Ndinochema amasebe
- Sitole, Simon Mafiru, Composer not specified, Tracey, Hugh
- Authors: Sitole, Simon Mafiru , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Mt. Selinda f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132046 , vital:36790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-10 , Field card no. L1B-6
- Description: "See, I am crying, mother-in-law. Poverty, elder brother, alack. See, Sophiatown is bad, patisoni. In my distress I think of home. Happiness to you all at Marange." The singer sings about the conditions in which he finds himself at Sofiatown, near Johannesburg, where he works as a carpenter's assistant. His home, Marange is in the Chipinga District of Southern Rhodesia, about 400 miles north east of Johannesburg. Three topical songs with mbira dza WaNdau and deze resonator.
- Full Text: false
- Date Issued: 1957
- Authors: Sitole, Simon Mafiru , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Mt. Selinda f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132046 , vital:36790 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-10 , Field card no. L1B-6
- Description: "See, I am crying, mother-in-law. Poverty, elder brother, alack. See, Sophiatown is bad, patisoni. In my distress I think of home. Happiness to you all at Marange." The singer sings about the conditions in which he finds himself at Sofiatown, near Johannesburg, where he works as a carpenter's assistant. His home, Marange is in the Chipinga District of Southern Rhodesia, about 400 miles north east of Johannesburg. Three topical songs with mbira dza WaNdau and deze resonator.
- Full Text: false
- Date Issued: 1957
Anawela Kokakola
- o Feliciano, Muntano Gomez, Gomez, F, Tracey, Hugh
- Authors: o Feliciano, Muntano Gomez , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132173 , vital:36807 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-05 , Field card no. H1P-15
- Description: A certain girl liked coca-cola very much, but her brother who was looking after her was too fond of drinking beer to worry about giving her coca-cola. One of four topical songs with guitar.
- Full Text: false
- Date Issued: 1955
- Authors: o Feliciano, Muntano Gomez , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132173 , vital:36807 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-05 , Field card no. H1P-15
- Description: A certain girl liked coca-cola very much, but her brother who was looking after her was too fond of drinking beer to worry about giving her coca-cola. One of four topical songs with guitar.
- Full Text: false
- Date Issued: 1955
Awu ngali wanchumo
- o Feliciano, Muntano, Gomez, Gomez, F, Tracey, Hugh
- Authors: o Feliciano, Muntano, Gomez , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132105 , vital:36800 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-02 , Field card no. H1P-6
- Description: "I am getting old and the young girls are no longer interested in me. I now compete with the older men and my old friends like me best. My wife gets no child, why? Cant the doctor help you get a child? My second wife has a child, so why not you, my first wife?" Lament with guitar.
- Full Text: false
- Date Issued: 1955
- Authors: o Feliciano, Muntano, Gomez , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132105 , vital:36800 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR004-02 , Field card no. H1P-6
- Description: "I am getting old and the young girls are no longer interested in me. I now compete with the older men and my old friends like me best. My wife gets no child, why? Cant the doctor help you get a child? My second wife has a child, so why not you, my first wife?" Lament with guitar.
- Full Text: false
- Date Issued: 1955
Matsaire
- o Feliciano, Muntano Gomez, Gomez, F, Tracey, Hugh
- Authors: o Feliciano, Muntano Gomez , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131997 , vital:36784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-06 , Field card no. H1P-11
- Description: Feliciano's pronunciation of Ndau words, they say, is like a child's speech. "matsaire, you have finished all the people." Matsaire was killed in a certain village, and his ghost came back demanding recompense, under pain of death to all the village. One of three topical songs with guitar.
- Full Text: false
- Date Issued: 1955
- Authors: o Feliciano, Muntano Gomez , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131997 , vital:36784 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-06 , Field card no. H1P-11
- Description: Feliciano's pronunciation of Ndau words, they say, is like a child's speech. "matsaire, you have finished all the people." Matsaire was killed in a certain village, and his ghost came back demanding recompense, under pain of death to all the village. One of three topical songs with guitar.
- Full Text: false
- Date Issued: 1955
Ndodya mutombo
- o Feliciano, Muntano Gomez, Gomez, F, Tracey, Hugh
- Authors: o Feliciano, Muntano Gomez , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131992 , vital:36783 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-05 , Field card no. H1P-10
- Description: "Doctor must cure doctor." When a doctor (nyanga) falls sick, he must seek another nyanga to cure him, as he cannot know the medicine to cure himself. This tune would make an excellent round. One of three topical songs with guitar.
- Full Text: false
- Date Issued: 1955
- Authors: o Feliciano, Muntano Gomez , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/131992 , vital:36783 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-05 , Field card no. H1P-10
- Description: "Doctor must cure doctor." When a doctor (nyanga) falls sick, he must seek another nyanga to cure him, as he cannot know the medicine to cure himself. This tune would make an excellent round. One of three topical songs with guitar.
- Full Text: false
- Date Issued: 1955
Ruwe-ruwe
- Sithole, Simon Mafiru, Composer not specified, Tracey, Hugh
- Authors: Sithole, Simon Mafiru , Composer not specified , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Mt. Selinda f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132073 , vital:36795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-13 , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , Field card no. L1B-7
- Description: "Flowers, flowers for a child to play with. My father died tragically at Makwiani, my mother stoops in the shade of the wood. This music is for worship at Marange." The sad death of his father meant nothing to the children only like a flower to play with. Now his mother walks in the shadow of death, (literally walks bowed down) in the shade of the trees. His music in this song would be used in the worship or devotion of the souls (Mashawi) were he at home, at Marange. Personal laments with mbira dza WaNdau and deze resonator.
- Full Text: false
- Date Issued: 1955
- Authors: Sithole, Simon Mafiru , Composer not specified , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Mbira , Africa Zimbabwe Mt. Selinda f-rh
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132073 , vital:36795 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-13 , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , Field card no. L1B-7
- Description: "Flowers, flowers for a child to play with. My father died tragically at Makwiani, my mother stoops in the shade of the wood. This music is for worship at Marange." The sad death of his father meant nothing to the children only like a flower to play with. Now his mother walks in the shadow of death, (literally walks bowed down) in the shade of the trees. His music in this song would be used in the worship or devotion of the souls (Mashawi) were he at home, at Marange. Personal laments with mbira dza WaNdau and deze resonator.
- Full Text: false
- Date Issued: 1955
Wa Mambo
- o Feliciano, Muntano Gomez (Performer), Gomez, F, Tracey, Hugh
- Authors: o Feliciano, Muntano Gomez (Performer) , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132010 , vital:36785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-07 , Field card no. H1P-25
- Description: "Chief, chief, what does the great 'Lion' require? This item is typical of so many African songs in which the courtesies due to chiefs and important people in a local community are referred to in terms of extravagant adulation which hold little meaning for those outside the immediate social circle involved. One of three topical songs with guitar.
- Full Text: false
- Date Issued: 1955
- Authors: o Feliciano, Muntano Gomez (Performer) , Gomez, F , Tracey, Hugh
- Date: 1955
- Subjects: Folk music--Africa , Topical song , Guitar music , Africa Mozambique Chibuto, Sul do Save f-mz
- Language: Ndau
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/132010 , vital:36785 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR003-07 , Field card no. H1P-25
- Description: "Chief, chief, what does the great 'Lion' require? This item is typical of so many African songs in which the courtesies due to chiefs and important people in a local community are referred to in terms of extravagant adulation which hold little meaning for those outside the immediate social circle involved. One of three topical songs with guitar.
- Full Text: false
- Date Issued: 1955
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