Azungu musinjilo
- Eliya Chaya, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Eliya Chaya , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389044 , vital:68405 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0758-D2A6b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Eliya Chaya , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389044 , vital:68405 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0758-D2A6b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Azungu musinjilo
- Authors: Eliya Chaya , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185276 , vital:44360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-06
- Description: This instrument usually called Bangwe among the Yao is here called Bango. Simple song in typical vein by a village singer. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
- Full Text: false
- Date Issued: 1950
- Authors: Eliya Chaya , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185276 , vital:44360 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR189-06
- Description: This instrument usually called Bangwe among the Yao is here called Bango. Simple song in typical vein by a village singer. The tuning of the Bango was:- 256, 236, 216, 198, 178, 156, 140 vs. Self delectative song with Bango board Zither (7 notes)
- Full Text: false
- Date Issued: 1950
Benu
- Maluba Mwale, Tonga men, Hugh Tracey
- Authors: Maluba Mwale , Tonga men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184689 , vital:44249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-13
- Description: "What am I going to tell them? Where am I going to complain? I am singing like a church organ." Benu is the name of a jumping action in the dance. This instrument was particulary well played and well made of its kind. The one stringed lute appears to come from the upper Nile and has not been found south of Nyasaland and the Zambesi valley. Chioda dance song for young women with Karigo one stringed lute
- Full Text: false
- Date Issued: 1950
- Authors: Maluba Mwale , Tonga men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Tonga (Nyasa) , Field recordings , Africa, Sub-Saharan , Africa Malawi Chiundasi f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184689 , vital:44249 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR186-13
- Description: "What am I going to tell them? Where am I going to complain? I am singing like a church organ." Benu is the name of a jumping action in the dance. This instrument was particulary well played and well made of its kind. The one stringed lute appears to come from the upper Nile and has not been found south of Nyasaland and the Zambesi valley. Chioda dance song for young women with Karigo one stringed lute
- Full Text: false
- Date Issued: 1950
Bwelela
- Rabison Bande, Chewa men, Hugh Tracey
- Authors: Rabison Bande , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186380 , vital:44492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-12
- Description: There is still sufficient game in this district to lend meaning to hunting songs. Lions are not uncommon and two lion skins had recently been brought for the chief. A second leader took over at a slightly flatter pitch and the chorus of men adjusted themselves at once to the new level. Hunting song (after hunting) with clapping
- Full Text: false
- Date Issued: 1950
- Authors: Rabison Bande , Chewa men , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186380 , vital:44492 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-12
- Description: There is still sufficient game in this district to lend meaning to hunting songs. Lions are not uncommon and two lion skins had recently been brought for the chief. A second leader took over at a slightly flatter pitch and the chorus of men adjusted themselves at once to the new level. Hunting song (after hunting) with clapping
- Full Text: false
- Date Issued: 1950
Bwezi langa
- Authors: Hodede Homwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186489 , vital:44504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-08
- Description: "I had a friend but the high God has taken him away." The pauses in the music are caused by the necessity of having to apply spittle to the bow. The fingering of the single string is done by the inside of the 2nd segment of the fingers of the left hand and not by the tips of the fingers. The open string was tuned to 182 vs. The string was made of twisted Wazi bark, it had a small friction pad of Ilala palm leaf (koko) wound onto where the reed bow (uta) was applied to the string. A loop of bark string was used near the Mtowo peg for fine tuning straining the string downwards the Mpini neck. The goat skin membrane was pinned onto a carved wooden bowl with a sound hole cut into its side. Lament, with 1 stringed Karigo lute
- Full Text: false
- Date Issued: 1950
- Authors: Hodede Homwale , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186489 , vital:44504 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-08
- Description: "I had a friend but the high God has taken him away." The pauses in the music are caused by the necessity of having to apply spittle to the bow. The fingering of the single string is done by the inside of the 2nd segment of the fingers of the left hand and not by the tips of the fingers. The open string was tuned to 182 vs. The string was made of twisted Wazi bark, it had a small friction pad of Ilala palm leaf (koko) wound onto where the reed bow (uta) was applied to the string. A loop of bark string was used near the Mtowo peg for fine tuning straining the string downwards the Mpini neck. The goat skin membrane was pinned onto a carved wooden bowl with a sound hole cut into its side. Lament, with 1 stringed Karigo lute
- Full Text: false
- Date Issued: 1950
Cabo Obela
- Shonga, Nezala, Tracey, Hugh
- Authors: Shonga, Nezala , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308027 , vital:58871 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2432-XYZ5950
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Shonga, Nezala , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/308027 , vital:58871 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2432-XYZ5950
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Caroline Zibula Bango
- Blantyre Secondary School boys and girls, Composer not specified, Tracey, Hugh
- Authors: Blantyre Secondary School boys and girls , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/281480 , vital:55732 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1343-XYZ4772.2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Blantyre Secondary School boys and girls , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/281480 , vital:55732 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1343-XYZ4772.2
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Chakunaka
- Paulosi Jere, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Paulosi Jere , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389008 , vital:68401 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0758-D2A3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Paulosi Jere , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/389008 , vital:68401 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0758-D2A3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Chakunaka
- Paulosi Jere, Henga and Nyanja grils of Blantyre Secondary School, Hugh Tracey
- Authors: Paulosi Jere , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185795 , vital:44430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-01
- Description: This story, told by an old woman, of the handsome young man and his jealous mother is almost identical with a similar story I found amongst the Karanga of Southern Rhodesia in 1932. The story concerns a handsome young man who wanted to get married but his jealous mother made him promise that he would not marry any girl who ate food cooked by her. Girl after girl was turned away until one discovered the secret pact, refused the mother's food and married the handsome son. The Ngoni of the Jiri clan came up through the southern regions of what became Southern Rhodesia sacking the settlement at Zimbabwe on their way. It is clear that they must have captured a girl from that region who bore her master children to whom she taught her own home stories in Karanga and they in turn handed them on to the next generation. In Bikita district Southern Rhodesia, the chorus sings:- "Tiende gore tiende gore" instead of the Ngoni in this version. "Ce ce gore, ce ce gore." Story with song
- Full Text: false
- Date Issued: 1950
- Authors: Paulosi Jere , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/185795 , vital:44430 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-01
- Description: This story, told by an old woman, of the handsome young man and his jealous mother is almost identical with a similar story I found amongst the Karanga of Southern Rhodesia in 1932. The story concerns a handsome young man who wanted to get married but his jealous mother made him promise that he would not marry any girl who ate food cooked by her. Girl after girl was turned away until one discovered the secret pact, refused the mother's food and married the handsome son. The Ngoni of the Jiri clan came up through the southern regions of what became Southern Rhodesia sacking the settlement at Zimbabwe on their way. It is clear that they must have captured a girl from that region who bore her master children to whom she taught her own home stories in Karanga and they in turn handed them on to the next generation. In Bikita district Southern Rhodesia, the chorus sings:- "Tiende gore tiende gore" instead of the Ngoni in this version. "Ce ce gore, ce ce gore." Story with song
- Full Text: false
- Date Issued: 1950
Chakunaka
- Paulosi Jere, Composer not specified, Tracey, Hugh
- Authors: Paulosi Jere , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/307765 , vital:58839 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2424-XYZ5942
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Paulosi Jere , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/307765 , vital:58839 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2424-XYZ5942
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Che Bula
- Mami Nakwenda, Belifa Nyabanda, Two Chewa girls, Hugh Tracey
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186416 , vital:44496 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-01
- Description: "Che Bula you are a naughty, you will never be given a cow." Simple pounding song in which the one girl echoes the other as they pound in the same mortar with alternate strokes. This echoing style of singing is also used for their rain songs and at first hearing leaves an impression of confusion rather than intent. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
- Authors: Mami Nakwenda , Belifa Nyabanda , Two Chewa girls , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186416 , vital:44496 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-01
- Description: "Che Bula you are a naughty, you will never be given a cow." Simple pounding song in which the one girl echoes the other as they pound in the same mortar with alternate strokes. This echoing style of singing is also used for their rain songs and at first hearing leaves an impression of confusion rather than intent. Pounding song, with mortar and two pestles
- Full Text: false
- Date Issued: 1950
Chilongozi waulende wamoyo zina lake Yesu
- Authors: Aliki Chipupa , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184839 , vital:44277 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-04
- Description: Aliki Chipupa the composer of this hymn was a minister in the Church of Scotland at the Bandwe Mission near the lake, and a friend of the blind singer. Beti set it to the Bangwe although at the mission it was always sung unaccompanied. When the recording was played back all the people standing around joined in, the old man Beti singing a seconf part to his own music. As with many African hymns in which the vernacular translation fails to be encompased by the standard number of bars, this hymn demonstrates a free scansion of the lines. (5 plus 6 plus 5 plus 4 bars). Hymn with Bangwe Raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
- Authors: Aliki Chipupa , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Folk songs, Tonga (Nyasa) , Songs, Chewa , Chewa (African people) , Songs, Tumbuka , Tumbuka (African people) , Musical instruments , Field recordings , Africa, Sub-Saharan , Africa Malawi Chinteche f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja , Tonga (Nyasa)
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/184839 , vital:44277 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR187-04
- Description: Aliki Chipupa the composer of this hymn was a minister in the Church of Scotland at the Bandwe Mission near the lake, and a friend of the blind singer. Beti set it to the Bangwe although at the mission it was always sung unaccompanied. When the recording was played back all the people standing around joined in, the old man Beti singing a seconf part to his own music. As with many African hymns in which the vernacular translation fails to be encompased by the standard number of bars, this hymn demonstrates a free scansion of the lines. (5 plus 6 plus 5 plus 4 bars). Hymn with Bangwe Raft zither, 7 strings
- Full Text: false
- Date Issued: 1950
Chilungulungu maji taya
- Tumbuka men, performer not specified, Composer not specified, Tracey, Hugh
- Authors: Tumbuka men , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/386740 , vital:68170 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0716-DY12
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Tumbuka men , performer not specified , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/386740 , vital:68170 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , AC0716-DY12
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Chin'ombe. Kukowa wala, 1st movement
- Benson Phiri, Chewa young men, Tracey, Hugh
- Authors: Benson Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187254 , vital:44591 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-04
- Description: The dancers were composed of about 50 young men from the ages of 10 to 20 years. Three dancers pranced in front. A notable feature was the large butterfly bows tied onto the top of the heads of several of the dancers. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa young men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187254 , vital:44591 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-04
- Description: The dancers were composed of about 50 young men from the ages of 10 to 20 years. Three dancers pranced in front. A notable feature was the large butterfly bows tied onto the top of the heads of several of the dancers. Muganda dance with Malipenga singing gourds (-11.14-) and two bass drums
- Full Text: false
- Date Issued: 1950
Chinyau
- Chewa men and women, Tracey, Hugh
- Authors: Chewa men and women , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187326 , vital:44605 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-12
- Description: The mask of the male dancer consists of a headpiece covered with sheep's wool, crowned with guibea-fowl feathers and a rag costume of sacking. The male dancer may not approach near the women hence the distance away of the singing chorus. Four drummers provide the rhythm and the assembled women sing the chorus. Kacipapa is the name of the mask in which the principal dancer dances, and gives its name to the dance itself, a ,ask dance. The masked man sings in a feigned falsetto, voice in order to hide his identity from the crowd. The names of the two drums were:- Mpanje-the tall drum; and Mbalwe the Mtiwiso for the larger and smaller goblet drums. There appear to be several versions of the Chinyau dance in central Nyasaland. Kacipapa dance song, Mask dance, danced for obsequies of a dead chief or headman with 2 goblet drums and 2 tall cylindrical drums
- Full Text: false
- Date Issued: 1950
- Authors: Chewa men and women , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187326 , vital:44605 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-12
- Description: The mask of the male dancer consists of a headpiece covered with sheep's wool, crowned with guibea-fowl feathers and a rag costume of sacking. The male dancer may not approach near the women hence the distance away of the singing chorus. Four drummers provide the rhythm and the assembled women sing the chorus. Kacipapa is the name of the mask in which the principal dancer dances, and gives its name to the dance itself, a ,ask dance. The masked man sings in a feigned falsetto, voice in order to hide his identity from the crowd. The names of the two drums were:- Mpanje-the tall drum; and Mbalwe the Mtiwiso for the larger and smaller goblet drums. There appear to be several versions of the Chinyau dance in central Nyasaland. Kacipapa dance song, Mask dance, danced for obsequies of a dead chief or headman with 2 goblet drums and 2 tall cylindrical drums
- Full Text: false
- Date Issued: 1950
Cilondola mileka
- Homwale, Hodede (Performer), Tracey, Hugh (Recordist)
- Authors: Homwale, Hodede (Performer) , Tracey, Hugh (Recordist)
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186658 , vital:44522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-21
- Description: The string often needs a new palm leaf friction pad and the pitch of the tonic or string note may be changed frequently. The 'resin' of the reed bow is spittle and needs renewing between each verse. This is done by swiftly passing the bow over the tongue of the player. The palm leaf friction pad is made by winding a strip of leaf onto the single string near its resonator at a convenient spot for bowing. It serves not only as a friction pad but also protects the bark string from wearing away at the spot. Karigo dance song for men and women with one string Karigo lute
- Full Text: false
- Date Issued: 1950
- Authors: Homwale, Hodede (Performer) , Tracey, Hugh (Recordist)
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186658 , vital:44522 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR191-21
- Description: The string often needs a new palm leaf friction pad and the pitch of the tonic or string note may be changed frequently. The 'resin' of the reed bow is spittle and needs renewing between each verse. This is done by swiftly passing the bow over the tongue of the player. The palm leaf friction pad is made by winding a strip of leaf onto the single string near its resonator at a convenient spot for bowing. It serves not only as a friction pad but also protects the bark string from wearing away at the spot. Karigo dance song for men and women with one string Karigo lute
- Full Text: false
- Date Issued: 1950
Cisokole
- Verrah Chirwa, Tumbuga girls at the Blantyre Secondary School, Henga and Nyanja grils of Blantyre Secondary School, Hugh Tracey
- Authors: Verrah Chirwa , Tumbuga girls at the Blantyre Secondary School , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186244 , vital:44476 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-04
- Description: This is a story about certain men who went out hunting abd discovered some eggs and ate a few of them. They decided that they would not carry any home, but one of them, because he loved his wife, took home for his wife. His wife made him bring these eggs several times until in the end the snake, which laid these eggs, killed them. The story teller says she was taught this story by her mother's mother. Story song
- Full Text: false
- Date Issued: 1950
- Authors: Verrah Chirwa , Tumbuga girls at the Blantyre Secondary School , Henga and Nyanja grils of Blantyre Secondary School , Hugh Tracey
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Kasungu f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/186244 , vital:44476 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR190-04
- Description: This is a story about certain men who went out hunting abd discovered some eggs and ate a few of them. They decided that they would not carry any home, but one of them, because he loved his wife, took home for his wife. His wife made him bring these eggs several times until in the end the snake, which laid these eggs, killed them. The story teller says she was taught this story by her mother's mother. Story song
- Full Text: false
- Date Issued: 1950
Citawala. 2nd movement
- Benson Phiri, Chewa men, Tracey, Hugh
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187236 , vital:44588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-02
- Description: "Men and women, together with the chief, you have come here to see the clever dancers. We come from towns where we sing like church organs." Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
- Authors: Benson Phiri , Chewa men , Tracey, Hugh
- Date: 1950
- Subjects: Folk music--Africa , Songs, Tumbuka , Tumbuka (African people) , Songs, Chewa , Chewa (African people) , Field recordings , Africa, Sub-Saharan , Africa Malawi Lilongwe f-mw
- Language: Tumbuka , Chewa, Chichewa, Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187236 , vital:44588 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR192-02
- Description: "Men and women, together with the chief, you have come here to see the clever dancers. We come from towns where we sing like church organs." Melody for the 2nd movement. There are two movements in the Muganda dance, the second is performed with drums only and without the Malipenga gourds. Muganda dance, with 1 Bass drum (rubber beaters), I small bass drum (stick beaters) and Malipenga singing gourds with mirliton (-11.14-)
- Full Text: false
- Date Issued: 1950
Dada witu, tiza pantazi pinu
- Dickson Tembo and Ngoni men and women, performer not specified, composer not specified, Tracey, Hugh
- Authors: Dickson Tembo and Ngoni men and women , performer not specified , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/381675 , vital:67588 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO580-D2G6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Dickson Tembo and Ngoni men and women , performer not specified , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi city not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/381675 , vital:67588 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO580-D2G6
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Dada witu, tiza pantazi pinu
- Ngoni men and women, Composer not specified, Tracey, Hugh
- Authors: Ngoni men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/313831 , vital:59532 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2669-XYZ6217
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Ngoni men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Tumbuka
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/313831 , vital:59532 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2669-XYZ6217
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950