Rwabazira
- Mahibo and Toro men, Hugh Tracey
- Authors: Mahibo and Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170254 , vital:41874 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-05
- Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Mahibo and Toro men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Nyankole (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kamukuzi f-ug
- Language: Nyoro , Nyankole
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170254 , vital:41874 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0135-05
- Description: This praise, which both begins and ends with song, are frequently recited by men at parties. The subject of their adulation may be their host, their cattle or any subject gratifying their senses. Adulation of elders is part of the sycophantic social system common to many tribes and especially cattle owners. The practise of interspersing spoken praises between song is also found among the Sotho of Basutoland. The word Engabo means literally a brave man and these praises were originally intended to praise fighting men. Nowadays woth no fighting to be done the praises have been extended to any gratification and particularly of the 'Pombe' banana beer. Engabo praise, with conical drum. laced, single, played with hands and clapping.
- Full Text: false
- Date Issued: 1950
Rwaflanembe
- Abanyabyata Royal band, leader: Bulasio Araya, Hugh Tracey
- Authors: Abanyabyata Royal band, leader: Bulasio Araya , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169816 , vital:41827 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-07
- Description: The Makondere horns are played on the first day of the new moon and also upon important occasions such as the installation of a new Mukama. Horn tune with Makondere gourd horns.
- Full Text: false
- Date Issued: 1950
- Authors: Abanyabyata Royal band, leader: Bulasio Araya , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kikali f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169816 , vital:41827 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-07
- Description: The Makondere horns are played on the first day of the new moon and also upon important occasions such as the installation of a new Mukama. Horn tune with Makondere gourd horns.
- Full Text: false
- Date Issued: 1950
Rwakagasha
- Ruthahindurwa Lukuka, Hugh Tracey
- Authors: Ruthahindurwa Lukuka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Gera / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172316 , vital:42187 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-11
- Description: A praise song in honour of the singer's father who was a well-to-do man of the ruling class in this Bukoba country. In this song the sound of the body of the Zither vibrating against the external resonator, upturned gourd or wooden bowl, can be heard. This deep noted Nanja is tuned:- 176, 160, 144, 136, 124, 106 vs. The seveth note was not well in tune as it was too low for the weight of the string to sound properly. Praise song with Nanga trough zither.
- Full Text: false
- Date Issued: 1950
- Authors: Ruthahindurwa Lukuka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Gera / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172316 , vital:42187 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-11
- Description: A praise song in honour of the singer's father who was a well-to-do man of the ruling class in this Bukoba country. In this song the sound of the body of the Zither vibrating against the external resonator, upturned gourd or wooden bowl, can be heard. This deep noted Nanja is tuned:- 176, 160, 144, 136, 124, 106 vs. The seveth note was not well in tune as it was too low for the weight of the string to sound properly. Praise song with Nanga trough zither.
- Full Text: false
- Date Issued: 1950
Rwakyesiga ensolima
- Authors: Babyesiga , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169651 , vital:41781 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-06
- Description: "A mouse came to my house and stole the food from my pot." The singer yodells in typically African fashion. The tuning of this harp is as follows:- 336, 304, 252, 200, 168, (152), (126) vs, strings 7 and 8 were slightly out of tune, and should be 152 and 126. Topical song with Ekidongo eitht string horizontal harp.
- Full Text: false
- Date Issued: 1950
- Authors: Babyesiga , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169651 , vital:41781 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0132-06
- Description: "A mouse came to my house and stole the food from my pot." The singer yodells in typically African fashion. The tuning of this harp is as follows:- 336, 304, 252, 200, 168, (152), (126) vs, strings 7 and 8 were slightly out of tune, and should be 152 and 126. Topical song with Ekidongo eitht string horizontal harp.
- Full Text: false
- Date Issued: 1950
Rwosere
- Misaki Muswankuli and Ruli men, Hugh Tracey
- Authors: Misaki Muswankuli and Ruli men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kigumba Gombolole f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169829 , vital:41828 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-08
- Description: "Rwosere was a person who did not like work. We do not like lazy people." If what we hear is true most men in this district must be called Rwosere. Four players perform on the one xylophone, three on one side and one on the other. Ntara dance with Ntara xylophone, 16 loose notes on temporary banana stalk supports.
- Full Text: false
- Date Issued: 1950
- Authors: Misaki Muswankuli and Ruli men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kigumba Gombolole f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169829 , vital:41828 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-08
- Description: "Rwosere was a person who did not like work. We do not like lazy people." If what we hear is true most men in this district must be called Rwosere. Four players perform on the one xylophone, three on one side and one on the other. Ntara dance with Ntara xylophone, 16 loose notes on temporary banana stalk supports.
- Full Text: false
- Date Issued: 1950
Sematimba
- Ntamivu za Kabaka, Hugh Tracey
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170637 , vital:41944 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-05
- Description: The approximate sizes of the drums were:- Ntamivu, big drum, 25 inches across, 37 inches tall. Naku, medium drum, c. 14 inch head, 19 inches tall. Njongo, small drum, c. 12 inch head, 17 inches tall. Tall laced drum. c. 10 inch head, 39 inches tall. The Naku (-14.22301-) was played with the hands, the others (-14.22303-) were played with beaters. The tall drum stood beside the very large Ntamivu and both were played by one man. The tuning of the xylophone was:- 776, 688, 608, 520, 456, 388, 344, 304, 260, 228, 194, 172 v.s. This gives intervals within the octave (from 344 to 172) of 214, 271, 227, 280 and 208 cents. Two instrumental tunes with loose note xylophone and 5 drums (-14.99-), laced, conical.
- Full Text: false
- Date Issued: 1950
- Authors: Ntamivu za Kabaka , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170637 , vital:41944 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0137-05
- Description: The approximate sizes of the drums were:- Ntamivu, big drum, 25 inches across, 37 inches tall. Naku, medium drum, c. 14 inch head, 19 inches tall. Njongo, small drum, c. 12 inch head, 17 inches tall. Tall laced drum. c. 10 inch head, 39 inches tall. The Naku (-14.22301-) was played with the hands, the others (-14.22303-) were played with beaters. The tall drum stood beside the very large Ntamivu and both were played by one man. The tuning of the xylophone was:- 776, 688, 608, 520, 456, 388, 344, 304, 260, 228, 194, 172 v.s. This gives intervals within the octave (from 344 to 172) of 214, 271, 227, 280 and 208 cents. Two instrumental tunes with loose note xylophone and 5 drums (-14.99-), laced, conical.
- Full Text: false
- Date Issued: 1950
Shilinga etaganya
- Zakaria Kasasa, 'Endongo za Baganda'., Hugh Tracey
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170509 , vital:41930 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-13
- Description: In the background can be heard the shrill continous noise of the cicada beetles in the trees nearby. "The man who gives you a child is better than one who only gives you money. Prostitutes are bad. Money is better than women. If you buy a bicycle you can carry milk to market." Here again the penetrating sound of the cicada beetles or crickets compete with the music. Morality song with 8 string Endongo bowl lyre, 1 string Ndingidi bowl lute, 1 conical Ntenga drum, laced, single.
- Full Text: false
- Date Issued: 1950
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170509 , vital:41930 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-13
- Description: In the background can be heard the shrill continous noise of the cicada beetles in the trees nearby. "The man who gives you a child is better than one who only gives you money. Prostitutes are bad. Money is better than women. If you buy a bicycle you can carry milk to market." Here again the penetrating sound of the cicada beetles or crickets compete with the music. Morality song with 8 string Endongo bowl lyre, 1 string Ndingidi bowl lute, 1 conical Ntenga drum, laced, single.
- Full Text: false
- Date Issued: 1950
Speech
- Rukirabasaija Agutamba Tito, Gafabusa II, C.B.E., Mukama of Bunyoro, Hugh Tracey
- Authors: Rukirabasaija Agutamba Tito, Gafabusa II, C.B.E., Mukama of Bunyoro , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169765 , vital:41821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-02
- Description: An impromtu speech made by the Mukama on the subject of the indigenous music of his country and the virtut of its preservation and encouragement. Speech.
- Full Text: false
- Date Issued: 1950
- Authors: Rukirabasaija Agutamba Tito, Gafabusa II, C.B.E., Mukama of Bunyoro , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Hoima f-ug
- Language: Nyoro
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169765 , vital:41821 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0133-02
- Description: An impromtu speech made by the Mukama on the subject of the indigenous music of his country and the virtut of its preservation and encouragement. Speech.
- Full Text: false
- Date Issued: 1950
Tich mabere
- Authors: Zedekia Ochow , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169264 , vital:41707 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-08
- Description: "There is nothing better than work. If you do not work you cannot live." Morality song with Tongoli eight string horizontal harp, with Tethe inverted bowl.
- Full Text: false
- Date Issued: 1950
- Authors: Zedekia Ochow , Hugh Tracey
- Date: 1950
- Subjects: Folk songs, Chopi , Jopadhola (African people) , Teso (African people) , Music--Uganda , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Adhola
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169264 , vital:41707 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0130-08
- Description: "There is nothing better than work. If you do not work you cannot live." Morality song with Tongoli eight string horizontal harp, with Tethe inverted bowl.
- Full Text: false
- Date Issued: 1950
Tokora
- Bukombe Mukirane, Hugh Tracey
- Authors: Bukombe Mukirane , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Toro f-ug
- Language: Lhukonzo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169561 , vital:41765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-18
- Description: This flute is unusual in that it is made from a single section of banboo 28 inches long by 3/4 inches. The bamboo grows on the higher slopes of the Ruwenzori mountain just above the homes of the Konjo people who live on the foothills below. The first finger hole is 17 inches from the mouthpiece notch. The four holes are played by the first and third fingers of each hand, the thumbs and second fingers holding the flute. Bamboos on the Ruwenzori are said to grow as much as 14 inches per day, which makes them ideal for making flutes as the distance between nodes is long. Nyamulera dance for men with Nyamulera four holed end blown notched flute, two conical drums, laced, single, played with hands.
- Full Text: false
- Date Issued: 1950
- Authors: Bukombe Mukirane , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Nande (Congolese (Democratic Republic) and Ugandan people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Toro f-ug
- Language: Lhukonzo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169561 , vital:41765 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-18
- Description: This flute is unusual in that it is made from a single section of banboo 28 inches long by 3/4 inches. The bamboo grows on the higher slopes of the Ruwenzori mountain just above the homes of the Konjo people who live on the foothills below. The first finger hole is 17 inches from the mouthpiece notch. The four holes are played by the first and third fingers of each hand, the thumbs and second fingers holding the flute. Bamboos on the Ruwenzori are said to grow as much as 14 inches per day, which makes them ideal for making flutes as the distance between nodes is long. Nyamulera dance for men with Nyamulera four holed end blown notched flute, two conical drums, laced, single, played with hands.
- Full Text: false
- Date Issued: 1950
Topima
- Kagaruki Nkokolo with Haya men, Hugh Tracey
- Authors: Kagaruki Nkokolo with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171981 , vital:42145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-10
- Description: "Why do you dislike me? I would like you to be a good friend of mine." A man had a friend an they fell out, so he sang to his friend to weigh up their differences, to measure them up and forget about them, or agree to differ. Topical song with laced conical drum and clapping.
- Full Text: false
- Date Issued: 1950
- Authors: Kagaruki Nkokolo with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171981 , vital:42145 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-10
- Description: "Why do you dislike me? I would like you to be a good friend of mine." A man had a friend an they fell out, so he sang to his friend to weigh up their differences, to measure them up and forget about them, or agree to differ. Topical song with laced conical drum and clapping.
- Full Text: false
- Date Issued: 1950
Umushuma
- Eliasi Karuandila with Haya men, Hugh Tracey
- Authors: Eliasi Karuandila with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172069 , vital:42155 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-15
- Description: The story of a man who wanted to stop thieves from coming to his house and taking all his belongings, He bargained with a snake to come to his house and bite the thieves. The snake, however, only managed to destroy all twenty of his children and relations and killed the man himself in the end. The moral was plain. Story with song.
- Full Text: false
- Date Issued: 1950
- Authors: Eliasi Karuandila with Haya men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172069 , vital:42155 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR144-15
- Description: The story of a man who wanted to stop thieves from coming to his house and taking all his belongings, He bargained with a snake to come to his house and bite the thieves. The snake, however, only managed to destroy all twenty of his children and relations and killed the man himself in the end. The moral was plain. Story with song.
- Full Text: false
- Date Issued: 1950
Wabomba baseza ni Mahero
- Authors: Watoya Sizangi , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169475 , vital:41754 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-08
- Description: This song refers to a man who planned to steal cattle from another called Mahero and succeeded. What transpired after the theft is not mentioned. Topical song, with Siilili two string lute and Kengele bell.
- Full Text: false
- Date Issued: 1950
- Authors: Watoya Sizangi , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169475 , vital:41754 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-08
- Description: This song refers to a man who planned to steal cattle from another called Mahero and succeeded. What transpired after the theft is not mentioned. Topical song, with Siilili two string lute and Kengele bell.
- Full Text: false
- Date Issued: 1950
Waboya
- Wamimbi Magombe and Gishu men, Hugh Tracey
- Authors: Wamimbi Magombe and Gishu men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169516 , vital:41759 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-13
- Description: Boys who are ready for initiation are warned in this song of the pain they muct experience and exhorted to be brave. Imbalu circumcision dance with Mungiri leg bells, European whistle and side blown horn, open.
- Full Text: false
- Date Issued: 1950
- Authors: Wamimbi Magombe and Gishu men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169516 , vital:41759 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-13
- Description: Boys who are ready for initiation are warned in this song of the pain they muct experience and exhorted to be brave. Imbalu circumcision dance with Mungiri leg bells, European whistle and side blown horn, open.
- Full Text: false
- Date Issued: 1950
Waikova
- Nasuti Social Club, Hugh Tracey
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171438 , vital:42060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-07
- Description: Waikova is a beautiful and highly coloured bird, they explained, but is more likely to be the common crow. A Budongo tune of this name was also recorded at Jinja, two years later. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
- Authors: Nasuti Social Club , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Iganga f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171438 , vital:42060 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR141-07
- Description: Waikova is a beautiful and highly coloured bird, they explained, but is more likely to be the common crow. A Budongo tune of this name was also recorded at Jinja, two years later. Sets of these instruments are played by a number of young men together. For over 400 years this type of music has facinated Africans and possibly for far longer. Topical song, with 8 Budongo Likembe and 1 flat Nsaasi tin rattle (12.54-)
- Full Text: false
- Date Issued: 1950
Waiswa Mugude
- Mulobo Maswa and Soga men, Hugh Tracey
- Authors: Mulobo Maswa and Soga men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171650 , vital:42104 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-17
- Description: The song refers to a man called Waiswa Mugude said to be a sorcerer. He cast a spell on his friend who died. He was very sorry and beleived he had caused his friend's death by magic. So after the funeral he went to the grave with his magical animals to dance and appease his friend's spirit lest it should come back to destroy him also. Topical song, with 8 Magwala gourd horns side blown, 2 laced conical drums (-14.22303-), 2 pinned, footed goblet drums (-14.51201-)
- Full Text: false
- Date Issued: 1950
- Authors: Mulobo Maswa and Soga men , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Soga (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Bugembe f-ug
- Language: Soga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/171650 , vital:42104 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR142-17
- Description: The song refers to a man called Waiswa Mugude said to be a sorcerer. He cast a spell on his friend who died. He was very sorry and beleived he had caused his friend's death by magic. So after the funeral he went to the grave with his magical animals to dance and appease his friend's spirit lest it should come back to destroy him also. Topical song, with 8 Magwala gourd horns side blown, 2 laced conical drums (-14.22303-), 2 pinned, footed goblet drums (-14.51201-)
- Full Text: false
- Date Issued: 1950
Waitu-waitu
- Mwendera Kaijage with Haya women, Hugh Tracey
- Authors: Mwendera Kaijage with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172280 , vital:42183 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-07
- Description: "Father, creator of our people, you were born chief and we ask you while ruling over us to settle for us our troubles and reward us with cattle when we have done well." Praise song.
- Full Text: false
- Date Issued: 1950
- Authors: Mwendera Kaijage with Haya women , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Haya (African people) , Nyoro (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania / Uganda Kabale / Bukoba f-tz / f-ug
- Language: Nyoro , Haya
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172280 , vital:42183 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR145-07
- Description: "Father, creator of our people, you were born chief and we ask you while ruling over us to settle for us our troubles and reward us with cattle when we have done well." Praise song.
- Full Text: false
- Date Issued: 1950
Were umwene umanya
- Authors: Isaka Kitutu , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169538 , vital:41761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-15
- Description: "God knows everything and is all powerful. When he dies everyman must account for himself before God." This song ended abruptly because the bridge of his lyre suddenly collapsed. Religious chant with Litungu seven string bowl lyre, pinned, heptatonic.
- Full Text: false
- Date Issued: 1950
- Authors: Isaka Kitutu , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Lukiko f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169538 , vital:41761 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-15
- Description: "God knows everything and is all powerful. When he dies everyman must account for himself before God." This song ended abruptly because the bridge of his lyre suddenly collapsed. Religious chant with Litungu seven string bowl lyre, pinned, heptatonic.
- Full Text: false
- Date Issued: 1950
Weyama
- Wanyera Natemba, Hugh Tracey
- Authors: Wanyera Natemba , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169480 , vital:41755 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-09
- Description: "Weyama was so unusual a character for a Gisgu that he actually confessed his mistakes to his friends.". Topical song, with Siilili two string lute and Kengele bell.
- Full Text: false
- Date Issued: 1950
- Authors: Wanyera Natemba , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Gisu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Mbale f-ug
- Language: Masaba (Gisu, Kisu, Dadiri, Buya)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/169480 , vital:41755 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0131-09
- Description: "Weyama was so unusual a character for a Gisgu that he actually confessed his mistakes to his friends.". Topical song, with Siilili two string lute and Kengele bell.
- Full Text: false
- Date Issued: 1950
Yalambula masaza
- Zakaria Kasasa, 'Endongo za Baganda'., Hugh Tracey
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170489 , vital:41929 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-12
- Description: "The Kabaka visits all the Ssaza country chiefs and the whole country. He looks very well and distingusished in his uniform." Then as an after thought he adds, "I like a friend who likes me." Topical song with 8 string bowl lyre Endongo, one string bowl lute lute Ndingidi, one conical laced drum Ntenga.
- Full Text: false
- Date Issued: 1950
- Authors: Zakaria Kasasa, 'Endongo za Baganda'. , Hugh Tracey
- Date: 1950
- Subjects: Music--Uganda , Folk songs, Ganda , Ganda (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Uganda Kampala f-ug
- Language: Ganda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/170489 , vital:41929 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0136-12
- Description: "The Kabaka visits all the Ssaza country chiefs and the whole country. He looks very well and distingusished in his uniform." Then as an after thought he adds, "I like a friend who likes me." Topical song with 8 string bowl lyre Endongo, one string bowl lute lute Ndingidi, one conical laced drum Ntenga.
- Full Text: false
- Date Issued: 1950