A speech
- Authors: Chief Bianoko , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168413 , vital:41579 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-08
- Description: The chief made this speech to all the assembled dancers, musicians and people who replied with enthusiasm in the traditional manner. Responses with ivory horn.
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168413 , vital:41579 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-08
- Description: The chief made this speech to all the assembled dancers, musicians and people who replied with enthusiasm in the traditional manner. Responses with ivory horn.
- Full Text: false
- Date Issued: 1952
Aiba mange kimiango
- Chief Bianoko and Buudu men, Hugh Tracey
- Authors: Chief Bianoko and Buudu men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168404 , vital:41578 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-07
- Description: This Buudu tribe is said to have come across the savanna along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the east to this present locality in north central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and dances closely resembling those of the dwarfs. Their pet name for the pygmies in Batikitiki. Party song with two pod drums, two slit drums, two conical laced drums, ivory horn and basket rattles.
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko and Buudu men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168404 , vital:41578 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-07
- Description: This Buudu tribe is said to have come across the savanna along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the east to this present locality in north central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and dances closely resembling those of the dwarfs. Their pet name for the pygmies in Batikitiki. Party song with two pod drums, two slit drums, two conical laced drums, ivory horn and basket rattles.
- Full Text: false
- Date Issued: 1952
Akakalu Babini
- Chief Bianoko and Buudu men and women, Hugh Tracey
- Authors: Chief Bianoko and Buudu men and women , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168395 , vital:41577 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-06
- Description: The large Igogo deja was carved out of a single log and shaped like an antelope. It was 43" tall, the body 52" long, the tail 28" and the head 33". It was 42 and half wide, a total of 9 foot 5 and a quater inches long from tip to tail. The four legs were 10" tall, carrying the triangular sectioned body, sounding two notes, 56 and 48vs. one from either flank. The wooden 'slit drums' are in reality wooden gongs from which two or more tones can be produced according to the position of the blow. The two sides of the slit usually record two distinct tones when hit near the mouth of the slit. Blows in this position appear to be those usually employed when sending messages or signals. For dancing, lighter tones can be produced by striking the upper ends of the drum, and deeper notes by hitting low down on the body of the drum nearer the waist. This recording is of a part only of the dance already in progress. Dance with large Igogo deja slit drum and 2 small Igogo tade slit drums.
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko and Buudu men and women , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168395 , vital:41577 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-06
- Description: The large Igogo deja was carved out of a single log and shaped like an antelope. It was 43" tall, the body 52" long, the tail 28" and the head 33". It was 42 and half wide, a total of 9 foot 5 and a quater inches long from tip to tail. The four legs were 10" tall, carrying the triangular sectioned body, sounding two notes, 56 and 48vs. one from either flank. The wooden 'slit drums' are in reality wooden gongs from which two or more tones can be produced according to the position of the blow. The two sides of the slit usually record two distinct tones when hit near the mouth of the slit. Blows in this position appear to be those usually employed when sending messages or signals. For dancing, lighter tones can be produced by striking the upper ends of the drum, and deeper notes by hitting low down on the body of the drum nearer the waist. This recording is of a part only of the dance already in progress. Dance with large Igogo deja slit drum and 2 small Igogo tade slit drums.
- Full Text: false
- Date Issued: 1952
Ambiga
- Authors: Mudumbu , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168425 , vital:41580 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-09
- Description: The singer's face resembled a West African mask with extremely slanting eyes. He sang with his Mbira pressed against the side of his face giving a strange impression of a spirit out of the forest. Topical song with Likembe (Mbira).
- Full Text: false
- Date Issued: 1952
- Authors: Mudumbu , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168425 , vital:41580 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-09
- Description: The singer's face resembled a West African mask with extremely slanting eyes. He sang with his Mbira pressed against the side of his face giving a strange impression of a spirit out of the forest. Topical song with Likembe (Mbira).
- Full Text: false
- Date Issued: 1952
Boyoka Malinga
- Albert Lokwa na Jarimo, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Albert Lokwa na Jarimo , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/330320 , vital:61465 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3235-XYZ7454
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Albert Lokwa na Jarimo , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/330320 , vital:61465 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3235-XYZ7454
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Boyoka Malinga
- Albert Yenie and Alex Singoma, Hugh Tracey
- Authors: Albert Yenie and Alex Singoma , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168458 , vital:41584 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-12
- Description: This tune is also an attempt to transpose a popular guitar tune well known in Southern Congo and elsewhere onto the Likembe (Mbira) of the district or vice versa. This is made possible by the fact that locally the Bira tribe uses a heptatonic scale. Duet on the Likembe, (Mbira) - Sanzo apido (treble) x 20 notes, and Sanzo ababo (bass) x 22 notes.
- Full Text: false
- Date Issued: 1952
- Authors: Albert Yenie and Alex Singoma , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168458 , vital:41584 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-12
- Description: This tune is also an attempt to transpose a popular guitar tune well known in Southern Congo and elsewhere onto the Likembe (Mbira) of the district or vice versa. This is made possible by the fact that locally the Bira tribe uses a heptatonic scale. Duet on the Likembe, (Mbira) - Sanzo apido (treble) x 20 notes, and Sanzo ababo (bass) x 22 notes.
- Full Text: false
- Date Issued: 1952
Boyoka Malinga II
- Albert Yenie and Alex Singoma, Hugh Tracey
- Authors: Albert Yenie and Alex Singoma , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168466 , vital:41585 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-13
- Description: As it is not certain whether the guitar or the likembe version is the original 'Boyaka malinga' a short extract of the guitar song is included here for reference. It was recorded in the Southern Congo over a thousand miles, six months previously. Duet on the Likembe, (Mbira) - Sanzo apido (treble) x 20 notes, and Sanzo ababo (bass) x 22 notes.
- Full Text: false
- Date Issued: 1952
- Authors: Albert Yenie and Alex Singoma , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168466 , vital:41585 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-13
- Description: As it is not certain whether the guitar or the likembe version is the original 'Boyaka malinga' a short extract of the guitar song is included here for reference. It was recorded in the Southern Congo over a thousand miles, six months previously. Duet on the Likembe, (Mbira) - Sanzo apido (treble) x 20 notes, and Sanzo ababo (bass) x 22 notes.
- Full Text: false
- Date Issued: 1952
Chelewa
- Berroit Kukwabo, Performer not specified, Berroit, Kukwabo, Tracey, Hugh
- Authors: Berroit Kukwabo , Performer not specified , Berroit, Kukwabo , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/330343 , vital:61468 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3237-XYZ7452a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Berroit Kukwabo , Performer not specified , Berroit, Kukwabo , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/330343 , vital:61468 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3237-XYZ7452a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Chelewa
- Berroit Kukwabo, Hugh Tracey
- Authors: Berroit Kukwabo , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168477 , vital:41586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-14
- Description: "I want to marry Chelewa, nut Chelewa refuses. Now I am forlorn. Topical song with Sanzo Apido Likembe (Mbira), 12 notes (treble).
- Full Text: false
- Date Issued: 1952
- Authors: Berroit Kukwabo , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168477 , vital:41586 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-14
- Description: "I want to marry Chelewa, nut Chelewa refuses. Now I am forlorn. Topical song with Sanzo Apido Likembe (Mbira), 12 notes (treble).
- Full Text: false
- Date Issued: 1952
Ema! Sire!
- Berroit Kukwabo, Performer not specified, Berroit, Kukwabo, Tracey, Hugh
- Authors: Berroit Kukwabo , Performer not specified , Berroit, Kukwabo , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/330356 , vital:61469 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3237-XYZ7452b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Berroit Kukwabo , Performer not specified , Berroit, Kukwabo , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/330356 , vital:61469 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3237-XYZ7452b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Emasire
- Berroit Kukwabo, Hugh Tracey
- Authors: Berroit Kukwabo , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168482 , vital:41588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-15
- Description: "How now! Seri struck me, so I am going away." Topical song with Sanzo Apido Likembe (Mbira), 12 notes (treble).
- Full Text: false
- Date Issued: 1952
- Authors: Berroit Kukwabo , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168482 , vital:41588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-15
- Description: "How now! Seri struck me, so I am going away." Topical song with Sanzo Apido Likembe (Mbira), 12 notes (treble).
- Full Text: false
- Date Issued: 1952
Hi-e mungwe
- Chief Bianoko and his tipoyi carriers, Hugh Tracey
- Authors: Chief Bianoko and his tipoyi carriers , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168374 , vital:41574 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-05
- Description: The second song strongly resembles those of the Pygmies who were sole occupants of the Ituri forest before the Mabuudu arrived in this locality. They speak of these Mbuti pygmies as Mbutu, a local variation of the pronunciation. Most of the native notables, chiefs and other functionaries are carried around the country from place to place in sedan chairs locally called "tipoyi". The carriers have evolved their oen 'tipoyi' songs and dances. Song and dance with ivory horn basket rattles (-12.54-) and small bell (-12.55-).
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko and his tipoyi carriers , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168374 , vital:41574 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-05
- Description: The second song strongly resembles those of the Pygmies who were sole occupants of the Ituri forest before the Mabuudu arrived in this locality. They speak of these Mbuti pygmies as Mbutu, a local variation of the pronunciation. Most of the native notables, chiefs and other functionaries are carried around the country from place to place in sedan chairs locally called "tipoyi". The carriers have evolved their oen 'tipoyi' songs and dances. Song and dance with ivory horn basket rattles (-12.54-) and small bell (-12.55-).
- Full Text: false
- Date Issued: 1952
Mama Yangu
- Authors: Mudumbu , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168434 , vital:41581 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-10
- Description: A song about his mother, his country and people. Swahili words are interspersed with the Buudu as Swahili has rapidly become the 'lingua franca' for this part of the Congo having been first introduced by the Arabs and now officially in schools, business and administration. Topical song with Likembe (Mbira).
- Full Text: false
- Date Issued: 1952
- Authors: Mudumbu , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168434 , vital:41581 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-10
- Description: A song about his mother, his country and people. Swahili words are interspersed with the Buudu as Swahili has rapidly become the 'lingua franca' for this part of the Congo having been first introduced by the Arabs and now officially in schools, business and administration. Topical song with Likembe (Mbira).
- Full Text: false
- Date Issued: 1952
Maria Chibu
- Albert, Alex Singoma, Composer not specified, Tracey, Hugh
- Authors: Albert , Alex Singoma , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/330372 , vital:61471 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3238-XYZ7451
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
- Authors: Albert , Alex Singoma , Composer not specified , Tracey, Hugh
- Date: 1952
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo City not specified f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/330372 , vital:61471 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3238-XYZ7451
- Description: Indigenous music
- Full Text: false
- Date Issued: 1952
Maria Chibu
- Albert Yenie and Alex Singoma, Hugh Tracey
- Authors: Albert Yenie and Alex Singoma , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168443 , vital:41582 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-11
- Description: This is an attempt either to transpose a well known guitar song to the traditional instrument of the district or is the original folk tune itself. The sanzo ababo has a very wide bridge, 8 and half inches, possibly the widest of all the Mbira family. The notes do not take up all this space as a large gap of about 2" is left between the notes played by each hand, Nos. 1-11 and 12-22. Duet on the Likembe, (Mbira) - Sanzo apido (treble) x 20 notes, and Sanzo ababo (bass) x 22 notes.
- Full Text: false
- Date Issued: 1952
- Authors: Albert Yenie and Alex Singoma , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Bunia f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168443 , vital:41582 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-11
- Description: This is an attempt either to transpose a well known guitar song to the traditional instrument of the district or is the original folk tune itself. The sanzo ababo has a very wide bridge, 8 and half inches, possibly the widest of all the Mbira family. The notes do not take up all this space as a large gap of about 2" is left between the notes played by each hand, Nos. 1-11 and 12-22. Duet on the Likembe, (Mbira) - Sanzo apido (treble) x 20 notes, and Sanzo ababo (bass) x 22 notes.
- Full Text: false
- Date Issued: 1952
Mbo I
- Chief Bianoko and Buudu men, Hugh Tracey
- Authors: Chief Bianoko and Buudu men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168331 , vital:41567 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-01
- Description: This is a man's dance performed on festive occassions to celebrate a Chief's arrival or when the coffee has been harvested. The steps are very simple the whole group moving slowly around in a circle with the drums either in the centre or to one side. The notables wore attractive scarlet parrot tail feathers on their head of plaited palm leaf. The ivory was covered with several cat skins. These horns, beautifully carved out of elephant tusks are a notable feature of the material culture of this part of the Congo. They use the hollow end of the tusk, cutting it off at the nerve tip, so that the tip of the horn is open and can produce two notes. A special feature is the carefully carved broad mouthpiece on the inner side of the curve about one third of the length of the horn from the small end. The small end is often carved as a small human head. In playing the orifice is opened and closed with the thumb. Party dance, with 1 very small slit drum, 1 small slit drum 2 conical laced drums, 2 pod slit drums, ivory horn and basket rattles.
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko and Buudu men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168331 , vital:41567 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-01
- Description: This is a man's dance performed on festive occassions to celebrate a Chief's arrival or when the coffee has been harvested. The steps are very simple the whole group moving slowly around in a circle with the drums either in the centre or to one side. The notables wore attractive scarlet parrot tail feathers on their head of plaited palm leaf. The ivory was covered with several cat skins. These horns, beautifully carved out of elephant tusks are a notable feature of the material culture of this part of the Congo. They use the hollow end of the tusk, cutting it off at the nerve tip, so that the tip of the horn is open and can produce two notes. A special feature is the carefully carved broad mouthpiece on the inner side of the curve about one third of the length of the horn from the small end. The small end is often carved as a small human head. In playing the orifice is opened and closed with the thumb. Party dance, with 1 very small slit drum, 1 small slit drum 2 conical laced drums, 2 pod slit drums, ivory horn and basket rattles.
- Full Text: false
- Date Issued: 1952
Mbo II
- Chief Bianoko and Buudu men, Hugh Tracey
- Authors: Chief Bianoko and Buudu men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168343 , vital:41570 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-02
- Description: The Buudu is one of the north Eastern Congo Bantu tribes which makes good use of slit drums of groups, both for sending signals and for dances. The largest of these are frequently found roughly shaped like an antelope with head, tail and legs protruding from the body of the drum, carved out of a single log. The almost mechanical exactness of the performance of these five men in typically African strict tempo is quite remarkable, dull perhaps to the outsider who does not participate, but highly conducive of the motoe-reaction of the dancers. Drum rhythm, tall slit drum shaped like an animal, 2 pod drums, 2 small slit drums.
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko and Buudu men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168343 , vital:41570 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-02
- Description: The Buudu is one of the north Eastern Congo Bantu tribes which makes good use of slit drums of groups, both for sending signals and for dances. The largest of these are frequently found roughly shaped like an antelope with head, tail and legs protruding from the body of the drum, carved out of a single log. The almost mechanical exactness of the performance of these five men in typically African strict tempo is quite remarkable, dull perhaps to the outsider who does not participate, but highly conducive of the motoe-reaction of the dancers. Drum rhythm, tall slit drum shaped like an animal, 2 pod drums, 2 small slit drums.
- Full Text: false
- Date Issued: 1952
Ope
- Chief Bianoko and his tipoyi carriers, Hugh Tracey
- Authors: Chief Bianoko and his tipoyi carriers , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168365 , vital:41573 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-04
- Description: The second song strongly resembles those of the Pygmies who were sole occupants of the Ituri forest before the Mabuudu arrived in this locality. They speak of these Mbuti pygmies as Mbutu, a local variation of the pronunciation. Most of the native notables, chiefs and other functionaries are carried around the country from place to place in sedan chairs locally called "tipoyi". The carriers have evolved their oen 'tipoyi' songs and dances. Song and dance with ivory horn basket rattles (-12.54-) and small bell (-12.55-).
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko and his tipoyi carriers , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168365 , vital:41573 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-04
- Description: The second song strongly resembles those of the Pygmies who were sole occupants of the Ituri forest before the Mabuudu arrived in this locality. They speak of these Mbuti pygmies as Mbutu, a local variation of the pronunciation. Most of the native notables, chiefs and other functionaries are carried around the country from place to place in sedan chairs locally called "tipoyi". The carriers have evolved their oen 'tipoyi' songs and dances. Song and dance with ivory horn basket rattles (-12.54-) and small bell (-12.55-).
- Full Text: false
- Date Issued: 1952
Yando
- Chief Bianoko and Buudu men, Hugh Tracey
- Authors: Chief Bianoko and Buudu men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168356 , vital:41571 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-03
- Description: A dance for festive occasions. The Buudu is a Bantu tribe which has moved across westwards from the Rwenzori mountains about 300 miles to the present locality. They are unusually dark skinned for Bantu and use a variety of musical instruments, relying mostly on slit drums for their dance music. Slit drums are common because large timber is plentiful but cattle or antelope skins rare for the making of membranes. The membranes of their conical drums are therefore usually made from elephant ears. Party dance with two conical drums, snall slit drum, two pod drums, ivory horn, basket rattles and two metal hand bells.
- Full Text: false
- Date Issued: 1952
- Authors: Chief Bianoko and Buudu men , Hugh Tracey
- Date: 1952
- Subjects: Songs, Swahili , Bira (African people) , Swahili-speaking peoples , Pygmies , Folk music , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Gombe f-cg
- Language: Bira
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/168356 , vital:41571 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0126-03
- Description: A dance for festive occasions. The Buudu is a Bantu tribe which has moved across westwards from the Rwenzori mountains about 300 miles to the present locality. They are unusually dark skinned for Bantu and use a variety of musical instruments, relying mostly on slit drums for their dance music. Slit drums are common because large timber is plentiful but cattle or antelope skins rare for the making of membranes. The membranes of their conical drums are therefore usually made from elephant ears. Party dance with two conical drums, snall slit drum, two pod drums, ivory horn, basket rattles and two metal hand bells.
- Full Text: false
- Date Issued: 1952
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