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Rungano rgwe mukomana nherera

- Runeso Gumbo and 2 friends, Tracey, Hugh

  • Authors: Runeso Gumbo and 2 friends , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Karanga (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Gutu f-rh
  • Language: Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/195157 , vital:45534 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-11
  • Description: This is the story of a young orphan boy who was told to take his turn to herd all the the cattle of the village where he lived. But it was a time of drought and there was nothing for the cattle to eat. When his turn came he took them far away into the hills and then he sang a magic song. The rain came down in torrents, the grass grew and the cattle were happy. When they came back full. One of the men followed him to find out how it happened and heard and saw what he did. He was so impressed that he promised to give the boy his daughter in marriage and told what he had seen to all the village. They arranged a big party for the orphan boy during which he demonstrated how he sang and how the rain came for him. So he married the girl and they all lived happily ever afterwards and they made him their chief to rule over them. Ngano story.
  • Full Text: false
  • Date Issued: 1963

Rungano rgwe muno waikama maperi

- Mamungu Gumbo, Tracey, Hugh

  • Authors: Mamungu Gumbo , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Karanga (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Zaka f-rh
  • Language: Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/195130 , vital:45531 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-08
  • Description: This is the story of a certain man who married a girl and always her plenty of milk so that she thought he must have many cows. But this was not so. This is what he did. Every morning he would go out into the bush, make a magic, and turn himself into a hyena. Then he would join a pack of hyenas and in this disguise milk one of them. Then having plenty of milk in his pot he would turn back a man and bring home the milk. His wife became suspicious as she never saw any cattle so she called her younger sister to come help her so;ve the mystery. She watched her sister's husband fro a distance. Saw him turn into a hyena, get the milk and come back with it. So she sang this lament and this manner she told all the people what had happened, that her elder sister had married a wizard. Ngano story.
  • Full Text: false
  • Date Issued: 1963

Rungano rgwe musikana usika shandi

- Bodzwa Fanisa Mulhanga and her 2 daughters, Tracey, Hugh

  • Authors: Bodzwa Fanisa Mulhanga and her 2 daughters , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Karanga (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chipinga f-rh
  • Language: Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/195148 , vital:45533 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-10
  • Description: The daughters names were Melia and Elena Mahuto. This is the story of a girl who could do no manner of work and had to be looked after by her sisters. Eventually she was married and when she went to her husband's home she took three of her young sisters with her to look after her. One day when they had gone off to collect firewood, her mother-in-law asked her to pund a little grain in the mortar. She told her that this was impossible and that she must never do a stroke of work or she would die. The mother-in-law did not believe her and asked her to do just a few strokes with the pestle so that she could see for herself what would happen. She agreed and immediately fell down dead. When the three sisters returned with the firewood they found their sister was not there. Where was she? No one knew. They guessed what had happened and immediately they sang a magic song which revived her sister and she came alive again. When her husband's relatives saw all this they agreed that she must return to her own home and never come back as she could never make a good wife. Ngano story
  • Full Text: false
  • Date Issued: 1963

Rungano rgwe musikana wo mvura murugwizi

- Mamungu Gumbo, Tracey, Hugh

  • Authors: Mamungu Gumbo , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Karanga (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Zaka f-rh
  • Language: Karanga
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/195139 , vital:45532 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR210-09
  • Description: This is the story of a young man who fell in love with a girl down by the river. He did not know that she was indeed a water sprite and lived in the river. He kept on asking her to marry him, and in the end she agreed but told him that if he wanted to see her he must always come to the river. Eventually he said he wanted to take her to his home, but she said "If you do that you must always have a pot of water with you in case I should faint and only water will revive me". So he agreed, and off they set along the path. Soon she began to faint and he rushed to fetch water from the nearest stream and so revived her. On they went until she fainted again and this time the stream was much further away and he only arrived back just in time to revive her. Now there was a long distance without a stream and in the middle of it she fainted once more. He went as fast as he could to fetch the life-giving water but when he got back it was too late and she was already dead; and that is how he lost his wife, his water sprite. Ngano story.
  • Full Text: false
  • Date Issued: 1963

Salani mwana manani

- Mwamitwa, Juinu Thlongo, Tracey, Hugh

Segoko mmawelele we!

- Mapulana women, Tracey, Hugh

Sheweni wa pumba

- Esperaca Zaguen, Chopi women, Tracey, Hugh

Shibudu. 7th Movement

- Ngodo of Regulo Banguza, Jao Nemba Mboteya (Leader), Tracey, Hugh

Shibudu. 9th Movement

- Ngodo of Regulo Mavila, Shambini, Tracey, Hugh

Shiwana Mpetasi

- Mtungwa, Elias, Tracey, Hugh

  • Authors: Mtungwa, Elias , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/189367 , vital:44841 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-15
  • Description: "Tu shalala" is the expression of delight when someone looks in through the door and sees a pot full of good food cookign and anticipates the meal. The singer of these two songs, with his bow, is well known in the district as an entertainer and beggar. He remarks the end of the second tune that he was too tired to go on. His Chitende bow is virtually the same as the Zulu Makweyana. Here in Pedi country it is played by men while in Zululand it is played only by women, and occasionally by young herd boys. Minstrel song with Chitende braced bow, resonated.
  • Full Text: false
  • Date Issued: 1963

Siavuma

- Ndlovu, Nhongeni, Tracey, Hugh

  • Authors: Ndlovu, Nhongeni , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/188463 , vital:44756 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR194-11
  • Description: An add collection of old bones was picked up off the ground nearby to use for this sketch. The man taking the part of the diviner is a Shangaan man of the Gungunyana group many of whom cam from Mozambique to live among the Mapulana Pedi at the begining of the century. They still retain their Tsonga language but for many years both Pedi and Tsonga have become bilingual, understanding each others language without difficulty. Fortune telling sketch with bones
  • Full Text: false
  • Date Issued: 1963

Sibewu

- Mapulana men and women (Madika initiated young men and women), Tracey, Hugh

  • Authors: Mapulana men and women (Madika initiated young men and women) , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/188002 , vital:44716 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR194-02
  • Description: All the people moving anti-clockwise around the three drums. The opening of the Sibewa movement illustrates the method of starting a pipe dance and the difficulty they experience in the initial fitting in of the various pipe parts. Once the third player came in, in between the other two, the music came alive and all joined in with a will. "Up there where we were born, the mealies are finished so we will eat wheat. Up there where we carry baskets the mealies are finished and we will eat corn." Initiation song and pipe dance, with 4 metal pipes and 3 drums Moropa o muyana and Moropa o mkula, 1 bushbuck horn and 1 kudu horn
  • Full Text: false
  • Date Issued: 1963

Tabarireve woende

- Tabarirevu Muyambo, Tracey, Hugh

Tata wawu osi wana

- Emmelina Zavala, Chopi women, Tracey, Hugh

The Ngodo of Regulo Mavila

- Shambini, Tracey, Hugh

Title 1. Mogobo Title 2. Segata mosabani

- Mapulana men and women, Tracey, Hugh

  • Authors: Mapulana men and women , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/188011 , vital:44717 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR194-03
  • Description: The change over from Mogobo to Segata mosabani takes place at approximately 2m 19s from the start of the dance. The impression of general jollification, noise making, shouts and whistles is well caught in this recording. The Mapulana clan of the Pedi consider themselves a distinctive group and have occupied the territories below the Drankensburg Mountain, in the vicinity of Bushbuck Ridge for several generations. A few people of Tsonga (Shangaan) orign have settled among them. "Come and dance on the sand. We dance on the sand with praises." Two initiation dances with beaten sticks, Bushbuck horn (-11.01-), Kudu horn (-11.01-), 3 drums (-14.01101-) and whistle
  • Full Text: false
  • Date Issued: 1963

Tlisa kgopa

- Mashego, Barney (Chief), Pedi women and one old man, Tracey, Hugh

Tsa lla molapong

- Mashego, Barney (Chief), Four Pedi women, Tracey, Hugh

  • Authors: Mashego, Barney (Chief) , Four Pedi women , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/188704 , vital:44778 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-04
  • Description: This district is plagued, they say, by men who come home from employment eleswhere, eat the food of their relatives until it is all finished without doing a stroke of work to help, and then disappear from pastures new, leaving their families starving. The fourth woman stood by and added cries of encouragement. "They cry, they cry at the river. They hear legaletlwa (a tree)." The thorn tree has twisted boughs which are inclined to rub against each other amd emit occassional creaking sounds. Pounding song with mortar and three pestles
  • Full Text: false
  • Date Issued: 1963

Tsepe mpolaye

- Small group of Pedi women with hoes, Four Pedi women, Tracey, Hugh

Tu shalala

- Mtungwa, Elias, Tracey, Hugh

  • Authors: Mtungwa, Elias , Tracey, Hugh
  • Date: 1963
  • Subjects: Folk music--Africa , Pedi (African people) , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Bushbuck Ridge f-sa
  • Language: Pedi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/189362 , vital:44840 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR195-14
  • Description: "Tu shalala" is the expression of delight when someone looks in through the door and sees a pot full of good food cookign and anticipates the meal. The singer of these two songs, with his bow, is well known in the district as an entertainer and beggar. He remarks the end of the second tune that he was too tired to go on. His Chitende bow is virtually the same as the Zulu Makweyana. Here in Pedi country it is played by men while in Zululand it is played only by women, and occasionally by young herd boys. Minstrel song with Chitende braced bow, resonated.
  • Full Text: false
  • Date Issued: 1963
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