Showing items 1 - 15 of 15

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Tayamba kumba vifya, tamu Chifila

- Oxendale Mateu Nkata, Tonga men, Hugh Tracey

Ametela metela

- Kaphatikila Kanyingi, Hugh Tracey

  • Authors: Kaphatikila Kanyingi , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186630 , vital:44519 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-19
  • Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
  • Full Text: false
  • Date Issued: 1950

Atate wuchona kwa Rhodesia

- Joviani Nkhoma, Hugh Tracey

  • Authors: Joviani Nkhoma , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184857 , vital:44279 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-06
  • Description: His Bango is unusual in that it has two tin resonators, one at each end. He played the strings with his left hand and beat a simple pulse on one of the resonators with his right hand and miming the action at the word "Ndito", 'truly'. For the second song he turned his Bango round and held it at right angels pointing away from him touching the strings with his left hand and striking them with his right. This is the normal way of holding the instrument. The performer looked like a little old elf. Lament with Bango zither with 7 metal strings
  • Full Text: false
  • Date Issued: 1950

Chilongozi waulende wamoyo zina lake Yesu

- Aliki Chipupa, Hugh Tracey

  • Authors: Aliki Chipupa , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184839 , vital:44277 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-04
  • Description: Aliki Chipupa the composer of this hymn was a minister in the Church of Scotland at the Bandwe Mission near the lake, and a friend of the blind singer. Beti set it to the Bangwe although at the mission it was always sung unaccompanied. When the recording was played back all the people standing around joined in, the old man Beti singing a seconf part to his own music. As with many African hymns in which the vernacular translation fails to be encompased by the standard number of bars, this hymn demonstrates a free scansion of the lines. (5 plus 6 plus 5 plus 4 bars). Hymn with Bangwe Raft zither, 7 strings
  • Full Text: false
  • Date Issued: 1950

Dale wandizonda

- Manyanda Nyirenda, Young men and women, Hugh Tracey

Edeliya timbengi tingaluwa

- Beti Kamanga, Hugh Tracey

Eneku awato

- Alfred Nyirenda, Tonga young boys, Hugh Tracey

Gone yapa

- Kaphatikila Kanyingi, Hugh Tracey

  • Authors: Kaphatikila Kanyingi , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186635 , vital:44520 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-20
  • Description: The one stringed lute has a wooden bowl for a resonator with a sound hole on its side. The string is strained with a peg but final tuning is achieved by means of a straining string. It is bowed by a reed or bamboo bow with spittle and the fingering is achieved by gripping the string with the inside of the second segment of the second and fouth fingers. Self delecatative song with Karigo one stringed bowed Lute
  • Full Text: false
  • Date Issued: 1950

Je-je-je nyoli yangu

- Filimon Phiri, Tonga women, Hugh Tracey

Kawoza ndirinde

- Filimon Phiri, Tonga women, Hugh Tracey

Maiyo Ngondo

- Joviani Nkhoma, Hugh Tracey

  • Authors: Joviani Nkhoma , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184862 , vital:44280 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-07
  • Description: His Bango is unusual in that it has two tin resonators, one at each end. He played the strings with his left hand and beat a simple pulse on one of the resonators with his right hand and miming the action at the word "Ndito", 'truly'. For the second song he turned his Bango round and held it at right angels pointing away from him touching the strings with his left hand and striking them with his right. This is the normal way of holding the instrument. The performer looked like a little old elf. Lament with Bango zither with 7 metal strings
  • Full Text: false
  • Date Issued: 1950

Meri wandinyenga

- Beti Kamanga, Hugh Tracey

Nthumba na lume

- Lucy Nyamangwe, Tonga girls, Hugh Tracey

Pendeka

- Lucy Nyamangwe, Tonga women, Hugh Tracey

Suzgu muyaya

- Beti Kamanga, Hugh Tracey

  • Authors: Beti Kamanga , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184812 , vital:44274 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-01
  • Description: "Men from our country are living in Rhodesia with other tribes. While we, left at home, are enduring all the difficulties of Nyasaland (Present day Malawi)." This is well supported by the statistics (1950); it is said that of 20,000 Tonga of this Chinteche District, 8,000 have left permantely from Southern and Northern Rhodesia and South Africa, another 8,000 are away and expected to return within 5 years, and 4,000 only remain in the country, most of whom will be off again as soon as their money is spent. The women and old men are left to do all the agricultural and home work. Topical song with Bangwe raft zither, 7 strings
  • Full Text: false
  • Date Issued: 1950
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