Chibongo cha Hosi Chihawahawa wa Yoyane
- Combined Migodo of Regulo Canda and Cabo Mtoti, Taifiana Faifi (Leader), Jasintu Kumbani, Tracey, Hugh
- Authors: Combined Migodo of Regulo Canda and Cabo Mtoti , Taifiana Faifi (Leader) , Jasintu Kumbani , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193257 , vital:45314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-09
- Description: Chihawahawa was the grandfather of the present chief Canda. The song was composed about 3 years ago, by Jasintu who was away working on the Gold mines of the Rand when this was recorded. It was the first song of its kind that I have heard set to the Timbila. Praise song for a chief with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Combined Migodo of Regulo Canda and Cabo Mtoti , Taifiana Faifi (Leader) , Jasintu Kumbani , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193257 , vital:45314 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-09
- Description: Chihawahawa was the grandfather of the present chief Canda. The song was composed about 3 years ago, by Jasintu who was away working on the Gold mines of the Rand when this was recorded. It was the first song of its kind that I have heard set to the Timbila. Praise song for a chief with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Chibudu. 7th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Lambo Diki, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193028 , vital:45291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-03
- Description: Owing to the large size of the combined orchestras and the many dancers the rattle players got out of time and caused consternation for a few moments until Lambo pulled them together again. Lambo is Ingilishi's son and grandson of old Muchinga "Hichi-o!". Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193028 , vital:45291 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-03
- Description: Owing to the large size of the combined orchestras and the many dancers the rattle players got out of time and caused consternation for a few moments until Lambo pulled them together again. Lambo is Ingilishi's son and grandson of old Muchinga "Hichi-o!". Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Chidilo cha mindonga
- Chopi men and women, Samuel Kandhlelo (Leader), Tracey, Hugh
- Authors: Chopi men and women , Samuel Kandhlelo (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194221 , vital:45431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-06
- Description: "He is weeping for his palm trees which have been taken by others, although he planted them, it as a punishment for what he has done." An unusual kind of song no doubt overlooked on account of the Timbila music. All the people standing around began to join with the song as it was clearly well known. The player had equipped himself with a couple of sprigs of shrub with about half a dozen long and slender dry seed pods. This he used as a gentle rattle for accompaniment. It was the first of its kind I had seen. Lament with Seed Pod rattle.
- Full Text: false
- Date Issued: 1963
- Authors: Chopi men and women , Samuel Kandhlelo (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194221 , vital:45431 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-06
- Description: "He is weeping for his palm trees which have been taken by others, although he planted them, it as a punishment for what he has done." An unusual kind of song no doubt overlooked on account of the Timbila music. All the people standing around began to join with the song as it was clearly well known. The player had equipped himself with a couple of sprigs of shrub with about half a dozen long and slender dry seed pods. This he used as a gentle rattle for accompaniment. It was the first of its kind I had seen. Lament with Seed Pod rattle.
- Full Text: false
- Date Issued: 1963
Chigowilo Ocarina tune
- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193304 , vital:45319 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-13
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193304 , vital:45319 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-13
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
Chigowilo Ocarina tune
- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193318 , vital:45321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-15
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193318 , vital:45321 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-15
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
Chigowilo Ocarina tune
- Tamare Mosi, Fomisane Mapiki, Elena Gwede, Tracey, Hugh
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193313 , vital:45320 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-14
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
- Authors: Tamare Mosi , Fomisane Mapiki , Elena Gwede , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193313 , vital:45320 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-14
- Description: Ocarina tunes are usually accompanied by voiced notes on the part of the player. The Chopi ocarinas are made from the fruit of the wild "Kaffir Orange" tree "Strychnos Spinosa" and have three holes. Different players use different holes as the mouth hole, and as the holes are not necessarily of the same size the resulting modes differ slightly from each other. Self delectative tune with Ocarina
- Full Text: false
- Date Issued: 1963
Eto, hangane maha
- Miliya Bukulane, Rude Wache, Amelia Faduko, Tracey, Hugh
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193276 , vital:45317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-11
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193276 , vital:45317 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-11
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
Ho, niihondile
- Miliya Bukulane, Rude Wache, Amelia Faduko, Tracey, Hugh
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193271 , vital:45315 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-10
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
- Authors: Miliya Bukulane , Rude Wache , Amelia Faduko , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193271 , vital:45315 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR204-10
- Description: Note the change of rhythm as third girl joins in with her pestle. The names of the three women who sang were:- Miliya Bukulane, Rude Wache, Amelia Faduko. Other women were singing in the background. Three women's pounding song, with pestles and mortar.
- Full Text: false
- Date Issued: 1963
Joo tsaka
- Raimundu Andreu, Luis Manuel maCanda, Tracey, Hugh
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194202 , vital:45428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-04
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. "I am happy because my wife has come back." Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
- Authors: Raimundu Andreu , Luis Manuel maCanda , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/194202 , vital:45428 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR205-04
- Description: The Chibvelani bow was strung with Ilala palm leaf and the player used all four fingers of the left hand to stop the string and not the more usual one or two, hence the more interesting meloduc possibilities. The bow is resonated in the open mouth, the palm leaf passing between, but not touching, the parted lips. The musical principal is the same as that of the Jews Harp, a vibrating medium suspended in front of the mouth cavity, the pitch of the notes being controlled by altering the shape of the mouth and throat. The performer is virtually singing silently. "I am happy because my wife has come back." Tune on Chitende stressed bow.
- Full Text: false
- Date Issued: 1963
Mabandla. 10th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Mcheni Bobo, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Mcheni Bobo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193080 , vital:45296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-05
- Description: The last movement by the dancers. This movement was led by the composer, Mcheni Bobo. The dancers complete the Ngodo in the usual manner by dancing in pairs out in front of the line. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Mcheni Bobo , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193080 , vital:45296 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-05
- Description: The last movement by the dancers. This movement was led by the composer, Mcheni Bobo. The dancers complete the Ngodo in the usual manner by dancing in pairs out in front of the line. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mchuio. 6th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Lambo Diki, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193019 , vital:45290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-02
- Description: The dancers considered that someone had made a mistake during the course of the movement, hence the argument that broke out at the end. This kind of disagreement rarely happens in a single village but only when the dancers and players of two or more villages combine without adequate rehearsal. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193019 , vital:45290 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-02
- Description: The dancers considered that someone had made a mistake during the course of the movement, hence the argument that broke out at the end. This kind of disagreement rarely happens in a single village but only when the dancers and players of two or more villages combine without adequate rehearsal. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso Kugwitisa. 11th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Hanyane Waini, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Hanyane Waini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193089 , vital:45297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-06
- Description: This movement was led by Faifiani Faife. The name of this man means 'The little five of five'. His father had taken the English numerical '5' as a name and so his son was called 'Small Five' or 'Five Junior', but his surname being taken from that of his father, and not an old 'Mituno' name was........ (missing words). Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Hanyane Waini , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193089 , vital:45297 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-06
- Description: This movement was led by Faifiani Faife. The name of this man means 'The little five of five'. His father had taken the English numerical '5' as a name and so his son was called 'Small Five' or 'Five Junior', but his surname being taken from that of his father, and not an old 'Mituno' name was........ (missing words). Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso wo Khata. 1st Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192683 , vital:45250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-08
- Description: There were 6 rattle players (Ndota we njele) and 28 to 30 dancers. For this dance the combined teams of dancers and musicians of both Regulo Canda and Cabo Mtoti were present. They were not well rehearsed and the performance would have been better with the teams separated. The tone quality of Regulo Canda's xylophones is always distinctive. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192683 , vital:45250 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-08
- Description: There were 6 rattle players (Ndota we njele) and 28 to 30 dancers. For this dance the combined teams of dancers and musicians of both Regulo Canda and Cabo Mtoti were present. They were not well rehearsed and the performance would have been better with the teams separated. The tone quality of Regulo Canda's xylophones is always distinctive. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso wo wombidi. 2nd Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Solomon Semendi, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Solomon Semendi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192703 , vital:45252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-09
- Description: Led by the composer Solomon Semendi, this Msitso approximates in style the Msitso of Komukomu of Regulo Banguza, who died recently. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Solomon Semendi , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192703 , vital:45252 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-09
- Description: Led by the composer Solomon Semendi, this Msitso approximates in style the Msitso of Komukomu of Regulo Banguza, who died recently. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msitso wo woraru. 3rd Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Lambo Diki, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192735 , vital:45255 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-10
- Description: Lambo Diki Muchinga is the son and grandson of two famous Timbila makers in this district Muchinga, who died about 1945 and his son Ngilishi Muchina who, between them, have made most of the beautiful instruments of these two Migodo of Regulo Canda and Cabo Mtoti. By some strange oversight the fourth movement, the Ngeniso, entry of the dancers, was omitted, the leader going straight on his Mweniso. This error was not noticed until too late. It was caused perhaps by the fact that the dancers had already been dancing before our arrival since early morning and so were, so to speak, already on the dance floor. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Lambo Diki , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192735 , vital:45255 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-10
- Description: Lambo Diki Muchinga is the son and grandson of two famous Timbila makers in this district Muchinga, who died about 1945 and his son Ngilishi Muchina who, between them, have made most of the beautiful instruments of these two Migodo of Regulo Canda and Cabo Mtoti. By some strange oversight the fourth movement, the Ngeniso, entry of the dancers, was omitted, the leader going straight on his Mweniso. This error was not noticed until too late. It was caused perhaps by the fact that the dancers had already been dancing before our arrival since early morning and so were, so to speak, already on the dance floor. Orchestral dance with 22 Timbila xylophones - 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Msumeto and Tokozelo. 9th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Teni Gaichwome, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Teni Gaichwome , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193049 , vital:45293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-04
- Description: The somewhat ragged responses to the leader Kutokozela cries arose from the fact that the men of both villages, Canda and Mtoti, were not well rehearsed together, several of them having been away for some months working on the South African gold mines. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Teni Gaichwome , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193049 , vital:45293 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-04
- Description: The somewhat ragged responses to the leader Kutokozela cries arose from the fact that the men of both villages, Canda and Mtoti, were not well rehearsed together, several of them having been away for some months working on the South African gold mines. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mwemiso. 5th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193004 , vital:45288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-01
- Description: The dances did not dance for this movement as usual, thinking they were only needed for the song which goes with the movement. The name of this Mwemiso movement indicates the principal dance action, that of pointing both arms forward with shield and stick, but the meaning of the name is uncertain. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193004 , vital:45288 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-01
- Description: The dances did not dance for this movement as usual, thinking they were only needed for the song which goes with the movement. The name of this Mwemiso movement indicates the principal dance action, that of pointing both arms forward with shield and stick, but the meaning of the name is uncertain. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mzeno
- Ngodo of Regulo Canda, Hamela wa Ditsukale, Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Hamela wa Ditsukale , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192745 , vital:45259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-11
- Description: The fine Mzeno (inserted here for comparison) was recorded in the same village just 14 years earlier, and is a useful guide to any change of style during that period. For purposes of this recording, the verses were not repeated as is usual with Mzeno. This Mzeno of Chief Mahikete (Canda) is about the payment of poll tax and the wish of the people to escape payment by running along to Mnyokowela in the Panda district, as they did in the old days when fighting against Shangaans. But, alas today the white men are at Panda also, so it would be no good. Orchestral dance with Timbila xylophones orchestra
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Hamela wa Ditsukale , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/192745 , vital:45259 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR202-11
- Description: The fine Mzeno (inserted here for comparison) was recorded in the same village just 14 years earlier, and is a useful guide to any change of style during that period. For purposes of this recording, the verses were not repeated as is usual with Mzeno. This Mzeno of Chief Mahikete (Canda) is about the payment of poll tax and the wish of the people to escape payment by running along to Mnyokowela in the Panda district, as they did in the old days when fighting against Shangaans. But, alas today the white men are at Panda also, so it would be no good. Orchestral dance with Timbila xylophones orchestra
- Full Text: false
- Date Issued: 1963
Mzeno of Cabo Mtoti
- Mzeno of Cabo Mtoti, Lambo Diki Muchinga (Leader), Tracey, Hugh
- Authors: Mzeno of Cabo Mtoti , Lambo Diki Muchinga (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193109 , vital:45299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-08
- Description: This Mzeno was composed by the son of the best Timbila maker in the district, Ngalishi Muchinga. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Mzeno of Cabo Mtoti , Lambo Diki Muchinga (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193109 , vital:45299 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-08
- Description: This Mzeno was composed by the son of the best Timbila maker in the district, Ngalishi Muchinga. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
Mzeno. 7th Movement
- Ngodo of Regulo Canda, Chipendani Guyuza (Leader), Tracey, Hugh
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193099 , vital:45298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-07
- Description: A group of about 40 young women and girls joined the Ngodo for this movement, standing behind the dancers in order to take part in the singing. They knew all the words of the lyric by heart even the smallest of them and sang lustily with harsh voices. This development (if it is such) was never seen by me in any Mzeno in the 1940's. The result is no improvement upon the men's voices alone as a song, but was enjoyed by the whole village. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963
- Authors: Ngodo of Regulo Canda , Chipendani Guyuza (Leader) , Tracey, Hugh
- Date: 1963
- Subjects: Folk music--Africa , Music--Mozambique , Folk songs, Chopi , Chopi (African people) , Field recordings , Africa, Sub-Saharan , Africa Mozambique Canda f-mz
- Language: Chopi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/193099 , vital:45298 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR203-07
- Description: A group of about 40 young women and girls joined the Ngodo for this movement, standing behind the dancers in order to take part in the singing. They knew all the words of the lyric by heart even the smallest of them and sang lustily with harsh voices. This development (if it is such) was never seen by me in any Mzeno in the 1940's. The result is no improvement upon the men's voices alone as a song, but was enjoyed by the whole village. Orchestral dance with 22 Timbila xylophones, 6 Chilanzane (Treble), 5 Sange (Alto), 5 Doli (Tenor), 3 Debiinda (Bass), 3 Gulu (Double Bass).
- Full Text: false
- Date Issued: 1963