Showing items 121 - 140 of 146

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Slia Lazaro soka

- Beti Kamanga, Hugh Tracey

Suzgu muyaya

- Beti Kamanga, Hugh Tracey

  • Authors: Beti Kamanga , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184812 , vital:44274 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-01
  • Description: "Men from our country are living in Rhodesia with other tribes. While we, left at home, are enduring all the difficulties of Nyasaland (Present day Malawi)." This is well supported by the statistics (1950); it is said that of 20,000 Tonga of this Chinteche District, 8,000 have left permantely from Southern and Northern Rhodesia and South Africa, another 8,000 are away and expected to return within 5 years, and 4,000 only remain in the country, most of whom will be off again as soon as their money is spent. The women and old men are left to do all the agricultural and home work. Topical song with Bangwe raft zither, 7 strings
  • Full Text: false
  • Date Issued: 1950

Tangu kwata m'cembele

- Khwele Kwenda, Hugh Tracey

  • Authors: Khwele Kwenda , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186498 , vital:44505 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-09
  • Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "I married three girls, later I found that all three were unfaithful to me so I decided to marry one fully grown woman instead." Tuning:- 704, 584, 520, 448, 384, (352 missing), 332, 292, 260, 224, 176. This pentatonic sansi mbira is mounted in the mouth of a gourd resonator with a number of pieces of tin as buzzers, Mangwere, attached to two thirds of the periphery of the gourd. Self delectative song, with Sansi mbira
  • Full Text: false
  • Date Issued: 1950

Tate o mwale de

- Shawa, Govati, Chewa women, Hugh Tracey

Tikumbuka Vifya

- Beti Kamanga, Hugh Tracey

  • Authors: Beti Kamanga , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/184597 , vital:44239 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-04
  • Description: The line of great hills which run up along the North Western flank of the Lake Nyasa is called Vipya in the south and Vifya among the Tongs in the north. The song refers to the tragic loss of the Lake steamer 'Vipya' in 1947, which was named after the hills, while she was carrying pilgrims crossing the lake to go to Dar-es-Salaam. Lament
  • Full Text: false
  • Date Issued: 1950

Tilenjela anthudazi. Citawala 2nd movement

- Young Chewa men, Tracey, Hugh

Timuke nanu oiya

- Khwele Kwenda, Hugh Tracey

  • Authors: Khwele Kwenda , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186523 , vital:44508 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-11
  • Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "Although I am so quiet, Mother, I still have many troubles because of my poverty." Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
  • Full Text: false
  • Date Issued: 1950

Tisankhe lero

- Chewa girls at Mwase, Hugh Tracey

Title 1. Amacila kuwowa, Title 2. Kwathu ntele

- Rabsoni Banda, Chewa men, Hugh Tracey

Title 1. Skekelele Canthemwa, Title 2. Zamuone magege

- School children at Mwase Central School, Hugh Tracey

  • Authors: School children at Mwase Central School , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186547 , vital:44510 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-12
  • Description: a. "We are glad to see our Chief, who has come to collect taxes." It is clear the song is sung by the children and not by the tax payers. b. "Come and see the stones." This song usually accompanies a singing game done with stones which are passed on from child to child in the circle. The leader started this song before the first had finished. The style of singing in both these songs originated from the school rather than the villages. Two Walking song
  • Full Text: false
  • Date Issued: 1950

Tiye kwanu mtengwa

- Khwele Kwenda, Hugh Tracey

  • Authors: Khwele Kwenda , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
  • Language: Tumbuka , Chewa, Chichewa, Nyanja
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/186518 , vital:44507 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-10
  • Description: The Sansi was fixed onto the Chigubu resonator by three point suspensions, 2 at the straining bar and 1 at the foot, all secured by bark string. The Njela (s. and pl.) reeds were made from the spokes of an umbrella and the player said that in times past the reeds used to be made of bamboo. "My wife go to your home and tell them there all your troubles (don't bother me with them.)" Simple song by a man who earns part of his living by playing and singing as one of his feet is affected by leprosy and he can do no other work. Self delectative song, with Sansi mbira
  • Full Text: false
  • Date Issued: 1950

Tiziyendelana

- Ganizani Nyirenda, Hugh Tracey

Uku ndapita ine

- Ganizani Nyirenda, Hugh Tracey

Vigwada mucenyele navyo

- Tumbuka women with men in the background, Hugh Tracey

Wadikulu wajikoma

- Nezala Shonga, Hugh Tracey

  • Authors: Nezala Shonga , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mukotsama f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185315 , vital:44364 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-08
  • Description: "She has shaken herself to death by dancing, this women with fine hips." A song of country humour by the comedian of the village who is also an attractive dancer of the 'Vimbuza' solo dance. Humorous song with Bango board zither
  • Full Text: false
  • Date Issued: 1950

Wagona muntowa

- Gindiloni Ngoma, Hugh Tracey

  • Authors: Gindiloni Ngoma , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185231 , vital:44355 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-01
  • Description: The Ugubu was a popular instrument with the Zulu of Natal several generations ago but few are now left in Natal. With the exception of one or two minor details this instrument is in the same as that of the Zulu. The chief modification is the use of a straining bridge to increase the tension of the bark string. This bow was made of a length of Tete reed 5 ft. 2 1/4 inches long and about 1 1/4 ins. diameter, and had an unusual method of straining the single string. There was a small bridge inserted between the reed and the string near the lower end and the resonating gourd was attached by means of a wore which also acted as a moveable tuning device dividing the string into two segments. The top segment was 3 ft. 10 ins. long and emitted a note of 71 vs. (81 vs. when stopped by clasping between the finger and thumb). The lower segment was not used. The interval between the two notes used is 220 cents. Self delectative song with Ugubu, musical bow, stressed and resonated
  • Full Text: false
  • Date Issued: 1950

Walila winu mung'omba

- Japhet Zimba, Hugh Tracey

Walowela mawa

- Zakaliya Kachali, Hugh Tracey

  • Authors: Zakaliya Kachali , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mukotsama f-mw
  • Language: Tumbuka
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/185335 , vital:44366 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-10
  • Description: The singer presents an imaginary conversation between himself and his wife. He began to break into Chewa at the end of his song instead of Tumbuka. This was most amusing of the crowd, "My wife is drunk. She is always drunk." "My husband always complains about my cooking." "How are you today?" Humorous song with Bango board Zither
  • Full Text: false
  • Date Issued: 1950

Wanganya welaninge

- Gondwe, E. M., Henga men, Hugh Tracey

Wapita lero kalindabwinja

- Homwale, Hodede (Performer), Tracey, Huges (Recordist)

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