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Kudandaule (Don't worry)

Kuklala pafupi (If it was near)

Kumaji kumailo-mailo

Kumnapa

Kumtandizi (Mtandizi is not sorry)

Kumtondo mwana amalira (At the pounding place the child was crying)

Kundandali ndanda (The hunter)

  • Authors: Justina Banda , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159658 , vital:40322 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-12
  • Description: There was once a man, a hunter called Kundandali who had a wife who tried to stop him leaving the house, saying, "Do not go, you have gunpowder and your gun on your shoulder." But the man was always going away and she always tried to stop him by begging him to put down his gun and his gunpowder and stay at home. The transcription of the vernacular words as written by the singers in both cases is rather uncertain and open to correction. Story song.
  • Full Text: false
  • Date Issued: 1958

Kupanda mlongo nkusauka (To be without a sister is to be without a home)

Kupita Onaphili (Onaphili has died)

Kwa-kwa-kwa umaye (It is dry)

  • Authors: Young men and women of Mwasi's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159594 , vital:40315 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-05
  • Description: The Nyau dance, they say is performed in the dry season. The dancers put on rags and cover their faces and heads with feathers or grass masks so that they cannot be recognised. In some cases disobedient girls can be caught and beaten. It is an initiation dance for boys but the women instructors can use them for this purpose. It always appears to be girls who need instruction and never the boys who merely go through their initiation ceremonies. Nyau dance (mask dance) with two drums.
  • Full Text: false
  • Date Issued: 1958

Kwende kwende ku mpilipili (Go, go to Mpilipili)

  • Authors: Young Chewa boys (Under 20 years) , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Visanza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156894 , vital:40063 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-11
  • Description: A strange dance in which the dancers move their necks forward and backward like a chicken walking. The sung music is not easily followed at first until the drums between them simplify the ensemble with their clear crossed rhythms, the one (Kachisi) maintaining the ground rhythm. "Go, go to Mpili where there is an affair starting up between Duri and Diki." Ilala dance with two drums (Mudewa and Kachisi).
  • Full Text: false
  • Date Issued: 1958

Kwiyo kwiyo (Catch the chicken)

  • Authors: Joey Ngwira , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasengu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/156885 , vital:40062 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR092-10
  • Description: The Pango (Bango or Bangwe) is the instrument most commonly found throughout Nyasaland. Here the local dialect changes the more usual Bangwe to Pango and sometimes Pangwe. I was strummed with a swaying of the fingers. The singer begs for a chicken. People have been dancing and then are asking the owner of the house to give them a chicken to eat before they go home. Kwiyo-kwiyo is the sound of the fowl. "Kwiyo-kwiyo, catch the chicken even though it is a small one. There is the chicken." The sound of a bugle intrudes just before the end of the song. Self delectative song with board zither (Pango).
  • Full Text: false
  • Date Issued: 1958

Lembani kalata kwa Masula (Write to Masula)

Leni, Leni (Leni, the fighter)

  • Authors: Young Chewa women , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Pemba f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159021 , vital:40251 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR094-20
  • Description: "Leni, Leni is a fighter, that man of mine. We talk together, not like two pigeons." One of the two bass drums was made out of a 44 gallon petrol drum and the other was made from a samller paint tin. These metal cylinders are more easily obtained than by the arduous task of cutting down and shaping large tress. Chintala dance for women with two brass drums.
  • Full Text: false
  • Date Issued: 1958

Lile, Lile makonokaya (Lile, Lile, what will happen this year)

  • Authors: Five Chewa men , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160224 , vital:40421 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-07
  • Description: This was said to have been sung when the Europeans first came to the country and the people did not know what was going to happen. The friction sticks are held in the left hand, the serated parts downwards and scraped with a small stick. The song was originally sung by Matengo people, a small tribe who were overrun and absorbed by the Ngoni people, it is said. If the explanation of the singers is correct, the song must be about 60-70 years old. Who Lile may have been, no one knew. M'kwenda dance with 5 Umkwenda friction sticks.
  • Full Text: false
  • Date Issued: 1958

Liti (Liti and the graveyard)

  • Authors: Madura Rabecu and G. Coffee , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Nyanja , Songs, Chewa , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kotakota District, Lake Nyasa, Nyasaland f-mw
  • Language: Nyanja, Chewa, Chichewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/153893 , vital:39534 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR078-11
  • Description: An interesting melody. There was once a man who said to his wife Liti late one night: "Liti, let me go and I will show you my garden." But it was dark and she could see nothing until they got to the place and there she saw not crops but many old people ghosts and wizards. Ah, she said, you do not show me your crops but your grave yard among the tall trees. So they returned home and the next morning she said she could no longer stay with a husband who did that kid of thing to her. She wanted a true marriage. A strange story. "Liti, nkhakuronga ciwera nkhakurongo ciwera Liti angunena ku Masamo. Liti, madoda ngakhurukana madoda ngachulukana, Him, "Liti, ket me go and show you my garden." Her, when he said his "garden" he really meant "the grave yard." "Liti, the old men are gathered together there, at the grave yard." Story song
  • Full Text: false
  • Date Issued: 1958

Lote-lote (Lote)

Luwanika

  • Authors: Young Chewa girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160537 , vital:40471 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR098-01
  • Description: Girls invite other girls of different villages to come and dance with them at the time of harvesting when they sing and dance the kasodo together. Luwanika, the name of the Northern Rhodesian Lozi paramount Chief is invoked, as a famous name but for no other specific reason, except that locally in Dedza, Luwanika has a ficitious reputation for making magic medicines according to these simple and distant people...a kind of wizard of oz - 'whiz of a wizzard!' "Luwanika, to dance you must have strong legs." Kasodo girls dance, with clapping.
  • Full Text: false
  • Date Issued: 1958

Luya, luya kuwinda mwamuna (Luya, Luya, if you want to keep a husband)

  • Authors: Chewa girls , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Dedza f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160179 , vital:40416 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR097-02
  • Description: The Mjiri dance is performed by oung girls on moonlight nights after supper. This is a Chewa version of a universal truth. 'Feed the brute'. The medicines mentioned in the song were interpreted as love charms. "Luya, Luya. If you want to keep a husband you must cook. But when you cook do not put medicines into the food. Yes! I will do so! A Luya." Mjiri dance song. Girls evening dances with clapping.
  • Full Text: false
  • Date Issued: 1958

M' Sodomo (Sodom was burnt)

  • Authors: Boys of Chief Mwasi's village , Hugh Tracey
  • Date: 1958
  • Subjects: Folk music--Africa , Field recordings , Songs, Chewa , Songs, Nyanja , Nyanja (African people) , Chewa (African people) , Folk music , Africa Malawi Kasungu f-mw
  • Language: Nyanja/Chewa
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/159565 , vital:40312 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR095-02
  • Description: "The headquaters of our dance team are here at Gwero and we are going to sing the song Sodom", was the introduction by the young leader. "There was a fire in Sodom." This has been a popular dance since 1927 or thereabouts. The dancers alternately sing openly and sing through their Lipenga horns. How the subject of Sodom and its destruction came to be chosen as a dance motif is a mystery. Maganda dance (Part 1) with 12 Malipenga singing horns.
  • Full Text: false
  • Date Issued: 1958
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