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Luwangula Mugema

  • Authors: Ludovico Mugerwa and Ganda women , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171103 , vital:42019 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-12
  • Description: "To who do these children belong? To the ruler Luwangula Mugema." Luwangula Mugema is the honorific title for a ruler, they explained. The singer is a young man about 20 years and is already well known in the district for the facility with which he drums and sings this type of song. Topical song, with 1 tall, cylindrical, open and pinned drum, 1 large conical laced drum (-14.22301-) and hand clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1952

Mulamu namala ampita erinya

Mulamu namala ampita erinya

  • Authors: Ludovico Mugerwa and Ganda women , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171108 , vital:42020 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-13
  • Description: The literal translation was:- "Alive, but he still calls my name." which means:- "I am alive but still in the favour of the Kabaka. He still asks me to play for him." This is a very old song with a rather sinister implication as the Kabakas (Kings) of old were inclined to put to death those who displeased them and particularly musicians who failed to play well. Historic song with 1 tall cylindrical pinned drum, 1 large conical laced drum and hand clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1952

Munya gwerira munyale

Munya, gwerira munyale

  • Authors: Evaristo N. Muyinda and Yakobo Ssewakirya , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Ssaza Kyagwe f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171063 , vital:42015 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-08
  • Description: This is a song about a Gekko lizard. The lizard, he says, is a harmless animal, it does not eat food like other animals. All it eats is soot, nor does it despise anybody, so why kill it. If one of these Gekko lizards is killed seven others would take the case to the chief and they will win their case. So do not kill the gekko lizard. The two lyres were tuned an ocatve apart and were said to be exactly in tune with lyre played by Bulasiyo. viz:- 286, 336, 194, 168, 144, 194, 248 vs. Topical song, with 2 Endongo lyres (-10.625 x 8-).
  • Full Text: false
  • Date Issued: 1952

Munya, gwerira munyale

  • Authors: Evaristo N. Muyinda and Yakobo Ssewakirya , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Ssaza Kyagwe f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171058 , vital:42014 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-08
  • Description: This is a song about a Gekko lizard. The lizard, he says, is a harmless animal, it does not eat food like other animals. All it eats is soot, nor does it despise anybody, so why kill it. If one of these Gekko lizards is killed seven others would take the case to the chief and they will win their case. So do not kill the gekko lizard. The two lyres were tuned an ocatve apart and were said to be exactly in tune with lyre played by Bulasiyo. viz:- 286, 336, 194, 168, 144, 194, 248 vs. Topical song, with Nango horizontal 8 string harp.
  • Full Text: false
  • Date Issued: 1952

Mutimba

Nandikulamude

Nandikuwadde ennyanja ekalidde

Nantaza Lubanja

Nanyini kayu bwali da

Nanyini kayu bwali da

  • Authors: Ludovico Mugerwa and Ganda women , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/171094 , vital:42018 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0139-11
  • Description: "When the owner of the house comes, where will you run?" Meaning when you come to be married how will you account for yourself. Kasumba, when he finds the young woman of his own village standing about the street corners of Kampala, is about to arresr them and send them back home. Kasumba himself was present at the recording. He was a representative of the Ssaza Chief Kago. It is not unusual for a singer to sing about those present, and he enjoys within reason a Jester's licence of the speech. Topical song, with 1 tall, cylindrical, open and pinned drum, 1 large conical laced drum (-14.22301-) and hand clapping (-12.03-).
  • Full Text: false
  • Date Issued: 1952

Nyanja ya Kabaka

Okukomawo kwa kabaka muteesa

Okuzala Kujagana

Okwagala omulungi kwesengereza

  • Authors: Temusewo Mukasa , Hugh Tracey
  • Date: 1952
  • Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
  • Language: Ganda
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/170977 , vital:41991 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0138-15
  • Description: "To love the Kabaka brings trouble. You are handed over to the executioner who binds your arms. When the Kabaka goes to Nakawa, Nabulagawa, he hands people over to the executioner." To be friendly with the powerful has its dangers. Songs such as this give a vivid insight into the conditions around the chief's courts in the old days. Historical song with horizontal, arched 8 string harp.
  • Full Text: false
  • Date Issued: 1952

Omugongo guluma

Omunya

Omunya

Omusango guli mu ddiro

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