Showing items 381 - 400 of 626

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Shumba

- Gwawa Shumba and 9 njari players, performer not specified, Composer not specified, Tracey, Hugh

Taiye taiye

- Sara Moyo, performer not specified, Composer not specified, Tracey, Hugh

Tambara

- Zezuru/Nohwe men and women, performer not specified, Composer not specified, Tracey, Hugh

Tambara ndikutumbure munzwa iwe (Stretch out your leg so that I can take out the thorn in your foot)

- Saimoni Mashoka and three women, Hugh Tracey

Telela Ngombe

- Women at Shangara, Tete District, Performer not specified, Composer not specified, Tracey, Hugh

Tiende tiende

- Zezuru/Nohwe men and women at Murehwa, performer not specified, Composer not specified, Tracey, Hugh

Tiende tiende

- Zezuru/Nohwe men and women at Murehwa, performer not specified, Composer not specified, Tracey, Hugh

Tindi! Zaone

- Jeke Shoko with Duma men, Hugh Tracey

  • Authors: Jeke Shoko with Duma men , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Bikita f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181434 , vital:43733 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-03
  • Description: "Tindi! Come and see the eye on the ground. A certain man buried a drum underneath the path which several wild animals used to take on their way to eat his crops in the fields. As they walked over the place where the drum was buried it made an attractive sound as 'Tindi'. So the animals kept on walking over the spot calling to each other to try it out for themselves. In this way their attention was diverted from the main crops in the field. Three story for a story
  • Full Text: false
  • Date Issued: 1949

Tindi! zaone

- Jeke Shoko, Duma men, Composer not specified, Tracey, Hugh

Uyo ndiyani

- School children of Mazungunye Boarding School, performer not specified, Jachi Shumba, Tracey, Hugh

Vana VaPfupajena

- Jima Shumba, Duma men, Composer not specified, Tracey, Hugh

Vura matambo tibare mwana

- Jairosi Chingwaru, performer not specified, Composer not specified, Tracey, Hugh

Wakazofa akasiya umwe

- Jima Shumba with Duma men and women, Hugh Tracey

Wakazofa akasiya umwe

- Jima Shumba, Duma men, Composer not specified, Tracey, Hugh

Were

- Zaka Shawa, Hugh Tracey

  • Authors: Zaka Shawa , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180372 , vital:43357 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-05
  • Description: The Songano Souls (Mashawi) are the guardians of the parental instinct in both men and women. They are said to be the most important of all the souls. They represent the affection for children on the part of both parents. The traditional instrument with which to honour the Masongano souls in this part of panpipes of which there are very few left. The player, a very old man holds the panpipes in one hand and a gourd rattle in the other. This brief recording of less than half a minute's duration may be one of the best echoes of a faith which believed in the virtue of the sound of the panpipes as a devotional exercise. Tune for the Songano Mashawi with Mikwati Wenyere (Pan pipes) and Hosho (rattke).
  • Full Text: false
  • Date Issued: 1949

Whistling Language

- Didmas Murigwa and Muyapi Mutema, Hugh Tracey

  • Authors: Didmas Murigwa and Muyapi Mutema , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Umtali f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180547 , vital:43400 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-13
  • Description: The second small boy, in the whistling item with words, sometimes forgot to whistle the full sentence as he was so carried away by his own repartee. This recording was taken eighteen months later than the previous item. There is first a whistling conversation between two small boys about ten yards apart, and then another conversation ith spoken explanations of the sentences whistled. They bandy small boy's ruderies at each other, hence the laughter from the others. The recording is somewhat marred by tape echo.
  • Full Text: false
  • Date Issued: 1949

Zainyanyatoko

- Muchuru Zhou, Hugh Tracey

  • Authors: Muchuru Zhou , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Shona (African people) , Folk music--Zimbabwe , Field recordings , Africa, Sub-Saharan , Zimbabwe , Africa Zimbabwe Zaka f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/180520 , vital:43397 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR173-10
  • Description: The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense. Story song.
  • Full Text: false
  • Date Issued: 1949

Zarura Zarura

- School children from Mazungunye Boarding School, Jachi Shumba, Composer not specified, Tracey, Hugh

Ziriya (The stone trap)

- Saimoni Mashoka, Hugh Tracey

Ziriya yapasharo

- Manyoni Zhou and Simoni Mashoko Shawa, Hugh Tracey

  • Authors: Manyoni Zhou and Simoni Mashoko Shawa , Hugh Tracey
  • Date: 1949
  • Subjects: Folk music--Africa , Folk music--Zimbabwe , Shona (African people) , Field recordings , Africa, Sub-Saharan , Africa Zimbabwe Chilimanzi f-rh
  • Language: Shona
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/181444 , vital:43734 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR175-04
  • Description: It is usual for semi-professional entertainers of this kind to keep up running patter of amusing remarks and scandal to the traditional airs played on the Njari in the background. Like many other players of this instrument Manyoni Zhou calls himself "The player of Mbira". The two musicians come from neighbouring districts, Zhou from Chilimanzi and Mashoko from Buhera, the district in which the Njari originated about 1760 A.D. Topical song with two Njari Mbira, one with 33 notes and one with 31 notes.
  • Full Text: false
  • Date Issued: 1949
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