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Silandele Unjenje oyana

- Joel M, Ngoni men, Nsenga women, Hugh Tracey

Silandele Unjenje oyana

- Ngoni men, Gogo men, Folk, Tracey, Hugh

Sili nisichotamani sili ongawa ni dawa

- Saadani Abdu Kandoro, Hugh Tracey

Silikali

- Muswankuli, Misaki, Ruli men, Tracey, Hugh

Simba lumi

- Sanyenke Gethula, Sukuma men, Composer not specified, Tracey, Hugh

Simba lumi

- Sanyenke Gethula with Sukuma men, Hugh Tracey

  • Authors: Sanyenke Gethula with Sukuma men , Hugh Tracey
  • Date: 1950
  • Subjects: Nyamwezi (African people) , Sukuma (African people) , Folk songs, Sukuma , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Kisesa f-tz
  • Language: Nyamwezi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/173397 , vital:42366 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR150-14
  • Description: "The lion has spots like a leopard. He is a brave fighter." Tribal fighting is still within living memory of the Sukuma and the old songs can still be heard occasionally in the country.Their neighbours still raid them for their cattle and have to be fought off. Why the lion should have spots like a leopard is not clear, except that a young lion retains for a while the spotted marks with which it is born. Fighting song.
  • Full Text: false
  • Date Issued: 1950

Simba riri mu maropa

- Harare seventh Day Adventist Choir, performer not specified, Composer not specified, Tracey, Hugh

Simba riri mu maropa

- Harare Seventh Day Adventist Choir, Composer not specified, Tracey, Hugh

Simbonani mtimba

- The Seven wives of Chief Mbelwa, Performer not specified, composer not specified, Tracey, Hugh

Singila

- Francis Keter with Nandi men, Hugh Tracey

Singila

- Francis Keler, Nandi boys, Tracey, Hugh

Sinibonani mtimba (Good morning bride)

- The seven wives of the Chief, Hugh Tracey

  • Authors: The seven wives of the Chief , Hugh Tracey
  • Date: 1950
  • Subjects: Folk music--Malawi , Songs, Zulu , Zulu (African people) , Folk music , Field recordings , Africa, Sub-Saharan , Africa Malawi Mzimba f-mw
  • Language: Zulu
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/160898 , vital:40559 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR099-16
  • Description: The spokesman of the bridegroom presents his man, and the women sing their acceptance of him, sitting on the ground. The song ends with 'Bayete' (hail). The song long associated with the Zulu wedding custom in Natal but separated by over 100 years and a thousand miles, show how persistent and nostalgic old songs can be in a strange land inhabited by African 'colonials'. Wedding song.
  • Full Text: false
  • Date Issued: 1950

Sinyenye Mama

- Mukhungarilwa, Nyamwezi women, Composer not specified, Tracey, Hugh

Sinyenye mama

- Mukhunganilwa with Nyamwezi women, Hugh Tracey

  • Authors: Mukhunganilwa with Nyamwezi women , Hugh Tracey
  • Date: 1950
  • Subjects: Zinza (African people) , Rundi (African people) , Nyamwezi (African people) , Folk songs, Rundi , Folk music , Field recordings , Africa, Sub-Saharan , Africa Tanzania Tabora f-tz
  • Language: Nyamwezi
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/172970 , vital:42303 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR148-07
  • Description: "When it became clear that my friend had no drums, I went to her to tell her that we had drums." In this area most of the domestic work in European houses is done by men, familiarly called 'boy'. The woman mentioned in the song became a domestic servant, but, the song says, she repented her decision and preferred to get married and have a home of her own. The connection between this song and the divination of the old woman who sanf it is not clear. Migabo is said to be the name of a group of older people, mostly women, who believe in the power of divination to assist their friends and relatives. Migabo divination songs, with 3 conical laced drums, and 4 gourd rattles (-12.54-).
  • Full Text: false
  • Date Issued: 1950

Siolo

- Chebitet Arap Maina, Hugh Tracey

  • Authors: Chebitet Arap Maina , Hugh Tracey
  • Date: 1950
  • Subjects: Kipsigis (African people) , Folk music--Kenya , Folk music , Field recordings , Africa, Sub-Saharan , Africa Kenya Kapkatet f-ke
  • Language: Kipsigis
  • Type: sound recordings , field recordings , sound recording-musical
  • Identifier: http://hdl.handle.net/10962/177835 , vital:42880 , International Library of African Music, Rhodes University, Grahamstown, South Africa , TR166-08
  • Description: The Ketuba 8 string lyre has the same order of notes as the Thum played by the luo people to the west near the lake Victoria. The first and second strings are duplicated by the seveth and eigth. The singer extrolls the finess of the places and people in his district. Praise song with Ketuba 8 string bowl lyre (-10.621 x 8-).
  • Full Text: false
  • Date Issued: 1950

Siolo

- Chebitet Arap Maina, performer not specified, Tracey, Hugh

Siolo

- Chebitet Arap Maina, Tracey, Hugh

Sirinta

- Mulanda, Francois, Tracey, Hugh

Sishane

- Sema, Frans, Composer not specified, Tracey, Hugh

Sisi sote tukea

- Gungu, Dickson, Arab children, Tracey, Hugh

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