Form and idea in the fiction and non-fiction of John Fowles
- Authors: Etter, Julie-Anne
- Date: 1986
- Subjects: Fowles, John, 1926-2005
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2179 , http://hdl.handle.net/10962/d1001830
- Full Text:
- Date Issued: 1986
- Authors: Etter, Julie-Anne
- Date: 1986
- Subjects: Fowles, John, 1926-2005
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2179 , http://hdl.handle.net/10962/d1001830
- Full Text:
- Date Issued: 1986
Protest in fiction : an approach to Alex la Guma
- Cornwell, David Gareth Napier
- Authors: Cornwell, David Gareth Napier
- Date: 1979
- Subjects: La Guma, Alex , South African literature (English) -- Black authors -- History and criticism , Protest literature, South African (English) -- History and criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2169 , http://hdl.handle.net/10962/d1001820
- Description: From Introduction: Thus for the black South African, the act of creative writing is inescapably a form of political action, and unless he turns his back on the reality which confronts him and retreats into a private imaginary world, it is also a form of social action, Yet Ezekiel Mphahlele has rightly cautioned that "creating an imaginary world" can never be an effective substitute for social act ion . Composing fictions about social and political problems is an indubitably oblique way of seeking a solution to them, and even the tendentious recreation of reality is only a metaphor for its actual transformation. Protest writing in South Africa is paradoxically a form of social action which is also only a parasitical imitation of social action, and therefore its avoidance . The freedom of literary creation described above is ambiguously not only a freedom to express reality, but also a freedom from the constraints of reality. And this suggests why the outlaw was such an important symbol to an earlier generation of rather more self-conscious writers.
- Full Text:
- Date Issued: 1979
- Authors: Cornwell, David Gareth Napier
- Date: 1979
- Subjects: La Guma, Alex , South African literature (English) -- Black authors -- History and criticism , Protest literature, South African (English) -- History and criticism
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2169 , http://hdl.handle.net/10962/d1001820
- Description: From Introduction: Thus for the black South African, the act of creative writing is inescapably a form of political action, and unless he turns his back on the reality which confronts him and retreats into a private imaginary world, it is also a form of social action, Yet Ezekiel Mphahlele has rightly cautioned that "creating an imaginary world" can never be an effective substitute for social act ion . Composing fictions about social and political problems is an indubitably oblique way of seeking a solution to them, and even the tendentious recreation of reality is only a metaphor for its actual transformation. Protest writing in South Africa is paradoxically a form of social action which is also only a parasitical imitation of social action, and therefore its avoidance . The freedom of literary creation described above is ambiguously not only a freedom to express reality, but also a freedom from the constraints of reality. And this suggests why the outlaw was such an important symbol to an earlier generation of rather more self-conscious writers.
- Full Text:
- Date Issued: 1979
The nouvelles of Henry James : a phenomeno-generic approach
- Authors: Bijker, Antony Jan
- Date: 1979
- Subjects: Novelists, American -- 19th century -- Diaries , James, Henry, 1843-1916 -- Notebooks, sketchbooks, etc. , James, Henry, 1843-1916 -- Diaries
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2168 , http://hdl.handle.net/10962/d1001819
- Description: From Introduction: The present work is about the nouvelles of Henry James and not about phenomenology. That is to say that I am more concerned with James's use of the form of the nouvelle than with the illustration of a method. But, as Roland Barthes has pointed out: "How can we tell the novel from the short story, the tale from the myth, suspense drama from tragedy ... without reference to a common model? Any critical attempt to describe even the most specific, the most historically orientated narrative form implies such a model. "I Hence, because phenomenology is somewhat alien to the Anglo-American critical sensibility, I must temporarily reverse this emphasis and discuss the phenomenological "model" that underlies my investigation of James and the nouvelle form. Elsewhere phenomenological theory will take precedence only when it throws light on what is a highly elusive genre.
- Full Text:
- Date Issued: 1979
- Authors: Bijker, Antony Jan
- Date: 1979
- Subjects: Novelists, American -- 19th century -- Diaries , James, Henry, 1843-1916 -- Notebooks, sketchbooks, etc. , James, Henry, 1843-1916 -- Diaries
- Language: English
- Type: text , Thesis , Masters , MA
- Identifier: vital:2168 , http://hdl.handle.net/10962/d1001819
- Description: From Introduction: The present work is about the nouvelles of Henry James and not about phenomenology. That is to say that I am more concerned with James's use of the form of the nouvelle than with the illustration of a method. But, as Roland Barthes has pointed out: "How can we tell the novel from the short story, the tale from the myth, suspense drama from tragedy ... without reference to a common model? Any critical attempt to describe even the most specific, the most historically orientated narrative form implies such a model. "I Hence, because phenomenology is somewhat alien to the Anglo-American critical sensibility, I must temporarily reverse this emphasis and discuss the phenomenological "model" that underlies my investigation of James and the nouvelle form. Elsewhere phenomenological theory will take precedence only when it throws light on what is a highly elusive genre.
- Full Text:
- Date Issued: 1979
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