Bata wasunga mulundu
- Edward Kalunga, Performer not specified, Tracey, Hugh
- Authors: Edward Kalunga , Performer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345695 , vital:63306 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3970-L2L5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Edward Kalunga , Performer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Zambia city not specified f-za
- Language: Lala
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/345695 , vital:63306 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP3970-L2L5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Nguwenda mela (See how deep the water)
- Authors: Edward Panisi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139064 , vital:37701 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-12
- Description: This was performed by a small boy of about 11 or 12 years old, who is clearly already cut out to be a musician and leader of dances. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1957
- Authors: Edward Panisi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139064 , vital:37701 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-12
- Description: This was performed by a small boy of about 11 or 12 years old, who is clearly already cut out to be a musician and leader of dances. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1957
Tamanangu (Give me water)
- Authors: Edward Panisi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139059 , vital:37700 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-11
- Description: This was performed by a small boy of about 11 or 12 years old, who is clearly already cut out to be a musician and leader of dances. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1957
- Authors: Edward Panisi , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Tonga (Zambezi people) , Folk songs, Tonga (Zambezi) , Music--Zambia , Africa Zambia Gwembe f-za
- Language: Tonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/139059 , vital:37700 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR046-11
- Description: This was performed by a small boy of about 11 or 12 years old, who is clearly already cut out to be a musician and leader of dances. Self-delectative song with Kalumbo bow vertical, braced and gourd resonated.
- Full Text: false
- Date Issued: 1957
Tuibale bonse nwe nseba (Let's flock together like nseba birds)
- Edward Shoni and group of 6 Aushi men, Hugh Tracey
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140105 , vital:37833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "Come, everyone, flock together like the nseba birds, which are never alone. and let us sing this song." Sung when on the way to some festive occassion. Walking song.
- Full Text: false
- Date Issued: 1957
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140105 , vital:37833 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-07
- Description: "Come, everyone, flock together like the nseba birds, which are never alone. and let us sing this song." Sung when on the way to some festive occassion. Walking song.
- Full Text: false
- Date Issued: 1957
Mayo mulume wandi nichinshele (Mother, my husband is a good for nothing)
- Edward Shoni and group of 6 Aushi men, Hugh Tracey
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140114 , vital:37834 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-08
- Description: A woman complains that her husband is an idle good for nothing. "Every morning he says he is going fishing, but he never comes back with any fish. And I am so tired of just cooking vegatables!" The song is sung in the evening when the men return empty-handed after a day's fishing. Mocking song after fishing.
- Full Text: false
- Date Issued: 1957
- Authors: Edward Shoni and group of 6 Aushi men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Ushi (African people) , Music--Zambia , Field recordings , Africa, Sub-Saharan , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/140114 , vital:37834 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR053-08
- Description: A woman complains that her husband is an idle good for nothing. "Every morning he says he is going fishing, but he never comes back with any fish. And I am so tired of just cooking vegatables!" The song is sung in the evening when the men return empty-handed after a day's fishing. Mocking song after fishing.
- Full Text: false
- Date Issued: 1957
Tito, we miripwa naya kukabanga (Tito, don't imitate)
- Edward Shoni and group of 6 Aushi men., Hugh Tracey
- Authors: Edward Shoni and group of 6 Aushi men. , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134403 , vital:37141 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-14
- Description: An uncle says to his nephew: "Don't copy Henry and imitate his songs, but sing the songs of our forefathers." Morality song.
- Full Text: false
- Date Issued: 1957
- Authors: Edward Shoni and group of 6 Aushi men. , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Ambo (Zambia) , Africa Zambia Fort Roseberry f-za
- Language: Aushi
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/134403 , vital:37141 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR0019-14
- Description: An uncle says to his nephew: "Don't copy Henry and imitate his songs, but sing the songs of our forefathers." Morality song.
- Full Text: false
- Date Issued: 1957
Kudandaula kwakunala ulombala
- Authors: Egesi Londoni , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Africa Malawi Boma Liwonde f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151947 , vital:39190 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-15
- Description: This song was accompanied on an improved bangwe with rather more reasonance than the locally made board zither. Tuning of the instrument:- 388, 364, 324, 288, 276, 236, 212 vs. Topical song with Bangwe m'kulu zither.
- Full Text: false
- Date Issued: 1957
- Authors: Egesi Londoni , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Field recordings , Yao (African people)--Music , Africa Malawi Boma Liwonde f-mw
- Language: Yao
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/151947 , vital:39190 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR066-15
- Description: This song was accompanied on an improved bangwe with rather more reasonance than the locally made board zither. Tuning of the instrument:- 388, 364, 324, 288, 276, 236, 212 vs. Topical song with Bangwe m'kulu zither.
- Full Text: false
- Date Issued: 1957
Tshikona
- Eleven Venda men, Tracey, Hugh
- Authors: Eleven Venda men , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187674 , vital:44685 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-01
- Description: The drum was beaten by two men, each with one wooden beater. Each player holds one end-blown pipe and adds his single note to the ensemble as with bell ringers. They dance around the drums in an anti-clockwise circle, performing steps in unison changing the routine with different with different movements of the dance. Scale:- 632, 520, 488, 432, 380, 348, 316, 280, 248, 228, 216. Instrumental tune, pipe ensemble, heptatonic with Chikona pipe ensemble and 1 single-headed, pegged drums, closed with two wooden beaters (-14.02103-)
- Full Text: false
- Date Issued: 1957
- Authors: Eleven Venda men , Tracey, Hugh
- Date: 1957
- Subjects: Folk music--Africa , Venda (African people) , Tsonga (African people) , Folk songs, Tsonga , Folk music--South Africa , Field recordings , Africa, Sub-Saharan , Africa South Africa Sibasa f-sa
- Language: Venda , Tsonga
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/187674 , vital:44685 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR193-01
- Description: The drum was beaten by two men, each with one wooden beater. Each player holds one end-blown pipe and adds his single note to the ensemble as with bell ringers. They dance around the drums in an anti-clockwise circle, performing steps in unison changing the routine with different with different movements of the dance. Scale:- 632, 520, 488, 432, 380, 348, 316, 280, 248, 228, 216. Instrumental tune, pipe ensemble, heptatonic with Chikona pipe ensemble and 1 single-headed, pegged drums, closed with two wooden beaters (-14.02103-)
- Full Text: false
- Date Issued: 1957
Nya mulemalema
- Elias Magidi, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Elias Magidi , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405596 , vital:70186 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV2-KV1E4A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Elias Magidi , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/405596 , vital:70186 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV2-KV1E4A
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Test I on rhythms of children's songs
- Erica Madida from Shadani, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Erica Madida from Shadani , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406465 , vital:70276 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT16-KV7-KV3D1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Erica Madida from Shadani , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406465 , vital:70276 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT16-KV7-KV3D1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Test I on rhythms of children's songs
- Erica Madida from Shadani, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Erica Madida from Shadani , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406460 , vital:70275 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT16-KV7-KV3D1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Erica Madida from Shadani , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406460 , vital:70275 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT16-KV7-KV3D1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Chibola mu lumbai
- Ester Bakankena, 12 Luba women, Hugh Tracey
- Authors: Ester Bakankena , 12 Luba women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Luluabourg f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183931 , vital:44085 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-06
- Description: The solo part of the leader is answered by four long stanzas, or lines of verse by the chorus. Lulua Mukwabumba dance song, with 2 drums, 1 double headed, cylindrical (-14.03201-), 1 conical weighted, with mirliton (-14.21151-)
- Full Text: false
- Date Issued: 1957
- Authors: Ester Bakankena , 12 Luba women , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Songs, Luba-Lulua , Luba (African people) , Field recordings , Africa, Sub-Saharan , Africa Democratic Republic of Congo Luluabourg f-cg
- Language: Luba
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/183931 , vital:44085 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR183-06
- Description: The solo part of the leader is answered by four long stanzas, or lines of verse by the chorus. Lulua Mukwabumba dance song, with 2 drums, 1 double headed, cylindrical (-14.03201-), 1 conical weighted, with mirliton (-14.21151-)
- Full Text: false
- Date Issued: 1957
Test I on rhythms of children's songs
- Evalina Ṋemusula of Ṋemavunde, Performer not specified, composer not specified, Tracey, Hugh
- Authors: Evalina Ṋemusula of Ṋemavunde , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406452 , vital:70274 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT16-KV7-KV3B5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Evalina Ṋemusula of Ṋemavunde , Performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/406452 , vital:70274 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT16-KV7-KV3B5
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Bawo nilele na? (Fathers, are you sleeping)
- Fingo and Mfengu women of Tuku Location, Hugh Tracey
- Authors: Fingo and Mfengu women of Tuku Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Circumcision , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135814 , vital:37301 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-08
- Description: Circumcision song for boys with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Fingo and Mfengu women of Tuku Location , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk songs, Xhosa , Circumcision , Africa South Africa Peddie f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/135814 , vital:37301 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR026-08
- Description: Circumcision song for boys with clapping
- Full Text: false
- Date Issued: 1957
Atshakongwe wamwe muno kuwala kwawo (The women of this country all wear the same kind of dress)
- Authors: Five Nyasa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160804 , vital:40547 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-06
- Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Five Nyasa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160804 , vital:40547 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-06
- Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
- Full Text: false
- Date Issued: 1957
Tyingabenga (The Giant)
- Authors: Five Nyasa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160799 , vital:40546 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-05
- Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
- Full Text: false
- Date Issued: 1957
- Authors: Five Nyasa men , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Malawi , Songs, Nyanja , Nyanja (African people) , Songs, Chewa , Chewa (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Likoma f-mw
- Language: Nyanja/Chewa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/160799 , vital:40546 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-05
- Description: The drum was played with a stick in the left hand tapping on the side of the drum alternately with the head. The right hand kept up the rythm in the usual way. During this lively performnace the bottle player shattered his bottle into fragments, continuing to beat the neck of the beat which remained in his hand until that too disintegrated under the blows of the six inch nail. At the end of the first item the player dashed off to a nearby hut and produced the next best substitute, a new hoe blade. This recording was made by Nyasa workers at a Citrus Estate near Nelspruit, Eastern Transvaal. Party dance with double headed drum, concertina and bottle.
- Full Text: false
- Date Issued: 1957
Tshinanyininya
- Five Venda girls, performer not specified, composer not specified, Tracey, Hugh
- Authors: Five Venda girls , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404588 , vital:70086 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1A3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Five Venda girls , performer not specified , composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa Limpopo Province f-sa
- Language: Venda
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/404588 , vital:70086 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , JBFT14-KV1-KV1A3
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Wdoyika u-Ntusangili
- Five young Ngqika women and girls, Performer not specified, Composer not specified, Tracey, Hugh
- Authors: Five young Ngqika women and girls , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/396231 , vital:69160 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , GM01-02-TR13-A-1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
- Authors: Five young Ngqika women and girls , Performer not specified , Composer not specified , Tracey, Hugh
- Date: 1957
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa South Africa city not specified f-sa
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/396231 , vital:69160 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , GM01-02-TR13-A-1
- Description: Indigenous music
- Full Text: false
- Date Issued: 1957
Wdoyika u-Ntusangili
- Five young Ngqika women and girls (Performers), Composer not specified, Hugh Tracey
- Authors: Five young Ngqika women and girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Kingwilliamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133512 , vital:36985 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR013-02
- Description: Party song for young people, with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Five young Ngqika women and girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Kingwilliamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133512 , vital:36985 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR013-02
- Description: Party song for young people, with clapping
- Full Text: false
- Date Issued: 1957
Mhlahlo
- Five young Ngqika women and girls (Performers), Composer not specified, Hugh Tracey
- Authors: Five young Ngqika women and girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Kingwilliamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133506 , vital:36984 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR013-01
- Description: Party song for young people, with clapping
- Full Text: false
- Date Issued: 1957
- Authors: Five young Ngqika women and girls (Performers) , Composer not specified , Hugh Tracey
- Date: 1957
- Subjects: Folk music--Africa , Folk music--South Africa , Folk songs, Xhosa , Africa South Africa Kingwilliamstown f-za
- Language: Xhosa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/133506 , vital:36984 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR013-01
- Description: Party song for young people, with clapping
- Full Text: false
- Date Issued: 1957