Ilonge Flute Tune
- Balekebosa Kayala, Composer not specified, Tracey, Hugh
- Authors: Balekebosa Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315860 , vital:59762 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2749-XYZ6230b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Balekebosa Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315860 , vital:59762 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2749-XYZ6230b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge flute tunes
- Balekebosa Kayala, performer not specified, composer not specified, Tracey, Hugh
- Authors: Balekebosa Kayala , performer not specified , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/382167 , vital:67640 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO591-D2R15
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Balekebosa Kayala , performer not specified , composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania city not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/382167 , vital:67640 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , ACO591-D2R15
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Title not specified
- Balekebosa Kayala, Composer not specified, Tracey, Hugh
- Authors: Balekebosa Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315251 , vital:59694 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2712-XYZ6242a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Balekebosa Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315251 , vital:59694 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2712-XYZ6242a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Balekebosa Kayala, Composer not specified, Tracey, Hugh
- Authors: Balekebosa Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315854 , vital:59760 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2749-XYZ6230a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Balekebosa Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/315854 , vital:59760 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP2749-XYZ6230a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge thuli (a
- Balekebosa, Kayala, Composer not specified, Tracey, Hugh
- Authors: Balekebosa, Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/283048 , vital:55904 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1479-XYZT4944a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Balekebosa, Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/283048 , vital:55904 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1479-XYZT4944a
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge thuli (b
- Balekebosa, Kayala, Composer not specified, Tracey, Hugh
- Authors: Balekebosa, Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/283063 , vital:55906 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1479-XYZT4944b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Balekebosa, Kayala , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Nyakyusa
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/283063 , vital:55906 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1479-XYZT4944b
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Balekenosa Kayala, Hugh Tracey
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175273 , vital:42559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-05
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175273 , vital:42559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-05
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Balekenosa Kayala, Hugh Tracey
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175256 , vital:42558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-04
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175256 , vital:42558 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-04
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Balekenosa Kayala, Hugh Tracey
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175251 , vital:42557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-03
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175251 , vital:42557 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-03
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Balekenosa Kayala, Hugh Tracey
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175164 , vital:42549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-01
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness.
- Full Text: false
- Date Issued: 1950
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175164 , vital:42549 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-01
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness.
- Full Text: false
- Date Issued: 1950
Ilonge Flute Tune
- Balekenosa Kayala, Hugh Tracey
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175246 , vital:42556 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-02
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
- Authors: Balekenosa Kayala , Hugh Tracey
- Date: 1950
- Subjects: Nyakyusa (African people) , Zaramo (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kiwira f-tz
- Language: Nyakyusa , Zaramo
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/175246 , vital:42556 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR158-02
- Description: This hunting flute melodies improvised by the player as he sits iutside the hut of a dead friend have a strange fascination. They are played, they said, during the burial feast or wake. A woman can be crying in the background as in mourning. The method of blowing this pipe is interesting. The open, square cut end to the bamboo pipe is partly closed by the tongue, the wind being expelled out of the side of the mouth across the edge of the bamboo. The tongue is used to give a vibrato effect but the purity of tone is marred by the strong edge tone. These tunes, they say, are frequently used for lamenting the dead, and the player will sit all night outside the hut of his dead friend, improvising flute tunes throughout the hours of darkness. Ilonge end blown flutes.
- Full Text: false
- Date Issued: 1950
Bwelela
- Banda, Robison, Nyanja men, Composer not specified, Tracey, Hugh
- Authors: Banda, Robison , Nyanja men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/282938 , vital:55890 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1469-XYZ4914
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Banda, Robison , Nyanja men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/282938 , vital:55890 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1469-XYZ4914
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Amacila kuwowa (a); Kwathu ntele (b
- Banda, Robison, Nyanja men, Composer not specified, Tracey, Hugh
- Authors: Banda, Robison , Nyanja men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/282952 , vital:55891 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1470-XYZ4915
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Banda, Robison , Nyanja men , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Malawi City not specified f-mw
- Language: Nyanja
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/282952 , vital:55891 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1470-XYZ4915
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ngoba yalila mumo yayenda mawaya pemba
- Bangilana Nduhila, Zinza men and women, Composer not specified, Tracey, Hugh
- Authors: Bangilana Nduhila , Zinza men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297231 , vital:57556 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1801-XYZ5200
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Bangilana Nduhila , Zinza men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297231 , vital:57556 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1801-XYZ5200
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ngoma yalila muno yayenda Maraya Pemba
- Bangilana Nduhila, Zinza men and women, Composer not specified, Tracey, Hugh
- Authors: Bangilana Nduhila , Zinza men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291511 , vital:56882 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1779-XYZ5200
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Bangilana Nduhila , Zinza men and women , Composer not specified , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/291511 , vital:56882 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1779-XYZ5200
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Ngoma yalilamuno yayenda Maraya Pemba
- Bangilana Nduhila with Zinza men and women, Hugh Tracey
- Authors: Bangilana Nduhila with Zinza men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalulungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172759 , vital:42277 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-10
- Description: "He is playing his drum well because he is hoping to pick up a girl to take with him to Pemba." The drumming is similar to that found over the border in Ruanda-Urundi (Rwanda), but the singing is not. Kilongo dance song for men and women, with 3 conical laced drums played with sticks and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Bangilana Nduhila with Zinza men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalulungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172759 , vital:42277 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-10
- Description: "He is playing his drum well because he is hoping to pick up a girl to take with him to Pemba." The drumming is similar to that found over the border in Ruanda-Urundi (Rwanda), but the singing is not. Kilongo dance song for men and women, with 3 conical laced drums played with sticks and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Bugenda kilo
- Bangilana Nduhila with Zinza men and women, Hugh Tracey
- Authors: Bangilana Nduhila with Zinza men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalulungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172750 , vital:42276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-09
- Description: 'You are too fond of visiting villages in search of women. One day you will meet an angry man who will hit you." The drumming is similar to that found over the border in Ruanda-Urundi (Rwanda), but the singing is not. Kilongo dance song for men and women, with 3 conical laced drums played with sticks and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
- Authors: Bangilana Nduhila with Zinza men and women , Hugh Tracey
- Date: 1950
- Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Nyalulungo f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/172750 , vital:42276 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR147-09
- Description: 'You are too fond of visiting villages in search of women. One day you will meet an angry man who will hit you." The drumming is similar to that found over the border in Ruanda-Urundi (Rwanda), but the singing is not. Kilongo dance song for men and women, with 3 conical laced drums played with sticks and clapping (-12.03-).
- Full Text: false
- Date Issued: 1950
Bugenda Kilo
- Banjilana Nduhila, Zinza men and women, Folk, Tracey, Hugh
- Authors: Banjilana Nduhila , Zinza men and women , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297158 , vital:57548 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1797-XYZ5199
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Banjilana Nduhila , Zinza men and women , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297158 , vital:57548 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1797-XYZ5199
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
Bana wame namu hekecha
- Banjilana Nduhila, Zinza men and women, Folk, Tracey, Hugh
- Authors: Banjilana Nduhila , Zinza men and women , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297168 , vital:57549 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1797-XYZ5199
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
- Authors: Banjilana Nduhila , Zinza men and women , Folk , Tracey, Hugh
- Date: 1950
- Subjects: Folk Music , Field recordings , Africa, Sub-Saharan , Africa Tanzania City not specified f-tz
- Language: Zinza
- Type: sound recordings , field recordings , sound recording-musical
- Identifier: http://hdl.handle.net/10962/297168 , vital:57549 , International Library of African Music, Rhodes University, Makhanda, South Africa , Hugh Tracey Commercial Records, Rhodes University, Makhanda, South Africa , TP1797-XYZ5199
- Description: Indigenous music
- Full Text: false
- Date Issued: 1950
A study of the E region of the ionosphere
- Authors: Barnard, A J
- Date: 1950
- Subjects: Ionosphere -- Research
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5549 , http://hdl.handle.net/10962/d1013464
- Description: After a brief historical introduction, the apparatus used in the investigation of the ionosphere in Grahamstown, is described with special reference to the recording equipment, which consists essentially of a camera focussed on the screen of a C.R.O. with z-axis deflection. The equations of the magneto-ionic theory are quoted. The basic formulae of the theories of layer formation in an isothermal (Chapman's),and linear temperature gradient (Gledhill and Szendrei) atmosphere are also quoted.
- Full Text:
- Date Issued: 1950
- Authors: Barnard, A J
- Date: 1950
- Subjects: Ionosphere -- Research
- Language: English
- Type: Thesis , Masters , MSc
- Identifier: vital:5549 , http://hdl.handle.net/10962/d1013464
- Description: After a brief historical introduction, the apparatus used in the investigation of the ionosphere in Grahamstown, is described with special reference to the recording equipment, which consists essentially of a camera focussed on the screen of a C.R.O. with z-axis deflection. The equations of the magneto-ionic theory are quoted. The basic formulae of the theories of layer formation in an isothermal (Chapman's),and linear temperature gradient (Gledhill and Szendrei) atmosphere are also quoted.
- Full Text:
- Date Issued: 1950