. I use non-linear narration inspired by my reading of Dambudzo Marechera and Lidia Yuknavitch’s use of photographic imagery, in Black Sunlight and The Small Backs of Children respectively, to heighten my thematic concerns. The poetry in their language also serves as a source of inspiration, as does the graphic imagery used by Ayi Kwei Armah. In addition, I draw on the fragmented form used by Deepak Unnikrishnan to explore migration in his collection, Temporary People and Miljenko Jergovic’s investigation of violence and displacement in Sarajevo Marlboro.
Full Text:
Date Issued: 2018

Quick View

Still

Authors: Hall, Leila
Date: 2018
Subjects: South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/63638 , vital:28450
Description: This thesis is a novella in fragments set in contemporary Lesotho. It tells the story of a Mosotho woman in her 30s who has spent a long time living out of the country. She returns to search for a former lover who she hasn’t seen for 15 years. The nonlinear narrative follows her journey, exploring a range of themes, including sexuality, gender and class relations, memory and time, relationship to place, non-conformity and defiance in the face of societal pressure and conformism. The style of writing is inspired by a diverse range of writers, including Sonallah Ibrahim for his understated, sparse and minimalist prose, Tina May Hall for her ability to tell a story in fragmented vignettes, Noy Holland for her understanding of time as synchronous and non-linear, and Ayi Kwei Armah for his skill in evoking the feelings, textures and specificities of a place.
Full Text:
Date Issued: 2018

Quick View

There’s another story here

- Nkosi, Lindokuhle

Authors: Nkosi, Lindokuhle
Date: 2018
Subjects: Creative writing (Higher education) -- South Africa , South African fiction (English) -- 21st century , Short stories, South African (English) -- 21st century
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/63065 , vital:28360
Description: Written in fragments and combining fiction and narrative non-fiction, this novella explores how South Africa's history of violence and current violence against women affects and influences how women relate to each other. Based in the knowledge that our memories and behaviours are linked to the experiences of our ancestors via our bodies, I engage what our violent history and the disappearing myths that are still embedded in our bloodstream mean for life today. Drawing on the experiences of several generations of women in my family, current affairs and the lives of women close to me, my novella picks at the fragile things that hold us together. I take influence from the prose poetry in Claudia Rankine’s Citizen, and the use of fragmentation, myth and biography in Lydia Yuknavitch’s A Chronology of Water and Lily Hoang’s A Bestiary, and use an amalgam of genres to ask how we hold each other; how we breath, create, love and dream.
Full Text:
Date Issued: 2018

Quick View

I did not die

- Mzamo, Tebello

Authors: Mzamo, Tebello
Date: 2017
Language: English
Type: Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/7246 , vital:21232
Description: My novella is about a mine worker and his family. Set in both Lesotho and South Africa, it engages the effects of migrant labour on families in post-apartheid South Africa. Told through the eyes of the different family members, the narrative uses shifting points of view and moves fluidly through time to present an intimate but complex view of the lives of ordinary working class people. It incorporates witchcraft and ghosts to reveal the blurred lines between the realms of life and death. This collection is inspired by my own father who is a former mine worker. I am influenced by Joyce Carol Oates and Chibundu Onuzo's darkly realistic style, Veronique Tadjo’s explorations of migration and death, the family chronicles of Chimamanda Ngozi Adichie and Yvonne Adhiambo Owuor. I am also inspired by female fantasy and horror writers such as those collected in Ann and Jeff VanderMeer’s anthology, Sisters of the Revolution: A Feminist Speculative Fiction Anthology.
Full Text:
Date Issued: 2017

Quick View

Between sentences

- Thesen, Jo-Ann

Authors: Thesen, Jo-Ann
Date: 2016
Language: English
Type: Thesis , Masters , MA
Identifier: vital:6007 , http://hdl.handle.net/10962/1021215
Description: My stories explore different forms, including flash fiction. Some use the fairy tale form to combine fiction and non-fiction in order to reach the essence of the story. In this I am influenced by Kate Bernheimer, who speaks of the “flatness, abstraction, intuitive logic and normalized magic” of traditional fairy tales. A number of stories are set in the places I worked as a newspaper reporter. Here I use my old press reports as starting points for the real or imagined story behind the news – often involving miscommunication, dominance, exploitation, the tension between isolation and belonging, and the nuances of family relationships.
Full Text:
Date Issued: 2016

Quick View

Istraight Lendaba

- Motsei, Mmatshilo T N

Authors: Motsei, Mmatshilo T N
Date: 2016
Language: English
Type: Thesis , Masters , MA
Identifier: vital:6015 , http://hdl.handle.net/10962/d1021235
Description: My collection of stories describes the lives of ordinary black people living in post‐apartheid South Africa, especially those living in the margins, and the compromises that poverty forces them to make. In such a world, virtue and vice are flip sides of the same coin. My stories search for hope in an environment which Ayi Kwei Armah describes as “so completely seized with danger and so many different kinds of loss.” My writing is inspired by Mozambican writer Luis Bernardo Honwana, South African writer Joel Matlou whose demotic stories gave voice to everyday life in the townships, and Cameroonian writer Werewere Liking’s as well as Brenda Fassie’s powerful representation of the subversive nature of African women.
Full Text:
Date Issued: 2016

Quick View

Quick View

The last stop

- Mofokeng, Thabiso

Authors: Mofokeng, Thabiso
Date: 2016
Language: English
Type: text , Thesis , Masters , MA
Identifier: http://hdl.handle.net/10962/64567 , vital:28559
Description: My novella is set in the taxi industry. Its main characters are a wealthy taxi owner, a poor taxi driver from another African country, and the taxi driver's girlfriend. The story is partly a ghost story and partly crime fiction, it combines gritty realism with magical elements. It shows what happens between people in times of taxi violence. As the plot develops, the driver finds out that his boss is sleeping with his girlfriend. In revenge, the boss bribes some policemen to arrest the driver and beat him, and he dies in the police cells. But it turns out that the detective investigating the driver’s death is not quite impartial, nor is he of this world only.
Full Text:
Date Issued: 2016

1

‹ › ×