It's the turn of Africa
- Authors: Molendini, Marco
- Language: French
- Type: Article
- Identifier: vital:13613 , http://hdl.handle.net/10962/d1012482
- Description: Photocopied article in Italian about Chris McGregor and 4 musicians playing at the orchestra Rai for the Rai Radiaotre. There is a picture of Chris McGregor playing piano with this article.
- Full Text:
- Authors: Molendini, Marco
- Language: French
- Type: Article
- Identifier: vital:13613 , http://hdl.handle.net/10962/d1012482
- Description: Photocopied article in Italian about Chris McGregor and 4 musicians playing at the orchestra Rai for the Rai Radiaotre. There is a picture of Chris McGregor playing piano with this article.
- Full Text:
Halle That Jazz
- Mulard, Christine, Cosenza, Marie
- Authors: Mulard, Christine , Cosenza, Marie
- Language: French
- Type: Article
- Identifier: vital:13614 , http://hdl.handle.net/10962/d1012484
- Description: Photocopied article from the magazine Jazz Hot about the festival "Halle That Jazz", France. Chris McGregor is taking part of the festival with the band Brotherhood of Breath. The organisers are planning to relocate the festival in other cities in France.
- Full Text:
- Authors: Mulard, Christine , Cosenza, Marie
- Language: French
- Type: Article
- Identifier: vital:13614 , http://hdl.handle.net/10962/d1012484
- Description: Photocopied article from the magazine Jazz Hot about the festival "Halle That Jazz", France. Chris McGregor is taking part of the festival with the band Brotherhood of Breath. The organisers are planning to relocate the festival in other cities in France.
- Full Text:
Portuguise
- Musique Militaire du Premier Groupment, Force Publique, Composer not specified, Tracey, Hugh
- Authors: Musique Militaire du Premier Groupment, Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/202876 , vital:46582 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-034 , Research no. C2U2
- Description: A song which soldiers marched to accompanied by trumpets and a brass band.
- Full Text: false
- Date Issued: 1949-07-07
- Authors: Musique Militaire du Premier Groupment, Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/202876 , vital:46582 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-034 , Research no. C2U2
- Description: A song which soldiers marched to accompanied by trumpets and a brass band.
- Full Text: false
- Date Issued: 1949-07-07
Marche du premier groupement
- Musique Militaire du Premier Groupment, Force Publique, Quenon, V, Tracey, Hugh
- Authors: Musique Militaire du Premier Groupment, Force Publique , Quenon, V , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo UNKNOWN f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/202866 , vital:46581 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-034 , Research no. C2U1
- Description: A military march accompanied by trumpets.
- Full Text: false
- Date Issued: 1949-07-07
- Authors: Musique Militaire du Premier Groupment, Force Publique , Quenon, V , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo UNKNOWN f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/202866 , vital:46581 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-034 , Research no. C2U1
- Description: A military march accompanied by trumpets.
- Full Text: false
- Date Issued: 1949-07-07
Marche du premier groupement
- Musique Militaire du Primier Groupment, Force Publique, Composer not specified, Tracey, Hugh
- Authors: Musique Militaire du Primier Groupment, Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/203035 , vital:46601 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-034 , Research no. C2U7
- Description: A marching song accompanied by a brass band and trumpets.
- Full Text: false
- Date Issued: 1949-07-07
- Authors: Musique Militaire du Primier Groupment, Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/203035 , vital:46601 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-034 , Research no. C2U7
- Description: A marching song accompanied by a brass band and trumpets.
- Full Text: false
- Date Issued: 1949-07-07
Sidi-bel abbes
- Musique Militaire du Primier Groupment, Force Publique, Composer not specified, Tracey, Hugh
- Authors: Musique Militaire du Primier Groupment, Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/203079 , vital:46608 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-035 , Research no. C2U10
- Description: A marching song accompanied by a brass band and trumpets.
- Full Text: false
- Date Issued: 1949-07-07
- Authors: Musique Militaire du Primier Groupment, Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/203079 , vital:46608 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-035 , Research no. C2U10
- Description: A marching song accompanied by a brass band and trumpets.
- Full Text: false
- Date Issued: 1949-07-07
Marche du camp major massart
- Musique Militaire du Primier Groupment., Force Publique, Composer not specified, Tracey, Hugh
- Authors: Musique Militaire du Primier Groupment., Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/203207 , vital:46628 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-035 , Research no. C2U8
- Description: A marching song accompanied by brass and military band.
- Full Text: false
- Date Issued: 1949-07-07
- Authors: Musique Militaire du Primier Groupment., Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/203207 , vital:46628 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-035 , Research no. C2U8
- Description: A marching song accompanied by brass and military band.
- Full Text: false
- Date Issued: 1949-07-07
Defile de l'independence
- Musique Militaire du Primier Groupment., Force Publique, Composer not specified, Tracey, Hugh
- Authors: Musique Militaire du Primier Groupment., Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/203217 , vital:46631 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-035 , Research no. C2U9
- Description: A marching song accompanied by brass and military band.
- Full Text: false
- Date Issued: 1949-07-07
- Authors: Musique Militaire du Primier Groupment., Force Publique , Composer not specified , Tracey, Hugh
- Date: 1949-07-07
- Subjects: Folk music--Africa , Field recordings , Africa, Sub-Saharan , Africa Congo Elizabethville, Lubumbashi f-cg
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/203217 , vital:46631 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Field Tapes, Rhodes University, Makhanda, South Africa , HTFT-035 , Research no. C2U9
- Description: A marching song accompanied by brass and military band.
- Full Text: false
- Date Issued: 1949-07-07
Etude postcoloniale : une analyse thematique et stylistique de quelques reuvres en litterature africaine francophone
- Authors: Mzite, Martha
- Date: 2017
- Language: French
- Type: Thesis , Doctoral , PhD
- Identifier: vital:21356 , http://hdl.handle.net/10962/8116
- Description: This study is a thematic and a stylistic analysis of five novels written by five francophone novelists namely: Calixthe Beyala (La Plantation), Assia Djebar (Nulle part dans la maison de mon pere), Fatou Diome (Celles qui attendent ), Emmanuel Dongala (Photo de groupe au bord du fleuve) and Rabia Diallo (Amours cruelles, beaute coupable). The novels under study investigate the ways in which African women’s lives are affected by factors such as conflict and financial issues. Through the analysis of the above mentioned novels this research seeks to contribute to the body of knowledge in the following ways. Since a lot of literature already exists on African migrants in Europe moreover little information analyses the conditions of those who remain behind hence this thesis seeks to provide an analysis of the plight of mothers, wives and children who remain in the country of origin waiting for the departed men. To shed light on women emancipation, this research also analyses the evolution of women solidarity before and after independence. In relation to the theoretical framework, pro feminist and stylistics theories form the theoretical basis of this study. It is against this background that it can be deduced that the analysis of these set books shows that gender issues aggravate the suppression of African women. As a result, this lessens the circumstances that favor the attainment of selfrealisation. Simone de Beauvoir’s notion of ‘consciousness of oppression’, ‘one is not born a woman’ and Spivak’s essay entitled “Can the Subaltern Speak?” form the theoretical aspect of this research. Simone de Beauvoir’s concept “one is not born a woman”, unfolds the origin of all the factors that subjugate women in society. When she postulates the idea of “consciousness of oppression”, she calls on women to be mindful of their surroundings and free themselves from all societal values that infringe on their rights. The linguistic analysis in this research provides insight into the women’s speech and why they choose certain words. Over and above these concerns, it can be concluded that by emulating the example of these fictional female characters, African women can come together and contribute to their own iii empowerment. In regard to migration, the women and the children who remain behind suffer more than the migrants. , Cette etude est une analyse thematique et stylistique de cinq romans ecrits par cinq romanciers francophones, a savoir Calixthe Beyala (La Plantation), Assia Djebar (Nulle part dans la maison de mon pere), Fatou Diome (Celles qui attendent), Emmanuel Dongala (Photo de groupe au bord du fleuve) et Rabia Diallo (Amours cruelles, beaute coupable). Les romans a l'etude etudient les faqons dont la vie des femmes africaines est affectee par des facteurs tels que les conflits et les questions financieres. En analysant ces romans cette recherche vise a contribuer dans la banque des donnees a travers les manieres suivantes. Etant donne qu'il existe deja beaucoup d’informations sur les migrants africains en Europe, peu d'informations analysent les conditions de ceux qui restent dans le pays d’origine. A cet egard, cette these vise a fournir une analyse du sort des meres, des epouses et des enfants qui restent dans le pays d'origine en attendant les hommes qui sont partis. Pour mettre en lumiere Emancipation des femmes, cette recherche analyse egalement Evolution de la solidarite de femmes avant et apres l'independance. En ce qui concerne le cadre theorique, les theories pro-feministes et stylistiques forment la base theorique de cette etude. L'analyse de ces ouvrages montre que les questions de genre accentuent l’oppression des femmes africaines. En consequence, cela diminue les circonstances qui favorisent la realisation de soi. La notion de « conscience de l'oppression » de Simone de Beauvoir, et aussi sa pensee selon laquelle « on ne nait pas femme, on le devient » forment la base theorique de cette these. Cette vision etablit l’origine de tous les facteurs qui asservissent les femmes dans la societe. La conscience de l’oppression invite la femme a prendre connaissance de son environnement et de se liberer de toutes les valeurs de la societe qui porte atteinte a ses droits. La problematique se resume ainsi « les subalternes, peuvent-elles parler ? » L'analyse linguistique de cette recherche donne un aperqu de la parole des femmes et pourquoi elles choisissent certains mots. Au-dela de ces preoccupations, on peut conclure que, en imitant l'exemple de ces personnages feminins fictifs, les femmes africaines peuvent s’unir et contribuer a leur v propre emancipation. En ce qui concerne la migration, il sera demontre comment les femmes et les enfants qui restent derriere souffrent aussi bien que les migrants.
- Full Text:
- Date Issued: 2017
- Authors: Mzite, Martha
- Date: 2017
- Language: French
- Type: Thesis , Doctoral , PhD
- Identifier: vital:21356 , http://hdl.handle.net/10962/8116
- Description: This study is a thematic and a stylistic analysis of five novels written by five francophone novelists namely: Calixthe Beyala (La Plantation), Assia Djebar (Nulle part dans la maison de mon pere), Fatou Diome (Celles qui attendent ), Emmanuel Dongala (Photo de groupe au bord du fleuve) and Rabia Diallo (Amours cruelles, beaute coupable). The novels under study investigate the ways in which African women’s lives are affected by factors such as conflict and financial issues. Through the analysis of the above mentioned novels this research seeks to contribute to the body of knowledge in the following ways. Since a lot of literature already exists on African migrants in Europe moreover little information analyses the conditions of those who remain behind hence this thesis seeks to provide an analysis of the plight of mothers, wives and children who remain in the country of origin waiting for the departed men. To shed light on women emancipation, this research also analyses the evolution of women solidarity before and after independence. In relation to the theoretical framework, pro feminist and stylistics theories form the theoretical basis of this study. It is against this background that it can be deduced that the analysis of these set books shows that gender issues aggravate the suppression of African women. As a result, this lessens the circumstances that favor the attainment of selfrealisation. Simone de Beauvoir’s notion of ‘consciousness of oppression’, ‘one is not born a woman’ and Spivak’s essay entitled “Can the Subaltern Speak?” form the theoretical aspect of this research. Simone de Beauvoir’s concept “one is not born a woman”, unfolds the origin of all the factors that subjugate women in society. When she postulates the idea of “consciousness of oppression”, she calls on women to be mindful of their surroundings and free themselves from all societal values that infringe on their rights. The linguistic analysis in this research provides insight into the women’s speech and why they choose certain words. Over and above these concerns, it can be concluded that by emulating the example of these fictional female characters, African women can come together and contribute to their own iii empowerment. In regard to migration, the women and the children who remain behind suffer more than the migrants. , Cette etude est une analyse thematique et stylistique de cinq romans ecrits par cinq romanciers francophones, a savoir Calixthe Beyala (La Plantation), Assia Djebar (Nulle part dans la maison de mon pere), Fatou Diome (Celles qui attendent), Emmanuel Dongala (Photo de groupe au bord du fleuve) et Rabia Diallo (Amours cruelles, beaute coupable). Les romans a l'etude etudient les faqons dont la vie des femmes africaines est affectee par des facteurs tels que les conflits et les questions financieres. En analysant ces romans cette recherche vise a contribuer dans la banque des donnees a travers les manieres suivantes. Etant donne qu'il existe deja beaucoup d’informations sur les migrants africains en Europe, peu d'informations analysent les conditions de ceux qui restent dans le pays d’origine. A cet egard, cette these vise a fournir une analyse du sort des meres, des epouses et des enfants qui restent dans le pays d'origine en attendant les hommes qui sont partis. Pour mettre en lumiere Emancipation des femmes, cette recherche analyse egalement Evolution de la solidarite de femmes avant et apres l'independance. En ce qui concerne le cadre theorique, les theories pro-feministes et stylistiques forment la base theorique de cette etude. L'analyse de ces ouvrages montre que les questions de genre accentuent l’oppression des femmes africaines. En consequence, cela diminue les circonstances qui favorisent la realisation de soi. La notion de « conscience de l'oppression » de Simone de Beauvoir, et aussi sa pensee selon laquelle « on ne nait pas femme, on le devient » forment la base theorique de cette these. Cette vision etablit l’origine de tous les facteurs qui asservissent les femmes dans la societe. La conscience de l’oppression invite la femme a prendre connaissance de son environnement et de se liberer de toutes les valeurs de la societe qui porte atteinte a ses droits. La problematique se resume ainsi « les subalternes, peuvent-elles parler ? » L'analyse linguistique de cette recherche donne un aperqu de la parole des femmes et pourquoi elles choisissent certains mots. Au-dela de ces preoccupations, on peut conclure que, en imitant l'exemple de ces personnages feminins fictifs, les femmes africaines peuvent s’unir et contribuer a leur v propre emancipation. En ce qui concerne la migration, il sera demontre comment les femmes et les enfants qui restent derriere souffrent aussi bien que les migrants.
- Full Text:
- Date Issued: 2017
Retour a la Terre
- N'Gbocho Anoma Jacques (vocals), Kokora Bongoua (written, composed, arranged by), Robert (alto saxophone), Oumar Maxim, Narcisse (bass guitar), Yapo Jimmy, Kilola De Bela Bela (chorus), Tia Pierre (Congas Toumba), Aye Hilarion (guitar), Bongoua Joachim (solo guitar, leader), Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals), Osei Kwame (organ, synthesizer), Mario Zani (tenor saxophone), Georges, Isaac, Akissi Leion (trumbet), Showbiz
- Authors: N'Gbocho Anoma Jacques (vocals) , Kokora Bongoua (written, composed, arranged by) , Robert (alto saxophone) , Oumar Maxim, Narcisse (bass guitar) , Yapo Jimmy, Kilola De Bela Bela (chorus) , Tia Pierre (Congas Toumba) , Aye Hilarion (guitar) , Bongoua Joachim (solo guitar, leader) , Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals) , Osei Kwame (organ, synthesizer) , Mario Zani (tenor saxophone) , Georges, Isaac, Akissi Leion (trumbet) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129560 , vital:36306 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-01
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
- Authors: N'Gbocho Anoma Jacques (vocals) , Kokora Bongoua (written, composed, arranged by) , Robert (alto saxophone) , Oumar Maxim, Narcisse (bass guitar) , Yapo Jimmy, Kilola De Bela Bela (chorus) , Tia Pierre (Congas Toumba) , Aye Hilarion (guitar) , Bongoua Joachim (solo guitar, leader) , Aka Yapi Mathieu, Diby Atse Edmond, Anoma Jacques, Seka Rosa (lead vocals) , Osei Kwame (organ, synthesizer) , Mario Zani (tenor saxophone) , Georges, Isaac, Akissi Leion (trumbet) , Showbiz
- Date: 1998
- Subjects: Popular music , Popular music--Africa, West , Africa Cote d'Ivoire Abidjan f-iv
- Language: French
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/129560 , vital:36306 , International Library of African Music, Rhodes University, Grahamstown, South Africa , SDC30-01
- Description: Ako music from Cote d'Ivoire performed by the TP Audiorama Orchestra, the first orchestra to develp this genre of Ivorian music
- Full Text: false
- Date Issued: 1998
Une analyse critique de deux adaptations filmiques de Les Liaisons dangereuses de Pierre Choderlos de Laclos
- Authors: Naumann, Tyler
- Date: 2021-10-29
- Subjects: Film adaptations History and criticism , Laclos, Choderlos de, 1741-1803. Liaisons dangereuses Criticism and interpretation , Liaisons dangereuses (Motion picture) History and criticism , French fiction 18th century History and criticism , Semiotics and motion pictures , Translating and interpreting in motion pictures , Continuum of proximity
- Language: French
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/190284 , vital:44980
- Description: Film adaptation has been practised since the emergence of cinema in France in the early twentieth century. Theorists have identified, however, that a detailed system of analysis of film adaptations remains lacking and that there is a dearth of detailed case studies. This study adopts the lens of intersemiotic translation and seeks to apply a system of analysis, comprised of a synthesis of three existing systems (Cattrysse, Metz, McFarlane). The semiotic transferal of five key sequences from the source text are analysed in their film adaptations. The source text, Les Liaisons dangereuses by Pierre Choderlos de Laclos, an eighteenth-century epistolary novel focusing on the erotic exploits of two nobles in French high society, was chosen for its challenging nature as a film adaptation. Two film adaptations, that at first glance seem to be at the opposing extremes of film adaptation classification: ‘free’ and ‘close’; have been chosen to firstly, better understand the mechanics of the semiotic transferal process, and secondly, to identify at which points these adaptations are constituted as ‘free’ or ‘close’. Since the domain’s theorisation in the early 1930’s, the fidelity debate has remained omnipresent in the analysis of film adaptation. Even though theorists have tried to move away from the fidelity debate, it remains indispensable when comparing an adaptation with the original text and is a key point of departure when analysing the semiotic transferal between source text and screen. Through the lens of translation, theorists have come to question the binary classifications of film adaptations: ‘free’ and ‘close’. Contemporary theorists suggest that proximity to the source text operates on a continuum rather than as a fixed category. As a result of the multi-layered system of analysis used in this study, it has been concluded that the two film adaptations chosen are both ‘free’ and ‘close’ at varying points. Intersemiotic translation used in comparative film adaptations studies is therefore a useful methodological tool that allows for a more detailed and nuanced analysis and strengthens the case for using a continuum of proximity rather than fixed classifications. , Depuis l’émergence du cinéma en France au début du XXe siècle, il existe des adaptations filmiques. Les théoriciens de ce domaine constatent pourtant le manque d’un système d’analyse détaillé de ces adaptations. En plus, il y a une pénurie de cas d’études détaillés. La présente étude vise à prendre l’optique de la traduction intersémiotique et à appliquer un système d’analyse, qui se compose d’une synthèse de trois systèmes existants (Cattrysse, Metz, McFarlane). Le transfert sémiotique sera analysé de cinq séquences clefs du texte source. Le texte source, Les Liaisons dangereuses de Pierre Choderlos de Laclos, roman épistolaire du XVIIIe siècle qui se focalise sur les conquêtes amoureuses de deux aristocrates, a été choisi pour sa nature stimulante en tant que projet d’adaptation filmique. Nous avons choisi deux adaptations, qui à première vue, semblent être aux extrêmes opposés de classements des adaptations filmiques : ‘approchant’ et ‘libre’, pour découvrir les mécanismes du processus du transfert sémiotique, et en deuxième lieu, pour identifier à quels points ces adaptations seraient ‘approchantes’ ou ‘libres’. Dès la théorisation du domaine au début des années 1930, le débat de la fidélité est resté omniprésent dans les analyses des adaptations filmiques. Comparer une adaptation filmique au texte source est fait, et reste un point de départ essentiel lorsque l’analyse du transfert sémiotique entre le texte source et l’écran s’effectue. À travers l’optique de la traduction intersémiotique, les théoriciens ont remis en question les classifications binaires des adaptations filmiques : ‘approchante’, ‘hybride’, et ‘libre’. Les théoriciens contemporains suggèrent que la proximité du texte source s’opère sur un continuum au lieu d’être précisée dans des classements fixes. Grâce au système à multiples composantes utilisé dans cette étude, il a été conclu que les deux adaptations filmiques choisies sont toutes les deux ‘approchantes’ et ‘libres’ aux points variés. La traduction intersémiotique utilisée dans les études comparatives des adaptations filmiques constitue donc un outil méthodologue indispensable qui permet une analyse détaillée et nuancée, et qui renforce les arguments en faveur de l’emploi d’un continuum de proximité qui contourne le problème d’étiquettes rigides et binaires. , Thesis (MA) -- Faculty of Humanities, French Studies, 2021
- Full Text:
- Date Issued: 2021-10-29
- Authors: Naumann, Tyler
- Date: 2021-10-29
- Subjects: Film adaptations History and criticism , Laclos, Choderlos de, 1741-1803. Liaisons dangereuses Criticism and interpretation , Liaisons dangereuses (Motion picture) History and criticism , French fiction 18th century History and criticism , Semiotics and motion pictures , Translating and interpreting in motion pictures , Continuum of proximity
- Language: French
- Type: Master's theses , text
- Identifier: http://hdl.handle.net/10962/190284 , vital:44980
- Description: Film adaptation has been practised since the emergence of cinema in France in the early twentieth century. Theorists have identified, however, that a detailed system of analysis of film adaptations remains lacking and that there is a dearth of detailed case studies. This study adopts the lens of intersemiotic translation and seeks to apply a system of analysis, comprised of a synthesis of three existing systems (Cattrysse, Metz, McFarlane). The semiotic transferal of five key sequences from the source text are analysed in their film adaptations. The source text, Les Liaisons dangereuses by Pierre Choderlos de Laclos, an eighteenth-century epistolary novel focusing on the erotic exploits of two nobles in French high society, was chosen for its challenging nature as a film adaptation. Two film adaptations, that at first glance seem to be at the opposing extremes of film adaptation classification: ‘free’ and ‘close’; have been chosen to firstly, better understand the mechanics of the semiotic transferal process, and secondly, to identify at which points these adaptations are constituted as ‘free’ or ‘close’. Since the domain’s theorisation in the early 1930’s, the fidelity debate has remained omnipresent in the analysis of film adaptation. Even though theorists have tried to move away from the fidelity debate, it remains indispensable when comparing an adaptation with the original text and is a key point of departure when analysing the semiotic transferal between source text and screen. Through the lens of translation, theorists have come to question the binary classifications of film adaptations: ‘free’ and ‘close’. Contemporary theorists suggest that proximity to the source text operates on a continuum rather than as a fixed category. As a result of the multi-layered system of analysis used in this study, it has been concluded that the two film adaptations chosen are both ‘free’ and ‘close’ at varying points. Intersemiotic translation used in comparative film adaptations studies is therefore a useful methodological tool that allows for a more detailed and nuanced analysis and strengthens the case for using a continuum of proximity rather than fixed classifications. , Depuis l’émergence du cinéma en France au début du XXe siècle, il existe des adaptations filmiques. Les théoriciens de ce domaine constatent pourtant le manque d’un système d’analyse détaillé de ces adaptations. En plus, il y a une pénurie de cas d’études détaillés. La présente étude vise à prendre l’optique de la traduction intersémiotique et à appliquer un système d’analyse, qui se compose d’une synthèse de trois systèmes existants (Cattrysse, Metz, McFarlane). Le transfert sémiotique sera analysé de cinq séquences clefs du texte source. Le texte source, Les Liaisons dangereuses de Pierre Choderlos de Laclos, roman épistolaire du XVIIIe siècle qui se focalise sur les conquêtes amoureuses de deux aristocrates, a été choisi pour sa nature stimulante en tant que projet d’adaptation filmique. Nous avons choisi deux adaptations, qui à première vue, semblent être aux extrêmes opposés de classements des adaptations filmiques : ‘approchant’ et ‘libre’, pour découvrir les mécanismes du processus du transfert sémiotique, et en deuxième lieu, pour identifier à quels points ces adaptations seraient ‘approchantes’ ou ‘libres’. Dès la théorisation du domaine au début des années 1930, le débat de la fidélité est resté omniprésent dans les analyses des adaptations filmiques. Comparer une adaptation filmique au texte source est fait, et reste un point de départ essentiel lorsque l’analyse du transfert sémiotique entre le texte source et l’écran s’effectue. À travers l’optique de la traduction intersémiotique, les théoriciens ont remis en question les classifications binaires des adaptations filmiques : ‘approchante’, ‘hybride’, et ‘libre’. Les théoriciens contemporains suggèrent que la proximité du texte source s’opère sur un continuum au lieu d’être précisée dans des classements fixes. Grâce au système à multiples composantes utilisé dans cette étude, il a été conclu que les deux adaptations filmiques choisies sont toutes les deux ‘approchantes’ et ‘libres’ aux points variés. La traduction intersémiotique utilisée dans les études comparatives des adaptations filmiques constitue donc un outil méthodologue indispensable qui permet une analyse détaillée et nuancée, et qui renforce les arguments en faveur de l’emploi d’un continuum de proximité qui contourne le problème d’étiquettes rigides et binaires. , Thesis (MA) -- Faculty of Humanities, French Studies, 2021
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- Date Issued: 2021-10-29
Traveling without passport
- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13624 , http://hdl.handle.net/10962/d1012499
- Description: Photocopied article in French about 2 Piano solo performances of Chris McGregor at la Salle Bleue in Toulouse, France.
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- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13624 , http://hdl.handle.net/10962/d1012499
- Description: Photocopied article in French about 2 Piano solo performances of Chris McGregor at la Salle Bleue in Toulouse, France.
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Chris McGregor's Quartet
- Authors: Nighthawk
- Subjects: McGregor, Chris--1936-1990 , Gouirand, Doudou , Levallet, Didier , Montredon, Jean-Claude
- Language: French
- Type: Article
- Identifier: vital:13618 , http://hdl.handle.net/10962/d1012491 , McGregor, Chris--1936-1990 , Gouirand, Doudou , Levallet, Didier , Montredon, Jean-Claude
- Description: Photocopied article from a French newspaper about a concert by Chris McGregor's Quartet in Toulouse, France.
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- Authors: Nighthawk
- Subjects: McGregor, Chris--1936-1990 , Gouirand, Doudou , Levallet, Didier , Montredon, Jean-Claude
- Language: French
- Type: Article
- Identifier: vital:13618 , http://hdl.handle.net/10962/d1012491 , McGregor, Chris--1936-1990 , Gouirand, Doudou , Levallet, Didier , Montredon, Jean-Claude
- Description: Photocopied article from a French newspaper about a concert by Chris McGregor's Quartet in Toulouse, France.
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Leave the place to the melody
- Authors: Nighthawk
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Article
- Identifier: vital:13621 , http://hdl.handle.net/10962/d1012495 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa)
- Description: Photocopied article in French about Chris McGregor, his music style and the various bands he took part of or created, such as Blue Notes and Brotherhood of Breath. There is a picture of Chris McGregor with the article.
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- Authors: Nighthawk
- Subjects: McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa)
- Language: French
- Type: Article
- Identifier: vital:13621 , http://hdl.handle.net/10962/d1012495 , McGregor, Chris--1936-1990 , Brotherhood of Breath (Musical group) , Blue Notes (Musical group : South Africa)
- Description: Photocopied article in French about Chris McGregor, his music style and the various bands he took part of or created, such as Blue Notes and Brotherhood of Breath. There is a picture of Chris McGregor with the article.
- Full Text:
Hey, Chris!
- Nighthawk, Trubert, Isabelle
- Authors: Nighthawk , Trubert, Isabelle
- Language: French
- Type: Article
- Identifier: vital:13626 , http://hdl.handle.net/10962/d1012502
- Description: Photocopied article from the French magazine Jazz Hot about Chris McGregor's death. There is a picture of Chris McGregor holding a microphone with the article.
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- Authors: Nighthawk , Trubert, Isabelle
- Language: French
- Type: Article
- Identifier: vital:13626 , http://hdl.handle.net/10962/d1012502
- Description: Photocopied article from the French magazine Jazz Hot about Chris McGregor's death. There is a picture of Chris McGregor holding a microphone with the article.
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Chris McGregor: The Incarnation of Music
- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13619 , http://hdl.handle.net/10962/d1012492
- Description: Photocopied article in French about Chris McGregor's career with various bands and as a solo performer. The article is also announcing 2 coming concerts at l'Espace Croix-Baragnon, France. There is a picture of Chris McGregor playing Piano entitled "When he plays, he charms the audience".
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- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13619 , http://hdl.handle.net/10962/d1012492
- Description: Photocopied article in French about Chris McGregor's career with various bands and as a solo performer. The article is also announcing 2 coming concerts at l'Espace Croix-Baragnon, France. There is a picture of Chris McGregor playing Piano entitled "When he plays, he charms the audience".
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Chris McGregor: incomparable pianist
- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13620 , http://hdl.handle.net/10962/d1012494
- Description: Photocopied article about a concert by Chris McGregor's Trio during the conference week organised by Amnesty International in Toulouse, France.
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- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13620 , http://hdl.handle.net/10962/d1012494
- Description: Photocopied article about a concert by Chris McGregor's Trio during the conference week organised by Amnesty International in Toulouse, France.
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The "McGregorian" melody
- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13622 , http://hdl.handle.net/10962/d1012497
- Description: Photocopied article about Chris McGregor's Brotherhood of Breath concert at Mazades.
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- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13622 , http://hdl.handle.net/10962/d1012497
- Description: Photocopied article about Chris McGregor's Brotherhood of Breath concert at Mazades.
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Chris McGregor and the Brotherhood of Breath this evening at Mazades
- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13617 , http://hdl.handle.net/10962/d1012489
- Description: Photocopied article in French about Chris McGregor's Brotherhood of Breath playing a concert at Mazades, in France.
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- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13617 , http://hdl.handle.net/10962/d1012489
- Description: Photocopied article in French about Chris McGregor's Brotherhood of Breath playing a concert at Mazades, in France.
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Troubadours' adventures
- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13625 , http://hdl.handle.net/10962/d1012501
- Description: Photocopied article in French about a meeting at a restaurant between Chris McGregor and Barry Altschul with his Trio. The Trio is touring Europe. There is a picture of Barry Altschul with this article.
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- Authors: Nighthawk
- Language: French
- Type: Article
- Identifier: vital:13625 , http://hdl.handle.net/10962/d1012501
- Description: Photocopied article in French about a meeting at a restaurant between Chris McGregor and Barry Altschul with his Trio. The Trio is touring Europe. There is a picture of Barry Altschul with this article.
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