Showing items 161 - 180 of 338

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Mane mi Gnoul

- Thione Seck (lead singer), Raam Daan (band name of accompanying musicians), Syllart Production

Mass Ndiaye

- Thione Seck (lead singer), Raam Daan (band name of accompanying musicians), Syllart Production

Matayi

- Amadou Sodia (lead singer, bolon, kora), Hadja Maningbe, Djanka Diabate, Awa Maiga, Valerie Belinga (chorus), Ansoumane Kante, Yeye (percussions), Adama Conde (balafon), Alpha Camara (congas), Ousmane Kouyate, Djely Moussa Kouyate, Manfila Kante (guitar), Djessou Mory (rythm guitar, solo), Brass: Christian Martinez (trumpet), Bernard Camoin (trombone), Thierry Farrugia (saxophone), Phillipe Guez (arrangement, keyboard), Patrick Mareck

Mathiou

- Thione Seck (lead singer), Raam Daan (band name of accompanying musicians), Syllart Production

Mawa

- Batoma Sissoko (lead singer), Batoma Sissoko

  • Authors: Batoma Sissoko (lead singer) , Batoma Sissoko
  • Date: 1999
  • Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
  • Language: Malinka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/131214 , vital:36537 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC50-07
  • Description: Mandingo popular song with lead female vocal, accompanied by chorus, n'goni, balafon, Malian percussion, and other traditional Malian instruments, combined with Western guitar and drums
  • Full Text: false
  • Date Issued: 1999

Mentalite Africaine

- Tonton Mac, Sugar Flavor, Caporal F (lead vocals), Suzanne Khar Fofana Ass II, Bouba (chorus), El hadji Cissokho, Babouli Cissokho (kora), Laye Kane, Urbain Lambert (guitar), Jazzy M (scratch), Sama Flavor (composed by), Studio 2000

Migrant labour and colonial rule in Basutoland, 1890-1930

- Kimble, Judith M

  • Authors: Kimble, Judith M
  • Date: 1999
  • Subjects: Migrant labor -- Lesotho Markets -- Lesotho Produce trade -- Lesotho Lesotho -- Economic conditions Lesotho -- History -- To 1966 Lesotho -- Politics and government -- To 1966
  • Language: English
  • Type: Book , Text
  • Identifier: http://hdl.handle.net/10962/2542 , vital:20302 , ISBN 0868103594
  • Description: The original Introduction to the thesis, in summary, developed three main themes (a) a close analysis of the institutional arrangements of the pre-capitalist mode of production, demonstrating its complexity; (b) a broader perspective on the legal, political, social and economic aspects of colonialism; and (c) an account of the distinctive patterns of migrant labour which resulted. First. Judy examined the cheap labour hypothesis of Wolpe (1972), which identified the policy of Segregation as ‘the key mechanism in the subcontinent for the forcible generation and reproduction of labour power on a scale and at a price required by foreign mining capital'. Although she found this a major advance from earlier views of migrant labour as simply a system whereby "men oscillate between their home in some rural area and their place of work’ (Francis Wilson, 1972b), she criticised Wolpe’s hypothesis for failing to incorporate an adequate analysis of ‘the internal forces promoting labour migrancy in Basutoland under colonial rule’, to which she paid particular attention. She did not regard migrant labour solely as ‘The outcome of ruling class policy or ruling class intention’ (Brenner, 1977:78). Nor does she accept Wolpe’s assumption that the migrant labour system was an intended effect of the strategy of mining capital; this reduced "the variety of complex historical factors’ to "the driving force of “the needs of capital”. She therefore offered ‘a more extended exploration of the political dimension of colonial rule’ and a more complex analysis of mining capital and its relationship with pre-capitalist social formations. , Digitised by Rhodes University Library on behalf of the Institute of Social and Economic Research (ISER)
  • Full Text:
  • Date Issued: 1999

Mike Skipper interview continued

- Hotep Galeta interviewee, Struan Douglas interviewer, International Library of African Music

Miniwa

- Billy Sincop, Goly Herve (key board), Vata Monbassa, Santa N'guessan, N'dri Martial (guitars), Niamkey Jusitine, Botha Therese, Loukou Kedjebo, N'guessan Pitie, Gerbasco, Kouadio Maurison (chorus), Santa N'guessan (arrangement), Kouadio Maurison (perfromer), Santa N'guessan

Mistake, financial institutions, and the contract of suretyship: Prins v ABSA Bank Ltd 1998 (3) SA 904 (C)

- Glover, Graham B

  • Authors: Glover, Graham B
  • Date: 1999
  • Language: English
  • Type: text , article
  • Identifier: http://hdl.handle.net/10962/155985 , vital:39938 , https://heinonline.org/HOL/Page?collection=journalsamp;handle=hein.journals/tyromhldre62amp;id=488amp;men_tab=srchresults
  • Description: Although the debate about contractual mistake and its theoretical foundations has evolved to the point where disagreement and contradiction has in recent times been replaced by a far higher degree of certainty and clarity (Van der Merwe and Van Huyssteen "Reasonable reliance on consensus, iustus error and the creation of contractual obligations" 1994 SALJ 679 686; Hutchison "Contract formation" in Zimmermann and Visser (eds) Southern Cross: Civil law and common law in South Africa (1996) 193), judgments dealing with the question of mistake will no doubt continue to provide interesting insights into this area of the law. Prins v ABSA Bank Ltd serves as a case in point.
  • Full Text: false
  • Date Issued: 1999

Mogo

- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Mounamadou Bamba

- Thione Seck (lead singer), Raam Daan (band name of accompanying musicians), Syllart Production

Mouneissa

- Rokia Traore (vocals, guitar, lyrics, composition), Andra Kouyate, Baba Sissoko (n'goni), Oumar Diallo, Abdoul W. Berthe (bass guitar), Samba Diarra (balafon), Dimba Camara, Souleymane Ann (percussion, gita), Baba Sissoko (djembe), Samir Naman

N'de

- Billy Sincop, Goly Herve (key board), Vata Monbassa, Santa N'guessan, N'dri Martial (guitars), Niamkey Jusitine, Botha Therese, Loukou Kedjebo, N'guessan Pitie, Gerbasco, Kouadio Maurison (chorus), Santa N'guessan (arrangement), Kouadio Maurison (perfromer), Santa N'guessan

N'ganna Cono

- Namakoro Fomba (author, composer, callebasse, Donso n'goni), Koko Dembele (guitar), Abdoul Wahab Berthe (bass guitar, karignan), Assanatou Kouyate, Assetou Kone (chorus), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Nadu

- Micka Gomis (lead vocal, keyboard, percussion, composer, arranger), Pathe Jassi (bass, vocals), Ousmane Sowe (keyboard, horns, percussion), Omar Sowe (guitar), Ablaye "Bird" Ndiaye (saxophone), Papa Ndiaye Guewel (sabars, jimbe), Karim Mbaye (sabar), Kaare Wamberg (drums programming, vocals, guitar, bass), Josephone Ciss, Therese Mamady, Clara Mendy, Jeannette Senghor (chorus), Studio 2000

Nafata

- Batoma Sissoko (lead singer), Batoma Sissoko

  • Authors: Batoma Sissoko (lead singer) , Batoma Sissoko
  • Date: 1999
  • Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
  • Language: Malinka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/131173 , vital:36533 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC50-03
  • Description: Mandingo popular song with lead female vocal, accompanied by chorus, n'goni, balafon, Malian percussion, and other traditional Malian instruments, combined with Western guitar and drums
  • Full Text: false
  • Date Issued: 1999

Nafata

- Batoma Sissoko (lead singer), Batoma Sissoko

  • Authors: Batoma Sissoko (lead singer) , Batoma Sissoko
  • Date: 1999
  • Subjects: Popular music , Popular music--Africa, West , Africa Mali Bamako f-ml
  • Language: Malinka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/131168 , vital:36532 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC50-03
  • Description: Mandingo popular song with lead female vocal, accompanied by chorus, n'goni, balafon, Malian percussion, and other traditional Malian instruments, combined with Western guitar and drums
  • Full Text: false
  • Date Issued: 1999

Nakan

- Mamou Sidibe (composer, author, lead singer), Yves Wernert (bass, recording engineer)), Boua Diakite (kamelen'ngoni), Moussa Kanoute (karignan), Ramata Diakite (chorus), Moussa Kone (accoustic and electric guitar), Adama Traore (calebasse), MALI K7 S.A. Ali Furka Toure Associe, Bamako

Nalente kabawo

- Mafika, N, Ndzelani, M, Magqirha, N, Tukani, N, Tukani, M, Pintshana, T, Mukwena, E, Thukani, M. J., Ndzelani, N, Dargie, Dave

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